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  • March 1, 1794
  • Page 72
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The Freemasons' Magazine, March 1, 1794: Page 72

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    Article EPILOGUE. ← Page 2 of 3 →
Page 72

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Epilogue.

NEW DRURY-LANE THEATRE , MARCH ia . Tills Theatre opened with an Oratorio , consisting of a Grand Selection of Sacred Music . Language can convey but a very inadequate idea of a ' spectacle , we will venture to say , the grandest ever displayed in this kingdom . The theatre combines , in the happiest manner , elegance and simplicity . It is large , without the audience being in any one part of it too iiv from the stage . It is lofty , without offending the eye with too heihtand constructedthat in the lowest tones

great a g ; so judiciously , every part may be heard distinctly . ¦ It not being the province of a Magazine to record the transient entertainments perir odically produced by selections of music , and which can scarcely be said to form any part of the drama , we shall proceed to give a particular , „

DESCRIPTION OF THE NEW BUILDING .: Although the foundations and great part of the main walls : were finished some time since , and had , therefore , the advantage of drying and settling , the internal parts of the theatre have been completed with unprecedented expedition . ¦ The same circumstances which interrupted a while the forwarding the theatre , rendered it impossible to proceed on the buildings around , which , together with the theatre , will form one great and complete plan , standing foremost in the rank of public edifices in this metropolis .

The convenience and safety of the public will , besides , be very effectually provided jfor by covering the footway with a colonade of the Grecian Ionic order ( a part of which is executed ) affording shelter below , and , at the same time , forming a terrace before the windows of the theatre above , which , when secured with ornamented iron-work , and lighted by a number of lamps , as it is intended it shall be . will contribute very greatly to the elegance of the appearance . The plan will include an area of upwards of 320 feet in length , by 155 in breadth , and the height of the building , measuring

from the substruction to the roof , is 118 feet . The buildings which surround the theatre are faced with' Portland stone , and will be finished with a ballustrade . The theatre , which rises above them , is to be faced with stone , and finishecl with a ballustrade . Through the roof rises a turret , masking a large ventilator , and a staircase which leads to a terrace on the roof . On the summit is placed a figure of Apollo , more than 16 feet high , which is to be removed to the west front when finished , and replaced by one of Shakespear . The accommodations for the stage are upon a much larger scale than those of any other theatre in Europe . The opening for the scenery is 43 feet wide and 3 8 high ;

after which the painter and mechanist will have a large space of 8 5 feet in width , 95 in length , and no in height , for the exertion of their respective abilities . In the roof of the theatre are contained , besides the barrel loft , ample room for the scene-painters , and four very large reservoirs , from which water is distributed over every part of the house , for the purpose of instantly extinguishing fire , in any part where such an accident is possible : at the same time the greatest precautions have been used to prevent any such misfortune , by the application of every kind of security that and ingenuity can suggestBesides other precautionsan iron curtain

expence . , ) ias been contrived , which' , on any such occasion , would completely prevent all com--fnunication between th . e audience and stage , where alone accidents by fire liave beea known to commence ! ' The audience part of the theatre is forrned nearly on a semi-circular plan . It contains a pit , eight boxes oh each side of the pit , two rows of boxes above them , and two galleries , which command a full view of every part of the stage . On each side of the galleries are two more rows of boxes , rising to a cove , which is so contrived as to

form the cicling into a complete circle . The Proscenium , or that part of the stage which is contained between the curtain and orchestra , is fitted up with boxes , but without any stage door , or the usual addition of large columns . The boxes are furnished with chairs in the front rows , and behincl with benches . The trimming and covering are all of blue velvet . The corridors which surround the boxes arc spacious , and communicate with each other by means of staircases in the angles of the theatre , At the west end of the theatre there is a very large semi-circular room ; opening by an arch to the corridors , and

“The Freemasons' Magazine: 1794-03-01, Page 72” Masonic Periodicals Online, Library and Museum of Freemasonry, 23 May 2025, django:8000/periodicals/fmm/issues/fmm_01031794/page/72/.
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Title Category Page
Untitled Article 1
LONDON: Article 1
ACKNOWLEDGMENTS TO CORRESPONDENTS. Article 2
THE FREEMASONS' MAGAZINE. OR GENERAL AND COMPLETE LIBRARY. Article 3
MASONIC ANECDOTE. Article 8
ACCOUNT OF JOHN WATKINS, L. L. D. Article 10
JOHN COUSTOS, FREEMASON. Article 12
BRIEF ACCOUNT OF COLONEL MAEK, Article 16
LETTER Article 17
TRANSLATION OF QUEEN ELIZABETH'S LETTER TO MARY QUEEN OF SCOTS, Article 17
CHARACTER OF RICHARD CUMBERLAND, Article 18
TO THE EDITOR OF THE FREEMASONS' MAGAZINE. Article 19
AN ACCOUNT OF DRUIDISM. Article 20
LIFE OF PHILIP EGALITE, LATE DUKE OF ORLEANS. Article 25
ACCOUNT OF PENPARK-HOLE, Article 32
ON READING. Article 36
CARD Article 37
TO THE EDITOR OF THE FREEMASONS' MAGAZINE. Article 38
CHARACTERS WRITTEN IN THE LAST CENTURY. Article 39
ON AFRICAN SLAVERY. Article 41
ORIGINAL LETTER OF DOCTOR JOHNSON. Article 45
ANECDOTES OF THE LATE HUGH KELLY. Article 47
PLAN OF EDUCATION. Article 52
A VIEW OF THE PROGRESS OF NAVIGATION. Article 55
ANECDOTES OF J—— SWARTS. Article 59
PARLIAMENTARY PROCEEDINGS. Article 60
HOUSE OF COMMONS, FINANCIAL MEASURE OF FRANCE. Article 62
STRICTURES ON PUBLIC AMUSEMENTS. Article 70
EPILOGUE. Article 71
PHILOSOPHICAL EXPERIMENT . Article 73
POETRY. Article 74
ADVICE TO A PAINTER. Article 75
THE ENQUIRY. Article 76
PROCRASTINATION. Article 76
MONTHLY CHRONICLE. Article 76
PREFERMENTS. Article 80
MARRIAGES. Article 80
DEATHS. Article 81
BANKRUPTS. Article 82
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Epilogue.

NEW DRURY-LANE THEATRE , MARCH ia . Tills Theatre opened with an Oratorio , consisting of a Grand Selection of Sacred Music . Language can convey but a very inadequate idea of a ' spectacle , we will venture to say , the grandest ever displayed in this kingdom . The theatre combines , in the happiest manner , elegance and simplicity . It is large , without the audience being in any one part of it too iiv from the stage . It is lofty , without offending the eye with too heihtand constructedthat in the lowest tones

great a g ; so judiciously , every part may be heard distinctly . ¦ It not being the province of a Magazine to record the transient entertainments perir odically produced by selections of music , and which can scarcely be said to form any part of the drama , we shall proceed to give a particular , „

DESCRIPTION OF THE NEW BUILDING .: Although the foundations and great part of the main walls : were finished some time since , and had , therefore , the advantage of drying and settling , the internal parts of the theatre have been completed with unprecedented expedition . ¦ The same circumstances which interrupted a while the forwarding the theatre , rendered it impossible to proceed on the buildings around , which , together with the theatre , will form one great and complete plan , standing foremost in the rank of public edifices in this metropolis .

The convenience and safety of the public will , besides , be very effectually provided jfor by covering the footway with a colonade of the Grecian Ionic order ( a part of which is executed ) affording shelter below , and , at the same time , forming a terrace before the windows of the theatre above , which , when secured with ornamented iron-work , and lighted by a number of lamps , as it is intended it shall be . will contribute very greatly to the elegance of the appearance . The plan will include an area of upwards of 320 feet in length , by 155 in breadth , and the height of the building , measuring

from the substruction to the roof , is 118 feet . The buildings which surround the theatre are faced with' Portland stone , and will be finished with a ballustrade . The theatre , which rises above them , is to be faced with stone , and finishecl with a ballustrade . Through the roof rises a turret , masking a large ventilator , and a staircase which leads to a terrace on the roof . On the summit is placed a figure of Apollo , more than 16 feet high , which is to be removed to the west front when finished , and replaced by one of Shakespear . The accommodations for the stage are upon a much larger scale than those of any other theatre in Europe . The opening for the scenery is 43 feet wide and 3 8 high ;

after which the painter and mechanist will have a large space of 8 5 feet in width , 95 in length , and no in height , for the exertion of their respective abilities . In the roof of the theatre are contained , besides the barrel loft , ample room for the scene-painters , and four very large reservoirs , from which water is distributed over every part of the house , for the purpose of instantly extinguishing fire , in any part where such an accident is possible : at the same time the greatest precautions have been used to prevent any such misfortune , by the application of every kind of security that and ingenuity can suggestBesides other precautionsan iron curtain

expence . , ) ias been contrived , which' , on any such occasion , would completely prevent all com--fnunication between th . e audience and stage , where alone accidents by fire liave beea known to commence ! ' The audience part of the theatre is forrned nearly on a semi-circular plan . It contains a pit , eight boxes oh each side of the pit , two rows of boxes above them , and two galleries , which command a full view of every part of the stage . On each side of the galleries are two more rows of boxes , rising to a cove , which is so contrived as to

form the cicling into a complete circle . The Proscenium , or that part of the stage which is contained between the curtain and orchestra , is fitted up with boxes , but without any stage door , or the usual addition of large columns . The boxes are furnished with chairs in the front rows , and behincl with benches . The trimming and covering are all of blue velvet . The corridors which surround the boxes arc spacious , and communicate with each other by means of staircases in the angles of the theatre , At the west end of the theatre there is a very large semi-circular room ; opening by an arch to the corridors , and

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