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  • May 1, 1795
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The Freemasons' Magazine, May 1, 1795: Page 64

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    Article STRICTURES ON PUBLIC AMUSEMENTS. Page 1 of 5 →
Page 64

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Strictures On Public Amusements.

STRICTURES ON PUBLIC AMUSEMENTS .

APRIL 17 . AT Drury Lane Theatre was presented for the first time a new Comedy ( by Mr . Jerningham ) called " THE WELCH HEIRESS , " the characters of which were as follow : Lord Melford , - Mr . PALMER . Sir Peppall Plinlimmon , - - Mr . DODD .

Mr . Fashion , - - - - - Mr . BARRYMORE . Classical Frenzy , - . - - - Mr . BANNISTER , jun . Fancy , - -- .- _ . Mr . R . PALMER . Conscience , - - - - - Mr . SUETT . Lady Bellair , ----- Miss FARKEN . Lady Plinlimmon , - - - - - Miss POPE . Miss Plinlimmon , - - - - Mrs . JORDAN .

The play opens with a conversation between Fashion and Lady Bellair , from which it appears , that the Plinlimmons are visitors at the seat of her brother , Lord Melford , who , by marrying Miss Plinlimmon is to clear the many incumbrances of his estate . His disgust at the manners of his intended bride , which sometimes indicate simplicity and sometimes cunning , begins in the first act , and continues to increase , yet without changing his design upon her fortune , till the fifth , when heexpresses some reluctance to their union , and persuades Fashion

to oiler himself to her . The marriage of Fashion and Miss Plinlimmon , which takes place almost immediately , concludes the story of the piece . Lady Bellair has been separated from her husband before the play , and remains so after . vards . Frenzy is a neglected and indignant poet , whose schemes for popularity give some activity to the beginning of the piece , but have no connection with the story . Fancy is a painter , and Conscience an attorney . The performance was favourably received till towards the conclusion of the fourth act , from which time till the dropping of the curtain there were frequent symptoms of disapprobation . It has been since withdrawn .

PROLOGUE , WRITTEN BY MR . TAYLOR . " SHOOT Folly as it flies . " Such is the game At which , ' tis said , the Comic Muse should aim ; The darker passions that the heart deform , And spread o ' er groaning states the moral storm , Are pompous themes the sportive maid resigns

To swell her solemn sister ' s lofty lines . Yet , when she fain would strike such tow'ring prey , The serious damsel takes thesafest way : Though proud , yet prudent—wounding guilt too high To wake in you the self-reproaching sigh ; In sluggish apathy you careless sit , Nor smart for crimes that you could ne ' er commit : But , in the comic province who shall dare . To ' touch the faults that you may haply share ?

“The Freemasons' Magazine: 1795-05-01, Page 64” Masonic Periodicals Online, Library and Museum of Freemasonry, 30 May 2025, django:8000/periodicals/fmm/issues/fmm_01051795/page/64/.
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Title Category Page
Untitled Article 1
LONDON : Article 1
TO OUR READERS, CORRESPONDENTS, &c. Article 2
PRICES OF BINDING PER VOLUME. Article 2
Untitled Article 3
THE FREEMASONS' MAGAZINE, OR GENERAL AND COMPLETE LIBRARY. Article 4
THE STAGE. Article 6
SKETCH OF THE CHARACTER OF THE LATE JAMES BOSWELL, ESQ. Article 8
BRIEF HISTORY OF THE RELIGIOUS AND MILITARY ORDER OF THE KNIGHTS TEMPLARS OF ST. JOHN OF JERUSALEM. Article 10
ANECDOTE OF THE LATE SIR RICHARD ARKWRIGHT. Article 19
ANTICIPATION. Article 20
EXTRACT FROM THE WILL OF THE LATE MR. BOWYER, PRINTER, OF LONDON. Article 22
CURIOUS PARTICULARS RESPECTING THE LAST KING OF CORSICA. Article 23
SPECIMEN OF AN. INTENDED HISTORY OF ENGLAND. Article 26
THE FREEMASON. Article 30
STORY OF URBAIN GRANDIER. Article 33
BASEM; OR, THE BLACKSMITH. AN ORIENTAL APOLOGUE. Article 39
ACCOUNT AND DESCRIPTION OF THE CHAPEL OF ROSLIN, &c. Article 46
PARLIAMENTARY PROCEEDINGS. Article 50
POETRY. Article 59
PRESENTED TO A YOUNG LADY, Article 61
EPITAPH. Article 61
Untitled Article 62
AN ELEGY, Article 62
MUTUAL OBLIGATION. Article 63
TO THE STORKS AT AMSTERDAM. Article 63
STRICTURES ON PUBLIC AMUSEMENTS. Article 64
MASONIC INTELLIGENCE. Article 68
MONTHLY CHRONICLE. Article 69
BANKRUPTS. Article 73
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Page 64

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Strictures On Public Amusements.

STRICTURES ON PUBLIC AMUSEMENTS .

APRIL 17 . AT Drury Lane Theatre was presented for the first time a new Comedy ( by Mr . Jerningham ) called " THE WELCH HEIRESS , " the characters of which were as follow : Lord Melford , - Mr . PALMER . Sir Peppall Plinlimmon , - - Mr . DODD .

Mr . Fashion , - - - - - Mr . BARRYMORE . Classical Frenzy , - . - - - Mr . BANNISTER , jun . Fancy , - -- .- _ . Mr . R . PALMER . Conscience , - - - - - Mr . SUETT . Lady Bellair , ----- Miss FARKEN . Lady Plinlimmon , - - - - - Miss POPE . Miss Plinlimmon , - - - - Mrs . JORDAN .

The play opens with a conversation between Fashion and Lady Bellair , from which it appears , that the Plinlimmons are visitors at the seat of her brother , Lord Melford , who , by marrying Miss Plinlimmon is to clear the many incumbrances of his estate . His disgust at the manners of his intended bride , which sometimes indicate simplicity and sometimes cunning , begins in the first act , and continues to increase , yet without changing his design upon her fortune , till the fifth , when heexpresses some reluctance to their union , and persuades Fashion

to oiler himself to her . The marriage of Fashion and Miss Plinlimmon , which takes place almost immediately , concludes the story of the piece . Lady Bellair has been separated from her husband before the play , and remains so after . vards . Frenzy is a neglected and indignant poet , whose schemes for popularity give some activity to the beginning of the piece , but have no connection with the story . Fancy is a painter , and Conscience an attorney . The performance was favourably received till towards the conclusion of the fourth act , from which time till the dropping of the curtain there were frequent symptoms of disapprobation . It has been since withdrawn .

PROLOGUE , WRITTEN BY MR . TAYLOR . " SHOOT Folly as it flies . " Such is the game At which , ' tis said , the Comic Muse should aim ; The darker passions that the heart deform , And spread o ' er groaning states the moral storm , Are pompous themes the sportive maid resigns

To swell her solemn sister ' s lofty lines . Yet , when she fain would strike such tow'ring prey , The serious damsel takes thesafest way : Though proud , yet prudent—wounding guilt too high To wake in you the self-reproaching sigh ; In sluggish apathy you careless sit , Nor smart for crimes that you could ne ' er commit : But , in the comic province who shall dare . To ' touch the faults that you may haply share ?

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