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  • Oct. 1, 1876
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  • THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY.
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The Origin And References Of The Hermesian Spurious Freemasonry.

THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY .

BY REV GEO . OLIVER , D . D . ( Continued from page 116 . ) CHAPTER XI . THE REFERENCE TO THE DIVINE UNITY .

" Then deep within Eleusis' mystic cell . The trembling novice heard the measure swell , Dwelt with keen ear upon the solemn strain , Which whispered truthsunknowu to the profane ; Explored a passage which obscurely led To some half doubted state beyond the dead ; And saw Creation bend before tho throne Of one pure Essence , self-sprung , and alone . " EELIGIO CLERICI .

IT is a remarkable coincidence that while the worshippers of an omnipresent Oeity were interested in the preservation of historical truth unadulterated , those who had wandered into paths of their own devising , were equally desirous of perverting those truths to serve their own designs .

The attempt at first was delicate , and perhaps dangerous ; and required great caution to elude exposure . They deviated gradually as the worship of idols progressed in successive generations , and when Polytheism became popular , the legends

were openly adapted to the prevailing mythology of every existing nation . To this point the learning and talent of poets and philosophers appears to have been directed . Historical truth degenerated into fable , and a multiplication of legendary tales were engrafted on the original fact according to the inventive fancy of the writer of metrical romances .

Hence all the fictions of Orpheus and Homer , Melampus , Amphion , and Hessiod , and a host of others , who followed in after ages , and profiting by these primitive models of the art , engrafted numerous scions into the same prolific tree , until all animated nature—the earth , the sea , the

air , fountains and rivers , woods , and the champagne country , heaven and hell , were peopled with deities of poetic creation . Amongst all this mass of absurdity , vestiges of truth , which could not be mistaken , were amalgamated . And we accordingly find , even in the darkest ages ,

and at the lowest and most degraded point of the Spurious Ereemasonry , tokens of truth , which reveal the origin whence all these rites , and all theso fables sprang These poetical absurdities were , however , distinguishable from the sacred legends b y

perfectly initiated men , and were explained to those few favoured individuals , whose merits had elevated them to the autopsia . Many of the philosophers rejected them with contempt . Eratosthenes called them old wives' tales ; Strabowho wrote an

, essay in their vindication , confessed that they were principally intended to keep the multitude in awe ; Lucian openly turned them into ridicule ; and Philo Byblius complained , that "with a great deal of force and straining they had converted all the

stories of the gods into allegory and physical lectures ; and numbers laughed at the credulity of those who placed any confidence in them . Notwithstanding which , the Spurious Ereemasonry continued to be venerated by those who were not qualified

to distinguish between truth and error . " But amongst all their fluctuations , the legend of the Spurious Freemasonry which inculcated the unity of the deity , remained unaltered to the latest period of its existence . Considering the anaglyph before us to be an embodiment of the Euresis , we must conclude that the Tablet or Tracing Board

which the figure holds between its claws , together with the two tables of concentric circles , contain the doctrines which were taught to the candidate after his exaltation or new birth ; and being designated by signs and symbols which were well understoodthey conveyed no equivocal

, meaning to the perfectly initiated Epopt . We have here , both in the Breastplate of Truth , which is placed on the neck of the symbolical representation of the deity , and in the centre of the concentric circles , a reference to the Tetraccys or

Tetragrammaton of the ancients , which was the peculiar name of the One God the Creator of heaven and earth . * It is universally admitted that this four-lettered name was

known to the heathen . Sanchoniatho mentions a priest of the god JENO ; the sibylline oracles name JA . HO as the supreme God . Diodorus Siculus and Theoderet

“The Masonic Magazine: 1876-10-01, Page 2” Masonic Periodicals Online, Library and Museum of Freemasonry, 30 May 2025, django:8000/periodicals/mmg/issues/mmg_01101876/page/2/.
  • List
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Title Category Page
Monthly Masonic Summary. Article 1
THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Article 2
BESSIE GROVE: Article 4
A PCEAN. Article 7
ZOROASTRIANISM AND FREE MASONRY. Article 9
SOCIAL PROBLEMS AND THEIR PEACEFUL SOLUTION. Article 10
TO SAINT BRIDE'S CHURCH, DOUGLAS, LANARKSHIRE, N. B. Article 13
THE WOMEN OF OUR TIME. Article 14
FREEMASONRY.* Article 16
LONG LIVERS: Article 17
EXTRACTS FROM THE MINUTE BOOKS OF THE ROYAL ARCH CHAPTER OF PARADISE, No. 139, FREEMASONS' HALL, SHEFFIELD. Article 31
A SANG ABOUT THE BAIRNS. Article 34
LITTLE JACK RAG'S "DAY IN THE COUNTRY"." Article 35
EMBLEMS OF TIME. Article 39
CONTEMPORARY LETTERS ON THE FRENCH REVOLUTION Article 39
GERARD MONTAGU; Article 41
FAIRY TALES UTILISED FOR THE NEW GENERATION. Article 43
THOMAS TUSSER—A SONNET Article 45
CIVIL AND MECHANICAL ENGI NEER'S SOCIETY. Article 45
AN OLD, OLD STORY. Article 47
MASONIC SERMON. Article 50
SONNET. Article 54
TAKEN BY BEIGANDS Article 54
PARENTAL AFFECTION. Article 57
Our Archaeological Corner. Article 57
ADDRESS OF P.G.M. BRO. HONRICHARD VAUX, AT CENTENNIAL OF AMERICAN UNION LODGE. Article 58
NOTES ON LITERATURE, SCIENCE AND ART. Article 60
THE FLOOD OF YEARS. Article 62
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Origin And References Of The Hermesian Spurious Freemasonry.

THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY .

BY REV GEO . OLIVER , D . D . ( Continued from page 116 . ) CHAPTER XI . THE REFERENCE TO THE DIVINE UNITY .

" Then deep within Eleusis' mystic cell . The trembling novice heard the measure swell , Dwelt with keen ear upon the solemn strain , Which whispered truthsunknowu to the profane ; Explored a passage which obscurely led To some half doubted state beyond the dead ; And saw Creation bend before tho throne Of one pure Essence , self-sprung , and alone . " EELIGIO CLERICI .

IT is a remarkable coincidence that while the worshippers of an omnipresent Oeity were interested in the preservation of historical truth unadulterated , those who had wandered into paths of their own devising , were equally desirous of perverting those truths to serve their own designs .

The attempt at first was delicate , and perhaps dangerous ; and required great caution to elude exposure . They deviated gradually as the worship of idols progressed in successive generations , and when Polytheism became popular , the legends

were openly adapted to the prevailing mythology of every existing nation . To this point the learning and talent of poets and philosophers appears to have been directed . Historical truth degenerated into fable , and a multiplication of legendary tales were engrafted on the original fact according to the inventive fancy of the writer of metrical romances .

Hence all the fictions of Orpheus and Homer , Melampus , Amphion , and Hessiod , and a host of others , who followed in after ages , and profiting by these primitive models of the art , engrafted numerous scions into the same prolific tree , until all animated nature—the earth , the sea , the

air , fountains and rivers , woods , and the champagne country , heaven and hell , were peopled with deities of poetic creation . Amongst all this mass of absurdity , vestiges of truth , which could not be mistaken , were amalgamated . And we accordingly find , even in the darkest ages ,

and at the lowest and most degraded point of the Spurious Ereemasonry , tokens of truth , which reveal the origin whence all these rites , and all theso fables sprang These poetical absurdities were , however , distinguishable from the sacred legends b y

perfectly initiated men , and were explained to those few favoured individuals , whose merits had elevated them to the autopsia . Many of the philosophers rejected them with contempt . Eratosthenes called them old wives' tales ; Strabowho wrote an

, essay in their vindication , confessed that they were principally intended to keep the multitude in awe ; Lucian openly turned them into ridicule ; and Philo Byblius complained , that "with a great deal of force and straining they had converted all the

stories of the gods into allegory and physical lectures ; and numbers laughed at the credulity of those who placed any confidence in them . Notwithstanding which , the Spurious Ereemasonry continued to be venerated by those who were not qualified

to distinguish between truth and error . " But amongst all their fluctuations , the legend of the Spurious Freemasonry which inculcated the unity of the deity , remained unaltered to the latest period of its existence . Considering the anaglyph before us to be an embodiment of the Euresis , we must conclude that the Tablet or Tracing Board

which the figure holds between its claws , together with the two tables of concentric circles , contain the doctrines which were taught to the candidate after his exaltation or new birth ; and being designated by signs and symbols which were well understoodthey conveyed no equivocal

, meaning to the perfectly initiated Epopt . We have here , both in the Breastplate of Truth , which is placed on the neck of the symbolical representation of the deity , and in the centre of the concentric circles , a reference to the Tetraccys or

Tetragrammaton of the ancients , which was the peculiar name of the One God the Creator of heaven and earth . * It is universally admitted that this four-lettered name was

known to the heathen . Sanchoniatho mentions a priest of the god JENO ; the sibylline oracles name JA . HO as the supreme God . Diodorus Siculus and Theoderet

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