Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Freemasons' Monthly Magazine
  • July 11, 1868
  • Page 6
  • MASONIC NOTES AND QUERIES.
Current:

The Freemasons' Monthly Magazine, July 11, 1868: Page 6

  • Back to The Freemasons' Monthly Magazine, July 11, 1868
  • Print image
  • Articles/Ads
    Article CLASSICAL THEOLOGY, LXXXVIII. ← Page 2 of 2
    Article CLASSICAL THEOLOGY, LXXXVIII. Page 2 of 2
    Article MASONIC NOTES AND QUERIES. Page 1 of 2 →
Page 6

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Classical Theology, Lxxxviii.

lib . xi ; Julius Scaliger Poeticis , lib . i ., xxiii ., & c , & c . Thus Pindar tells us Aristomenes was crowned with the " Poia Pamasias , " or laurel of Mount Parnassus . Also it has been stated ( Natalis Comes , Mythol ., lib . v . cap . ii ) that

Chrysothemis , the Cretan , was the first who gained a prize by singing ; the next was won by Philamon , and after him , his son Thamyris obtained the victory . Orpheus , too , had raised himself to honours nearly equal to the gods' through his

instructions in all the mysteries of religion , and the customs of Divine worship . Musajus took Orpheus for his model , aud deemed it to be inconsistent with the high and reuowned estimations they bore to seek the position of contenders . Of

Elentherus it is reported that the richness of his voice solely obtained him the mastery , what he sung having been composed by another ; yet still all the candidates were obliged to be players upon the harp . It was the requirement of this instrumental proficiency that subjected even Hesiod to repulsion .

Likewise in the Pythian games there was a kind of operatic entertainment , or five parts song , called NO / MS , nomos , during which a skilfully posturising dancing performance was produced . It represented the encounter between Apollo and Python .

Part the first represented the young god preparing himself for the enegagement . Part the second , his undaunted approach and solemn reproving the evil enemy . Part the third , the commencement of the fight , and the expressings of passion ,

sullen hate , and fiery rage ; meanwhile the trumpets sounded their war notes and the points of war . Part the fourth , the celebration of the victory , the returning thanks , and the offer of sacrifices to the gods . Part the fifth portrayed the

godly hero elated with his triumph , and animated with other feelings , increased by the high sounding paian , dancing gloriously in front of his vanquished and slain , and just erewhile vaunting and mighty antagonist . This last part of the

descriptive verses and scene cannot but help to bring into some juxtaposition the combat of David with Goliath ; and again , when he , being then the King of Judah , brought up the Ark of the Lord , and in the excessive joy of his heart , forebore not the

grateful impulse of leaping and dancing before it . Cicero asserts , with respect to the Olympic festivals , that a victory in the games amounted to scarcely less honour than a triumph at Koine . Happy as well as fortunate was the conqueror

Classical Theology, Lxxxviii.

thought , although , but a winner in a single contest ; whereas the person who had achieved repeated successes was imagined to have attained to the utmost altitude of human felicity . Thismore , too , we are told ( Plut . Lucullo ) when one

became the conqueror in all the games they styled him the wonderful of victories—of a condition more elevated than mortal ; they bestowed honours on the city in which he was born , and on the place of his education . Happy and favoured , so

has it been written , were his relations ; felicitous and reverenced were his parents . Every Athenian who had obtained a prize in the Isthmian celebrations was , by the Solonian laws , allowed a hundred drachms out of the public

treasury ; but at the Olympian festivals five hundred drachms were awarded to each conqueror in the games . According to all accounts , the glory of the all-victorious was superlative , beyond price , not to be estimated , and immortal . Crowned with '

the emblems of victories , they were conveyed to their homes in resplendent cars , drawn by four highly-reared steeds , and at times they had statues erected in remembrance of their prowess . In fact , all those exercises conducive to the training and adapting of men for war were most especially encouraged by the State .

Masonic Notes And Queries.

MASONIC NOTES AND QUERIES .

EXCEJVTTS TOUCHING BRITISH MASONEY . If all brothers , readers of our ancient chronicles , annals , records , rolls , & c , would make excerpts of " what may be found in them touching British Masonry , and would send such excerpts to Bro . Hyde Clarkeor some other brother willing to take charge

, of them , a collection might iu this way speedily be formed , wliieb , placed in the hands of the individual whom Craft zeal will , it is hoped , some day prompt to write our genuine history , cannot fail , if judiciously used , greatly to abridge his labour . —CHAKLES PUE - TON COOPEE .

E . H . S . What is the K . H . S . described in the Masonic Mirror ! If K . stands for Knight , what is H . S . ?—E . A . THE TERM " GEAND IODGE . "

" Artium Raccalaureus" is wrong in both his points . First , Bro . Hughan has not omitted to state his reasons for telling the Masonic student that he will find " Grand Lodge " a term of the last century . ( See Freemasons' Magazine , vol . 17 , page 421—next , " A Past Provincial Grand Master for Kent " has never expressed an opinion upon the matter . —C . P . COOPEE .

“The Freemasons' Monthly Magazine: 1868-07-11, Page 6” Masonic Periodicals Online, Library and Museum of Freemasonry, 22 June 2025, django:8000/periodicals/mmr/issues/mmr_11071868/page/6/.
  • List
  • Grid
Title Category Page
EARS OF WHEAT FROM A CORNUCOPIA. Article 1
THE KNIGHTS TEMPLARS. Article 3
CLASSICAL THEOLOGY, LXXXVIII. Article 5
MASONIC NOTES AND QUERIES. Article 6
CORRESPONDENCE. Article 7
ST. JOHN'S MASONRY AND THE HIGH DEGREES. Article 7
MASONIC REPORTING. Article 8
THE GOOD TEMPLARS. Article 8
EXPLANATORY NOTES TO LODGE MUSIC. Article 9
MASONIC MEMS. Article 11
UNITED GRAND LODGE. Article 11
PROVINCIAL. Article 16
IRELAND. Article 17
TURKEY. Article 17
ROYAL ARCH . Article 18
MARK MASONRY. Article 18
MASONIC FESTIVITIES. Article 18
THE. ROYAL ALBERT IDIOT ASYLUM, LANCASTER. Article 18
METROPOLITAN LODGE MEETINGS, ETC., FOR THE WEEK ENDING JULY 18ra, 1868. Article 20
TO CORRESPONDENTS. Article 20
Page 1

Page 1

1 Article
Page 2

Page 2

1 Article
Page 3

Page 3

3 Articles
Page 4

Page 4

1 Article
Page 5

Page 5

3 Articles
Page 6

Page 6

3 Articles
Page 7

Page 7

4 Articles
Page 8

Page 8

4 Articles
Page 9

Page 9

1 Article
Page 10

Page 10

1 Article
Page 11

Page 11

3 Articles
Page 12

Page 12

1 Article
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

1 Article
Page 16

Page 16

1 Article
Page 17

Page 17

4 Articles
Page 18

Page 18

6 Articles
Page 19

Page 19

1 Article
Page 20

Page 20

4 Articles
Page 6

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Classical Theology, Lxxxviii.

lib . xi ; Julius Scaliger Poeticis , lib . i ., xxiii ., & c , & c . Thus Pindar tells us Aristomenes was crowned with the " Poia Pamasias , " or laurel of Mount Parnassus . Also it has been stated ( Natalis Comes , Mythol ., lib . v . cap . ii ) that

Chrysothemis , the Cretan , was the first who gained a prize by singing ; the next was won by Philamon , and after him , his son Thamyris obtained the victory . Orpheus , too , had raised himself to honours nearly equal to the gods' through his

instructions in all the mysteries of religion , and the customs of Divine worship . Musajus took Orpheus for his model , aud deemed it to be inconsistent with the high and reuowned estimations they bore to seek the position of contenders . Of

Elentherus it is reported that the richness of his voice solely obtained him the mastery , what he sung having been composed by another ; yet still all the candidates were obliged to be players upon the harp . It was the requirement of this instrumental proficiency that subjected even Hesiod to repulsion .

Likewise in the Pythian games there was a kind of operatic entertainment , or five parts song , called NO / MS , nomos , during which a skilfully posturising dancing performance was produced . It represented the encounter between Apollo and Python .

Part the first represented the young god preparing himself for the enegagement . Part the second , his undaunted approach and solemn reproving the evil enemy . Part the third , the commencement of the fight , and the expressings of passion ,

sullen hate , and fiery rage ; meanwhile the trumpets sounded their war notes and the points of war . Part the fourth , the celebration of the victory , the returning thanks , and the offer of sacrifices to the gods . Part the fifth portrayed the

godly hero elated with his triumph , and animated with other feelings , increased by the high sounding paian , dancing gloriously in front of his vanquished and slain , and just erewhile vaunting and mighty antagonist . This last part of the

descriptive verses and scene cannot but help to bring into some juxtaposition the combat of David with Goliath ; and again , when he , being then the King of Judah , brought up the Ark of the Lord , and in the excessive joy of his heart , forebore not the

grateful impulse of leaping and dancing before it . Cicero asserts , with respect to the Olympic festivals , that a victory in the games amounted to scarcely less honour than a triumph at Koine . Happy as well as fortunate was the conqueror

Classical Theology, Lxxxviii.

thought , although , but a winner in a single contest ; whereas the person who had achieved repeated successes was imagined to have attained to the utmost altitude of human felicity . Thismore , too , we are told ( Plut . Lucullo ) when one

became the conqueror in all the games they styled him the wonderful of victories—of a condition more elevated than mortal ; they bestowed honours on the city in which he was born , and on the place of his education . Happy and favoured , so

has it been written , were his relations ; felicitous and reverenced were his parents . Every Athenian who had obtained a prize in the Isthmian celebrations was , by the Solonian laws , allowed a hundred drachms out of the public

treasury ; but at the Olympian festivals five hundred drachms were awarded to each conqueror in the games . According to all accounts , the glory of the all-victorious was superlative , beyond price , not to be estimated , and immortal . Crowned with '

the emblems of victories , they were conveyed to their homes in resplendent cars , drawn by four highly-reared steeds , and at times they had statues erected in remembrance of their prowess . In fact , all those exercises conducive to the training and adapting of men for war were most especially encouraged by the State .

Masonic Notes And Queries.

MASONIC NOTES AND QUERIES .

EXCEJVTTS TOUCHING BRITISH MASONEY . If all brothers , readers of our ancient chronicles , annals , records , rolls , & c , would make excerpts of " what may be found in them touching British Masonry , and would send such excerpts to Bro . Hyde Clarkeor some other brother willing to take charge

, of them , a collection might iu this way speedily be formed , wliieb , placed in the hands of the individual whom Craft zeal will , it is hoped , some day prompt to write our genuine history , cannot fail , if judiciously used , greatly to abridge his labour . —CHAKLES PUE - TON COOPEE .

E . H . S . What is the K . H . S . described in the Masonic Mirror ! If K . stands for Knight , what is H . S . ?—E . A . THE TERM " GEAND IODGE . "

" Artium Raccalaureus" is wrong in both his points . First , Bro . Hughan has not omitted to state his reasons for telling the Masonic student that he will find " Grand Lodge " a term of the last century . ( See Freemasons' Magazine , vol . 17 , page 421—next , " A Past Provincial Grand Master for Kent " has never expressed an opinion upon the matter . —C . P . COOPEE .

  • Prev page
  • 1
  • 5
  • You're on page6
  • 7
  • 20
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy