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  • Dec. 1, 1796
  • Page 58
  • PUBLIC AMUSEMENTS.
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The Freemasons' Magazine, Dec. 1, 1796: Page 58

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Page 58

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Public Amusements.

PUBLIC AMUSEMENTS .

THEATRE ROYAL , DRURY-LANE . Tuesday , Dec . 7 . A New Comedy called ( he FOUCE or RtrMcvi . E , v . 'hich had been / . A . announced for the Tuesday preceding , but delayed from s-mie misunderstanding between the . Managers and Miss Farren , was brought forward at this Theatre . To enter into a detail of the plot is almost impossible , as ihe confusion was very great before the end of the first Act . Th 2 Comedwas scarcely begunnor were the characters fully

developedbey , , fore marks of disapprobation were heard . We know not whether this is to be ascribed to the rumour that it wits the production of a gentleman ( Mr . Hoicroft ) whose political tenets excite the . fury of taction , or whether it arose from any more private cause ; but we certainly never saw the character of a piece so perfectly anticipated . In the third scene the clamour began ; and it was necessary , in the very beginnin" - of iiie second act , for Mr Palmer to request the indulgence of the company with fro the that if it had not

to hear the p lay out , an assurance m Managers , the "oocl fortune to gain the approbation of the House , it should not be repeated . After this Address the piece went on , but its own vigour was not calculated to overcome the first impression . It wanted that spirit and gaiety which the House had hoped for from its title ; and though it had plot and character , it was finally condemned . After the Epilogue , which Miss Farren spoke with fluttering and yet enchanting sweetness , Mr . Palmer came forward and said : ' I am commissioned by the Proprietors to say , that the Writer of this Piece has , on more than one occasion , been honoured with your flattering approbation . We have onlv to regret that , m the present instance , he has failed , and

therefore the Piece is respectfully withdrawn . ' . Saturday Dec 17 . A new Comic Opera , in two Acts , entitled the SmvwarcK , was brought before the public tribunal , and obtained a favourable verdict . The story is briefly as follows : An honest Tar being called to sea , in the discharge of his duty , is followed by his sweetheart Fanny , who , disguised as a sailor , enters on board of the same ship ; where she continues fifteen monthsin the course 01 which time she is the means

, of « aving his life . On their return to England they are shipwrecked on the coast ; and after a variety , of perils incident to such an event , an eclaircissement takes ' p ' -aee , and the lovers are made happy . There is a second story made up of the other characters : Michael Goto ( one whom misfortune has made desperate ) is introduced as the chief of a gang of wretches , called Wreckers , who procure a livelihood from the miseries of their fellow-creatures , by plundering vessels cast on the coast . He has a daughter , whose lover , Sel-xyn , is on board from the wreckis received

the same ship with Fannv ; and who , having escaped , into his house . Michael Goto and his companion , Shark , fearing th ? . t Selwyn 1 : 1 AV discover their nefarious practices , determine lo minder him ; but his life is preserved by the fidelity of Goto's daughter , and the courage of Fanny , who arrives at the ' critical juncture . After which all the characters are made happy . ™ There are two oilier characters , Slave , a parish-clerk , and Sally Shamrock , an Irish bai ! 'ad-sin"er , . nit they have no connection with the Piece . It will be easy to discover , that the greater part of this story is taken from the popular Opera of No Sing No Supper . Stive is the counter-part of the Attorney , in ' the latter Piece ; and Sally Shamrock is , as well as Margarcua , a

balladshifner . The counter-part of every other character may easily be traced . All claims to originality , therefore , fall to the ground . The dialogue and songs have very little to recommend them : they are altogether patch-work , made VOL . vii . 3 ^

“The Freemasons' Magazine: 1796-12-01, Page 58” Masonic Periodicals Online, Library and Museum of Freemasonry, 8 June 2025, django:8000/periodicals/fmm/issues/fmm_01121796/page/58/.
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Title Category Page
Untitled Article 1
Untitled Article 2
LONDON: Article 2
TO READERS, CORRESPONDENTS, &c. Article 3
THE FREEMASONS' MAGAZINE, AND CABINET OF UNIVERSAL LITERATURE, Article 4
ON COURTSHIP AND COQUETRY. Article 7
COPY OF THE INSCRPITION ON THE FOUNDATION STONE OF WEARMOUTH BRIDGE. Article 9
A SERMON, Article 10
ON DEATH. Article 14
PREDILECTION OF THE TURKS FOR THE GAME OF CHESS. Article 17
ESSAYS ON SUBJECTS CONNECTED WITH HISTORY AND CLASSICAL LEARNING. Article 18
CURIOUS ACCOUNT OF EDWARD KELLY, THE ALCHEMIST. Article 24
ON THE MUSIC OF THE ANCIENTS. Article 26
TO THE EDITOR OF THE FREEMASONS' MAGAZINE. Article 29
ORIGIN AND HISTORY OF PROMISSORY NOTES AND PAPER CREDIT. Article 31
EXCERPTA ET COLLECTANEA. Article 34
FATAL PESTILENCE IN THE AIR, IN THE REIGN OF HENRY III. Article 35
REVIEW OF NEW PUBLICATIONS. Article 38
POETRY. Article 48
WINTER, AN ODE. Article 49
SONNET, ON SEEING JULIA GATHERING ROSES IN THE DEW. Article 50
EPITAPH, ON AN OLD FAVOURITE DOG. Article 50
A SONG. Article 51
A SONG. Article 51
REPORT OF THE PROCEEDINGS OF THE BRITISH PARLIAMENT. Article 52
HOUSE OF COMMONS. Article 52
PUBLIC AMUSEMENTS. Article 58
MASONIC INTELLIGENCE. Article 59
MONTHLY CHRONICLE. Article 60
INTELLIGENCE OF IMPORTANCE FROM THE LONDON GAZETTES. Article 60
FOREIGN INTELLIGENCE. Article 64
OBITUARY. Article 69
L1ST OF BANKRUPTS. Article 73
INDEX TO THE SEVENTH VOLUME. Article 74
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Page 58

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Public Amusements.

PUBLIC AMUSEMENTS .

THEATRE ROYAL , DRURY-LANE . Tuesday , Dec . 7 . A New Comedy called ( he FOUCE or RtrMcvi . E , v . 'hich had been / . A . announced for the Tuesday preceding , but delayed from s-mie misunderstanding between the . Managers and Miss Farren , was brought forward at this Theatre . To enter into a detail of the plot is almost impossible , as ihe confusion was very great before the end of the first Act . Th 2 Comedwas scarcely begunnor were the characters fully

developedbey , , fore marks of disapprobation were heard . We know not whether this is to be ascribed to the rumour that it wits the production of a gentleman ( Mr . Hoicroft ) whose political tenets excite the . fury of taction , or whether it arose from any more private cause ; but we certainly never saw the character of a piece so perfectly anticipated . In the third scene the clamour began ; and it was necessary , in the very beginnin" - of iiie second act , for Mr Palmer to request the indulgence of the company with fro the that if it had not

to hear the p lay out , an assurance m Managers , the "oocl fortune to gain the approbation of the House , it should not be repeated . After this Address the piece went on , but its own vigour was not calculated to overcome the first impression . It wanted that spirit and gaiety which the House had hoped for from its title ; and though it had plot and character , it was finally condemned . After the Epilogue , which Miss Farren spoke with fluttering and yet enchanting sweetness , Mr . Palmer came forward and said : ' I am commissioned by the Proprietors to say , that the Writer of this Piece has , on more than one occasion , been honoured with your flattering approbation . We have onlv to regret that , m the present instance , he has failed , and

therefore the Piece is respectfully withdrawn . ' . Saturday Dec 17 . A new Comic Opera , in two Acts , entitled the SmvwarcK , was brought before the public tribunal , and obtained a favourable verdict . The story is briefly as follows : An honest Tar being called to sea , in the discharge of his duty , is followed by his sweetheart Fanny , who , disguised as a sailor , enters on board of the same ship ; where she continues fifteen monthsin the course 01 which time she is the means

, of « aving his life . On their return to England they are shipwrecked on the coast ; and after a variety , of perils incident to such an event , an eclaircissement takes ' p ' -aee , and the lovers are made happy . There is a second story made up of the other characters : Michael Goto ( one whom misfortune has made desperate ) is introduced as the chief of a gang of wretches , called Wreckers , who procure a livelihood from the miseries of their fellow-creatures , by plundering vessels cast on the coast . He has a daughter , whose lover , Sel-xyn , is on board from the wreckis received

the same ship with Fannv ; and who , having escaped , into his house . Michael Goto and his companion , Shark , fearing th ? . t Selwyn 1 : 1 AV discover their nefarious practices , determine lo minder him ; but his life is preserved by the fidelity of Goto's daughter , and the courage of Fanny , who arrives at the ' critical juncture . After which all the characters are made happy . ™ There are two oilier characters , Slave , a parish-clerk , and Sally Shamrock , an Irish bai ! 'ad-sin"er , . nit they have no connection with the Piece . It will be easy to discover , that the greater part of this story is taken from the popular Opera of No Sing No Supper . Stive is the counter-part of the Attorney , in ' the latter Piece ; and Sally Shamrock is , as well as Margarcua , a

balladshifner . The counter-part of every other character may easily be traced . All claims to originality , therefore , fall to the ground . The dialogue and songs have very little to recommend them : they are altogether patch-work , made VOL . vii . 3 ^

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