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  • April 1, 1797
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The Freemasons' Magazine, April 1, 1797: Page 16

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    Article PRESENT STATE OF THE SPANISH THEATRE. ← Page 4 of 5 →
Page 16

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Present State Of The Spanish Theatre.

sures are a part of our manners : they must be suffered to sink into disuse before they can be successfully combatted , ancl then they are no longer dangerous . - ^ Cervantes seeing that his indirect attack had not succeeded , chose rather to palliate what he could not correct . He introduced in one of his pieces two allegorical personages , Comedy and Curiosity . A part of the dialogue between these was as follows : —

Curiosity . ' Comedy . Comedy . ' What desirest thou of me ? Curiosity . ' I wish to know why thou hast quitted the sock , buskins , and mantle ? For what reason hast thou reduced to three , the five acts which formerly made thee so grave , noble , and stately ? I see thee pass in the twinkling of an eye from Spain into Flanders : thou

confoundest time and places , and art no longer the same , person . Give me some account of thyself , for thou knowest I was ever thy friend . ' Comedy . 'lama " little changed by time , which wished to improve me . I was formerly a good creature enough ; and , if thou considerestmewell , thou wilt find that I am not now a bad one , although I may have wandered a little from the paths traced out for me by Plautus , de

Terence , and all the ancients with whom thou art acquainted . I - scribe a thousand events , not by my words as formerly , but in action , and for this purpose it is sometimes necessary for me to remove from one place to another . I am like a map of the world , in which London is within a finger ' s breadth of Rome . It is of little consequence to persons who see and hear me , whether or not I go from Europe to Asia , provided I do not leave the threatve . Thought is agile , and can follow me wherever I lead , without being fatigued or losing

sight of me . ' Beneath this irony Cervantes endeavoured to convey instruction to his cotemporaries ; but the necessity he was under of pleasing , and especially of living , forced him to compose as others did . Bad taste was perpetuated , for that Monster of Nature , as Cervantes calls him , the famous Lopes de Vega , who filled the world with comedies , then made his . He wrote upwards of eihteen hundred

theaappearance g trical pieces ; but the most whimsical and incongruous incidents , the most extravagant language , a jargon almost unintelligible , and the most disgusting bombast , compose the greatest part of the whole . However , the facility of certain thoughts , and . the happy manner in ivhich " they are expressed , are astonishing ; yet still the offences committed against true taste in every line , renders the reading of

this author difficult , and makes us pay dearly for a few strokes of genius . It must not be imagined that all the Spaniards are enthusiasts in their admiration of Lopes de Vega . He has , amongst his countrymen , more than one learned and judicious critic , who has endeavoured to circumscribe within the rules which Nature seems to dictate , the invention of comic authors , and the taste of the public . There never was a more fertile pen than that of Lopes de Vega . According to a calculation made of his works , what he wrote amounted

“The Freemasons' Magazine: 1797-04-01, Page 16” Masonic Periodicals Online, Library and Museum of Freemasonry, 24 May 2025, django:8000/periodicals/fmm/issues/fmm_01041797/page/16/.
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Title Category Page
Untitled Article 1
Untitled Article 2
LONDON: Article 2
TO READERS, CORRESPONDENTS, &c. Article 3
THE SCIENTIFIC MAGAZINE, AND FREEMASONS' REPOSITORY, Article 4
ON LEAVING LEHENA , † IN OCTOBER, 1788. Article 5
ANCIENT AND MODERN FRANCE. Article 7
REMARKABLE INSTANCES OF THE EFFECT OF FEAR. Article 8
AUTHENTIC PARTICULARS RELATIVE TO THE DEATH OF ROBESPIERRE. Article 10
PRESENT STATE OF THE SPANISH THEATRE. Article 13
DESCRIPTION OF THE ISLAND OF TRINIDAD, Article 18
RISE AND FALL OF BEARDS. Article 21
AN ACCOUNT OF THE DEATH OF THE COUNTESS CORNELIA BAUDI, OF CESENA; Article 24
SHORT DESCRIPTION OF AUSTRIA, Article 28
ANECDOTE OF THE EMPEROR THEODOSIUS. Article 31
ON THE PROFLIGATE MANNERS OF THE CITY OF AVIGNON, Article 32
ORIGINAL LETTER OF PETRARCH TO A FRIEND, Article 33
OF THE DESTRUCTION MADE BY DUELLING IN FRANCE, IN THE LAST CENTURY. Article 33
FREEMASONS' REPOSITORY. Article 34
MASONIC INTELLIGENCE. Article 36
CUMBERLAND FREEMASONS' SCHOOL. Article 36
PRESTONIAN LECTURES. Article 36
GRAND LODGE OF SCOTLAND. Article 37
UNITED STATES OF AMERICA. Article 37
TO GEORGE WASHINGTON, PRESIDENT OF THE UNITED STATES, THE ADDRESS OF THE GRAND LODGE OF PENNSYLVANIA. Article 38
REVIEW OF NEW PUBLICATIONS. Article 39
POETRY. Article 50
EPILOGUE TO THE SAME. Article 50
THE CHANGES OF NATURE. Article 50
TO A RED BREAST: Article 51
THE LAIRD AND THE LASS O' LALLAN's MILL . Article 51
THE LAPLAND WITCHES. Article 52
LOUISA: A FUNERERL WREATH. Article 52
SONNET IV. Article 52
LE CORDIER. Article 53
THE TWISTER. Article 53
TO THE EVENING STAR. Article 53
THE DESCRIPTION OF A STORM. Article 53
PUBLIC AMUSEMENTS. Article 54
REPORT OF THE PROCEEDINGS OF THE BRITISH PARLIAMENT. Article 56
HOUSE OF COMMONS. Article 57
MONTHLY CHRONICLE. Article 62
OBITUARY. Article 69
LIST OF BANKRUPTS. Article 73
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Page 16

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Present State Of The Spanish Theatre.

sures are a part of our manners : they must be suffered to sink into disuse before they can be successfully combatted , ancl then they are no longer dangerous . - ^ Cervantes seeing that his indirect attack had not succeeded , chose rather to palliate what he could not correct . He introduced in one of his pieces two allegorical personages , Comedy and Curiosity . A part of the dialogue between these was as follows : —

Curiosity . ' Comedy . Comedy . ' What desirest thou of me ? Curiosity . ' I wish to know why thou hast quitted the sock , buskins , and mantle ? For what reason hast thou reduced to three , the five acts which formerly made thee so grave , noble , and stately ? I see thee pass in the twinkling of an eye from Spain into Flanders : thou

confoundest time and places , and art no longer the same , person . Give me some account of thyself , for thou knowest I was ever thy friend . ' Comedy . 'lama " little changed by time , which wished to improve me . I was formerly a good creature enough ; and , if thou considerestmewell , thou wilt find that I am not now a bad one , although I may have wandered a little from the paths traced out for me by Plautus , de

Terence , and all the ancients with whom thou art acquainted . I - scribe a thousand events , not by my words as formerly , but in action , and for this purpose it is sometimes necessary for me to remove from one place to another . I am like a map of the world , in which London is within a finger ' s breadth of Rome . It is of little consequence to persons who see and hear me , whether or not I go from Europe to Asia , provided I do not leave the threatve . Thought is agile , and can follow me wherever I lead , without being fatigued or losing

sight of me . ' Beneath this irony Cervantes endeavoured to convey instruction to his cotemporaries ; but the necessity he was under of pleasing , and especially of living , forced him to compose as others did . Bad taste was perpetuated , for that Monster of Nature , as Cervantes calls him , the famous Lopes de Vega , who filled the world with comedies , then made his . He wrote upwards of eihteen hundred

theaappearance g trical pieces ; but the most whimsical and incongruous incidents , the most extravagant language , a jargon almost unintelligible , and the most disgusting bombast , compose the greatest part of the whole . However , the facility of certain thoughts , and . the happy manner in ivhich " they are expressed , are astonishing ; yet still the offences committed against true taste in every line , renders the reading of

this author difficult , and makes us pay dearly for a few strokes of genius . It must not be imagined that all the Spaniards are enthusiasts in their admiration of Lopes de Vega . He has , amongst his countrymen , more than one learned and judicious critic , who has endeavoured to circumscribe within the rules which Nature seems to dictate , the invention of comic authors , and the taste of the public . There never was a more fertile pen than that of Lopes de Vega . According to a calculation made of his works , what he wrote amounted

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