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  • July 7, 1860
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The Freemasons' Monthly Magazine, July 7, 1860: Page 10

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    Article CLASSICAL FREEMASONRY, ← Page 2 of 4 →
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Classical Freemasonry,

it that the Greek philosophy came orig inally from Egypt , while Laertius , who certainly was no better informed , will allow foreigners to have had no share in it . He ascribes its orig in to Linus , * anct says , expressly , that Linus , the father of Grecian poetry , was the son of Mercury and the muse Urania ; and that he sung of the generation of the world ;

of the course of the sun aud moon ; of the origin of animals and the princip le of vegetation . He taught , says the same author , that all things were formed at one time and that they were jumbled together in a chaos . But we are told , upon even , better authority , that both Orpheus and Musams travelled into Egyptand infused the

, traditionary learning of a cultivated people into the minds of their own illiterate countrymen . The name of Orpheus , consecrated as it is by the veneration paid to it in all ages , from the remotest antiquity , bears the same relation to science in the earliest period of society , as that of Caesar or Alexander could be supposed to do to

war . He is handed down to us as a philosopher , who taught the knowledge of God , and laid down the rudiments of science ; as a lawgiver , who reformed his countrymen , or rather who brought a horde of savages to live in society ; as a priest , who instituted the worshi ]) of tho gods and the sacred rites of religion ; and finally , as a poet , unequalled in

harmony , sweetness , and energy . In these several points of view we propose to consider him as the orig inator of those mysteries whicli bear his name . And , in order to identify them with this great man , it will be necessary to review his character and writings . Orpheus nourished at the time when the celebrated Argonautic exepdition was undertaken , which renders him contemporary with thejudges of the Jewish nation before the regal government was established . The wonderful effects that are ascribed

to his lyre , and the power whicli he is said to have possessed over the minds of men in this early and uncultivated period , lead us naturally to suppose that his own mind must have not only received from nature a hig her share of intellectual qualities than others , but that these must likewise have been improved by experience and study . Accordingly , we are informed that both he and his pupil Musrens travelled into

Egypt , and , in that land of mystery and allegory , acquired the first princip les of that mythology which he afterwards taught , and which , developed into its full luxuriance , we regard with admiration as the hig hest effort of creative genius . Here it was that he learned first to sing of the generation of the godsof the birth of the giantsof the creation , of tho

, , world , and of tho origin of man . Ho sung , we are told , of the ether , as separated from nig ht ancl chaos ; of the light that first illuminated the world ; of love , as the operating princip le in this work , he distinguished a first cause from inferior ministers ; and , in order to impress these lessons more powerfully on the minds of his wondering audience , he

professed in all to bo inspired by the power of divine illumination . AVe must , however , acknowledge , that as authors are at a loss with regard to thc writings of Orpheus , so they differ still more from , each other in their account of his theology . By some he is allowed to be the father of Polytheism , on account of his deducing the generation of the cods . Othershoweverconsidering his doctrines as

myste-, , rious exhibitions of tho most sublime truths , affirm that he inculcated the belief of the divine unity and self existence ; insist , in proof of this , upon the esteem in which he was held by the Pythagorean and Platonic philosophers ; and assert , that his seeming belief of Polytheism arose from thc characters of the people whom he addressed , who were wholly

uncultivated , and whose attention , could only be arrested b y the objects of Reuse . These opinions , however apparently contradictory to each other , may yet , we think , be reconciled , especially when we consider that the Orphic philosophy was veiled in allegory . Upon this hypothesis , we need only suppose that Orpheus , as a poet , took the liberty of giving expression and action to the most import-rait of those objects

which he undertook to delineate ; and we may believe that he mig ht appear to have inculcated Polytheism at the time when be acknowledged the unity of God . Thus the names of Minerva , Mars , Apollo , Hermes , ke ., and the actions in which these are particularly engaged , will be considered only as various personifications of the attributes ascribed to the snjireme being , representing his wisdom , jioweruniversal

, intelligence , and that care with which ho superintends the government of mankind . This is the manner in which Homer appears to have contemplated the Deity and his perfections as the moral governor ofthe universe . AVhen displayed with such strength of colouring by a creative imagination , to a superficial mind they may appear as so many separate beings ;

whereas , when the veil is thrown aside , they are beheld as emanations from the supreme mind , which enlighten , indeed separately , the various departments of his government ; but which all of them centre , when traced to their source , in one complete and undivided original . If Orpheus was great as a poethe was still greater as a musician . AVhen the

, reformer of mankind tuned his lyre , and raised the minds of his hearers to the contemplation of those . sublime objects ; accompanying the researches of philosophy with the irresistible charms of melodious versification , they grew insensibly mild as they listened , ancl their thoughts wero exalted by the greatness of his subjects—their ferocity was subdued by the

sweetness ancl harmony ofhis numbers , ancl succeeding generations , astonished at the change which this divine poet had wrought upon the characters of mankind , fabled that he had taught the woods to dance , the streams to hang suspended , the tiger to leave his prey , and even the lion to become gentleobsequiousaud submissive

, , . 11 Silvcstres homines , sacer , interpresque Deorum Csedilms et victu fiedo dcterruit Orpheus ; Dictus ob hoc lemre tigres rabidosque Icones . " HOEACK .

. " The wood-born race of men when Orpheus tamed , From acorns and from mutual blood reclaim'd , The priest divine was fabled to assuage The tiger ' s fierceness and the lion ' s rage . " FRANCIS . 'Without , therefore , falling into the error of those who attempt to deduce from the inspired writings every absurdity

of mythology / and almost every stroke of excursive imagination , it may , we think , be supposed that the Greek poet , during his residence among the Egyptians , became acquainted with these twin arts of poetry and music , in which he excelled in their highest perfection , from models preserved by that cultivated people , but which had a Hebrew origin , and were originally appropriated to the worship of God , among a people consecrated to his service . Thus the " YMNOS or ' ' Sonsr of

Praise , ' of the Supreme Being , was originally introduced by Orpheus , and sung at the initiation of candidates into the sacred rites or mysteries . These mysteries were , at a remote period , in the highest estimation , and exercised an important influence over the intellectual development of mankind . Orpheus is said to have been taught his mysteries by the Id __ au Dactyliand to have introduced

, them into Thrace , whence they were gradually propagated throughout all Greece by his initiated followers . The nature of these mysteries is involved in an impenetrable veil of obscurity ; but there can be no doubt that they partook of the general character of all mysteries , inculcating a purer knowledge of religion than was compatible with the

superstitious observances then prevalent . On the union of these mysteries with the Bacchanalian orgies , they fell into merited contempt , and were at length gradually disused . The initiated in . these mysteries , as well as the persons employed to initiate candidates in them , were called , in some cases , Orpiheolelesla 1 ,.

The word mystery has been i : > y some traced to the Hebrew word , "to hide , " whence mystar , a thing concealed ; formed from , which is the Greek pvargpiav ; old French mestier ; English mystery : and old English mishtr , a trade or craft , llio IewtiUirj

“The Freemasons' Monthly Magazine: 1860-07-07, Page 10” Masonic Periodicals Online, Library and Museum of Freemasonry, 23 June 2025, django:8000/periodicals/mmr/issues/mmr_07071860/page/10/.
  • List
  • Grid
Title Category Page
Untitled Article 1
Untitled Article 2
ADDRESS TO OUR READERS. Article 3
Untitled Article 5
CLASSICAL FREEMASONRY, Article 9
GOOD ADVICE. Article 12
SELF EXAMINATION. Article 13
CONSERVATISM IN FREEMASONRY. Article 13
ARCHITECTURE AND ABCHÆOLOGY. Article 13
MASONIC NOTES AND QUERIES. Article 14
Literature. Article 16
CORRESPONDENCE. Article 19
THE MASONIC MIRROR. Article 22
YORKSHIRE (WEST). Article 25
KNIGHTS TEMPLAR. Article 25
WEST INDIES. Article 25
THE WEEK. Article 27
TO CORRESPONDENTS. Article 28
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Classical Freemasonry,

it that the Greek philosophy came orig inally from Egypt , while Laertius , who certainly was no better informed , will allow foreigners to have had no share in it . He ascribes its orig in to Linus , * anct says , expressly , that Linus , the father of Grecian poetry , was the son of Mercury and the muse Urania ; and that he sung of the generation of the world ;

of the course of the sun aud moon ; of the origin of animals and the princip le of vegetation . He taught , says the same author , that all things were formed at one time and that they were jumbled together in a chaos . But we are told , upon even , better authority , that both Orpheus and Musams travelled into Egyptand infused the

, traditionary learning of a cultivated people into the minds of their own illiterate countrymen . The name of Orpheus , consecrated as it is by the veneration paid to it in all ages , from the remotest antiquity , bears the same relation to science in the earliest period of society , as that of Caesar or Alexander could be supposed to do to

war . He is handed down to us as a philosopher , who taught the knowledge of God , and laid down the rudiments of science ; as a lawgiver , who reformed his countrymen , or rather who brought a horde of savages to live in society ; as a priest , who instituted the worshi ]) of tho gods and the sacred rites of religion ; and finally , as a poet , unequalled in

harmony , sweetness , and energy . In these several points of view we propose to consider him as the orig inator of those mysteries whicli bear his name . And , in order to identify them with this great man , it will be necessary to review his character and writings . Orpheus nourished at the time when the celebrated Argonautic exepdition was undertaken , which renders him contemporary with thejudges of the Jewish nation before the regal government was established . The wonderful effects that are ascribed

to his lyre , and the power whicli he is said to have possessed over the minds of men in this early and uncultivated period , lead us naturally to suppose that his own mind must have not only received from nature a hig her share of intellectual qualities than others , but that these must likewise have been improved by experience and study . Accordingly , we are informed that both he and his pupil Musrens travelled into

Egypt , and , in that land of mystery and allegory , acquired the first princip les of that mythology which he afterwards taught , and which , developed into its full luxuriance , we regard with admiration as the hig hest effort of creative genius . Here it was that he learned first to sing of the generation of the godsof the birth of the giantsof the creation , of tho

, , world , and of tho origin of man . Ho sung , we are told , of the ether , as separated from nig ht ancl chaos ; of the light that first illuminated the world ; of love , as the operating princip le in this work , he distinguished a first cause from inferior ministers ; and , in order to impress these lessons more powerfully on the minds of his wondering audience , he

professed in all to bo inspired by the power of divine illumination . AVe must , however , acknowledge , that as authors are at a loss with regard to thc writings of Orpheus , so they differ still more from , each other in their account of his theology . By some he is allowed to be the father of Polytheism , on account of his deducing the generation of the cods . Othershoweverconsidering his doctrines as

myste-, , rious exhibitions of tho most sublime truths , affirm that he inculcated the belief of the divine unity and self existence ; insist , in proof of this , upon the esteem in which he was held by the Pythagorean and Platonic philosophers ; and assert , that his seeming belief of Polytheism arose from thc characters of the people whom he addressed , who were wholly

uncultivated , and whose attention , could only be arrested b y the objects of Reuse . These opinions , however apparently contradictory to each other , may yet , we think , be reconciled , especially when we consider that the Orphic philosophy was veiled in allegory . Upon this hypothesis , we need only suppose that Orpheus , as a poet , took the liberty of giving expression and action to the most import-rait of those objects

which he undertook to delineate ; and we may believe that he mig ht appear to have inculcated Polytheism at the time when be acknowledged the unity of God . Thus the names of Minerva , Mars , Apollo , Hermes , ke ., and the actions in which these are particularly engaged , will be considered only as various personifications of the attributes ascribed to the snjireme being , representing his wisdom , jioweruniversal

, intelligence , and that care with which ho superintends the government of mankind . This is the manner in which Homer appears to have contemplated the Deity and his perfections as the moral governor ofthe universe . AVhen displayed with such strength of colouring by a creative imagination , to a superficial mind they may appear as so many separate beings ;

whereas , when the veil is thrown aside , they are beheld as emanations from the supreme mind , which enlighten , indeed separately , the various departments of his government ; but which all of them centre , when traced to their source , in one complete and undivided original . If Orpheus was great as a poethe was still greater as a musician . AVhen the

, reformer of mankind tuned his lyre , and raised the minds of his hearers to the contemplation of those . sublime objects ; accompanying the researches of philosophy with the irresistible charms of melodious versification , they grew insensibly mild as they listened , ancl their thoughts wero exalted by the greatness of his subjects—their ferocity was subdued by the

sweetness ancl harmony ofhis numbers , ancl succeeding generations , astonished at the change which this divine poet had wrought upon the characters of mankind , fabled that he had taught the woods to dance , the streams to hang suspended , the tiger to leave his prey , and even the lion to become gentleobsequiousaud submissive

, , . 11 Silvcstres homines , sacer , interpresque Deorum Csedilms et victu fiedo dcterruit Orpheus ; Dictus ob hoc lemre tigres rabidosque Icones . " HOEACK .

. " The wood-born race of men when Orpheus tamed , From acorns and from mutual blood reclaim'd , The priest divine was fabled to assuage The tiger ' s fierceness and the lion ' s rage . " FRANCIS . 'Without , therefore , falling into the error of those who attempt to deduce from the inspired writings every absurdity

of mythology / and almost every stroke of excursive imagination , it may , we think , be supposed that the Greek poet , during his residence among the Egyptians , became acquainted with these twin arts of poetry and music , in which he excelled in their highest perfection , from models preserved by that cultivated people , but which had a Hebrew origin , and were originally appropriated to the worship of God , among a people consecrated to his service . Thus the " YMNOS or ' ' Sonsr of

Praise , ' of the Supreme Being , was originally introduced by Orpheus , and sung at the initiation of candidates into the sacred rites or mysteries . These mysteries were , at a remote period , in the highest estimation , and exercised an important influence over the intellectual development of mankind . Orpheus is said to have been taught his mysteries by the Id __ au Dactyliand to have introduced

, them into Thrace , whence they were gradually propagated throughout all Greece by his initiated followers . The nature of these mysteries is involved in an impenetrable veil of obscurity ; but there can be no doubt that they partook of the general character of all mysteries , inculcating a purer knowledge of religion than was compatible with the

superstitious observances then prevalent . On the union of these mysteries with the Bacchanalian orgies , they fell into merited contempt , and were at length gradually disused . The initiated in . these mysteries , as well as the persons employed to initiate candidates in them , were called , in some cases , Orpiheolelesla 1 ,.

The word mystery has been i : > y some traced to the Hebrew word , "to hide , " whence mystar , a thing concealed ; formed from , which is the Greek pvargpiav ; old French mestier ; English mystery : and old English mishtr , a trade or craft , llio IewtiUirj

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