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  • Aug. 1, 1881
  • Page 23
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The Masonic Magazine, Aug. 1, 1881: Page 23

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    Article DESCRIPTIVE GEOMETRY AND OUR ANCIENT SECRETS. ← Page 2 of 2
Page 23

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Descriptive Geometry And Our Ancient Secrets.

Descriptive geometry makes use of two plans , one horizontal , the other vertical ; the object to be represented is then projected by means of perpendiculars dropped on these two planes , and one has thus two drawings , which are called the projections horizontal and vertical of the figure ; or in the case of a machine or building , the plan and elevation ; sections through fixed points are then addedand by means of the rule and compass the dimensions of each

, stone , timber , or casting are determined and embodied in a pattern of wood or sheet metal , which serves to guide the workman . Such is the method that has always been used to determine the forms of stone which compose a building . The Greeks made use of these two planes under the names of " ichnographic " and " orthographic . " We read in the Bible of the construction of our Masonic temple : "And the house , when it was building , was built of stone made

ready before it was brought thither ; so that there was neither hammer , nor axe , nor any tool of iron heard in the house while it was building . '' Thus , then , the stones came ready cut out of the yard , the dimensions of each one having been previously worked out by the draughtsman . Moreover , tradition says that Hiram , the architect , was murdered by his workmen , because having discovered the use of the rule and compass he refused to publish his discovery . The secret was handed down from age to age as an occult science , and we see its symbols in the apron , trowel , square and compass of Freemasonry . The first treatise on the subject appeared about the middle of the sixteenth century , at a time when

architectural science was in its decay . This decay , indeed , probably accounts for the publication of what had previously been kept secret . The author of the work , Philibert de l'Orme , architect of the Tuileries , does not profess to be the discoverer of the system , but only to have extended its application . Other treatises on the subject appeared in the seventeenth and ei ghteenth centuries , where we first find the rules laid down for the construction of circular staircases ;

but for the most part the subject was not treated geometrically . The noble timber roofs of our cathedrals are examples of the use of the rule and compass in carpentry , on which a treatise was first published about the middle of the eighteenth century , and entitled " The Carpenter ' s Euclid . " However , the author allows that his treatment of the subject is only practical , and lacks rigour . The subject was raised to a science bthe great Mongeone of the

y , most brilliant of that body of learned men who presided at the birth of modern science under the enlightened encouragement of the first Napoleon . It was Monge who embodied , or shall I say re-embodied , the principles and rules which are common to the rigorous carrying- out of the different branches of the constructor ' s art ; he it was who united together what had been disconnected practical knowledge upon a harmonious and scientific basisunder the name of

, descriptive geometry . However , this science , put into shape b y Monge , did not assume under him the development which it has since attained . The growth of the railway system , for instance , has extended its applications , and it is descriptive geometry which has given the true solution of the form of the stones which compose a skew bridge .

It has often been a matter of speculation among Masonic students as to what were the real secrets of the mediaeval Masons . It is absurd to suppose that their guilds existed simply for the sake of a few words or grips , as in the case of the modern speculative society . Of course , we know that there was a certain amount of religious dogma taught in their lod ges ; this much we gather from the old constitutions left to us . But I am inclined to submit that the

science rediscovered by Monge , and called by him Descri ptive Geometry , constituted the real secret of our ancient brethren , and that it was this knowledge which they so carefully concealed from the profane , and which gave to them the monopol y which has immortalized their memory . Without enlarging upoir this point , I merely throw it out as a suggestion which , correct or not , certainly affords a reason and justification for the power wielded by the great mediaeval guilds of builders .

“The Masonic Magazine: 1881-08-01, Page 23” Masonic Periodicals Online, Library and Museum of Freemasonry, 23 May 2025, django:8000/periodicals/mmg/issues/mmg_01081881/page/23/.
  • List
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Title Category Page
THE YORK MS. No. 5, A.D. 1670. Article 1
THE ADVANTAGE OF CONFESSION. Article 5
Untitled Article 7
THE ILLUSTRATION Article 8
THE WORK OF A MASONIC SESSION. Article 8
BARNARD'S INN, HOLBORN. Article 10
MASONRY V. AGNOSTICISM* Article 13
THE MAIDEN'S BOWER: A SERENADE. Article 16
OFF FOR A HOLIDAY. Article 17
HISTORY OF THE AIREDALE LODGE, No. 387, Article 19
DESCRIPTIVE GEOMETRY AND OUR ANCIENT SECRETS. Article 22
THE GUILDHALL AND THE CHARTERS OF THE CORPORATION. Article 24
MASONIC SYMBOLISM* Article 26
FORTY YEARS AGO. Article 30
A MASON'S STORY. Article 31
THE EGYPTIAN BOOK OF THE DEAD. Article 34
AFTER ALL. Article 36
IN A HUNDRED YEARS. Article 42
LITERARY GOSSIP. Article 43
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Page 23

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Descriptive Geometry And Our Ancient Secrets.

Descriptive geometry makes use of two plans , one horizontal , the other vertical ; the object to be represented is then projected by means of perpendiculars dropped on these two planes , and one has thus two drawings , which are called the projections horizontal and vertical of the figure ; or in the case of a machine or building , the plan and elevation ; sections through fixed points are then addedand by means of the rule and compass the dimensions of each

, stone , timber , or casting are determined and embodied in a pattern of wood or sheet metal , which serves to guide the workman . Such is the method that has always been used to determine the forms of stone which compose a building . The Greeks made use of these two planes under the names of " ichnographic " and " orthographic . " We read in the Bible of the construction of our Masonic temple : "And the house , when it was building , was built of stone made

ready before it was brought thither ; so that there was neither hammer , nor axe , nor any tool of iron heard in the house while it was building . '' Thus , then , the stones came ready cut out of the yard , the dimensions of each one having been previously worked out by the draughtsman . Moreover , tradition says that Hiram , the architect , was murdered by his workmen , because having discovered the use of the rule and compass he refused to publish his discovery . The secret was handed down from age to age as an occult science , and we see its symbols in the apron , trowel , square and compass of Freemasonry . The first treatise on the subject appeared about the middle of the sixteenth century , at a time when

architectural science was in its decay . This decay , indeed , probably accounts for the publication of what had previously been kept secret . The author of the work , Philibert de l'Orme , architect of the Tuileries , does not profess to be the discoverer of the system , but only to have extended its application . Other treatises on the subject appeared in the seventeenth and ei ghteenth centuries , where we first find the rules laid down for the construction of circular staircases ;

but for the most part the subject was not treated geometrically . The noble timber roofs of our cathedrals are examples of the use of the rule and compass in carpentry , on which a treatise was first published about the middle of the eighteenth century , and entitled " The Carpenter ' s Euclid . " However , the author allows that his treatment of the subject is only practical , and lacks rigour . The subject was raised to a science bthe great Mongeone of the

y , most brilliant of that body of learned men who presided at the birth of modern science under the enlightened encouragement of the first Napoleon . It was Monge who embodied , or shall I say re-embodied , the principles and rules which are common to the rigorous carrying- out of the different branches of the constructor ' s art ; he it was who united together what had been disconnected practical knowledge upon a harmonious and scientific basisunder the name of

, descriptive geometry . However , this science , put into shape b y Monge , did not assume under him the development which it has since attained . The growth of the railway system , for instance , has extended its applications , and it is descriptive geometry which has given the true solution of the form of the stones which compose a skew bridge .

It has often been a matter of speculation among Masonic students as to what were the real secrets of the mediaeval Masons . It is absurd to suppose that their guilds existed simply for the sake of a few words or grips , as in the case of the modern speculative society . Of course , we know that there was a certain amount of religious dogma taught in their lod ges ; this much we gather from the old constitutions left to us . But I am inclined to submit that the

science rediscovered by Monge , and called by him Descri ptive Geometry , constituted the real secret of our ancient brethren , and that it was this knowledge which they so carefully concealed from the profane , and which gave to them the monopol y which has immortalized their memory . Without enlarging upoir this point , I merely throw it out as a suggestion which , correct or not , certainly affords a reason and justification for the power wielded by the great mediaeval guilds of builders .

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