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  • The Masonic Magazine
  • July 1, 1875
  • Page 15
  • AN ORIGINAL DISSERTATION ON PUBLIC SPEAKING.
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The Masonic Magazine, July 1, 1875: Page 15

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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

An Original Dissertation On Public Speaking.

AN ORIGINAL DISSERTATION ON PUBLIC SPEAKING .

BY BRO . EJtRA HOLMES . ( Continued from Zi 7 . ) Delivered in the TOAVU Hall , Colchester , before the Members of the Y . M . C . A .

See Hamlets celebrated address to the p layers ( act 3 , scene 2 ) . The Greeks Avere so nice in points of eloquence , and so offended with a vicious pronunciation that they would not suffer

the public crier to proclaim their laws unless he was accompanied by a musician , who , in case of aA * icious tone , might be ready to give him the proper pitch and expression . It Avould seem that the toAvn criers of

classic story could boast of a degree of oratorical propriety , from which their modern successors must have sadl y degenerated . What would have became of the Colchester TOAVU Bellman in thosedays ?

Attention to the rising and falling inflections , proper accentuation , distinct utterance , and such animation as uses appropriate action and gesture—these are the great things to study in a speaker .

Bro . Ernra Holmes , alluding to the ludicrous effects of a Avrong accent , instanced a case in point , Avhere he heard a clergyman once iu church reading the story of the old

prophet say— " And he said , saddle me the ass . And they saddled him . " As to action and declamation , Barron , the French Garrick , speaking of acting , said : —

" Rules may teach us not to raise the arms above the head , but if passion carries them , it will be Avell done . Passion knoAvs more than art . " Massillon , the great French preacher , so

far affected Barron Avith one of his magnificent sermons , as to force the confession from him to one of his companions : — "My friend , " said he , "this is an orator , Ave are only actors ! " I suppose , the

lecturer continued , to be really ready speakers Ave should adopt Fox ' s plan ( or was it Pitt ' s ?) to get up whenever opportunity offered , aud speak upon the subject then introduced , Avhether Ave knew much or little about it .

The excellent impromptu speech plan of the Ipswich Mutual Improvement Society , introduced on stated occasions , is

An Original Dissertation On Public Speaking.

well worthy of imitation in similar institutions elsewhere , as tending to make ready speakers . I had the pleasure once of attending one of these gatherings . Questions were

propounded by any one amongst the audience , and five or six of the members volunteered to speak on the subject given to them . The questions , Avhich Avere Avritten down on slips of paper , Avere put into a hat with

the names of the impromptu speakers on similar slips . They Avere draAvn out at random , as is the fashion at lotteries , and Avhichever query fell to the lot of each member , he

had at once to get up , and Avithout the smallest ] : > reparatior ., speak upon the question then introduced . If I remember rightly , the questions and

subjects suggested aud proposed were the folloAving : — 1 st . Are class distinctions a necessity in highly civilised society ? 2 . Satire !

3 . What does Ireland want ? ( Rather a Avide question , and one that is found to be rather difficult to answer ) , 4 . Is it right to kill for sport ? 5 . Beards and moustaches I

These questions and subjects have no lack of variety at all events , and they Avere for the most part very fairly treated . As the speeches Avere perforce extempore in the most ample sense , and by junior

members , they no doubt were sketchy and someAvhat wanting in finish , but they afforded considerable amusement , and served the purpose for Avhich they Avere intended , viz ., to create ready speakers .

After all , there is more in the method of delivery , than in the thing itself . Great orators' speeches are often poor Avhen reduced to writing . Josh Billings says , "the power of oratory lays more in the manner

than in the matter ; you can t reduce it to Avriting any more than you can play a streak of lightning on a hand organ /" The great art of speaking well is to be en rapport , as the mesmerists say , with your audience ; to know what it likes ; when it is

pleased , and when it is tired ; and the greatest art of all is , perhaps , to know when to stop . The usefulness of attending to what a late M . P . of my acquaintance calls sucking peoples' brains as bogs suck eggs , is another thing worth remembering by a would-be

“The Masonic Magazine: 1875-07-01, Page 15” Masonic Periodicals Online, Library and Museum of Freemasonry, 6 June 2025, django:8000/periodicals/mmg/issues/mmg_01071875/page/15/.
  • List
  • Grid
Title Category Page
Untitled Article 1
TO OUR READERS. Article 2
THE SAFE RETURN. Article 3
INDEX. Article 5
Monthly Masonic Summary. Article 7
HELIOTROPE. Article 8
MURIEL HALSIF. Article 8
DR. DASSIGNY'S ENQUIRY. Article 11
AN ORIGINAL DISSERTATION ON PUBLIC SPEAKING. Article 15
CHRONOGRAMS AND CHRONOPHONS. Article 17
ASSYRIAN DISCOVERIES. Article 20
A SONG FOR THE CRAFT. —CONCLUDED. Article 22
THE PALACE OF THE QUEEN OF SHEBA. Article 23
LET'S WELCOME THE HOUR. Article 25
A MASON'S GRAVE. Article 26
Review. Article 26
THE YOUNG WIDOW. Article 29
HOTEL INCIDENT IN THE RIVIERA. Article 30
AN ORATION FIFTY YEARS AGO. Article 34
HENCKABY BUDGINTON'S LITTLE DINNER. Article 38
IMAGININGS. Article 40
THE MYSTIC ORDER. Article 41
CONVERSATION. Article 43
LIVE MASONRY AS WELL AS TEACH IT. Article 45
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

An Original Dissertation On Public Speaking.

AN ORIGINAL DISSERTATION ON PUBLIC SPEAKING .

BY BRO . EJtRA HOLMES . ( Continued from Zi 7 . ) Delivered in the TOAVU Hall , Colchester , before the Members of the Y . M . C . A .

See Hamlets celebrated address to the p layers ( act 3 , scene 2 ) . The Greeks Avere so nice in points of eloquence , and so offended with a vicious pronunciation that they would not suffer

the public crier to proclaim their laws unless he was accompanied by a musician , who , in case of aA * icious tone , might be ready to give him the proper pitch and expression . It Avould seem that the toAvn criers of

classic story could boast of a degree of oratorical propriety , from which their modern successors must have sadl y degenerated . What would have became of the Colchester TOAVU Bellman in thosedays ?

Attention to the rising and falling inflections , proper accentuation , distinct utterance , and such animation as uses appropriate action and gesture—these are the great things to study in a speaker .

Bro . Ernra Holmes , alluding to the ludicrous effects of a Avrong accent , instanced a case in point , Avhere he heard a clergyman once iu church reading the story of the old

prophet say— " And he said , saddle me the ass . And they saddled him . " As to action and declamation , Barron , the French Garrick , speaking of acting , said : —

" Rules may teach us not to raise the arms above the head , but if passion carries them , it will be Avell done . Passion knoAvs more than art . " Massillon , the great French preacher , so

far affected Barron Avith one of his magnificent sermons , as to force the confession from him to one of his companions : — "My friend , " said he , "this is an orator , Ave are only actors ! " I suppose , the

lecturer continued , to be really ready speakers Ave should adopt Fox ' s plan ( or was it Pitt ' s ?) to get up whenever opportunity offered , aud speak upon the subject then introduced , Avhether Ave knew much or little about it .

The excellent impromptu speech plan of the Ipswich Mutual Improvement Society , introduced on stated occasions , is

An Original Dissertation On Public Speaking.

well worthy of imitation in similar institutions elsewhere , as tending to make ready speakers . I had the pleasure once of attending one of these gatherings . Questions were

propounded by any one amongst the audience , and five or six of the members volunteered to speak on the subject given to them . The questions , Avhich Avere Avritten down on slips of paper , Avere put into a hat with

the names of the impromptu speakers on similar slips . They Avere draAvn out at random , as is the fashion at lotteries , and Avhichever query fell to the lot of each member , he

had at once to get up , and Avithout the smallest ] : > reparatior ., speak upon the question then introduced . If I remember rightly , the questions and

subjects suggested aud proposed were the folloAving : — 1 st . Are class distinctions a necessity in highly civilised society ? 2 . Satire !

3 . What does Ireland want ? ( Rather a Avide question , and one that is found to be rather difficult to answer ) , 4 . Is it right to kill for sport ? 5 . Beards and moustaches I

These questions and subjects have no lack of variety at all events , and they Avere for the most part very fairly treated . As the speeches Avere perforce extempore in the most ample sense , and by junior

members , they no doubt were sketchy and someAvhat wanting in finish , but they afforded considerable amusement , and served the purpose for Avhich they Avere intended , viz ., to create ready speakers .

After all , there is more in the method of delivery , than in the thing itself . Great orators' speeches are often poor Avhen reduced to writing . Josh Billings says , "the power of oratory lays more in the manner

than in the matter ; you can t reduce it to Avriting any more than you can play a streak of lightning on a hand organ /" The great art of speaking well is to be en rapport , as the mesmerists say , with your audience ; to know what it likes ; when it is

pleased , and when it is tired ; and the greatest art of all is , perhaps , to know when to stop . The usefulness of attending to what a late M . P . of my acquaintance calls sucking peoples' brains as bogs suck eggs , is another thing worth remembering by a would-be

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