Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Masonic Magazine
  • Nov. 1, 1880
  • Page 36
Current:

The Masonic Magazine, Nov. 1, 1880: Page 36

  • Back to The Masonic Magazine, Nov. 1, 1880
  • Print image
  • Articles/Ads
    Article AFTER ALL. ← Page 8 of 9 →
Page 36

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

After All.

my life , and heard hundreds of marches , for nothing-, and without getting to know their " ins and outs" pretty well , I can tell you . A little more briskness is what you want , not such a sombre conclusion for so sprightly a march . " " Very well , I'll try and alter it , " said Humberton , resignedly . Mr . Cribton professed himself to be an eminent critic on things musical , from his large experience . He had studied the theorycertainlbut practice

, y , was his forte . He was one of those vagabond Jack-of-all-trades who had taken up everything in turn , ancl had been somewhat successful in all of them ; anyhow "his knowledge was extensive and peculiar . " According to his own account , and he was not afraid of confessing it , though it did not lower his selfesteem ( the music-master and critic was always there , that was his peculiarly " rough and ready" aptitude of adapting himself to circumstances ) that he had

, turned his hand to almost everything . He had been a schoolmaster ; from that he turned bricklayer , and then greengrocer ; the vegetable merchant failing , he enlisted as a soldier , ancl after serving in that capacity for nearly ten years , during which he saw a good deal of what is generally called " the world , " he managed to obtain his discharge , being tired of that kind of life , ancl anxious to experience some new hase of existence . In the he had lost his in

p army eye service , but that did not alter his keen-sightedness . He had been a prominent member of the band , ancl had played , in turn , nearly all the instruments . In fact , he professed to be able to perforin on the piccolo , flute , flageolet , cornet , trombone , French-horn , and the drums , ancl of these instruments he had purchased second-hand samples , and displayed them in his room . He could play them all a little even now , but he soon got " out of practice , you know . "

After the army , he turned musician , and played as an itinerant , and for the theatres ; and altogether he made a considerable amount of money , which , however , mostly went to colour his proboscis . The companies he had travelled with had , however , an unhappy knack of averring that he generally got the largest share of the proceeds , ancl did the least work ; so that he did not stop long in one company . His evil eye had a reputation . Of this , though , Humberton was profoundl y ignorant . He onlknew Mr . Cribton as the musical professor

y ( his last " line of business " ) , ancl from personal experience . The professor had added to his accomplishments by some means or other , the manipulation of keyed instruments , and aided b y the theory of music he was moderatel y successful . Thus Humberton had found him with a local fame for drilling beginners and making accomplished musicians of them in a short period . Unless engaged , in music , for which he seemed to have a great liking , Humberton

found him a great talker , ancl of such a rambling nature that it was difficult to know what he was aiming at . As will be seen from the above conversation , hewould digress from one subject to another ancl get interested in them all , until he totall y forgot his object at the commencement . Humberton , however , put up with all this for the sake of the musical information he received from him ; and it was astonishing what a lot he knew of the practical

part of music . As he said , he had not been through all these varied scenes in life without getting to know something . His instruction , though ( as mig ht be supposed ) , was not of a very profound nature ; generall y a skimming of the surface of things . He took cave in all his advice to Humberton since he had left his tuition , that his altez-ations and corrections should be merely suggestions , ancl that Humberton should carry them out .

_ The latter frequently went to the home of Mr . Cribton , for the sake of a friendly practice ancl criticism ( but chiefly for practice and company ) ; and many a time they had been so absorbed in their favourite studies ( tlie " professor" taking up first one instrument and - then another—violin , violoncello double-bass fiddle , bassoon , oboe , etc ., all coining in turn ) that the early dawn of morning bad crept on them unobserved . At other times-Professor Cribton would come So Humberton ' s house , and there they would continue their nightly practices until Mrs . Chatwind , the landlandy and a widow , would

“The Masonic Magazine: 1880-11-01, Page 36” Masonic Periodicals Online, Library and Museum of Freemasonry, 23 May 2025, django:8000/periodicals/mmg/issues/mmg_01111880/page/36/.
  • List
  • Grid
Title Category Page
AN ORATION Article 1
THE NAME OF BURNS. Article 3
RABBINICAL PROVERBS AND SAYINGS. Article 4
A SERMON Article 6
RYTHMICAL SAYINGS. Article 11
THE VOICE OF NATURE. Article 16
THE TEMPLE OF MASONRY. Article 18
THE SUPPRESSION OF THE TEMPLARS IN ENGLAND. Article 19
BROTHER! WELL MET! Article 22
THE ANCIENT MYSTERIES. Article 25
AFTER ALL. Article 29
LITERARY AND ANTIQUARIAN GOSSIP. Article 37
"A JINER." Article 40
BRO. SIR CHRISTOPHER WREN.* Article 42
Page 1

Page 1

1 Article
Page 2

Page 2

1 Article
Page 3

Page 3

2 Articles
Page 4

Page 4

1 Article
Page 5

Page 5

1 Article
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

1 Article
Page 9

Page 9

1 Article
Page 10

Page 10

1 Article
Page 11

Page 11

2 Articles
Page 12

Page 12

1 Article
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

1 Article
Page 16

Page 16

1 Article
Page 17

Page 17

1 Article
Page 18

Page 18

1 Article
Page 19

Page 19

1 Article
Page 20

Page 20

1 Article
Page 21

Page 21

1 Article
Page 22

Page 22

1 Article
Page 23

Page 23

1 Article
Page 24

Page 24

1 Article
Page 25

Page 25

2 Articles
Page 26

Page 26

1 Article
Page 27

Page 27

1 Article
Page 28

Page 28

1 Article
Page 29

Page 29

1 Article
Page 30

Page 30

1 Article
Page 31

Page 31

1 Article
Page 32

Page 32

1 Article
Page 33

Page 33

1 Article
Page 34

Page 34

1 Article
Page 35

Page 35

1 Article
Page 36

Page 36

1 Article
Page 37

Page 37

2 Articles
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

1 Article
Page 43

Page 43

1 Article
Page 44

Page 44

1 Article
Page 36

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

After All.

my life , and heard hundreds of marches , for nothing-, and without getting to know their " ins and outs" pretty well , I can tell you . A little more briskness is what you want , not such a sombre conclusion for so sprightly a march . " " Very well , I'll try and alter it , " said Humberton , resignedly . Mr . Cribton professed himself to be an eminent critic on things musical , from his large experience . He had studied the theorycertainlbut practice

, y , was his forte . He was one of those vagabond Jack-of-all-trades who had taken up everything in turn , ancl had been somewhat successful in all of them ; anyhow "his knowledge was extensive and peculiar . " According to his own account , and he was not afraid of confessing it , though it did not lower his selfesteem ( the music-master and critic was always there , that was his peculiarly " rough and ready" aptitude of adapting himself to circumstances ) that he had

, turned his hand to almost everything . He had been a schoolmaster ; from that he turned bricklayer , and then greengrocer ; the vegetable merchant failing , he enlisted as a soldier , ancl after serving in that capacity for nearly ten years , during which he saw a good deal of what is generally called " the world , " he managed to obtain his discharge , being tired of that kind of life , ancl anxious to experience some new hase of existence . In the he had lost his in

p army eye service , but that did not alter his keen-sightedness . He had been a prominent member of the band , ancl had played , in turn , nearly all the instruments . In fact , he professed to be able to perforin on the piccolo , flute , flageolet , cornet , trombone , French-horn , and the drums , ancl of these instruments he had purchased second-hand samples , and displayed them in his room . He could play them all a little even now , but he soon got " out of practice , you know . "

After the army , he turned musician , and played as an itinerant , and for the theatres ; and altogether he made a considerable amount of money , which , however , mostly went to colour his proboscis . The companies he had travelled with had , however , an unhappy knack of averring that he generally got the largest share of the proceeds , ancl did the least work ; so that he did not stop long in one company . His evil eye had a reputation . Of this , though , Humberton was profoundl y ignorant . He onlknew Mr . Cribton as the musical professor

y ( his last " line of business " ) , ancl from personal experience . The professor had added to his accomplishments by some means or other , the manipulation of keyed instruments , and aided b y the theory of music he was moderatel y successful . Thus Humberton had found him with a local fame for drilling beginners and making accomplished musicians of them in a short period . Unless engaged , in music , for which he seemed to have a great liking , Humberton

found him a great talker , ancl of such a rambling nature that it was difficult to know what he was aiming at . As will be seen from the above conversation , hewould digress from one subject to another ancl get interested in them all , until he totall y forgot his object at the commencement . Humberton , however , put up with all this for the sake of the musical information he received from him ; and it was astonishing what a lot he knew of the practical

part of music . As he said , he had not been through all these varied scenes in life without getting to know something . His instruction , though ( as mig ht be supposed ) , was not of a very profound nature ; generall y a skimming of the surface of things . He took cave in all his advice to Humberton since he had left his tuition , that his altez-ations and corrections should be merely suggestions , ancl that Humberton should carry them out .

_ The latter frequently went to the home of Mr . Cribton , for the sake of a friendly practice ancl criticism ( but chiefly for practice and company ) ; and many a time they had been so absorbed in their favourite studies ( tlie " professor" taking up first one instrument and - then another—violin , violoncello double-bass fiddle , bassoon , oboe , etc ., all coining in turn ) that the early dawn of morning bad crept on them unobserved . At other times-Professor Cribton would come So Humberton ' s house , and there they would continue their nightly practices until Mrs . Chatwind , the landlandy and a widow , would

  • Prev page
  • 1
  • 35
  • You're on page36
  • 37
  • 44
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy