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  • Sept. 1, 1796
  • Page 46
  • REVIEW OF NEW PUBLICATIONS.
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The Freemasons' Magazine, Sept. 1, 1796: Page 46

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Page 46

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Review Of New Publications.

amined and illustrated . Nor did Loreazo less encourage the study of architecture , at the Ivad of which was GuiliAno da San Gallo . . Attempts were made to renew the praftice of the Mosaic . Certain goldsmiths of Florence invented engraving on copper , while other artists of the same city revived the art of engiaving on gems and stone . Of the splendid aira of Leo X . Mr . Roscoe gives a brief but accurate- review ; and afterwards relates many particulars of the rest of his family , till

the election of Cosmo to be Duke of Tuscany .. ' Tims terminated the Florentine republic , which had subsisted , amidst the agitations of civil commotions and the shock of external attacks , for upwards of three centuries , and had produced , from its circumscribed territory , a . greater number of eminent men than any other country . This singular pre-eminence is chiefl y to be attributed to the nature of its government , which called forth the talents of every rank of citizensand admitted them

, , without distinction , to the chief offices of the state . But the splendor which the Florentines derived from examples of public virtue and efforts of superlative genius was frequently tarnished by the sanguinary contests of rival parties . The beneficent genius of Lorenzo de Medici for a . time removed this reproach , and combined a state of hi gh intelleCtual improvement with the tranquility of well-ordered government . The various pursuits in which he had himself engaged appearedindeedto have been Subservient only to the great

, , purpose , the humanizing and improving his countrymen . His premature death left the commonwealth without a pilot ; and , after a long series of agitation , the hapless wreck became a rich and unexpected prize to Cosmo de Medici . , With Cosmo , who afterwards assumed the title of Grand Duke , commences a dynasty of- sovereigns' succession until the early part of the present century , when the sceptre of Tuscany passed from the imbecile hands

Of Gaston de Medici into the stronger grasp of the family of Austria . During the government of Cosmo , the talents of" the Florentines , habituated to great exertions , but suddenly debarred from farther interference with the direction of the state , sought out new channels , and displayed themselves in works cf genius and of art , which threw a lustre on the sovereign , and gave additional credit to the new establishment ; but , as those who were born under the republic retired in the course of nature , the energies of the Florentines

gradually declined . Under the equalizing baud of Despotism , whilst the diffusion of literature was promoted , the exertions of real genius were suppressed . The numerous and illustrious families whose names bad , forages , been the glory of the republic , the Soderini , the Strozzi , the Ridoiphi , the Rucceiiai , the Valori , and the Capponi , who had negotiated with moilarchs , and operated , by their personal characters , on the politics of Europe , sunk at once to the uniform level of subjects , aud became the subordinate and

domestic officers of the ruling familv . From this time the history of Florence is the history of the alliances , the negotiations , the virtues , or the vices , of its reigning prince ; andeven ^ towards these , the annals of the times furnished but scanty documents . The Florentine historians , as if unwilling to perpetuate the records of their subjugation , have almost invariably closed their labours with the fall cf the republic ; and the desire of information fortunatel y terminates where the want of it begins . ' P . ' 310 . .

We have dwelt thus long on this excellent addition to the few good specimens of modern history j in which the happy choice and arrangement of materials is only exceeded by the judicious observations and deductions , and the chasteness of the style in which the whole is couched . A copious appendix and index are subjoined to ea £ l \ volume . The plates -are , portraits of Lorenzo , Cosmo , and Guillano de Medici , and of Leo X "; besides medals , medallions , and smaller subjeCts in vignettes .

“The Freemasons' Magazine: 1796-09-01, Page 46” Masonic Periodicals Online, Library and Museum of Freemasonry, 8 June 2025, django:8000/periodicals/fmm/issues/fmm_01091796/page/46/.
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Title Category Page
Untitled Article 1
Untitled Article 2
LONDON: Article 2
TO READERS, CORRESPONDENTS, &c. Article 3
THE FREEMASONS' MAGAZINE, AND CABINET OF UNIVERSAL LITERATURE . Article 4
A DEFENCE OF MASONRY, Article 10
FEMALE SECRESY. Article 17
HISTORICAL ACCOUNT OF THE LIFE OF WILLIAM OF WYKEHAM. Article 18
ON THE ABUSES PRACTISED BY MILLERS AND DEALERS IN CORN. Article 22
REFLECTIONS ON HISTORY. Article 24
ON THE POWER OF HABIT. Article 25
SKETCHES OF CELEBRATED CHARACTERS. Article 28
ORIGIN AND HISTORY OF PROMISSORY NOTES AND PAPER CREDIT. Article 34
THE REMOVAL OF THE MONUMENTS OF THE FINE ARTS FROM ITALY TO FRANCE. Article 37
CURIOUS ANECDOTE OF A FRENCH TRAVELLER. Article 38
EXPLANATION OF THE PLATE REPRESENTING A COMPANION OF THE ANCIENT KNIGHTS TEMPLARS, Article 40
ON THE DEGENERATE MANNERS OF THE ATHENIANS. Article 42
REVIEW OF NEW PUBLICATIONS. Article 44
LIST OF NEW PUBLICATIONS. Article 53
POETRY. Article 54
ODE TO FORTITUDE. Article 55
ELEGY, ON MR. MATTHEW WINTERBOTHAM, Article 56
VERSES, Article 57
SONNET. Article 58
THE SIGH AND THE TEAR. Article 58
EPIGRAMS, Article 59
THE CONJUGAL REPARTEE. Article 59
MONTHLY CHRONICLE. Article 60
INTELLIGENCE OF IMPORTANCE Article 62
ARMIES IN ITALY. Article 64
HOME NEWS. Article 66
THE ARTS. Article 66
OBITUARY. Article 68
LIST OF BANKRUPTS. Article 73
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Page 46

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Review Of New Publications.

amined and illustrated . Nor did Loreazo less encourage the study of architecture , at the Ivad of which was GuiliAno da San Gallo . . Attempts were made to renew the praftice of the Mosaic . Certain goldsmiths of Florence invented engraving on copper , while other artists of the same city revived the art of engiaving on gems and stone . Of the splendid aira of Leo X . Mr . Roscoe gives a brief but accurate- review ; and afterwards relates many particulars of the rest of his family , till

the election of Cosmo to be Duke of Tuscany .. ' Tims terminated the Florentine republic , which had subsisted , amidst the agitations of civil commotions and the shock of external attacks , for upwards of three centuries , and had produced , from its circumscribed territory , a . greater number of eminent men than any other country . This singular pre-eminence is chiefl y to be attributed to the nature of its government , which called forth the talents of every rank of citizensand admitted them

, , without distinction , to the chief offices of the state . But the splendor which the Florentines derived from examples of public virtue and efforts of superlative genius was frequently tarnished by the sanguinary contests of rival parties . The beneficent genius of Lorenzo de Medici for a . time removed this reproach , and combined a state of hi gh intelleCtual improvement with the tranquility of well-ordered government . The various pursuits in which he had himself engaged appearedindeedto have been Subservient only to the great

, , purpose , the humanizing and improving his countrymen . His premature death left the commonwealth without a pilot ; and , after a long series of agitation , the hapless wreck became a rich and unexpected prize to Cosmo de Medici . , With Cosmo , who afterwards assumed the title of Grand Duke , commences a dynasty of- sovereigns' succession until the early part of the present century , when the sceptre of Tuscany passed from the imbecile hands

Of Gaston de Medici into the stronger grasp of the family of Austria . During the government of Cosmo , the talents of" the Florentines , habituated to great exertions , but suddenly debarred from farther interference with the direction of the state , sought out new channels , and displayed themselves in works cf genius and of art , which threw a lustre on the sovereign , and gave additional credit to the new establishment ; but , as those who were born under the republic retired in the course of nature , the energies of the Florentines

gradually declined . Under the equalizing baud of Despotism , whilst the diffusion of literature was promoted , the exertions of real genius were suppressed . The numerous and illustrious families whose names bad , forages , been the glory of the republic , the Soderini , the Strozzi , the Ridoiphi , the Rucceiiai , the Valori , and the Capponi , who had negotiated with moilarchs , and operated , by their personal characters , on the politics of Europe , sunk at once to the uniform level of subjects , aud became the subordinate and

domestic officers of the ruling familv . From this time the history of Florence is the history of the alliances , the negotiations , the virtues , or the vices , of its reigning prince ; andeven ^ towards these , the annals of the times furnished but scanty documents . The Florentine historians , as if unwilling to perpetuate the records of their subjugation , have almost invariably closed their labours with the fall cf the republic ; and the desire of information fortunatel y terminates where the want of it begins . ' P . ' 310 . .

We have dwelt thus long on this excellent addition to the few good specimens of modern history j in which the happy choice and arrangement of materials is only exceeded by the judicious observations and deductions , and the chasteness of the style in which the whole is couched . A copious appendix and index are subjoined to ea £ l \ volume . The plates -are , portraits of Lorenzo , Cosmo , and Guillano de Medici , and of Leo X "; besides medals , medallions , and smaller subjeCts in vignettes .

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