Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Masonic Magazine
  • Oct. 1, 1877
  • Page 40
  • Architectural Jottings.
Current:

The Masonic Magazine, Oct. 1, 1877: Page 40

  • Back to The Masonic Magazine, Oct. 1, 1877
  • Print image
  • Articles/Ads
    Article Architectural Jottings. Page 1 of 3 →
Page 40

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Architectural Jottings.

Architectural Jottings .

FOUR WELL-KNOWN ABBEYS . { Continued from page 118 . ) OF all the four Abbeys which we are describing , that of Dryburgh is much the most picturesque and beautiful for its

situation . It stands on a semicircular level space , round which the Tweed sweeps at the foot of wooded hills . As the visitor comes in sight of the ruins , it may be after a hot walk from St . Bos well ' s in a powerful afternoon ' s sun , and after a

morning at Melrose , he will probably sit on the wooden bench and contemplate the scene . Here , he may say to himself , is all the charm of solitude . Here one feels at home , with a pure early English building to look at ; here are lancet lights

with nook-shafts and dog-tooth , and a great south transept window of five lancet lights . Here all is seen intermingled with the fresh green of the beach and of the ash , and we have glimpses of ivy-clad ruins of some magnitudenot belonging to

, the church itself . For here , as we shall see , we have all the most important monastic buildings left , except the Church itself , a great part of which is gone .

Dryburgh is too far from the haunts of men to have served as a convenient quarry , or , by its entire demolition , to have afforded desirable space for building . Much , however , is gone for ever ; what remains , we will endeavour to describe . The east end of the choir is nearlall

y gone , but enough of it is left to show that the sanctuary has extended eastward beyond the ends of the choir-aisles , as at Melrose ( see below ) . The north aisle of the short choir , of one bay only , alone remains , forming a chapel which now

serves as the burial-place of Sir Walter Scott and of his family . The north transept also standing , and very short , has onl y one eastern chapel . All this fragment of choir and transept is very fine Earl y English Work ; whether it be really

° f a date subsequent to Edward the Second ' s burning , or whether it was built Previousl y , and survived that catastrophe , * e are not able positively to affirm . Of * he south transept little is left but its 3 outh end , rising above the top of the dormitory tbe roof of which has encroached

upon the lower part of its window of five lancet li ghts , which is so conspicuous a feature in all views of the Abbey . We have also the stone stairs leading to a semicircular-headed doorway to the dormitory , as at JVJ elrose . Of the nave very little is left but the foundations of the piers and

the west end , denuded of its facing-stones . The west door-way remains , a semicircular arch with filleted rolls and hollows containing square flowers , probably of the 14 or 15 century . In the south aisle lies the apex of the west gable just as it has

fallen , consisting of eight or nine courses of stone still adhering by the mortar . At the east end of the south aisle is a great semicircular doorway with deeply-cut mouldings and shafts capped by square abaci and transitional volutes , doubtless

belonging to the original structure . It leads by a flight of steps into the ., cloister quadrangle , which is on a much , lower level than the church . This enclosure , with the buildings connected with it , may now be described . In the north wall we observe the fine doorway j ust mentioned , a tall semicircular-headed doorway about the middle , and another near the west end ;

both these are blocked up . In the east wall , beginning by the great door to the church , is a remarkably fine example of a book closet , with grooves for shelves , rebate for folding doors , and marks of two hinges on either sicle . It has a segmental arched topquite plainso that

, , the doors would be flush with the wall . Its width is about six feet , its height four or five in the middle , and its depth about three feet , and the thickness of shelves 2 J- inches . The upper one has not come quite to the frontand has been for smaller

, books , ranged under the arch with the tallest in the middle . The space from the bottom of the closet to the lower shelf is 23 inches , and from this to the upper shelf 16 inches . Would that we could see the goodly tomes that once were here

preserved . We have been thus particular in the description of this book closet , because it is an arrangement regularly seen , and interesting as connected with the little studies of the monks ranged along the north walk of the cloister , so that they sat with their faces to the morning , noon , and evening lig ht . But we do not know of any other example in nearly so perfect a

“The Masonic Magazine: 1877-10-01, Page 40” Masonic Periodicals Online, Library and Museum of Freemasonry, 1 June 2025, django:8000/periodicals/mmg/issues/mmg_01101877/page/40/.
  • List
  • Grid
Title Category Page
Momthly Masonic Summary. Article 1
TO BRO. S. B. ELLIS, W.M., SHEFFIELD. Article 1
THE BIBLE—ITS AUTHORITY. Article 2
OBJECTS, ADVANTAGES, AND PLEASURES OF SCIENCE. Article 4
A BIRTHDAY. Article 8
WONDERS OF OPERATIVE MASONRY. Article 8
MASONIC ODE. Article 12
THE ADVENTURES OF DON PASQUALE. Article 12
THE WORK OF NATURE IN THE MONTHS. Article 15
THE TRUE MASON. Article 19
THE MASONIC LANGUAGE OF FLOWERS. Article 20
MY LORD THE KING; Article 22
SONNET. Article 25
THE ZEND AVESTA AND MASONRY. Article 26
TOM HOOD. Article 27
MAIMOUNE. Article 29
Our Archaeological Corner. Article 32
Untitled Article 33
FOR EVER AND FOR EVER. Article 34
Forgotten Stories. Article 34
Architectural Jottings. Article 40
CONTEMPORARY LETTERS ON THE FRENCH REVOLUTION. Article 42
THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Article 43
Untitled Article 45
Untitled Article 46
NOTES ON LITERTURE, SCIENCE AND ART. Article 47
LET THERE BE LIGHT ! Article 49
ANSWER TO DOUBLE ACROSTIC, GIVEN IN LAST MONTH'S NO. Article 49
Page 1

Page 1

3 Articles
Page 2

Page 2

1 Article
Page 3

Page 3

1 Article
Page 4

Page 4

2 Articles
Page 5

Page 5

1 Article
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

4 Articles
Page 9

Page 9

1 Article
Page 10

Page 10

1 Article
Page 11

Page 11

1 Article
Page 12

Page 12

4 Articles
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

2 Articles
Page 16

Page 16

1 Article
Page 17

Page 17

1 Article
Page 18

Page 18

1 Article
Page 19

Page 19

3 Articles
Page 20

Page 20

2 Articles
Page 21

Page 21

1 Article
Page 22

Page 22

2 Articles
Page 23

Page 23

1 Article
Page 24

Page 24

1 Article
Page 25

Page 25

3 Articles
Page 26

Page 26

1 Article
Page 27

Page 27

2 Articles
Page 28

Page 28

1 Article
Page 29

Page 29

2 Articles
Page 30

Page 30

1 Article
Page 31

Page 31

1 Article
Page 32

Page 32

1 Article
Page 33

Page 33

1 Article
Page 34

Page 34

4 Articles
Page 35

Page 35

1 Article
Page 36

Page 36

1 Article
Page 37

Page 37

1 Article
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

3 Articles
Page 43

Page 43

3 Articles
Page 44

Page 44

1 Article
Page 45

Page 45

1 Article
Page 46

Page 46

1 Article
Page 47

Page 47

3 Articles
Page 48

Page 48

1 Article
Page 49

Page 49

4 Articles
Page 40

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Architectural Jottings.

Architectural Jottings .

FOUR WELL-KNOWN ABBEYS . { Continued from page 118 . ) OF all the four Abbeys which we are describing , that of Dryburgh is much the most picturesque and beautiful for its

situation . It stands on a semicircular level space , round which the Tweed sweeps at the foot of wooded hills . As the visitor comes in sight of the ruins , it may be after a hot walk from St . Bos well ' s in a powerful afternoon ' s sun , and after a

morning at Melrose , he will probably sit on the wooden bench and contemplate the scene . Here , he may say to himself , is all the charm of solitude . Here one feels at home , with a pure early English building to look at ; here are lancet lights

with nook-shafts and dog-tooth , and a great south transept window of five lancet lights . Here all is seen intermingled with the fresh green of the beach and of the ash , and we have glimpses of ivy-clad ruins of some magnitudenot belonging to

, the church itself . For here , as we shall see , we have all the most important monastic buildings left , except the Church itself , a great part of which is gone .

Dryburgh is too far from the haunts of men to have served as a convenient quarry , or , by its entire demolition , to have afforded desirable space for building . Much , however , is gone for ever ; what remains , we will endeavour to describe . The east end of the choir is nearlall

y gone , but enough of it is left to show that the sanctuary has extended eastward beyond the ends of the choir-aisles , as at Melrose ( see below ) . The north aisle of the short choir , of one bay only , alone remains , forming a chapel which now

serves as the burial-place of Sir Walter Scott and of his family . The north transept also standing , and very short , has onl y one eastern chapel . All this fragment of choir and transept is very fine Earl y English Work ; whether it be really

° f a date subsequent to Edward the Second ' s burning , or whether it was built Previousl y , and survived that catastrophe , * e are not able positively to affirm . Of * he south transept little is left but its 3 outh end , rising above the top of the dormitory tbe roof of which has encroached

upon the lower part of its window of five lancet li ghts , which is so conspicuous a feature in all views of the Abbey . We have also the stone stairs leading to a semicircular-headed doorway to the dormitory , as at JVJ elrose . Of the nave very little is left but the foundations of the piers and

the west end , denuded of its facing-stones . The west door-way remains , a semicircular arch with filleted rolls and hollows containing square flowers , probably of the 14 or 15 century . In the south aisle lies the apex of the west gable just as it has

fallen , consisting of eight or nine courses of stone still adhering by the mortar . At the east end of the south aisle is a great semicircular doorway with deeply-cut mouldings and shafts capped by square abaci and transitional volutes , doubtless

belonging to the original structure . It leads by a flight of steps into the ., cloister quadrangle , which is on a much , lower level than the church . This enclosure , with the buildings connected with it , may now be described . In the north wall we observe the fine doorway j ust mentioned , a tall semicircular-headed doorway about the middle , and another near the west end ;

both these are blocked up . In the east wall , beginning by the great door to the church , is a remarkably fine example of a book closet , with grooves for shelves , rebate for folding doors , and marks of two hinges on either sicle . It has a segmental arched topquite plainso that

, , the doors would be flush with the wall . Its width is about six feet , its height four or five in the middle , and its depth about three feet , and the thickness of shelves 2 J- inches . The upper one has not come quite to the frontand has been for smaller

, books , ranged under the arch with the tallest in the middle . The space from the bottom of the closet to the lower shelf is 23 inches , and from this to the upper shelf 16 inches . Would that we could see the goodly tomes that once were here

preserved . We have been thus particular in the description of this book closet , because it is an arrangement regularly seen , and interesting as connected with the little studies of the monks ranged along the north walk of the cloister , so that they sat with their faces to the morning , noon , and evening lig ht . But we do not know of any other example in nearly so perfect a

  • Prev page
  • 1
  • 39
  • You're on page40
  • 41
  • 49
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy