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  • The Freemasons' Magazine
  • Sept. 1, 1796
  • Page 38
  • CURIOUS ANECDOTE OF A FRENCH TRAVELLER.
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The Freemasons' Magazine, Sept. 1, 1796: Page 38

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    Article THE REMOVAL OF THE MONUMENTS OF THE FINE ARTS FROM ITALY TO FRANCE. ← Page 2 of 2
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Page 38

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The Removal Of The Monuments Of The Fine Arts From Italy To France.

I have stated to you , my friend , that France will derive no advantage from despoiling the monuments of the arts in Italy j . but what perhaps may astonish you , 1 will go further , and even assert that these sacrilegious depredations will not tend to accelerate the progress of our artists . I will now state the grounds for this opinion : At the time of Michael Angelo , Raphael , and Titian , the Italians had not dug from the earth a fourth part of those antiques with which

their cities are now adorned . The most beautiful paintings which we consider as models , are the productions of those celebrated artists and their first pupils . Since their time , the art has always been on the decline ; it is not then merely to the circumstance of possessing models of art that , we are indebted for the great modern masters . Would you knowmy friendwhat chiefly contributes to the

pro-, , speri ty of the arts . Independently of great models , itis the patronage of such men as the Medicis , Julius II . Leo X . Louis XIV : it is the patronage of a Colbert , capable , amidst a crowd of illiterate pretenders and intriguers , to discern men frequently too modest , who possess abilities equal to great productions . It is " necessary that the directors of the arts should be acquainted with the proper means , in order to bring

forward and multi ply distinguished talents . It is not by profuse expence that this object is to be attained ; itis by dextrous management , and by superior discernment .- But to return to the subject of my letter , let us love the arts for the sake of the arts themselves ; let us regard with due respect the capital productions , aud carefully protect them from injury , and above all let us leave them . where they are , when they are well displayed and arranged with taste and order . ( Signed ) LOUIS , Architect .

Curious Anecdote Of A French Traveller.

CURIOUS ANECDOTE OF A FRENCH TRAVELLER .

Ut FRENCH writer remarks , that Mr . Addison , in one of his papers ~ - ^ in the Spectator , returns thanks to Providence for being born an Englishman , because the English language is more - analagous to the taciturnity of his character ; and the number of monosyllables , of which it is composed , affords him the means of expressing his ideas with as little sound as possible . But I , " continues the Frenchman , also thank

the Almi ghty for being born a Frenchman , because I am fond of rambling- about , and it is very agreeable and convenient to me to find my language spoken among all people throughout Europe . And the French language being adopted by all the European nations , renders us idle in endeavouring to acquire the foreign languages , because we think that with our own we may travel any where . The Parisians , in particular , are so persuaded that this is the fact , that they imagine there is scarcely a person on the face of the globe but what understands French ; it is true , that in all the Christian

“The Freemasons' Magazine: 1796-09-01, Page 38” Masonic Periodicals Online, Library and Museum of Freemasonry, 8 June 2025, django:8000/periodicals/fmm/issues/fmm_01091796/page/38/.
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Title Category Page
Untitled Article 1
Untitled Article 2
LONDON: Article 2
TO READERS, CORRESPONDENTS, &c. Article 3
THE FREEMASONS' MAGAZINE, AND CABINET OF UNIVERSAL LITERATURE . Article 4
A DEFENCE OF MASONRY, Article 10
FEMALE SECRESY. Article 17
HISTORICAL ACCOUNT OF THE LIFE OF WILLIAM OF WYKEHAM. Article 18
ON THE ABUSES PRACTISED BY MILLERS AND DEALERS IN CORN. Article 22
REFLECTIONS ON HISTORY. Article 24
ON THE POWER OF HABIT. Article 25
SKETCHES OF CELEBRATED CHARACTERS. Article 28
ORIGIN AND HISTORY OF PROMISSORY NOTES AND PAPER CREDIT. Article 34
THE REMOVAL OF THE MONUMENTS OF THE FINE ARTS FROM ITALY TO FRANCE. Article 37
CURIOUS ANECDOTE OF A FRENCH TRAVELLER. Article 38
EXPLANATION OF THE PLATE REPRESENTING A COMPANION OF THE ANCIENT KNIGHTS TEMPLARS, Article 40
ON THE DEGENERATE MANNERS OF THE ATHENIANS. Article 42
REVIEW OF NEW PUBLICATIONS. Article 44
LIST OF NEW PUBLICATIONS. Article 53
POETRY. Article 54
ODE TO FORTITUDE. Article 55
ELEGY, ON MR. MATTHEW WINTERBOTHAM, Article 56
VERSES, Article 57
SONNET. Article 58
THE SIGH AND THE TEAR. Article 58
EPIGRAMS, Article 59
THE CONJUGAL REPARTEE. Article 59
MONTHLY CHRONICLE. Article 60
INTELLIGENCE OF IMPORTANCE Article 62
ARMIES IN ITALY. Article 64
HOME NEWS. Article 66
THE ARTS. Article 66
OBITUARY. Article 68
LIST OF BANKRUPTS. Article 73
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Page 38

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Removal Of The Monuments Of The Fine Arts From Italy To France.

I have stated to you , my friend , that France will derive no advantage from despoiling the monuments of the arts in Italy j . but what perhaps may astonish you , 1 will go further , and even assert that these sacrilegious depredations will not tend to accelerate the progress of our artists . I will now state the grounds for this opinion : At the time of Michael Angelo , Raphael , and Titian , the Italians had not dug from the earth a fourth part of those antiques with which

their cities are now adorned . The most beautiful paintings which we consider as models , are the productions of those celebrated artists and their first pupils . Since their time , the art has always been on the decline ; it is not then merely to the circumstance of possessing models of art that , we are indebted for the great modern masters . Would you knowmy friendwhat chiefly contributes to the

pro-, , speri ty of the arts . Independently of great models , itis the patronage of such men as the Medicis , Julius II . Leo X . Louis XIV : it is the patronage of a Colbert , capable , amidst a crowd of illiterate pretenders and intriguers , to discern men frequently too modest , who possess abilities equal to great productions . It is " necessary that the directors of the arts should be acquainted with the proper means , in order to bring

forward and multi ply distinguished talents . It is not by profuse expence that this object is to be attained ; itis by dextrous management , and by superior discernment .- But to return to the subject of my letter , let us love the arts for the sake of the arts themselves ; let us regard with due respect the capital productions , aud carefully protect them from injury , and above all let us leave them . where they are , when they are well displayed and arranged with taste and order . ( Signed ) LOUIS , Architect .

Curious Anecdote Of A French Traveller.

CURIOUS ANECDOTE OF A FRENCH TRAVELLER .

Ut FRENCH writer remarks , that Mr . Addison , in one of his papers ~ - ^ in the Spectator , returns thanks to Providence for being born an Englishman , because the English language is more - analagous to the taciturnity of his character ; and the number of monosyllables , of which it is composed , affords him the means of expressing his ideas with as little sound as possible . But I , " continues the Frenchman , also thank

the Almi ghty for being born a Frenchman , because I am fond of rambling- about , and it is very agreeable and convenient to me to find my language spoken among all people throughout Europe . And the French language being adopted by all the European nations , renders us idle in endeavouring to acquire the foreign languages , because we think that with our own we may travel any where . The Parisians , in particular , are so persuaded that this is the fact , that they imagine there is scarcely a person on the face of the globe but what understands French ; it is true , that in all the Christian

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