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  • Nov. 1, 1794
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  • EPILOGUE.
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The Freemasons' Magazine, Nov. 1, 1794: Page 61

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Page 61

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Epilogue.

A view of the Lion Gate ; a view of the old Anchor Forge in the dock-yard ; and a view of High-street , including the market-hall , taken from the Parade near the governor ' s house . Nov . i . A new farce was produced at Drury-Lane , under the title of " THE WEDDING Day . " The principal feature of the piece is the unexpected return of Lady Constance , the wife of Sir Adam , after fifteen years absence , and on the very day that her husband , supposing her dead , had taken to himself a younger bride . The reluctance of the

old knight to part with the second wife , whose tender years would expose her to so much danger , and to receive the frst , " whose age would be its own protection , ' - ' is very whimsically pourtrayed . The vis comka of Mr . King and Mrs . Jordan , in the principal characters , was irresistible . The piece is from the pen of Mrs . Inchbald , and was well received . 17 . At Covent-Garden Theatre was produced a Grand Ballet , called "HERCULES AND OMPSIALE" whichas aspectacleexceeds thingbefore exhibited

; , , any , and was received with great applause . The piece commences with a view of Omphale ' s palace . Omphale , queen of Xydia , seated on her throne , surrounded by virgins . —The Princes of Dacia and Myccene send ambassadors , each demanding her hand in marriage . Then follows the magnificent entry of the two princes . . ' . '

BACIANS . MYCO-NEANS . Dacian soldiers , bearing spears , Myccenean officers , with swords and Trophies of armour , shields , Egyptians bearing presents . Armour-bearers , Musicians , Women bearing presents , Dacian officers with trophies , Numidians , with presents , The Prince of Dacia , borne in a tri- Martial music , umphal cardrawn bwar horses in The Prince of drawn in In

, y Myccene , a - complete armour . umphal car , by horses richly caparisoned . The procession over , a Pyrrhic dance takes place , when thunder is heard—Jove's eagle descends , bearing a festoon with this inscription , " Hercules is doomed the slave of Omphale . "—Hercules enters , clothed in the hide of the Nemean Lion , attended by Iolaus — he offers presents to Omphale , she receives them with tenderness . —The princes renew their suitwhich she rejects after

, ; wHcli , Omphale , Hercules , and-the Princes retire different ways . Omphale , irf we absence of Hercules , orders-her nymphs to prepare for the chace . This is succeeded by the Cave of Cacus . . This . famous robber ( a monster with three heads ) who had desolated the adjacent country , hearing the sound of horns , lays in wait for his prey—the rival Princes are seen passing through the trees — Omphale and her train appear returning from the chace—the Princes retire , and planto seize her—Cacus entersand forces her into the cave — the Princes

. , , with their attendants , attempt to seize Hercules , who for some time defends himself against their united force ; nearly vanquished , he prays to , Jupiter , -ivh ^ n a storm arises ; thunder , lightning , hail , fire , and massy stones are seen to descend —Hercules gains the mouth of the cavern , and thus defends himself from the storm and his assailants — screams are heard within the cavern—the Prince of Dacia bearing off Omphale , the Prince of Myccene forces her from him , and after slaying the Prince of Dacia , escapes with his conquest—the (

empest ceases— Hercules and Cacus come from the cave ; a combat ensues , in ' which'Hercules vanquishes the robber—He then pursues ihe Prince of Myccene , and is informed by Iolaus , that Omphale is shut up in the city of Myccene . ' — Catapultas , battering rams , & c . are prepared , and the scene changes to " the town and fortifications of Myccene . Hercules , at the head of his ' army , summons it to surrender—the Prince brings on Omphale on the battlements , bound in , chains — The battering ram , and all the implements of war , are brought in action against the city—The besieged defend themselves by hurling huge stones on , ihe heads of their assailants—the soldiers form a tortoise backVi ' tli ' their shields , '

“The Freemasons' Magazine: 1794-11-01, Page 61” Masonic Periodicals Online, Library and Museum of Freemasonry, 9 June 2025, django:8000/periodicals/fmm/issues/fmm_01111794/page/61/.
  • List
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Title Category Page
THE FREEMASONS' MAGAZINE, OR GENERAL AND COMPLETE LIBRARY. FOR NOVEMBER 1794. Article 1
1st EPISTLE OF ST. PETER, 17th VERSE. Article 3
MASONIC PRECEPTS: Article 6
MEMOIRS OF THE FREEMASONS AT NAPLES. Article 11
BRIEF HISTORY OF THE RELIGIOUS AND MILITARY ORDER OF THE KNIGHTS TEMPLARS OF ST. JOHN OF JERUSALEM. Article 15
MR. TASKER'S LETTERS Article 21
Untitled Article 23
TIPPING BROWN, M. D. Article 24
TO THE EDITOR OF THE FREEMASONS' MAGAZINE. Article 26
EXAMPLES OF THE VIOLENCE WITH WHICH THE LEARNED HAVE CONTENDED ABOUT TRIFLES. FROM D'lSRAELI'S "CURIOSITIES OF LITERATURE." VOL. II. Article 28
EARLY THEATRICAL MYSTERIES. Article 30
MAGICAL SUPERSTITION. Article 31
DETACHED THOUGHTS, Article 32
ON DESPAIR. Article 33
ON MILITARY DISCIPLINE. Article 34
ON WISDOM. Article 35
A CURE FOR THE BITE OF A VIPER. Article 35
ON THE COMPARATIVE MORALITY OF THE ANCIENTS AND MODERNS. Article 36
ON THE TREATMENT OF ANIMALS. Article 39
ON THE VARIETY OF CONJECTURES CONCERNING THE APPEARANCE AND DEPARTURE OF SWALLOWS. Article 42
AUTHENTIC AND INTERESTING NARRATIVE OF THE ADVENTURES OF THE MUTINEERS Article 44
ANECDOTES OF CHAPELAIN, A GREAT MISER. Article 51
POETRY. Article 52
WHISKY: AN IRISH BACCHANALIAN SONG. Article 53
CONTEMPLATING THE PERIOD OF ALL HUMAN GLORY, AMONG THE TOMBS IN WESTMINSTER-ABBEY. Article 55
ODE TO FEMALE FRIENDSHIP. Article 56
STRICTURES ON PUBLIC AMUSEMENTS. Article 57
PROLOGUE TO EMILIA GALOTTI. Article 59
EPILOGUE. Article 59
MONTHLY CHRONICLE. Article 62
LIST OF GENTLEMEN NOMINATED AS SHERIFFS FOR 1795. Article 67
COUNTRY NEWS. Article 68
PROMOTIONS. Article 70
Untitled Article 70
Untitled Article 70
BANKRUPTS. Article 71
Untitled Article 72
LONDON : Article 72
ACKNOWLEDGMENTS TO CORRESPONDENTS. Article 73
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Epilogue.

A view of the Lion Gate ; a view of the old Anchor Forge in the dock-yard ; and a view of High-street , including the market-hall , taken from the Parade near the governor ' s house . Nov . i . A new farce was produced at Drury-Lane , under the title of " THE WEDDING Day . " The principal feature of the piece is the unexpected return of Lady Constance , the wife of Sir Adam , after fifteen years absence , and on the very day that her husband , supposing her dead , had taken to himself a younger bride . The reluctance of the

old knight to part with the second wife , whose tender years would expose her to so much danger , and to receive the frst , " whose age would be its own protection , ' - ' is very whimsically pourtrayed . The vis comka of Mr . King and Mrs . Jordan , in the principal characters , was irresistible . The piece is from the pen of Mrs . Inchbald , and was well received . 17 . At Covent-Garden Theatre was produced a Grand Ballet , called "HERCULES AND OMPSIALE" whichas aspectacleexceeds thingbefore exhibited

; , , any , and was received with great applause . The piece commences with a view of Omphale ' s palace . Omphale , queen of Xydia , seated on her throne , surrounded by virgins . —The Princes of Dacia and Myccene send ambassadors , each demanding her hand in marriage . Then follows the magnificent entry of the two princes . . ' . '

BACIANS . MYCO-NEANS . Dacian soldiers , bearing spears , Myccenean officers , with swords and Trophies of armour , shields , Egyptians bearing presents . Armour-bearers , Musicians , Women bearing presents , Dacian officers with trophies , Numidians , with presents , The Prince of Dacia , borne in a tri- Martial music , umphal cardrawn bwar horses in The Prince of drawn in In

, y Myccene , a - complete armour . umphal car , by horses richly caparisoned . The procession over , a Pyrrhic dance takes place , when thunder is heard—Jove's eagle descends , bearing a festoon with this inscription , " Hercules is doomed the slave of Omphale . "—Hercules enters , clothed in the hide of the Nemean Lion , attended by Iolaus — he offers presents to Omphale , she receives them with tenderness . —The princes renew their suitwhich she rejects after

, ; wHcli , Omphale , Hercules , and-the Princes retire different ways . Omphale , irf we absence of Hercules , orders-her nymphs to prepare for the chace . This is succeeded by the Cave of Cacus . . This . famous robber ( a monster with three heads ) who had desolated the adjacent country , hearing the sound of horns , lays in wait for his prey—the rival Princes are seen passing through the trees — Omphale and her train appear returning from the chace—the Princes retire , and planto seize her—Cacus entersand forces her into the cave — the Princes

. , , with their attendants , attempt to seize Hercules , who for some time defends himself against their united force ; nearly vanquished , he prays to , Jupiter , -ivh ^ n a storm arises ; thunder , lightning , hail , fire , and massy stones are seen to descend —Hercules gains the mouth of the cavern , and thus defends himself from the storm and his assailants — screams are heard within the cavern—the Prince of Dacia bearing off Omphale , the Prince of Myccene forces her from him , and after slaying the Prince of Dacia , escapes with his conquest—the (

empest ceases— Hercules and Cacus come from the cave ; a combat ensues , in ' which'Hercules vanquishes the robber—He then pursues ihe Prince of Myccene , and is informed by Iolaus , that Omphale is shut up in the city of Myccene . ' — Catapultas , battering rams , & c . are prepared , and the scene changes to " the town and fortifications of Myccene . Hercules , at the head of his ' army , summons it to surrender—the Prince brings on Omphale on the battlements , bound in , chains — The battering ram , and all the implements of war , are brought in action against the city—The besieged defend themselves by hurling huge stones on , ihe heads of their assailants—the soldiers form a tortoise backVi ' tli ' their shields , '

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