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  • Sept. 30, 1852
  • Page 65
  • SHAKSPERE'S OTHELLO.
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The Freemasons' Quarterly Review, Sept. 30, 1852: Page 65

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    Article SHAKSPERE'S OTHELLO. ← Page 3 of 7 →
Page 65

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Shakspere's Othello.

the elementary thoughts , their treatment , and changes under the artist ' s hand , —studies of nature snatched with a passing stroke of the pencil , to be eventually immortalized in some master-piece of art . An interest akin to this is offered by the tale before us : in it we trace the suggestions out of which was produced one of the

most perfect triumphs of dramatic art . The incidents , traits of character , and motives which Shakspere has adopted , enlarged , altered , ennobled , —the skeleton which he has informed with life , dignity , and beauty , —all give back a reflected charm to the original story , which in its first and naked form it wanted .

The simple elements of the story were precisely calculated to seize upon Shakspere ' s attention , —the opposition and contrast of characters , the deep play of the passions , the suggestive motives , thoughts , and springs of action , the capabilities

of the plot , —were all materials as if created for his genius to mould , work upon , and fashion . To a few points of similarity , and some of the changes the poet has introduced , we may here advert . Desdemona , both in the play and novel , is the same affectionate and gentle being—the very soul of purity and honour ,

—innocent as unsuspecting—trusting and betrayed . Some of these points of character are but faintly sketched in the tale , but still visible . Her devotion to the Moor appears in several simple touches of the novelist : her delight at the honour paid him by the Senate ; her impatience that he should obey their summons ; her eagerness to accompany him ,

adding , that he could not love her did he imagine she could be happier to remain in safety than to share his dangers . Shakspere departs from the story in the motives for Desdemona ' s interference for Cassio with the Moor . Cassio importunes her , and she pleads as for a suitor ; she promises to do so as " a vow of friendship" to Cassio ; and although she says to Othello ,

" Why this is not a boon ; 'Tis as I should entreat you wear your gloves , Or feed on nourishing dishes , or keep you warm , Or sue to you to do a peculiar profit To your own person ;" this comes with only the force of an additional argument urged for Cassio ' s sake . Againin the Moor ' s presence she

, says to Ludovico , " I would do much To atone them , for the love I bear to Cassio . Olh . Fire and brimstone ' . "

“The Freemasons' Quarterly Review: 1852-09-30, Page 65” Masonic Periodicals Online, Library and Museum of Freemasonry, 16 May 2025, django:8000/periodicals/fqr/issues/fqr_30091852/page/65/.
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Title Category Page
THE FREEMASONS' QUARTERLY MAGAZINE AND REVIEW. Article 1
ROYAL MASONIC INSTITUTION FOR BOYS. Article 9
Obituary Article 12
THE REVELATIONS OF A SQUARE. Article 13
ALVISE SANUTO. A TALE OF THE VENETIAN REPUBLIC. Article 32
THE BRASS THUMB. Article 35
ANCIENT MASONS' MARKS. Article 44
THE SAILOR FREEMASON. Article 53
BROTHER OR NO BROTHER; OR, WHICH WAS THE WISER ? Article 58
SHAKSPERE'S OTHELLO. Article 63
THE POET'S PLEA FOR LOVE. Article 70
CORRESPONDENCE. Article 71
MASONRY IN SCOTLAND. Article 79
MASONIC INTELLIGENCE. Article 86
THE ANCIENT AND ACCEPTED RITE. Article 88
ROYAL FREEMASONS' GIRLS' SCHOOL. Article 89
METROPOLITAN. Article 101
PROVINCIAL. Article 102
SCOTLAND. Article 114
IRELAND. Article 124
COLONIAL. Article 127
MADRAS. Article 130
LITERARY NOTICES. Article 133
ANSWERS TO CORRESPONDENTS. Article 135
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Page 65

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Shakspere's Othello.

the elementary thoughts , their treatment , and changes under the artist ' s hand , —studies of nature snatched with a passing stroke of the pencil , to be eventually immortalized in some master-piece of art . An interest akin to this is offered by the tale before us : in it we trace the suggestions out of which was produced one of the

most perfect triumphs of dramatic art . The incidents , traits of character , and motives which Shakspere has adopted , enlarged , altered , ennobled , —the skeleton which he has informed with life , dignity , and beauty , —all give back a reflected charm to the original story , which in its first and naked form it wanted .

The simple elements of the story were precisely calculated to seize upon Shakspere ' s attention , —the opposition and contrast of characters , the deep play of the passions , the suggestive motives , thoughts , and springs of action , the capabilities

of the plot , —were all materials as if created for his genius to mould , work upon , and fashion . To a few points of similarity , and some of the changes the poet has introduced , we may here advert . Desdemona , both in the play and novel , is the same affectionate and gentle being—the very soul of purity and honour ,

—innocent as unsuspecting—trusting and betrayed . Some of these points of character are but faintly sketched in the tale , but still visible . Her devotion to the Moor appears in several simple touches of the novelist : her delight at the honour paid him by the Senate ; her impatience that he should obey their summons ; her eagerness to accompany him ,

adding , that he could not love her did he imagine she could be happier to remain in safety than to share his dangers . Shakspere departs from the story in the motives for Desdemona ' s interference for Cassio with the Moor . Cassio importunes her , and she pleads as for a suitor ; she promises to do so as " a vow of friendship" to Cassio ; and although she says to Othello ,

" Why this is not a boon ; 'Tis as I should entreat you wear your gloves , Or feed on nourishing dishes , or keep you warm , Or sue to you to do a peculiar profit To your own person ;" this comes with only the force of an additional argument urged for Cassio ' s sake . Againin the Moor ' s presence she

, says to Ludovico , " I would do much To atone them , for the love I bear to Cassio . Olh . Fire and brimstone ' . "

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