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  • The Freemasons' Magazine
  • July 1, 1795
  • Page 37
  • DISSERTATIONS ON THE POLITE ARTS. No. II.
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The Freemasons' Magazine, July 1, 1795: Page 37

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    Article THE MURDERER OF CHARLES I. Page 1 of 1
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Page 37

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The Murderer Of Charles I.

THE MURDERER OF CHARLES I .

ASCERTAINED . \ Trom " Anecdotes of Distinguished Persons , & c . " just published . ^

LILLY , in the History ot his Life and JL lines , says , " The next Sunday after Charles the First was beheaded , Robert Spavin , secretary to Oliver Cromwell , invited himself to dine with me , ane * brought Anthony Peirson , and several others , along with him to dinner ; and that the principal discourse at dinner was only , Who it was that beheaded the King ? One said , it was the common hangman anotherHugh Peters ; others also were nominatedbut none

; , , concluded . Robert Spavin , so soon as dinner was done , took me by the hand , and carried me to the south window . These are all mistaken , saith he ; they have not named the man that did the fact . It was LIEUTENANT-COLONEL JOYCE . I was in the room when he fitted himself for the work , stood behind him when he did it , when done went in again with him . —There is no man knows this but my

master Cromwell , Commissary Ireton , and myself . —Doth not Mr . Rushworlh know it ? quoth I . -No ; he did not know it said Spavin . The same thing , " adds Lilly , " Spavin since had often related unto Xiie when we were alone . "

Dissertations On The Polite Arts. No. Ii.

DISSERTATIONS ON THE POLITE ARTS . No . II .

WHAT is the function of arts ? It is to transport those touches which are in nature , and to present them in objects to which they are not natural . It is thus that the statuary ' s chizzel shows or produces a hero in a block of marble . The painter , by his light and shade , makes visible objects seem to project from the canvas . The musicianby artificial soundsmakes the tempest roarwhilst all is

, , , quiet around us ; and the poet too , by his invention , and by the harmony of his verses , fills our minds with counterfeit images , and our hearts with fictitious sentiments , often more charming than if they were true and natural . Whence I conclude , that arts are only imitations , resemblances which are not really nature , but seem to be so ; and that thus the matter of the polite arts is not the true , but

only the probable . This consequence is important enough to be explained and proved immediately by the application . Painting is an imitation of visible objects . It has nothing that is real , nothing that is true , and its perfections depend only upon its resemblance to reality . "Music and dancing may very well regulate the tones ancl gestures of an orator in his pulpit , or of a citizen who tells a story in conver-F :

“The Freemasons' Magazine: 1795-07-01, Page 37” Masonic Periodicals Online, Library and Museum of Freemasonry, 17 May 2025, django:8000/periodicals/fmm/issues/fmm_01071795/page/37/.
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Title Category Page
MASONIC DIRECTORY, NUMBER I. Article 1
Untitled Article 9
Untitled Article 10
Untitled Article 11
LONDON : Article 11
TO OUR READERS, CORRESPONDENTS, &c. Article 12
PRICES OF BINDING PER VOLUME. Article 12
THE FREEMASONS' MAGAZINE, OR GENERAL AND COMPLETE LIBRARY. Article 13
TO THE EDITOR OF THE FREEMASONS' MAGAZINE. Article 16
TO THE EDITOR OF THE FREEMASONS' MAGAZINE. Article 18
TO SIR GEORGE STAUNTON, BART. Article 19
HISTORY OF MASONRY. Article 24
THE FREEMASON. Article 33
THE STAGE. Article 35
THE MURDERER OF CHARLES I. Article 37
DISSERTATIONS ON THE POLITE ARTS. No. II. Article 37
TO THE EDITOR OF THE FREEMASONS' MAGAZINE. Article 42
HUMOUROUS ACCOUNT OF A RELIGIOUS CEREMONY, PERFORMED AT ROME. Article 45
BASEM; OR, THE BLACKSMITH. AN ORIENTAL APOLOGUE. Article 47
FRENCH VOYAGE OF DISCOVERY. Article 53
FEMALE CHARACTERS. THE DOMESTIC AND THE GADDER. Article 55
CHARACTER OF MECOENAS, Article 57
PARLIAMENTARY PROCEEDINGS. Article 59
STRICTURES ON PUBLIC AMUSEMENTS. Article 67
POETRY. Article 69
MASONIC SONG *. Article 70
ANOTHER. Article 70
TO HOPE. Article 71
PROLOGUE TO WERTER, Article 72
TO A YOUNG LADY, CURLING AND POWDERING HER HAIR. Article 73
ON THE BENEVOLENCE OF ENGLAND. Article 74
THE SONG OF CONSTANCY. Article 74
MONTHLY CHRONICLE. Article 75
PROMOTIONS. Article 81
Untitled Article 81
Untitled Article 81
BANKRUPTS. Article 82
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Page 37

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Murderer Of Charles I.

THE MURDERER OF CHARLES I .

ASCERTAINED . \ Trom " Anecdotes of Distinguished Persons , & c . " just published . ^

LILLY , in the History ot his Life and JL lines , says , " The next Sunday after Charles the First was beheaded , Robert Spavin , secretary to Oliver Cromwell , invited himself to dine with me , ane * brought Anthony Peirson , and several others , along with him to dinner ; and that the principal discourse at dinner was only , Who it was that beheaded the King ? One said , it was the common hangman anotherHugh Peters ; others also were nominatedbut none

; , , concluded . Robert Spavin , so soon as dinner was done , took me by the hand , and carried me to the south window . These are all mistaken , saith he ; they have not named the man that did the fact . It was LIEUTENANT-COLONEL JOYCE . I was in the room when he fitted himself for the work , stood behind him when he did it , when done went in again with him . —There is no man knows this but my

master Cromwell , Commissary Ireton , and myself . —Doth not Mr . Rushworlh know it ? quoth I . -No ; he did not know it said Spavin . The same thing , " adds Lilly , " Spavin since had often related unto Xiie when we were alone . "

Dissertations On The Polite Arts. No. Ii.

DISSERTATIONS ON THE POLITE ARTS . No . II .

WHAT is the function of arts ? It is to transport those touches which are in nature , and to present them in objects to which they are not natural . It is thus that the statuary ' s chizzel shows or produces a hero in a block of marble . The painter , by his light and shade , makes visible objects seem to project from the canvas . The musicianby artificial soundsmakes the tempest roarwhilst all is

, , , quiet around us ; and the poet too , by his invention , and by the harmony of his verses , fills our minds with counterfeit images , and our hearts with fictitious sentiments , often more charming than if they were true and natural . Whence I conclude , that arts are only imitations , resemblances which are not really nature , but seem to be so ; and that thus the matter of the polite arts is not the true , but

only the probable . This consequence is important enough to be explained and proved immediately by the application . Painting is an imitation of visible objects . It has nothing that is real , nothing that is true , and its perfections depend only upon its resemblance to reality . "Music and dancing may very well regulate the tones ancl gestures of an orator in his pulpit , or of a citizen who tells a story in conver-F :

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