Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Freemasons' Magazine
  • Aug. 1, 1796
  • Page 28
  • ESSAYS ON SUBJECTS CONNECTED WITH HISTORY AND CLASSICAL LEARNING.
Current:

The Freemasons' Magazine, Aug. 1, 1796: Page 28

  • Back to The Freemasons' Magazine, Aug. 1, 1796
  • Print image
  • Articles/Ads
    Article ESSAYS ON SUBJECTS CONNECTED WITH HISTORY AND CLASSICAL LEARNING. ← Page 6 of 6
    Article LOUIS XII. KING OF FRANCE. Page 1 of 1
Page 28

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Essays On Subjects Connected With History And Classical Learning.

cessively represented the amours of Mars and Venus , the Sun discovering them to the jealous husband of the goddess , the snares which he sets for his faithless spouse and her formidable gallant , the quick effect of the treacherous net , which , while it completes the revenge of Vulcan , only publishes his shame , the confusion of Venus , the rage of Mars , the arch mirth of the gods , who came to enjoy the sight . The whole audience gave to the excellence of the

performance its due applause ; but the cynic , out of himself , could not help crying out , in a transport of delight , " No ! this is not a representation ; it is the very thing itself . " Much about the same time a dancer represented the labours of Hercules . He retraced in so true a manner all the different situations of that herothat a King of Pontusthen at Romeand who had never

, , , seen such a sight before , easily followed the thread of the action , and , charmed with it , asked with great earnestness of the emperor , that he would let him have with him that extraordinary dancer , who had made such an impression upon him . " Do not , " says he to Nero , " be surprised at my request . I have for borderers upon my

kingdom some barbarian nations , whose language none of my people can understand , nor will they learn ours . Such a man as this dancer would be an . admirable interpreter between us . " In the state of pantomime in our days , the actors , and even the composers , aspire to little more than the mechanical part of their art ; and , indeed , they hardly know any thing beyond that , and cannot , of cqiirsecultivate what they have no conception of .

, When M . Gahusac wrote , he observed that this was sufficient for the spectators , who required nothing more from the actor than a brilliant execution of steps ; and this is , in fact , true of the greater number now . But , 'lately , the taste for dances of action , animated with meaning , and conveying the idea of some fable or subject , has begun to gain ground . People are less tired with a dance , in which

the understanding is exercised , without the fatigue of perplexity , than b y merely seeing a succession of lively jumps , and motions , however well executed ; which , - in point of merit , bear no more proportion to that of a well-composed dance , than a tiresome repetition of vignettes , of head-pieces , and tail-pieces , would do to the gravings of historical pieces after a Raphael , a Michael Angelo , or a Corregio .

Louis Xii. King Of France.

LOUIS XII . KING OF FRANCE .

HPHIS father of his people was told , that the players of Paris had - " - the insolence to take him off upon the theatre , as an avaricious man , who drank out of a vessel full of pieces of gold , without being able to quench his thirst . ' Buffoons , ' said he coolly , ' think they have the privilege to turn every one into ridicule . I am not more perfect than the rest of mankind . The idea is fair enough .. I very readily forgive them : and , after all , ' added he , ' 1 had rather that my people laughed at my parsimony , than that they wept at my prodigality .

“The Freemasons' Magazine: 1796-08-01, Page 28” Masonic Periodicals Online, Library and Museum of Freemasonry, 18 May 2025, django:8000/periodicals/fmm/issues/fmm_01081796/page/28/.
  • List
  • Grid
Title Category Page
Untitled Article 1
Untitled Article 2
LONDON: Article 2
TO READERS , CORRESPONDENTS , Sec. Article 3
THE FREEMASONS' MAGAZINE, AND CABINET 0F UNIVERSAL LITERATURE. Article 4
A DEFENCE OF MASONRY, Article 4
A CHARGE DELIVERED TO THE MEMBERS OF THE UNION LODGE, Article 8
HISTORICAL ACCOUNT OF THE LIFE OF WILLIAM OF WYKEHAM. Article 10
ON THE CAUSES OF THE HIGH PRICE OF CORN. Article 17
DESCRIPTION OF THE KINGDOM OF MOROCCO. Article 19
ON FEMALE EDUCATION. Article 21
ESSAYS ON SUBJECTS CONNECTED WITH HISTORY AND CLASSICAL LEARNING. Article 23
LOUIS XII. KING OF FRANCE. Article 28
DEATH OF THE GREAT MARSHAL TURENNE. Article 29
CURIOUS PARTICULARS RELATIVE TO THE JEWS. Article 31
Untitled Article 34
DESCRIPTION OF A PORTABLE GYN, FOR MOUNTING OR DISMOUNTING ORDNANCE: Article 36
EXCERPTA ET COLLECTANEA. Article 38
THE POISONOUS QUALITY OF MUSCLES CONSIDERED. Article 42
To the EDITOR OF THE FREEMASONS' MAGAZINE. Article 43
REVIEW OF NEW PUBLICATIONS. Article 44
POETRY. Article 52
ODE TO FANCY. Article 53
A POETICAL REVERIE ON THE GOUT. Article 54
ON SEEING A VERY SENSIBLE WOMAN WEEPING, WITH A BEAUTIFUL CHILD AT HER SIDE, IN THE SAME SITUATION. Article 55
ON THE AUTHOR OF THE BALLAD CALLED THE CHILDREN IN THE WOOD. Article 56
A PIECE FROM A SERIOUS MUSICAL COMPOSITION. Article 57
MASONIC INTELLIGENCE. Article 58
MONTHLY CHRONICLE. Article 60
HOME NEWS. Article 62
OBITUARY. Article 66
Page 1

Page 1

1 Article
Page 2

Page 2

2 Articles
Page 3

Page 3

1 Article
Page 4

Page 4

2 Articles
Page 5

Page 5

1 Article
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

1 Article
Page 9

Page 9

1 Article
Page 10

Page 10

1 Article
Page 11

Page 11

1 Article
Page 12

Page 12

1 Article
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

1 Article
Page 16

Page 16

1 Article
Page 17

Page 17

1 Article
Page 18

Page 18

1 Article
Page 19

Page 19

2 Articles
Page 20

Page 20

1 Article
Page 21

Page 21

2 Articles
Page 22

Page 22

1 Article
Page 23

Page 23

1 Article
Page 24

Page 24

1 Article
Page 25

Page 25

1 Article
Page 26

Page 26

1 Article
Page 27

Page 27

1 Article
Page 28

Page 28

2 Articles
Page 29

Page 29

1 Article
Page 30

Page 30

1 Article
Page 31

Page 31

1 Article
Page 32

Page 32

1 Article
Page 33

Page 33

1 Article
Page 34

Page 34

1 Article
Page 35

Page 35

0 Articles
Page 36

Page 36

1 Article
Page 37

Page 37

1 Article
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

1 Article
Page 43

Page 43

2 Articles
Page 44

Page 44

1 Article
Page 45

Page 45

1 Article
Page 46

Page 46

1 Article
Page 47

Page 47

1 Article
Page 48

Page 48

1 Article
Page 49

Page 49

1 Article
Page 50

Page 50

1 Article
Page 51

Page 51

1 Article
Page 52

Page 52

1 Article
Page 53

Page 53

1 Article
Page 54

Page 54

1 Article
Page 55

Page 55

2 Articles
Page 56

Page 56

1 Article
Page 57

Page 57

2 Articles
Page 58

Page 58

1 Article
Page 59

Page 59

1 Article
Page 60

Page 60

1 Article
Page 61

Page 61

1 Article
Page 62

Page 62

2 Articles
Page 63

Page 63

1 Article
Page 64

Page 64

1 Article
Page 65

Page 65

1 Article
Page 66

Page 66

1 Article
Page 67

Page 67

1 Article
Page 68

Page 68

1 Article
Page 69

Page 69

1 Article
Page 70

Page 70

1 Article
Page 71

Page 71

1 Article
Page 28

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Essays On Subjects Connected With History And Classical Learning.

cessively represented the amours of Mars and Venus , the Sun discovering them to the jealous husband of the goddess , the snares which he sets for his faithless spouse and her formidable gallant , the quick effect of the treacherous net , which , while it completes the revenge of Vulcan , only publishes his shame , the confusion of Venus , the rage of Mars , the arch mirth of the gods , who came to enjoy the sight . The whole audience gave to the excellence of the

performance its due applause ; but the cynic , out of himself , could not help crying out , in a transport of delight , " No ! this is not a representation ; it is the very thing itself . " Much about the same time a dancer represented the labours of Hercules . He retraced in so true a manner all the different situations of that herothat a King of Pontusthen at Romeand who had never

, , , seen such a sight before , easily followed the thread of the action , and , charmed with it , asked with great earnestness of the emperor , that he would let him have with him that extraordinary dancer , who had made such an impression upon him . " Do not , " says he to Nero , " be surprised at my request . I have for borderers upon my

kingdom some barbarian nations , whose language none of my people can understand , nor will they learn ours . Such a man as this dancer would be an . admirable interpreter between us . " In the state of pantomime in our days , the actors , and even the composers , aspire to little more than the mechanical part of their art ; and , indeed , they hardly know any thing beyond that , and cannot , of cqiirsecultivate what they have no conception of .

, When M . Gahusac wrote , he observed that this was sufficient for the spectators , who required nothing more from the actor than a brilliant execution of steps ; and this is , in fact , true of the greater number now . But , 'lately , the taste for dances of action , animated with meaning , and conveying the idea of some fable or subject , has begun to gain ground . People are less tired with a dance , in which

the understanding is exercised , without the fatigue of perplexity , than b y merely seeing a succession of lively jumps , and motions , however well executed ; which , - in point of merit , bear no more proportion to that of a well-composed dance , than a tiresome repetition of vignettes , of head-pieces , and tail-pieces , would do to the gravings of historical pieces after a Raphael , a Michael Angelo , or a Corregio .

Louis Xii. King Of France.

LOUIS XII . KING OF FRANCE .

HPHIS father of his people was told , that the players of Paris had - " - the insolence to take him off upon the theatre , as an avaricious man , who drank out of a vessel full of pieces of gold , without being able to quench his thirst . ' Buffoons , ' said he coolly , ' think they have the privilege to turn every one into ridicule . I am not more perfect than the rest of mankind . The idea is fair enough .. I very readily forgive them : and , after all , ' added he , ' 1 had rather that my people laughed at my parsimony , than that they wept at my prodigality .

  • Prev page
  • 1
  • 27
  • You're on page28
  • 29
  • 71
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy