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  • The Freemasons' Monthly Magazine
  • June 1, 1857
  • Page 10
  • THE VISIBLE SYMBOLISM OF FREEMASONRY ,
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The Freemasons' Monthly Magazine, June 1, 1857: Page 10

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    Article THE VISIBLE SYMBOLISM OF FREEMASONRY , ← Page 2 of 6 →
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Visible Symbolism Of Freemasonry ,

symbols . TheV rough and unpolished stone is a symbol of man's natural state , ignorant , uncultivated , and , as the Koman historian expresses it , grovelling , like the beasts of the field , to the earth , and obedient to every sordid appetite . * But when education has

exerted its salutary influences in extending his intellect , in restraining his hitherto unruly passions , and in purifying his life , he is then represented by the perfect ashlar , or finished stone , which , under the skilful hands of the workmen , has been smoothed , and squared , and fitted for its appropriate place in the building .

Here an interesting circumstance in the history of -the preparation of these materials has been seized upon and beautifully appropriated by our symbolic science . We learn from the account of the Temple , contained in the Book of Kings , that " the House when it was in building was built of stone made ready before so that there was neither hammer , nor axe , nor any tool of iron heard in the House while it was in building . " t This mode of

construction , — -undoubtedly adopted to avoid confusion and discord among so many thousand workmen , and in which , by means of marks placed upon the materials thus prepared , the individual production of every craftsman was easily ascertained , and the means provided of rewarding merit , and punishihg indolence , —has been selected as an elementary symbol of concord and harmony—virtues not more essential to the preservation and perpetuity of our own society , than they are to that of every human association .

The perfect ashlar , therefore—the stone thus fitted for its appropriate position in the Temple , —becomes not only a symbol of human perfection ( in itself , of course , only a comparative term ) , but also of that species of perfection which results from the concord and union of men in society . It is a symbol of the social character of the institution . There are other elementary symbols , to which I may

hereafter have occasion to revert . The three , however , already described , and which , from their importance , have received the name of Jewels , will be sufficient to give some idea of the alphabet of Masonry . Let us proceed briefly to a consideration of the mode in which this alphabet of the science is applied to the more elevated and abstruse portions of the system .

Both Scripture and tradition inform us that , at the building of the Temple , the masons were divided into different classes , each engaged in different tasks . We learn from the second chapter of Chronicles that these classes were called in the original , the Ish Sabal , the Ish Kotzeb , and the Menatzchim , or , as they would be appropriately translated , the bearers of burdens , the stone-cutters , and the

overseers . Now , without pretending to say that the modern institution has preserved precisely the same system of regulations as that which was observed at the Temple , we find a sufficient similarity in these * Veluti pecora , quea natura prona , atque ventri obedientia , finxit , f 1 Kings , vi . 7 >

“The Freemasons' Monthly Magazine: 1857-06-01, Page 10” Masonic Periodicals Online, Library and Museum of Freemasonry, 24 June 2025, django:8000/periodicals/mmr/issues/frm_01061857/page/10/.
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Title Category Page
MASONIC REPORTING. Article 1
THE NEW GRAND OFFICERS - WHO'S WHO? Article 3
THE VISIBLE SYMBOLISM OF FREEMASONRY , Article 9
HISTORY OF THE ANCIENT AND ACCEPTED RITE. Article 15
THE ROUGH AND PERFECT ASHLAR, Article 19
COERRSPONDENCE Article 20
MASONIC JEWEL COLLAR. Article 24
THE MASONIC MIRROR. Article 25
METROPOLITAN. Article 36
PROVINCIAL Article 51
ROYAL ARCH. Article 68
KNIGHTS TEMPLAR. Article 72
MARK MASONRY. Article 76
NEW MUSIC. Article 76
SCOTLAND. Article 77
IRELAND. Article 79
COLONIAL. Article 81
AMERICA. Article 84
MASONIC FESTIVITIES Article 85
SUMMARY OF NEWS FOR MAY. Article 86
Obituary. Article 91
NOTICE Article 92
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Visible Symbolism Of Freemasonry ,

symbols . TheV rough and unpolished stone is a symbol of man's natural state , ignorant , uncultivated , and , as the Koman historian expresses it , grovelling , like the beasts of the field , to the earth , and obedient to every sordid appetite . * But when education has

exerted its salutary influences in extending his intellect , in restraining his hitherto unruly passions , and in purifying his life , he is then represented by the perfect ashlar , or finished stone , which , under the skilful hands of the workmen , has been smoothed , and squared , and fitted for its appropriate place in the building .

Here an interesting circumstance in the history of -the preparation of these materials has been seized upon and beautifully appropriated by our symbolic science . We learn from the account of the Temple , contained in the Book of Kings , that " the House when it was in building was built of stone made ready before so that there was neither hammer , nor axe , nor any tool of iron heard in the House while it was in building . " t This mode of

construction , — -undoubtedly adopted to avoid confusion and discord among so many thousand workmen , and in which , by means of marks placed upon the materials thus prepared , the individual production of every craftsman was easily ascertained , and the means provided of rewarding merit , and punishihg indolence , —has been selected as an elementary symbol of concord and harmony—virtues not more essential to the preservation and perpetuity of our own society , than they are to that of every human association .

The perfect ashlar , therefore—the stone thus fitted for its appropriate position in the Temple , —becomes not only a symbol of human perfection ( in itself , of course , only a comparative term ) , but also of that species of perfection which results from the concord and union of men in society . It is a symbol of the social character of the institution . There are other elementary symbols , to which I may

hereafter have occasion to revert . The three , however , already described , and which , from their importance , have received the name of Jewels , will be sufficient to give some idea of the alphabet of Masonry . Let us proceed briefly to a consideration of the mode in which this alphabet of the science is applied to the more elevated and abstruse portions of the system .

Both Scripture and tradition inform us that , at the building of the Temple , the masons were divided into different classes , each engaged in different tasks . We learn from the second chapter of Chronicles that these classes were called in the original , the Ish Sabal , the Ish Kotzeb , and the Menatzchim , or , as they would be appropriately translated , the bearers of burdens , the stone-cutters , and the

overseers . Now , without pretending to say that the modern institution has preserved precisely the same system of regulations as that which was observed at the Temple , we find a sufficient similarity in these * Veluti pecora , quea natura prona , atque ventri obedientia , finxit , f 1 Kings , vi . 7 >

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