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  • Aug. 1, 1797
  • Page 55
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The Freemasons' Magazine, Aug. 1, 1797: Page 55

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    Article PUBLIC AMUSEMENTS. ← Page 2 of 2
Page 55

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Public Amusements.

ment . The fable is dramatic , and is managed in such a manner as to excite a strong interest ; but some of the events , after haying passed before the audience in action , are related in rhe dialogue . This is inartificial , and weakens the interest . There are many passages that seem dilatec , by a poetic spirit , and that are expressed with great vigour . The Play was received very well throughout , and is likely to be attractive . The acting is uniformly good . Palmer , C . Kemble , and R . Palmer , de-Miss in character in which

> erved hi"h praise . We never saw De Camp any she acquitted herself so well . She played with fine emotion , energy , and grace . —Suett had a comic part , which he rendered very pleasant ; and Mrs . Bland sung delig htfully . The Overture and Airs , except one composed by Kelly , and Pleyell s German Hymn , are the work of Dr . Arnold , and a work worthy of his professional repute . _ . ' The following is a specimen of the Poetry . The first of the songs was en < tared . The second is written by Mr . Colman ,

AlH—FlORESCA . Other maidens bait their hooks With practis'd glances , tender looks ,, And study tricks from subtle books , To hold lhe lover fast . Then golden line of locks > o fine , Before his simple eye they cast ,

With bending bait , and swimming gait , To make him sure at last . Nonny , nonny , nonnino , Nonny , nonny , nonniro , Nonny , nonny , nonnino , To make him sure at last . When the village youth would bear

- Me trinkets from the distant fair , However they were rich oi rare , My Paulo pleas'd me best : What tho' the work of cosily art , They call'd for praise in every part . My Paulo with it gave his ieart ; And what was all the res ; ? Nonny , nonny , & c . And what was all lhe res ;?

AIR—FIORESCA . Dark was the nighl , the children slept , Poor Marv climbed the cotttige stair , And at her chamber window wept , And placed a little taper there . " Why does he tarry thus ? " s : ie cried ; " Alas ! what pains do I endure !

" Heav ' n grant this taper be his guide , " And lead him safe across the moor . " At length his well-known slep she hears : " He comes my terror to remove ! " My William comes , to dry my tears !" And down she flies to meet her love . William , all pale and bloody , stood , Sigh'd out— " Alas ! no more vm meet 5 " I ' m stabb'd by robbers in the wood . " And fell a corpse at Mary's feet .

“The Freemasons' Magazine: 1797-08-01, Page 55” Masonic Periodicals Online, Library and Museum of Freemasonry, 23 May 2025, django:8000/periodicals/fmm/issues/fmm_01081797/page/55/.
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Title Category Page
Untitled Article 1
Untitled Article 2
LONDON: Article 2
TO CORRESPONDENTS, &c. Article 3
MEMOIR OF MR. HULL. Article 4
AN APOLOGY FOR THE CHARACTER AND CONDUCT OF SHYLOCK. Article 5
OBSERVATIONS ON THE DESTRUCTION OF SENNACHERIB'S ARMY. Article 9
HISTORY OF THE THE ARTS AND SCIENCES FOR 1797. Article 12
THE LIFE AND ADVENTURES or PETER PORCUPINE; Article 14
MEMOIRS OF CHARLES MACKLIN, Article 18
A BRIEF SYSTEM OF CONCHOLOGY. Article 26
THE COLLECTOR. Article 30
HUMOROUS ACCOUNT OF VENICE. Article 33
THE FREEMASONS' REPOSITORY. Article 34
WHAT IS THE ORDER OF FREEMASONRY? Article 38
REVIEW OF NEW PUBLICATIONS. Article 42
POETRY. Article 50
PUBLIC AMUSEMENTS. Article 54
REPORT OF THE PROCEEDINGS OF THE BRITISH PARLLAMENT. Article 56
HOUSE OF COMMONS. Article 59
MONTHLY CHRONICLE. Article 62
INTELLIGENCE FRONT THE LONDON GAZETTES . Article 67
OBIUARY. Article 70
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Page 55

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Public Amusements.

ment . The fable is dramatic , and is managed in such a manner as to excite a strong interest ; but some of the events , after haying passed before the audience in action , are related in rhe dialogue . This is inartificial , and weakens the interest . There are many passages that seem dilatec , by a poetic spirit , and that are expressed with great vigour . The Play was received very well throughout , and is likely to be attractive . The acting is uniformly good . Palmer , C . Kemble , and R . Palmer , de-Miss in character in which

> erved hi"h praise . We never saw De Camp any she acquitted herself so well . She played with fine emotion , energy , and grace . —Suett had a comic part , which he rendered very pleasant ; and Mrs . Bland sung delig htfully . The Overture and Airs , except one composed by Kelly , and Pleyell s German Hymn , are the work of Dr . Arnold , and a work worthy of his professional repute . _ . ' The following is a specimen of the Poetry . The first of the songs was en < tared . The second is written by Mr . Colman ,

AlH—FlORESCA . Other maidens bait their hooks With practis'd glances , tender looks ,, And study tricks from subtle books , To hold lhe lover fast . Then golden line of locks > o fine , Before his simple eye they cast ,

With bending bait , and swimming gait , To make him sure at last . Nonny , nonny , nonnino , Nonny , nonny , nonniro , Nonny , nonny , nonnino , To make him sure at last . When the village youth would bear

- Me trinkets from the distant fair , However they were rich oi rare , My Paulo pleas'd me best : What tho' the work of cosily art , They call'd for praise in every part . My Paulo with it gave his ieart ; And what was all the res ; ? Nonny , nonny , & c . And what was all lhe res ;?

AIR—FIORESCA . Dark was the nighl , the children slept , Poor Marv climbed the cotttige stair , And at her chamber window wept , And placed a little taper there . " Why does he tarry thus ? " s : ie cried ; " Alas ! what pains do I endure !

" Heav ' n grant this taper be his guide , " And lead him safe across the moor . " At length his well-known slep she hears : " He comes my terror to remove ! " My William comes , to dry my tears !" And down she flies to meet her love . William , all pale and bloody , stood , Sigh'd out— " Alas ! no more vm meet 5 " I ' m stabb'd by robbers in the wood . " And fell a corpse at Mary's feet .

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