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  • The Freemasons' Monthly Magazine
  • Aug. 1, 1856
  • Page 21
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The Freemasons' Monthly Magazine, Aug. 1, 1856: Page 21

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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Music;

tore , " the character of Leonora being , according to the opinion of many , her best . The cast of all these operas , sustained as they are by singers like Mario , Ronconi , Formes , Gardoni , and Graziani , would insure success even were the prima donna less effective ; but the queen of song , Grisi , has shown herself potent as ever , and when she is silent , the no less rich and mellow voice of Madame Bosio leaves nothing for the most fastidious to desire , while her rapid improvement as an

actress bids fair to place her on a level with any of those whose dramatic power has induced us involuntarily , for a time , to make their singing of secondary importance . In the ballet department , Madame Cerito has continued to delight our organs of vision , by her spirited impersonation of Eva , in the ballet of that name ; and while crowded houses are drawn , there is no occasion for change in the bill of fare . As to the inimitable conduct of M . Costa , we say , alas ! that it

should be apparently inimitable , for in no other house , and under no other leader , can we witness such comprehensive skill as to the great character of any music , with the most delicate manipulation of its finest details . There is no chance of M . Costa ' s head being found somewhere behind the scenes , or his arms up in the chandelier , from boldness of gesticulation , nor is there the least shade of discrepancy between his own mind and that of his composer or his band . All is regular , vivid , tasteful , and artistic , and we find music has a soul in the Lyceum .

THE CRYSTAL PALACE

The stated number of concerts draws to a close , to the great regret of the visitors to the fragrant grounds and fashionahly-patronized concert-room of Sydenham , and the cry upon all sides is for Mr . Gye to give the public a few more such treats , in which we heartily join . The railway terminus on Fridays affords a most interesting scene , and one very illustrative of the popularity of these musical moments of refreshment , from biased Mayfair or shilling-seeking Cheapside . Moreover , we are glad to find that , at last , the Committee of Management at the Palace has issued instructions that seats may not be kept which have never

been occupied . It will scarcely be credited that , hitherto , umbrellas , books , and other articles have been converted into , in many cases , the not inappropriate representatives of corresponding but animated dummies , to retain places for the latter , who have never made their appearance until almost the close of the concert . Of course , hats far preponderate over bonnets , even amongst those who gain sittings ; but this is only the courtesy of English company , wherein places are regulated by detur fortiori , not pulchriori . As to the company and Mr . Gye , they are entitled to the public thanks for a far higher matter than providing

popular amusement merely . So splendidly accurate have the musical performances been , so exquisitely finished the artistic vocalization , that the public ear has been instructed in the truth of tone and melody , and hence can not only better appreciate good , but learn to discountenance inferior music . The artists are , it is needless to say , unapproachable . No court , no crowned head , can at present command such minstrelsy ; and when architecture and the mimetic poetry of painting and sculpture combine to irradiate the glorious precincts in which such harmony is delivered , the mind is entranced by the witchery of the

multitudinous spells cast around it , and the visitor finds his every sense appealed to , not by one muse , but by the entire association of Apollo . Of all singers , perhaps , Madame Bosio is the favourite here ; her "Ah I chc assorta" never passing without an encore . Madame Grisi , too , is anything but " on the wane , ' ^ as some questionably "kind friends" would have her . Mario saves himself now and then , but comes out ever and anon gloriously . Gardoni sings better here than in the theatre , where his acting spoils him . We must not omit speaking

highly of the madrigals by the chorus ; they are always excellent , and rapturously encored . We wish that some lessdmown " arias" wore substituted for the very great number of old pieces given ; but , somehow , the singing is so exquisite , every one is pleased with everything . As to the orchestra , it is as near perfection as such a splendid band can render it , under the eminent taste and skill of such a conductor as Bro . Costa ; the recent performance of " LaGazza Ladra " was the finest piece of instrumental music heard for years , as to artistic execution .

“The Freemasons' Monthly Magazine: 1856-08-01, Page 21” Masonic Periodicals Online, Library and Museum of Freemasonry, 5 July 2025, django:8000/periodicals/mmr/issues/frm_01081856/page/21/.
  • List
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Title Category Page
MASONEY IN THE ISLE OF WIGHT Article 1
WOMAN. Article 3
ON THE MYSTERIES OF THE EARLY AGES AS CONNECTED WITH EWLIGION. Article 4
THE PRACTICAL OF MASONRY. Article 9
SCIENCE AND THE BIBLE. * Article 10
THE TRUE PLEASURES OF A MASON. Article 16
BEVIEWS OF NEW BOOKS. Article 17
SURREY ARCHAEOLOGICAL SOCIETY. Article 18
music. Article 20
CORRESPONDENCE. Article 22
SYMPATHY. Article 24
THE MASONIC MIRROR. Article 25
METROPOLITAN. Article 30
PROVINCIAL. Article 34
ROYAL ARCH. Article 52
KNIGHTS TEMPLAR. Article 53
MARK MASONRY; Article 53
SCOTLAND. Article 53
IRELAND. Article 54
COLONIAL. Article 55
INDIA, Article 57
SUMMARY OF NEWS FOR JULY. Article 58
Obituary. Article 62
NOTICE. Article 62
TO CO-RESPONDENTS. Article 62
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Music;

tore , " the character of Leonora being , according to the opinion of many , her best . The cast of all these operas , sustained as they are by singers like Mario , Ronconi , Formes , Gardoni , and Graziani , would insure success even were the prima donna less effective ; but the queen of song , Grisi , has shown herself potent as ever , and when she is silent , the no less rich and mellow voice of Madame Bosio leaves nothing for the most fastidious to desire , while her rapid improvement as an

actress bids fair to place her on a level with any of those whose dramatic power has induced us involuntarily , for a time , to make their singing of secondary importance . In the ballet department , Madame Cerito has continued to delight our organs of vision , by her spirited impersonation of Eva , in the ballet of that name ; and while crowded houses are drawn , there is no occasion for change in the bill of fare . As to the inimitable conduct of M . Costa , we say , alas ! that it

should be apparently inimitable , for in no other house , and under no other leader , can we witness such comprehensive skill as to the great character of any music , with the most delicate manipulation of its finest details . There is no chance of M . Costa ' s head being found somewhere behind the scenes , or his arms up in the chandelier , from boldness of gesticulation , nor is there the least shade of discrepancy between his own mind and that of his composer or his band . All is regular , vivid , tasteful , and artistic , and we find music has a soul in the Lyceum .

THE CRYSTAL PALACE

The stated number of concerts draws to a close , to the great regret of the visitors to the fragrant grounds and fashionahly-patronized concert-room of Sydenham , and the cry upon all sides is for Mr . Gye to give the public a few more such treats , in which we heartily join . The railway terminus on Fridays affords a most interesting scene , and one very illustrative of the popularity of these musical moments of refreshment , from biased Mayfair or shilling-seeking Cheapside . Moreover , we are glad to find that , at last , the Committee of Management at the Palace has issued instructions that seats may not be kept which have never

been occupied . It will scarcely be credited that , hitherto , umbrellas , books , and other articles have been converted into , in many cases , the not inappropriate representatives of corresponding but animated dummies , to retain places for the latter , who have never made their appearance until almost the close of the concert . Of course , hats far preponderate over bonnets , even amongst those who gain sittings ; but this is only the courtesy of English company , wherein places are regulated by detur fortiori , not pulchriori . As to the company and Mr . Gye , they are entitled to the public thanks for a far higher matter than providing

popular amusement merely . So splendidly accurate have the musical performances been , so exquisitely finished the artistic vocalization , that the public ear has been instructed in the truth of tone and melody , and hence can not only better appreciate good , but learn to discountenance inferior music . The artists are , it is needless to say , unapproachable . No court , no crowned head , can at present command such minstrelsy ; and when architecture and the mimetic poetry of painting and sculpture combine to irradiate the glorious precincts in which such harmony is delivered , the mind is entranced by the witchery of the

multitudinous spells cast around it , and the visitor finds his every sense appealed to , not by one muse , but by the entire association of Apollo . Of all singers , perhaps , Madame Bosio is the favourite here ; her "Ah I chc assorta" never passing without an encore . Madame Grisi , too , is anything but " on the wane , ' ^ as some questionably "kind friends" would have her . Mario saves himself now and then , but comes out ever and anon gloriously . Gardoni sings better here than in the theatre , where his acting spoils him . We must not omit speaking

highly of the madrigals by the chorus ; they are always excellent , and rapturously encored . We wish that some lessdmown " arias" wore substituted for the very great number of old pieces given ; but , somehow , the singing is so exquisite , every one is pleased with everything . As to the orchestra , it is as near perfection as such a splendid band can render it , under the eminent taste and skill of such a conductor as Bro . Costa ; the recent performance of " LaGazza Ladra " was the finest piece of instrumental music heard for years , as to artistic execution .

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