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  • Oct. 1, 1876
  • Page 62
  • THE FLOOD OF YEARS.
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Notes On Literature, Science And Art.

and subsequently coated over with a transparent glaze . This was the Assyrian and Persian process . To find a white opaque enamel , which could be applied direct on a coloured clay and adhere firmly to it , was a great discovery . " By using this tin enamel judiciously all

over the Pottery-ware , so as to make it more or less opaque as he wished , Lucca Delia Robia produced his famous Majolica , so called from its exportation from the island of Majorca ( the Spanish Mallorca ) to Italy , early in the fifteenth century . But it

was in Italy itself that the manufacture of Majolica attained its hi ghest perfection , so that even Perugmo , Michael Angelo , and Raphael , are said to have painted this peculiar Pottery . But keen competition , whilst it destroys monopolies , also

engenders innumerable knaveries ; and as our English manufacturers now are seeking only to make the best imitation of good articles , instead of the best manufactures , so did the Potters of the seventeenth century , in Italy , . France , Holland , and elsewhere . At Delft , in South Holland , some nine miles from Rotterdam , a blue and white imitation of Chinese Pottery

was successfully manufactured , which suplilied this and other countries , until our own Wedgwood produced a superior ware at home , which supplanted it in the markets of Europe ; but " common Delf " is still the English name for ordinary platescups and saucersetc . as " China "

, , , is for the best porcelain . " At Rouen , " says Mr , Arnoux , " the blue ornamentation was relieved with touches of red , green , and yellow ; at Moustiers the monochrome designs were light and uncommonly elegant ; at Paris ,

Marseilles , and many ' other places , the flower decoration of the old Sevres and Dresden ware was imitated with a freedom of touch and a freshness of colour which is really charming . " But the high price of tin rendered the best glazes costly , as

that of lead in our own day would have done common Pottery : the mixture of silicate of soda , powdered quartz , Mendon chalk , and borax , not having been hit upon as a substitute for the poisonous lead g lazing until very recently . Stoneware was produced in Germany , " at Nuremberg , Eatisbon , Bayreuth , and Mansfield , and other places ; but the best

Notes On Literature, Science And Art.

were made in the neighbourhood of the Lower Rhine , where the clays most fitted for that class of pottery were easily to be found . Here we find , for the first time in Europe , the body of the ware partl y vitrified by the high temperature to which it was submittedand also the remarkable

, peculiarity that it was glazed by the volitalization of common salt , thrown into the oven when the temperature had reached its climax . The combination of these two processes had never been effected before , and it would be difficult on that

account to find any connection between stoneware and some of the Egyptian potteries . For this stoneware , which was of various colours , T . Hopfer designed many of the embossed ornamentations . It began to decline towards the close of the seventeenth century , and has only been revived of late by Doulton & Co ., of Lambeth .

How very low the potter s art had sunk in France , those who have read John Morley ' s most interesting life of " Bernard Palissy , " will have a vivid recollection : for it is as interesting as any romance . And France produced only one Palissy . What a truly worshipful man he wascompared

, with numbers to whom she has shown much higher honour ! But the world , when wiser will , rank him among her greatest heroes , as he most undoubtedly was . Of the rise and progress of English pottery , I must speak in another note .

Mr . J . C . Cox has in the press the second volume of his able and interesting work on the Churches of Derbyshire , which is anx ously looked for . Resin melted with half its weight of paraffinat a temperature not exceeding

, 2-30 degrees Fall , is said to produce artificial wax ; so is rosin with one-third tallow , Rose Cottatie , Stokeslcy .

The Flood Of Years.

THE FLOOD OF YEARS .

BY WILLIAM CULLEN BRYANT . From " SCRIBNER ' S MONTHLY . " A MIGHTY hand , an exhanstless urn , Pours forth the never-ending Flood of Years Among the nations . How the rushing waves

“The Masonic Magazine: 1876-10-01, Page 62” Masonic Periodicals Online, Library and Museum of Freemasonry, 30 May 2025, django:8000/periodicals/mmg/issues/mmg_01101876/page/62/.
  • List
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Title Category Page
Monthly Masonic Summary. Article 1
THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Article 2
BESSIE GROVE: Article 4
A PCEAN. Article 7
ZOROASTRIANISM AND FREE MASONRY. Article 9
SOCIAL PROBLEMS AND THEIR PEACEFUL SOLUTION. Article 10
TO SAINT BRIDE'S CHURCH, DOUGLAS, LANARKSHIRE, N. B. Article 13
THE WOMEN OF OUR TIME. Article 14
FREEMASONRY.* Article 16
LONG LIVERS: Article 17
EXTRACTS FROM THE MINUTE BOOKS OF THE ROYAL ARCH CHAPTER OF PARADISE, No. 139, FREEMASONS' HALL, SHEFFIELD. Article 31
A SANG ABOUT THE BAIRNS. Article 34
LITTLE JACK RAG'S "DAY IN THE COUNTRY"." Article 35
EMBLEMS OF TIME. Article 39
CONTEMPORARY LETTERS ON THE FRENCH REVOLUTION Article 39
GERARD MONTAGU; Article 41
FAIRY TALES UTILISED FOR THE NEW GENERATION. Article 43
THOMAS TUSSER—A SONNET Article 45
CIVIL AND MECHANICAL ENGI NEER'S SOCIETY. Article 45
AN OLD, OLD STORY. Article 47
MASONIC SERMON. Article 50
SONNET. Article 54
TAKEN BY BEIGANDS Article 54
PARENTAL AFFECTION. Article 57
Our Archaeological Corner. Article 57
ADDRESS OF P.G.M. BRO. HONRICHARD VAUX, AT CENTENNIAL OF AMERICAN UNION LODGE. Article 58
NOTES ON LITERATURE, SCIENCE AND ART. Article 60
THE FLOOD OF YEARS. Article 62
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Notes On Literature, Science And Art.

and subsequently coated over with a transparent glaze . This was the Assyrian and Persian process . To find a white opaque enamel , which could be applied direct on a coloured clay and adhere firmly to it , was a great discovery . " By using this tin enamel judiciously all

over the Pottery-ware , so as to make it more or less opaque as he wished , Lucca Delia Robia produced his famous Majolica , so called from its exportation from the island of Majorca ( the Spanish Mallorca ) to Italy , early in the fifteenth century . But it

was in Italy itself that the manufacture of Majolica attained its hi ghest perfection , so that even Perugmo , Michael Angelo , and Raphael , are said to have painted this peculiar Pottery . But keen competition , whilst it destroys monopolies , also

engenders innumerable knaveries ; and as our English manufacturers now are seeking only to make the best imitation of good articles , instead of the best manufactures , so did the Potters of the seventeenth century , in Italy , . France , Holland , and elsewhere . At Delft , in South Holland , some nine miles from Rotterdam , a blue and white imitation of Chinese Pottery

was successfully manufactured , which suplilied this and other countries , until our own Wedgwood produced a superior ware at home , which supplanted it in the markets of Europe ; but " common Delf " is still the English name for ordinary platescups and saucersetc . as " China "

, , , is for the best porcelain . " At Rouen , " says Mr , Arnoux , " the blue ornamentation was relieved with touches of red , green , and yellow ; at Moustiers the monochrome designs were light and uncommonly elegant ; at Paris ,

Marseilles , and many ' other places , the flower decoration of the old Sevres and Dresden ware was imitated with a freedom of touch and a freshness of colour which is really charming . " But the high price of tin rendered the best glazes costly , as

that of lead in our own day would have done common Pottery : the mixture of silicate of soda , powdered quartz , Mendon chalk , and borax , not having been hit upon as a substitute for the poisonous lead g lazing until very recently . Stoneware was produced in Germany , " at Nuremberg , Eatisbon , Bayreuth , and Mansfield , and other places ; but the best

Notes On Literature, Science And Art.

were made in the neighbourhood of the Lower Rhine , where the clays most fitted for that class of pottery were easily to be found . Here we find , for the first time in Europe , the body of the ware partl y vitrified by the high temperature to which it was submittedand also the remarkable

, peculiarity that it was glazed by the volitalization of common salt , thrown into the oven when the temperature had reached its climax . The combination of these two processes had never been effected before , and it would be difficult on that

account to find any connection between stoneware and some of the Egyptian potteries . For this stoneware , which was of various colours , T . Hopfer designed many of the embossed ornamentations . It began to decline towards the close of the seventeenth century , and has only been revived of late by Doulton & Co ., of Lambeth .

How very low the potter s art had sunk in France , those who have read John Morley ' s most interesting life of " Bernard Palissy , " will have a vivid recollection : for it is as interesting as any romance . And France produced only one Palissy . What a truly worshipful man he wascompared

, with numbers to whom she has shown much higher honour ! But the world , when wiser will , rank him among her greatest heroes , as he most undoubtedly was . Of the rise and progress of English pottery , I must speak in another note .

Mr . J . C . Cox has in the press the second volume of his able and interesting work on the Churches of Derbyshire , which is anx ously looked for . Resin melted with half its weight of paraffinat a temperature not exceeding

, 2-30 degrees Fall , is said to produce artificial wax ; so is rosin with one-third tallow , Rose Cottatie , Stokeslcy .

The Flood Of Years.

THE FLOOD OF YEARS .

BY WILLIAM CULLEN BRYANT . From " SCRIBNER ' S MONTHLY . " A MIGHTY hand , an exhanstless urn , Pours forth the never-ending Flood of Years Among the nations . How the rushing waves

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