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  • Sept. 30, 1851
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The Freemasons' Quarterly Review, Sept. 30, 1851: Page 51

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    Article ANCIENT MASONS' MARKS. ← Page 3 of 5 →
Page 51

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Ancient Masons' Marks.

and marked b y another person before they were set aside as perfect ; ancl in confirmation of the correctness of then statement ancl proper interpretation of the paintings or carvings which they inspected , it was observed—towards the temporary conclusion of that fiery struggle , which raged betw-een the d ying embers of Paganism , and the new-born

light of Christianity , "that at the destruction of the Temple of Serapis , certain cruciform characters were found engraven on stones . Thus both Christians and Idolaters claimed a symbol of their respective creeds . " But the cross was known to the antients long previous to the Christian a * ra ; to the Jews , the brazen serpent of the wilderness , was

the prototype of that cross , on which the Redeemer gave up his life , as an expiation for a guilty world . Among the Egyptians , we find the Goddess of Justice and Truth represented in their hierogl yp hics , with the cross and circle on her knee , the former figure being with them looked upon as the symbol of life to come . Ancl , lastly , unless

our memory much misleads us , the same symbol has been disentombed b y Layard , from the dust of unreckoned centuries , in those lands where the human race first dwelt ,

and the tree of life threw out its mighty arms , destined , alas ! soon to wither , ancl almost to decay , until the advent of the Messiah raised a nobler ancl more heavenward stem , upon -which whosoever leaneth shall never fall . Every one is aware of the importance assigned to " squares , angles , ancl perpendiculars " in Masonry , ancl , it may be said ,

produce the base line of a ri g ht angle J _ and you have the Tan Cross—a simple combination , of two strai ght lines ; now , in that wdiich is but a mark with the chisel , whether bearing a mystical meaning or not , can the difference be felt , wdiich assuredl y there would be , between a tree painted b y a raw pupil in the academy , and foliage as seen

in a masterpiece b y Poussin , The idea of a Gothic church is simple ; as constructed by those wondrous artificers of the middle ages , it is more—it is sublime ; and yet it did not , like the heathen goddess , spring into existence perfect , but was the slow and stead y , it may be added the unnoticed , growth of centuries .

And with that growth of a style of architecture wdiich , on what princi p le we know not , was half a century ago called barbarous , the mark well known to Masons , but for long Utile heeded , and alluded lo b y Clavel , in his "Histoire Pittcrcsque dc la Franc Mnconnairc , " ; i " ce si » -nc bicn

“The Freemasons' Quarterly Review: 1851-09-30, Page 51” Masonic Periodicals Online, Library and Museum of Freemasonry, 9 May 2025, django:8000/periodicals/fqr/issues/fqr_30091851/page/51/.
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Title Category Page
THE FREEMASONS' QUARTERLY MAGAZINE AND REVIEW. Article 1
THE ASYLUM FOR AGED AND DECAYED FREEMASONS. Article 10
THE REVELATIONS OF A SQUARE. Article 16
ON THE INSTITUTION OF FREEMASONRY.* Article 30
SILENCE: Article 43
ASPIRATION. Article 48
ANCIENT MASONS' MARKS. Article 49
THE LIBATION OF MAFFEO ORSINI. Article 54
BIOGRAPHICAL TABLEAU. Article 56
CORRESPONDENCE. Article 61
TO THE EDITOR. Article 68
Obituary. Article 69
MASONIC INTELLIGENCE. Article 73
METROPOLITAN. Article 100
PROVINCIAL. Article 107
IRELAND. Article 131
FOREIGN AND COLONIAL. Article 132
LITERARY NOTICES. Article 134
ANSWERS TO CORRESPONDENTS. Article 137
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Page 51

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Ancient Masons' Marks.

and marked b y another person before they were set aside as perfect ; ancl in confirmation of the correctness of then statement ancl proper interpretation of the paintings or carvings which they inspected , it was observed—towards the temporary conclusion of that fiery struggle , which raged betw-een the d ying embers of Paganism , and the new-born

light of Christianity , "that at the destruction of the Temple of Serapis , certain cruciform characters were found engraven on stones . Thus both Christians and Idolaters claimed a symbol of their respective creeds . " But the cross was known to the antients long previous to the Christian a * ra ; to the Jews , the brazen serpent of the wilderness , was

the prototype of that cross , on which the Redeemer gave up his life , as an expiation for a guilty world . Among the Egyptians , we find the Goddess of Justice and Truth represented in their hierogl yp hics , with the cross and circle on her knee , the former figure being with them looked upon as the symbol of life to come . Ancl , lastly , unless

our memory much misleads us , the same symbol has been disentombed b y Layard , from the dust of unreckoned centuries , in those lands where the human race first dwelt ,

and the tree of life threw out its mighty arms , destined , alas ! soon to wither , ancl almost to decay , until the advent of the Messiah raised a nobler ancl more heavenward stem , upon -which whosoever leaneth shall never fall . Every one is aware of the importance assigned to " squares , angles , ancl perpendiculars " in Masonry , ancl , it may be said ,

produce the base line of a ri g ht angle J _ and you have the Tan Cross—a simple combination , of two strai ght lines ; now , in that wdiich is but a mark with the chisel , whether bearing a mystical meaning or not , can the difference be felt , wdiich assuredl y there would be , between a tree painted b y a raw pupil in the academy , and foliage as seen

in a masterpiece b y Poussin , The idea of a Gothic church is simple ; as constructed by those wondrous artificers of the middle ages , it is more—it is sublime ; and yet it did not , like the heathen goddess , spring into existence perfect , but was the slow and stead y , it may be added the unnoticed , growth of centuries .

And with that growth of a style of architecture wdiich , on what princi p le we know not , was half a century ago called barbarous , the mark well known to Masons , but for long Utile heeded , and alluded lo b y Clavel , in his "Histoire Pittcrcsque dc la Franc Mnconnairc , " ; i " ce si » -nc bicn

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