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  • The Freemasons' Monthly Magazine
  • Oct. 6, 1860
  • Page 5
  • LABOUR AND PROGRESS.
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The Freemasons' Monthly Magazine, Oct. 6, 1860: Page 5

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    Article STRAY THOUGHTS ON THE ORIGIN AND PROGESS OF THE FINE ARTS. ← Page 2 of 2
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Stray Thoughts On The Origin And Progess Of The Fine Arts.

the physical wants of man , so m like manner the fine arts had their ori gin in his intellectual Avants , or the desire to gratify his mind by the contem plation of the rude products of necessity , embellished and ornamented , and partly to supply certain sensible or visible representations of sentiments and ideas which , to the circumscribed capacity of unenlihtened ageswere extremely vague . A

g , ¦ supreme omnipotent , invisible intelligence , being infinitely beyond the scope of vulgar comprehension , Avas under the necessity of being shadowed forth to them through the medium of some more obvious and familiar imaginary . The attributes of intelligence , poAver , justice , love , mercy , Avere separately personified and converted into sensible

-objects , the passions and affections of humanity , joy , , sorroAA , hope , hatred , fear , and revenge , were similarly embodied and clothed with material shape and form . The early history of the fine arts , IIOAV veiled in a mist of fable and antiquity , involves details which appear marvellous aud incredibleas distant objects Avken seen

, through a foggy medium assume an extravagant and unnatural magnitude . The national vanity of the imaginative Greeks found gratification in ascribing the origin ofthe fine arts to their tutelar gods . LOA ' C , celebrate ! by the mythologists as the ruler of nature , was the parent -of the arts , and music his first-born . The first artist Avas a

young female , who perceiving , the profile of her lover ' s features , shadowed upon the Avail by the strong light of a lamp , dreAV the first recorded outline . Prom this cherished object , eA en from this trivial beginning according to the Greek apologue , those arts Avhose softening and humanising tendencies have moderated barbarism , and toned down the disastrous effects of vice took their rise .

lhe Greeks ascribe to Dtedalus the honour of having restored the fine arts , after the deluge had involved all arts and inventions in ruin . Although a portion ofthe ¦ excessive admiration bestowed on him may have had its origin in the ignorance of his admirers , yet lie is . generally esteemed as the founder of the Athenian school . Beforehisappearaiicethe Grecian statues Averemere

shapeless masses of stone , their eyes closed , their arms banging down as if pinioned to their body , and their feet closely joined , devoid of life , attitude , or gesture . Daedalus threw life and vigour into these stiff effi gies , and his disciples gradually improving , attained to the production of existing models of symmetryeleganceand grandeur .

, , Although Ave must reject any theory as groundless , Avhich would advocate the exclusive discovery of the line arts , yet Ave must admit that the attainment of excellence in their pursuit and practice , has been more easily acquired by some nations than others . HOAV far moral and pit ysical causes operate on the progress of the line arts ' is a

question often discussed ; it seems hoAvevcr to be pretty certain that at particular rev-ohttions of time , some hidden influence—some celestial emanation asitAA'erc—appears to prompt a particular people , sharpens their inventive faculties , heightens their imagination , and stirs up to activit all their dormant iesGenius thus receives a

y energ . friendly reception , and dilates and nourishes on the genial soil . I do not propose to confine my thoughts to the progress ofthe arts among any one particular'people , but AVIII take a hasty glance at the progress of the line arts , as near as may be , in chronological order .

Ax E . UVLY JEWISH TEMPLE IN Cuix . v . —At the late meeting ( Oxford ) of the British Association , Dr . AIai-go-, van read n paper before the Geographical . Section , "On an Ante Christian Colony in China . " It appears there was a magnificent Jewish temple , which was destroyed by fire , in the c :: y of Ciiingtn , about u century before Christ .

Labour And Progress.

LABOUR AND PROGRESS .

Freemasonry is emphatically a Avorking Institution . Work , mental and physical , is practically taught in every les-son of tho mj-stic science . Prom tho time the initiate enters Avithin tho portals of the Temple , the duty of practical labour is enjoined in tho symbolic instructions given to him as well as in the illustrations of the ceremonials of tho

soA-eral degrees of Masomy . As an Entered Apprentice , representing Youth , he is expected to apply himself to acquiring a knowledge of the duties pertaining to his probationary position , and to prepare himself for more active usefulness in a higher sphere , that of a FOIIOAV Craft , representing Manhood . Having acquired a knowledge of

those duties , Avhich voluntarily assumed , ho has obligated himself to , and exemplified jmactically that tho lessons taught him Avcre impressed upon his heart and conscience , and that he is prepared for further advancement , the veil is uplifted aud he is led onwards to assume higher duties and additional obligations as a FOIIOAV Craftsman . There can be no

progross without labour , and advancement in Masonry is , or ought to be , based upon an intelligent application of the teachings imparted to the candidate . Tho indolent noviciate , Avho will not apply himself to the proper study of Masonry , as far as he has received the light , or practically exemplify its teachings in his daily life , ought never to be advanced

beyond the portals of the Temple . As a lieAver of wood or drawer of water , ho should be held in a subservient position , as a learner—an apprentice . The diligent student alone has a right to advancement , to further progress in our mystic science . Those alone ought to be promoted to the degree of Fellow Craft , and in due time to tho sublime degree of a Master Mason . Tho titles of the seA'eral degrees indicate

that of a learner , a proficient , and a Master or teacher . The Master ' s degree , implying that the noviciate and probationary periods have been jwssed , although representing that time of life Avhen men ordinarily are expected to cease from their active duties , it is then that the true Freemason , because of his temperate and regular course of life , having lived in accordance with tho teachings of tho institution , which arc based upon tho laws of Nature and of Nature ' s God ,

is in the possession of both mental bodily vigor , and AVCII qualified , for his mature age and experience , to be a teacher of Israel . As developoment and progress , both mental and physical , necessarily result from a strict observance of the laws of nature , and the active exorcise of our faculties in harmony with the design of the Creator ; so tlictruoFrcemason , from the time of his entrance into our Mystic Order , Avill

progress in wisdom and 1-CIIOAVlodge , will unfold tho divine nature of his being ; his faculties will expand Avith ago so long- as he is capable of nctivcuscfiilness , and OA ' CII as is taught in tho legend of tho Masters degrees , —when passed to a higher sphere , when raised from the earthly to the invisible Avorld , the spirit divested of its mortal bod ) -, Avill . continue , as in this life , unceasingly to deA'clopc and progrcssomvu-rd and

onward , from one degree of excellence to a higher . In God ' s world , progress is impressed upon all B is Avorks . In man , created in His likeness , ultimate the ideal of His creations , and in and through man the grand design of the Creator will bo perfected . Indolence , inactivity arc incompatible with progress , and consequently are inconsistent with Masonic obligations and duties . The teachings of Masonry

arc in harmony with God ' s laivs ; and labour , even Avhon called oil , at refreshment , docs not cease . And neither is the work of Masonry confined to the lodge rooms , it is there arc taught those lessons Avhich are to " be exemplified in our daily life and practice , and in our intercourse Avith our fellow num . Tho working-man alone is the true Mason . The indolent

, the ignorant , those who neither acquire a knoAvlcdge of tho true objects and purposes of Freemasonry , nor practice its teachings , arc not alone drones and useless , but tiro stumbling blocks and impediments to progress of the Institution in fulfilling its mission in tho elevation and improvement of tho family of man . American Mirror and Keystone .

“The Freemasons' Monthly Magazine: 1860-10-06, Page 5” Masonic Periodicals Online, Library and Museum of Freemasonry, 22 June 2025, django:8000/periodicals/mmr/issues/mmr_06101860/page/5/.
  • List
  • Grid
Title Category Page
THE ROYAL BENEVOLENT INSTITUTION FOR AGED MASONS AND THEIR WIDOWS. Article 1
THE THREE GRAND PRINCIPLES. Article 2
CLASSICAL THEOLOGY.—XXXIV. Article 3
STRAY THOUGHTS ON THE ORIGIN AND PROGESS OF THE FINE ARTS. Article 4
LABOUR AND PROGRESS. Article 5
ARCHITECTURE AND ARCHÆLOOGY. Article 6
MASONIC NOTES AND QUERIES. Article 9
Fine Arts. Article 9
Literature. Article 10
NOTES ON LITERATURE, SCIENCE, AND ART. Article 11
Poetry. Article 12
CORRESPONDENCE. Article 13
THE MASONIC MIRROR. Article 14
METROPOLITAN. Article 14
PROVINCIAL. Article 15
ROYAL ARCH. Article 16
KNIGHTS TEMPLAR. Article 16
IRELAND Article 16
COLONIAL. Article 17
BUENOS AYRES. Article 17
Obituary. Article 17
THE WEEK. Article 18
PUBLIC AMUSEMENTS. Article 19
NOTES ON MUSIC AND THE DRAMA. Article 20
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Stray Thoughts On The Origin And Progess Of The Fine Arts.

the physical wants of man , so m like manner the fine arts had their ori gin in his intellectual Avants , or the desire to gratify his mind by the contem plation of the rude products of necessity , embellished and ornamented , and partly to supply certain sensible or visible representations of sentiments and ideas which , to the circumscribed capacity of unenlihtened ageswere extremely vague . A

g , ¦ supreme omnipotent , invisible intelligence , being infinitely beyond the scope of vulgar comprehension , Avas under the necessity of being shadowed forth to them through the medium of some more obvious and familiar imaginary . The attributes of intelligence , poAver , justice , love , mercy , Avere separately personified and converted into sensible

-objects , the passions and affections of humanity , joy , , sorroAA , hope , hatred , fear , and revenge , were similarly embodied and clothed with material shape and form . The early history of the fine arts , IIOAV veiled in a mist of fable and antiquity , involves details which appear marvellous aud incredibleas distant objects Avken seen

, through a foggy medium assume an extravagant and unnatural magnitude . The national vanity of the imaginative Greeks found gratification in ascribing the origin ofthe fine arts to their tutelar gods . LOA ' C , celebrate ! by the mythologists as the ruler of nature , was the parent -of the arts , and music his first-born . The first artist Avas a

young female , who perceiving , the profile of her lover ' s features , shadowed upon the Avail by the strong light of a lamp , dreAV the first recorded outline . Prom this cherished object , eA en from this trivial beginning according to the Greek apologue , those arts Avhose softening and humanising tendencies have moderated barbarism , and toned down the disastrous effects of vice took their rise .

lhe Greeks ascribe to Dtedalus the honour of having restored the fine arts , after the deluge had involved all arts and inventions in ruin . Although a portion ofthe ¦ excessive admiration bestowed on him may have had its origin in the ignorance of his admirers , yet lie is . generally esteemed as the founder of the Athenian school . Beforehisappearaiicethe Grecian statues Averemere

shapeless masses of stone , their eyes closed , their arms banging down as if pinioned to their body , and their feet closely joined , devoid of life , attitude , or gesture . Daedalus threw life and vigour into these stiff effi gies , and his disciples gradually improving , attained to the production of existing models of symmetryeleganceand grandeur .

, , Although Ave must reject any theory as groundless , Avhich would advocate the exclusive discovery of the line arts , yet Ave must admit that the attainment of excellence in their pursuit and practice , has been more easily acquired by some nations than others . HOAV far moral and pit ysical causes operate on the progress of the line arts ' is a

question often discussed ; it seems hoAvevcr to be pretty certain that at particular rev-ohttions of time , some hidden influence—some celestial emanation asitAA'erc—appears to prompt a particular people , sharpens their inventive faculties , heightens their imagination , and stirs up to activit all their dormant iesGenius thus receives a

y energ . friendly reception , and dilates and nourishes on the genial soil . I do not propose to confine my thoughts to the progress ofthe arts among any one particular'people , but AVIII take a hasty glance at the progress of the line arts , as near as may be , in chronological order .

Ax E . UVLY JEWISH TEMPLE IN Cuix . v . —At the late meeting ( Oxford ) of the British Association , Dr . AIai-go-, van read n paper before the Geographical . Section , "On an Ante Christian Colony in China . " It appears there was a magnificent Jewish temple , which was destroyed by fire , in the c :: y of Ciiingtn , about u century before Christ .

Labour And Progress.

LABOUR AND PROGRESS .

Freemasonry is emphatically a Avorking Institution . Work , mental and physical , is practically taught in every les-son of tho mj-stic science . Prom tho time the initiate enters Avithin tho portals of the Temple , the duty of practical labour is enjoined in tho symbolic instructions given to him as well as in the illustrations of the ceremonials of tho

soA-eral degrees of Masomy . As an Entered Apprentice , representing Youth , he is expected to apply himself to acquiring a knowledge of the duties pertaining to his probationary position , and to prepare himself for more active usefulness in a higher sphere , that of a FOIIOAV Craft , representing Manhood . Having acquired a knowledge of

those duties , Avhich voluntarily assumed , ho has obligated himself to , and exemplified jmactically that tho lessons taught him Avcre impressed upon his heart and conscience , and that he is prepared for further advancement , the veil is uplifted aud he is led onwards to assume higher duties and additional obligations as a FOIIOAV Craftsman . There can be no

progross without labour , and advancement in Masonry is , or ought to be , based upon an intelligent application of the teachings imparted to the candidate . Tho indolent noviciate , Avho will not apply himself to the proper study of Masonry , as far as he has received the light , or practically exemplify its teachings in his daily life , ought never to be advanced

beyond the portals of the Temple . As a lieAver of wood or drawer of water , ho should be held in a subservient position , as a learner—an apprentice . The diligent student alone has a right to advancement , to further progress in our mystic science . Those alone ought to be promoted to the degree of Fellow Craft , and in due time to tho sublime degree of a Master Mason . Tho titles of the seA'eral degrees indicate

that of a learner , a proficient , and a Master or teacher . The Master ' s degree , implying that the noviciate and probationary periods have been jwssed , although representing that time of life Avhen men ordinarily are expected to cease from their active duties , it is then that the true Freemason , because of his temperate and regular course of life , having lived in accordance with tho teachings of tho institution , which arc based upon tho laws of Nature and of Nature ' s God ,

is in the possession of both mental bodily vigor , and AVCII qualified , for his mature age and experience , to be a teacher of Israel . As developoment and progress , both mental and physical , necessarily result from a strict observance of the laws of nature , and the active exorcise of our faculties in harmony with the design of the Creator ; so tlictruoFrcemason , from the time of his entrance into our Mystic Order , Avill

progress in wisdom and 1-CIIOAVlodge , will unfold tho divine nature of his being ; his faculties will expand Avith ago so long- as he is capable of nctivcuscfiilness , and OA ' CII as is taught in tho legend of tho Masters degrees , —when passed to a higher sphere , when raised from the earthly to the invisible Avorld , the spirit divested of its mortal bod ) -, Avill . continue , as in this life , unceasingly to deA'clopc and progrcssomvu-rd and

onward , from one degree of excellence to a higher . In God ' s world , progress is impressed upon all B is Avorks . In man , created in His likeness , ultimate the ideal of His creations , and in and through man the grand design of the Creator will bo perfected . Indolence , inactivity arc incompatible with progress , and consequently are inconsistent with Masonic obligations and duties . The teachings of Masonry

arc in harmony with God ' s laivs ; and labour , even Avhon called oil , at refreshment , docs not cease . And neither is the work of Masonry confined to the lodge rooms , it is there arc taught those lessons Avhich are to " be exemplified in our daily life and practice , and in our intercourse Avith our fellow num . Tho working-man alone is the true Mason . The indolent

, the ignorant , those who neither acquire a knoAvlcdge of tho true objects and purposes of Freemasonry , nor practice its teachings , arc not alone drones and useless , but tiro stumbling blocks and impediments to progress of the Institution in fulfilling its mission in tho elevation and improvement of tho family of man . American Mirror and Keystone .

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