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  • Nov. 1, 1880
  • Page 34
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The Masonic Magazine, Nov. 1, 1880: Page 34

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    Article AFTER ALL. ← Page 6 of 9 →
Page 34

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After All.

over , tore part of it , so that I had some difficulty in making it out . Does not such a misfortune seem ominous ? How did you give it to Carlo ? Yon must have been passing at the time , for he had only just gone out ? and then what a funny idea of yours , for anyone might have got the missive . This seems to me to be a vei-y familiar letter for my first to yon , but I hope yon will not bo displeased with it . I hardly like the idea of your- sending me a letter by a dog without anyone knowing . Yon must not be vexed at my saying this , for I know you did it with the best intentions , and it must have been on the spur of the moment . It

is certainly very flattering to me , and I am pleased at what you tell me . I am glad to know there is someone who will think of and care for me . I certainly Ipve the truth at all times , but do you not think you overrate my poor character , and how can you so suddenly become so very fond of me ? Can yon be certain so soon , upon so short an acquaintance , that yon really like me , and that yon will continue to do so ? I am afraid it is too sudden , and I wish you would consider it over for a little while before you write to me again . Thank you very much for your good opinion of me . The other night was , indeed , a very pleasant and happy one , but I think it would be bettor for us both to forget it . I have , indeed , thought of

you several times since , and I think we shall bo good friends . But you must not write to me again for a fortnight , please , and then send it through the post , and now believe me to be , yours affectionately , " OLIVIA PHANE . "P . S . — -Be sure you don't write sooner than in a fortnight . " . Humberton was overjoyed at receiving this letter , though it conveyed so little to him , yet he built castles out of it , and found in it much consolation . The worst part was where it told him not to write for a fortni ght . How coulcl he keep his thoughts silent for that period ?

CHAPTER IV . The discords dear to the musician . —Tennyson . " I DON ' like that last strain at all ; it ' s too heavily constructed for the subject ; just make it a little li ghter ancl then the whole thing will do very well , " said Mr . Cribton to Arthur Humberton , who sat at his piano trying over one of his last compositions . The former sat in a rickety old easy chair in a corner ,

carefully contemplating the merits and demerits of Humberton ' s new piece . He meditatively pulled his long whiskers , with his head a little on one side . He had a little bald patch on the top of his head , which looked like the summit of a snow-capped mountain peeping out of a shaggy crop of sandy-coloured heather . Perhaps the most conspicuous feature he possessed , however , next to his one g laring eye , was along and highly-coloured nose , which seemed to take an important part in his meditations , as he slightly elevated it , and refreshed

himself with a few vigorous snorts . There he sat dangling one leg across the other , keeping time to the music , ancl nodding approval with his head at intervals . Still to Arthur Humberton , despite the pleasant looks his patron would assume , that awful eye of his seemed to cast a bane over his face , with its wicked g litter . There was no doubt , however , that Cribton was highly delighted at the last

composition of his talented musical protege or pupil ; and several times during Humberton ' s clever manipulation of the rapid chords of the piece he clapped his hands softly in commendation , ancl at the conclusion , notwithstanding he had condemned its heavy construction , he jumped up excitedl y and patted his pupil on the back . Humberton was elated at his success before one so critical ; but Cribton seemed to think that he had shown too much warmth and enthusiasm in praising the piece , so he forthwith cautiously proceeded to qualif

y his pantomimic opinion . " It ' s a very creditable piece of work , it is indeed , if it wasn ' t for that bad construction at the end of it ; you must alter that . Ton know , it ' s rather a good fault , for you generall y are given to making your solemn passages too light and flimsy . When I was a sergeant in the army , and that ' s a good long

“The Masonic Magazine: 1880-11-01, Page 34” Masonic Periodicals Online, Library and Museum of Freemasonry, 8 June 2025, django:8000/periodicals/mmg/issues/mmg_01111880/page/34/.
  • List
  • Grid
Title Category Page
AN ORATION Article 1
THE NAME OF BURNS. Article 3
RABBINICAL PROVERBS AND SAYINGS. Article 4
A SERMON Article 6
RYTHMICAL SAYINGS. Article 11
THE VOICE OF NATURE. Article 16
THE TEMPLE OF MASONRY. Article 18
THE SUPPRESSION OF THE TEMPLARS IN ENGLAND. Article 19
BROTHER! WELL MET! Article 22
THE ANCIENT MYSTERIES. Article 25
AFTER ALL. Article 29
LITERARY AND ANTIQUARIAN GOSSIP. Article 37
"A JINER." Article 40
BRO. SIR CHRISTOPHER WREN.* Article 42
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

After All.

over , tore part of it , so that I had some difficulty in making it out . Does not such a misfortune seem ominous ? How did you give it to Carlo ? Yon must have been passing at the time , for he had only just gone out ? and then what a funny idea of yours , for anyone might have got the missive . This seems to me to be a vei-y familiar letter for my first to yon , but I hope yon will not bo displeased with it . I hardly like the idea of your- sending me a letter by a dog without anyone knowing . Yon must not be vexed at my saying this , for I know you did it with the best intentions , and it must have been on the spur of the moment . It

is certainly very flattering to me , and I am pleased at what you tell me . I am glad to know there is someone who will think of and care for me . I certainly Ipve the truth at all times , but do you not think you overrate my poor character , and how can you so suddenly become so very fond of me ? Can yon be certain so soon , upon so short an acquaintance , that yon really like me , and that yon will continue to do so ? I am afraid it is too sudden , and I wish you would consider it over for a little while before you write to me again . Thank you very much for your good opinion of me . The other night was , indeed , a very pleasant and happy one , but I think it would be bettor for us both to forget it . I have , indeed , thought of

you several times since , and I think we shall bo good friends . But you must not write to me again for a fortnight , please , and then send it through the post , and now believe me to be , yours affectionately , " OLIVIA PHANE . "P . S . — -Be sure you don't write sooner than in a fortnight . " . Humberton was overjoyed at receiving this letter , though it conveyed so little to him , yet he built castles out of it , and found in it much consolation . The worst part was where it told him not to write for a fortni ght . How coulcl he keep his thoughts silent for that period ?

CHAPTER IV . The discords dear to the musician . —Tennyson . " I DON ' like that last strain at all ; it ' s too heavily constructed for the subject ; just make it a little li ghter ancl then the whole thing will do very well , " said Mr . Cribton to Arthur Humberton , who sat at his piano trying over one of his last compositions . The former sat in a rickety old easy chair in a corner ,

carefully contemplating the merits and demerits of Humberton ' s new piece . He meditatively pulled his long whiskers , with his head a little on one side . He had a little bald patch on the top of his head , which looked like the summit of a snow-capped mountain peeping out of a shaggy crop of sandy-coloured heather . Perhaps the most conspicuous feature he possessed , however , next to his one g laring eye , was along and highly-coloured nose , which seemed to take an important part in his meditations , as he slightly elevated it , and refreshed

himself with a few vigorous snorts . There he sat dangling one leg across the other , keeping time to the music , ancl nodding approval with his head at intervals . Still to Arthur Humberton , despite the pleasant looks his patron would assume , that awful eye of his seemed to cast a bane over his face , with its wicked g litter . There was no doubt , however , that Cribton was highly delighted at the last

composition of his talented musical protege or pupil ; and several times during Humberton ' s clever manipulation of the rapid chords of the piece he clapped his hands softly in commendation , ancl at the conclusion , notwithstanding he had condemned its heavy construction , he jumped up excitedl y and patted his pupil on the back . Humberton was elated at his success before one so critical ; but Cribton seemed to think that he had shown too much warmth and enthusiasm in praising the piece , so he forthwith cautiously proceeded to qualif

y his pantomimic opinion . " It ' s a very creditable piece of work , it is indeed , if it wasn ' t for that bad construction at the end of it ; you must alter that . Ton know , it ' s rather a good fault , for you generall y are given to making your solemn passages too light and flimsy . When I was a sergeant in the army , and that ' s a good long

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