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  • Dec. 1, 1904
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  • Music for Christmas.
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The Masonic Illustrated, Dec. 1, 1904: Page 20

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    Article Music for Christmas. Page 1 of 1
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Music For Christmas.

Music for Christmas .

I ^ IAXOFORTE playing is one of the most interesting and entertaining of home pleasures , and playing the piano b y means of the Pianola is a form of music production of the utmost interest and charm . Every clay since the time when the Pianola was lirst made known to the public if has

been creating new friends for itself , until now it is almost generally accepted that to realise and complete the piano ' s usefulness , it is necessary to possess a Pianola also . Musicians , among whom one would naturally expect to find its most severe and exacting critics , have accepted it as an

important addition to the pianoforte art , and the most famous pianists and composers , men whose names are known to all , have acclaimed the

Pianola , in so many words , " an artistic and valuable aid to pianoforte playing . " The highest development of the Pianola idea is found in the Metrostyle Pianola . Towards the successful evolution of this new instrument Paclerewski , Moszkowski , Strauss , Grieg , Banc r .

Hofmann , Chaminade , and other equally famous musicians , have given their valuable aid . Its attainment is something unique in music . It enables anyone to play according to the ideas an d

st yle of the above-named authorities . The tempo at which Padcrcwski plays , the dynamic effects he employs , his individual ideas of interpretation , the subtle changes and nuances that characterise the playing of fhis great master , have , been recorded by him on Pianola music rolls . His whole conception of pianoforte playing , the result of all the knowledge and experiments that such a virtuoso possesses , has been

transferred b y him to paper for the benefit of Metrostyle Pianola owners . This merely by way of instance ; what Padcrcwski has done so have Chaminade and Bauer and others . As with many great inventions , this creation of a new

tactor in music results from very simple means . In playing with the aid of the Pianola , the expression is controlled through what are termed expression levers . To one of these , the tempo lever ( so named because its function is to regulate the time at which a composition is played ) , is

affixed a pen . When a composition is played with the Metrostyle Pianola this pen traces a line on the unwinding music roll , which line forms a faithful index to all the tempo and dynamic effects that have been employed in the rendition . All music rolls marked in this way are preserved in order

that facsimile reproductions may be made , which give to the world lasting records of great performances . But a greater and more interesting feature of the Metrostyle Pianola lies in the fact that , by following the printed line with the Metrostyle pointer , the artiste ' s playing is reproduced over again . For the first time , therefore , in the history of piano-playing it is possible to fashion

one ' s playing on the actual and authorised interpretations of the virtuosi of to day . Recitals with the performances of Bauer , Hofmann , Chaminade , & c , as items on the programme , may be held in one ' s own home . Apart from the interest and entertainment

afforded by the Metrostyle Pianola , its value as a musical educator is a point of the utmost importance . It is as if one had the great exponents of the pianoforte as tutors , for their ideas of interpretation arc made common to all . In conclusion , to possess a Metrostyle Pianola is to

have at one ' s command the key to practicall y all that there is of music , and to be able at any time to render the classics of pianoforte literature in a wav that only the virtuoso can equal ; lighter music , too— -marches , waltzes , comic operas , song

and instrumental accompaniments , all are available . In short , money spent in the purchase of a Metrostyle Pianola brings a return in

pleasure-giving occupation and entertainment suilicient to make it an investment of the soundest and most satisfactory nature . No more fitting Christmas gift could be thought of than the Pianola , and our readers should pay a visit to the showrooms of the Orchestrcllc Company at their beautiful place , yKolian Hall , 135-6-7 , New Bond Street , W .

“The Masonic Illustrated: 1904-12-01, Page 20” Masonic Periodicals Online, Library and Museum of Freemasonry, 25 May 2025, django:8000/periodicals/mil/issues/mil_01121904/page/20/.
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Untitled Article 1
The Province of Cheshire. Article 2
Some Continental Lodge Jewels . Article 4
The Library and Museum of the Grand Lodge of England. Article 7
Some Notes on Freemasonry in Australasia.-(Continued). Article 12
RULERS IN THE CRAFT Article 14
Untitled Ad 15
Untitled Ad 16
Untitled Ad 16
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Music in the Lodge Room. Article 16
At the Sign of the Perfect Ashlar. Article 17
Untitled Article 19
Untitled Ad 19
Music for Christmas. Article 20
Untitled Ad 21
Untitled Ad 21
Untitled Ad 21
Consecration of the Gordon Langton Lodge, No. 3069. Article 22
Untitled Ad 22
Whittington Lodge, No. 862. Article 23
Untitled Ad 23
Kirby Lodge of Instruction, No. 263. Article 24
The Power of the Grip. Article 24
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Order of the Temple. Article 26
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"CHARITY NEVER FAILETH." Article 27
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Music For Christmas.

Music for Christmas .

I ^ IAXOFORTE playing is one of the most interesting and entertaining of home pleasures , and playing the piano b y means of the Pianola is a form of music production of the utmost interest and charm . Every clay since the time when the Pianola was lirst made known to the public if has

been creating new friends for itself , until now it is almost generally accepted that to realise and complete the piano ' s usefulness , it is necessary to possess a Pianola also . Musicians , among whom one would naturally expect to find its most severe and exacting critics , have accepted it as an

important addition to the pianoforte art , and the most famous pianists and composers , men whose names are known to all , have acclaimed the

Pianola , in so many words , " an artistic and valuable aid to pianoforte playing . " The highest development of the Pianola idea is found in the Metrostyle Pianola . Towards the successful evolution of this new instrument Paclerewski , Moszkowski , Strauss , Grieg , Banc r .

Hofmann , Chaminade , and other equally famous musicians , have given their valuable aid . Its attainment is something unique in music . It enables anyone to play according to the ideas an d

st yle of the above-named authorities . The tempo at which Padcrcwski plays , the dynamic effects he employs , his individual ideas of interpretation , the subtle changes and nuances that characterise the playing of fhis great master , have , been recorded by him on Pianola music rolls . His whole conception of pianoforte playing , the result of all the knowledge and experiments that such a virtuoso possesses , has been

transferred b y him to paper for the benefit of Metrostyle Pianola owners . This merely by way of instance ; what Padcrcwski has done so have Chaminade and Bauer and others . As with many great inventions , this creation of a new

tactor in music results from very simple means . In playing with the aid of the Pianola , the expression is controlled through what are termed expression levers . To one of these , the tempo lever ( so named because its function is to regulate the time at which a composition is played ) , is

affixed a pen . When a composition is played with the Metrostyle Pianola this pen traces a line on the unwinding music roll , which line forms a faithful index to all the tempo and dynamic effects that have been employed in the rendition . All music rolls marked in this way are preserved in order

that facsimile reproductions may be made , which give to the world lasting records of great performances . But a greater and more interesting feature of the Metrostyle Pianola lies in the fact that , by following the printed line with the Metrostyle pointer , the artiste ' s playing is reproduced over again . For the first time , therefore , in the history of piano-playing it is possible to fashion

one ' s playing on the actual and authorised interpretations of the virtuosi of to day . Recitals with the performances of Bauer , Hofmann , Chaminade , & c , as items on the programme , may be held in one ' s own home . Apart from the interest and entertainment

afforded by the Metrostyle Pianola , its value as a musical educator is a point of the utmost importance . It is as if one had the great exponents of the pianoforte as tutors , for their ideas of interpretation arc made common to all . In conclusion , to possess a Metrostyle Pianola is to

have at one ' s command the key to practicall y all that there is of music , and to be able at any time to render the classics of pianoforte literature in a wav that only the virtuoso can equal ; lighter music , too— -marches , waltzes , comic operas , song

and instrumental accompaniments , all are available . In short , money spent in the purchase of a Metrostyle Pianola brings a return in

pleasure-giving occupation and entertainment suilicient to make it an investment of the soundest and most satisfactory nature . No more fitting Christmas gift could be thought of than the Pianola , and our readers should pay a visit to the showrooms of the Orchestrcllc Company at their beautiful place , yKolian Hall , 135-6-7 , New Bond Street , W .

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