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  • Oct. 20, 1860
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The Freemasons' Monthly Magazine, Oct. 20, 1860: Page 20

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    Article PUBLIC AMUSEMENTS. ← Page 2 of 2
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    Article TO CORRESPONDENTS. Page 1 of 1
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Public Amusements.

the author . We shall not endeavour , as indeed our space would not alloAv us , to enter into details , but will content ourselves by advising the brethren to go and hear it , when they will find the opera crowded ivith gems of the purest music : —Of the general performance ancl ofthe mise en scene , we can speak in terms of the highest praise . Madame Lemmens , who took the part of Marian , made her first appearance on the stage , with the exception of some small performance or performances in Brussels , and achieved quite

a triumph . Thafc Madame Lemmens would sing whatever music might be assigned to her in excellent style , was no more than ivould have heen expected , considering the reputation she has acquired as a concert-room vocalist , but no one was prepared to see such easy and natural acting as this young lady brought to bear upon her part . Madame Lemaire , to whom a good share of secouda donna work fell Avas most efficient , ancl her first song , "The hunters AA'ake , " deserved far more applause than it obtained . Mr Sims Reeves , as Robin

Hooel , ivas , throughout , the perfect artist , whether considered vocally or histrionically , and trod the boards AA'ith a freedom thafc many might envy , every step ancl gesture being a compound of th . e natural and artistic that is rarely witnessed . HOAV Mr Reeves sang the gem of the opera , " My own , my guiding star , " and IIOAV he declaimed some ofthe recitatives may he imagined . Tremendous applause burst forth at the termination of each of his songs , and an effort was made to obtain a repetition of one or two , but it was resisted .

Mr . Santley was well suited in the music of the Sheriff , anel he sang anel acted ivith a goodly amount of spirit . Mr . Parkinson ivas an efficient second tenor ; ancl Mr . George Honey was an admirable representative of the Sompnour , acting with infinite humour , anel singing the music of his part in excellent style , when the gentleman ' s short operatic career is taken into consideration . Little John and Much were carefully represented by Mr . Bartleman and Mr . Patey . The band Avas particularly good , and the direction of Mr . Charles Hallci , the neiv conductor , AVIIO is to preside over the English operas , was most commendable .

ROYAL ENGLISH OPERA . Dinorah , AA'hich on its production last year , under the direction of Miss Louisa Pyne and Mr . Harrison , AA-as repeated so many nights as almost to naturalise ifc , ivas revived on AVednesday last . The overture , was played hy the fine hand , under the guidance of Mr . Alfred 3 Iellon , with a precision and expression that did justice to every movement , and fully carried out the ideas of the composer . Mr . Harrison throws himself into the part of Corentino with hearty

good will , and renders the comic terror , AA'hich is the key-note , as it Avere , of the character , so demonstratively that he aids materially in making the story comprehensible , while his portion of the music is given with great care and honesty of intention . Miss Louisa Pyne ' s " Dinorah " is an assumption that would of itself place her in the very highestrank of English dramatic singers . Miss Leffler , as she gains confidence and becomes more easy on the stage , bids fair to render herself an efficient member of the companyand sang the

, pretty melody in Act IL , ivhich is gii'en to the Second Goatherd , in a pleasing and graceful manner . Mr . Chaple , AVIIO made his debut as Hciel , has not come to the London operatic stage armed ivith any previous reputation , ancl , moreover , labours under the disadvantage of succeeding old-established favourites in a difficult part—one which demands very considerable powers both of acting and singing . Mr . Chaple has an agreeable ! , but , as far as can be judged

under the disadvantages of the first appearance , not a poiverful voice , is a sound , unpretending singer , and , if not a good actor , certainly takes pains in the enunciation of his words , in the spoken dialogue , so that if he does not carry out a strong conception of character , he never fails in conveying his meaning to the audience . The applause at every striking point in the opera amounted almost to enthusiasm , and the principal performers ivere called before the curtain at the end of each act .

_ HAYMARKET . Bro . Buckstone , who is certainly one of the most energetic oi caterers for the public amusement , has just introduced to the public Mr . Brougham , formerly of the Olympic and Covent Garden theatre , ivhen under the management of Madame A estris , but who has been absent for many years , gaining fame , ancl we hope money in the United States . The piece chosen for his introduction is written by himself and entitled Romance and Realit y . It is in

five acts , though three , or even two , would have been quite enoii ' -h to clevelope the whole of the plot ifc contains . The idea upon which it turns of taming the exuberant romance of a young lady , Avho has visions of happiness connected ivith love iu a eottase , by giving her a taste of the stern realties of poverty , is nofc altogether neAv , and is carried out in this piece hy a group of characters seldom found in real life . There is the romantic young lady ( Miss Florence Haydon ) , a strong-minded elderly one ( Mrs . " AVilkins ) , a waiting-maid , ivho isanold familiar friend ( Mrs . EdwarilFitzivilliam ) , two uncle ? ( Messrs . Chippendale and Rogers ) , a fop ( Mr . AA ' . Fan-en k

Public Amusements.

ancl an easy ancl intrusive , though good-natured , Irishman ( Mr . Brougham himself ) . All these characters are worked ivith considerable skill , and the laughter ancl sense of amusement ivhich it , without higher aims , is evidently the author ' s object to create , are provoked with success ; all the actors are ivell filled with parts ancl play their best ; the audience laugh , and are allowed no time to get dull , so rapidly clo the comic incidents succeed one another ; ancl the comedyof not of the highest classcertainly must be pronounced

, , a success , for at its conclusion the applause was loud and genuine , and Mr . Brougham ivas called before the curtain—an opprotunity which he seized to acknoAvledge the kindness of the audience in an extempore speech , evidently the expression of strong feeling . The part of the heroine is the most important one Miss Florence Haydon has assumed , and she played it ivith so much feeling ancl sensibility as more than once to call forth the applause of her audience .

LYCEUM . It is certainly somewhat of a novelty to revive a piece ivhich could only run tAvo or three nights at the time of its production , though aided by the talents of such artists as Mrs . Nisbett , the Farren ancl Charles Matthews . Yet this has taken place at this theatre , ivith Mr . Bourcicault's " Irish Heiress , " originally produced at Covent Gardenfor the purpose of introducing to an English

, audience Miss Josephine Gougenhein , ivho has made a considerable sensation on the transatlantic boards , and whose name we have beeu in the frequent habit of meeting with in the American ancl Australian papers , ivhere she has been generally designated as "Joe" or "Joey , " giving us the idea rather of the tomboy or the hoyden , than the clashing lady-like actress she appears to be . The piece has been jndiconsly curtailedirom five to three acts , anel though

far from a perfect drama , it may noiv probably have something of a run in consequence of the occasional smartness of the dialogue and the ' successful manner in ivhich the author has brought out the peculiarites of the principal character . Miss Gougeuheim appears to have many natural requisites for the effectual performance of light comedy , ivhich has had very feiv representatives since the clays of Mrs . Nesbitt . It may be doubted whether thenecessity she was under of speaking the dialogue in an Irish , accent contributed to her success ,

though she proved herself a close student of human character , and a keen observer of the eccentricities of Hibernian humour . Miss Gougenheim is graceful anel youthful in figure , has a bright , clear eye , a face full of intelligence , ancl an ease of address ivhich betokens natural advantages , assisted by careful tuition . The impression she made ivas in all respects favourable ; ancl wc have no doubt she ivill prove a valuable acquisition to our stage as an effective delineator of dashing comed The other characters were

y . carefully sustained . On Thursday last Sheridan Knowles' " Love Chase" was revived , when Miss Gougenhein undertook the part of Neighbour Constance , and by her archness , vivacity , and ladylike acting considerably added to her reputation with the audience . Mrs . ICeeley Avas an excellent AA'idoAv Green .

OLYMPIC THEATRE . After an absence of some weeks , Mr . F . Robson has made his re-appearance in his favourite character in the " Porter's Knot , " and has been received with the applause due to so established ancl general a favourite . The neat extravaganza of " Puss , " originally produced at the Princess's , has been transplanted here , and gives Miss Louise Keeley an opportunity of showing hoiv ivell and IIOAV arc-lily she can assume the habits ofthe feline race without losing those of a woman . Her acting of this part is , in its way , a perfect gem .

To Correspondents.

TO CORRESPONDENTS .

. 1 . M . informs us thai at Blackpool , Lancashire , last week a person was hawking about a Avork entitled the Secrets of Masonry , ancl that tivo or three brethren bought up all lie had , ancl made a splendid bonfire . The brethren ivere certainly more zealous than wise , for Ave can imagine no surer mode of encouraging the fellow in histrade . AA ' e should think he will take an early opportunity of revisiting Blackpool . AA ' e would advise the brethren to take no notice of parties professing to sell rituals ' or works disclosing the

secrets of Masonry . If th . e hrethren treated them with contempt the trade ivould soon cease . R . R . —Ye ? . R . AA . —AVe never answer such qr . est ' oiis . J . AV . —Having served only ten months , you are not eligible for election , Liot-. vitlistKuding the death of the S . AA ' . The brethren must re-e ' ec ^ * he present Mister , or fall back upon one of the P . M . ' s .

“The Freemasons' Monthly Magazine: 1860-10-20, Page 20” Masonic Periodicals Online, Library and Museum of Freemasonry, 12 May 2025, django:8000/periodicals/mmr/issues/mmr_20101860/page/20/.
  • List
  • Grid
Title Category Page
STRAY THOUGHTS ON THE ORIGIN AND PROGRESS OF THE FINE ARTS. Article 1
FREEMASONRY IN NEW BRUNSWICK. Article 2
ARCHITECTURE AND ARCHÆLOOGY. Article 3
ROUND CHURCHES. Article 3
ESSEX ARCHÆOLOGICAL SOCIETY. Article 5
MASONIC NOTES AND QUERIES. Article 8
Literature. Article 9
NOTES ON LITERATURE, SCIENCE, AND ART. Article 11
Poetry. Article 12
THE RESURRECTION OF SICILY. Article 12
CORRESPONDENCE. Article 13
MASONIC RAMBLES. Article 13
THE MASONIC MIRROR. Article 13
THE BOYS' SCHOOL. Article 13
METROPOLITAN. Article 13
PROVINCIAL. Article 14
COLONIAL. Article 17
INDIA. Article 17
TURKEY. Article 18
AMERICA. Article 18
MARK MASONRY. Article 18
Obituary. Article 18
THE WEEK. Article 18
PUBLIC AMUSEMENTS. Article 19
TO CORRESPONDENTS. Article 20
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Public Amusements.

the author . We shall not endeavour , as indeed our space would not alloAv us , to enter into details , but will content ourselves by advising the brethren to go and hear it , when they will find the opera crowded ivith gems of the purest music : —Of the general performance ancl ofthe mise en scene , we can speak in terms of the highest praise . Madame Lemmens , who took the part of Marian , made her first appearance on the stage , with the exception of some small performance or performances in Brussels , and achieved quite

a triumph . Thafc Madame Lemmens would sing whatever music might be assigned to her in excellent style , was no more than ivould have heen expected , considering the reputation she has acquired as a concert-room vocalist , but no one was prepared to see such easy and natural acting as this young lady brought to bear upon her part . Madame Lemaire , to whom a good share of secouda donna work fell Avas most efficient , ancl her first song , "The hunters AA'ake , " deserved far more applause than it obtained . Mr Sims Reeves , as Robin

Hooel , ivas , throughout , the perfect artist , whether considered vocally or histrionically , and trod the boards AA'ith a freedom thafc many might envy , every step ancl gesture being a compound of th . e natural and artistic that is rarely witnessed . HOAV Mr Reeves sang the gem of the opera , " My own , my guiding star , " and IIOAV he declaimed some ofthe recitatives may he imagined . Tremendous applause burst forth at the termination of each of his songs , and an effort was made to obtain a repetition of one or two , but it was resisted .

Mr . Santley was well suited in the music of the Sheriff , anel he sang anel acted ivith a goodly amount of spirit . Mr . Parkinson ivas an efficient second tenor ; ancl Mr . George Honey was an admirable representative of the Sompnour , acting with infinite humour , anel singing the music of his part in excellent style , when the gentleman ' s short operatic career is taken into consideration . Little John and Much were carefully represented by Mr . Bartleman and Mr . Patey . The band Avas particularly good , and the direction of Mr . Charles Hallci , the neiv conductor , AVIIO is to preside over the English operas , was most commendable .

ROYAL ENGLISH OPERA . Dinorah , AA'hich on its production last year , under the direction of Miss Louisa Pyne and Mr . Harrison , AA-as repeated so many nights as almost to naturalise ifc , ivas revived on AVednesday last . The overture , was played hy the fine hand , under the guidance of Mr . Alfred 3 Iellon , with a precision and expression that did justice to every movement , and fully carried out the ideas of the composer . Mr . Harrison throws himself into the part of Corentino with hearty

good will , and renders the comic terror , AA'hich is the key-note , as it Avere , of the character , so demonstratively that he aids materially in making the story comprehensible , while his portion of the music is given with great care and honesty of intention . Miss Louisa Pyne ' s " Dinorah " is an assumption that would of itself place her in the very highestrank of English dramatic singers . Miss Leffler , as she gains confidence and becomes more easy on the stage , bids fair to render herself an efficient member of the companyand sang the

, pretty melody in Act IL , ivhich is gii'en to the Second Goatherd , in a pleasing and graceful manner . Mr . Chaple , AVIIO made his debut as Hciel , has not come to the London operatic stage armed ivith any previous reputation , ancl , moreover , labours under the disadvantage of succeeding old-established favourites in a difficult part—one which demands very considerable powers both of acting and singing . Mr . Chaple has an agreeable ! , but , as far as can be judged

under the disadvantages of the first appearance , not a poiverful voice , is a sound , unpretending singer , and , if not a good actor , certainly takes pains in the enunciation of his words , in the spoken dialogue , so that if he does not carry out a strong conception of character , he never fails in conveying his meaning to the audience . The applause at every striking point in the opera amounted almost to enthusiasm , and the principal performers ivere called before the curtain at the end of each act .

_ HAYMARKET . Bro . Buckstone , who is certainly one of the most energetic oi caterers for the public amusement , has just introduced to the public Mr . Brougham , formerly of the Olympic and Covent Garden theatre , ivhen under the management of Madame A estris , but who has been absent for many years , gaining fame , ancl we hope money in the United States . The piece chosen for his introduction is written by himself and entitled Romance and Realit y . It is in

five acts , though three , or even two , would have been quite enoii ' -h to clevelope the whole of the plot ifc contains . The idea upon which it turns of taming the exuberant romance of a young lady , Avho has visions of happiness connected ivith love iu a eottase , by giving her a taste of the stern realties of poverty , is nofc altogether neAv , and is carried out in this piece hy a group of characters seldom found in real life . There is the romantic young lady ( Miss Florence Haydon ) , a strong-minded elderly one ( Mrs . " AVilkins ) , a waiting-maid , ivho isanold familiar friend ( Mrs . EdwarilFitzivilliam ) , two uncle ? ( Messrs . Chippendale and Rogers ) , a fop ( Mr . AA ' . Fan-en k

Public Amusements.

ancl an easy ancl intrusive , though good-natured , Irishman ( Mr . Brougham himself ) . All these characters are worked ivith considerable skill , and the laughter ancl sense of amusement ivhich it , without higher aims , is evidently the author ' s object to create , are provoked with success ; all the actors are ivell filled with parts ancl play their best ; the audience laugh , and are allowed no time to get dull , so rapidly clo the comic incidents succeed one another ; ancl the comedyof not of the highest classcertainly must be pronounced

, , a success , for at its conclusion the applause was loud and genuine , and Mr . Brougham ivas called before the curtain—an opprotunity which he seized to acknoAvledge the kindness of the audience in an extempore speech , evidently the expression of strong feeling . The part of the heroine is the most important one Miss Florence Haydon has assumed , and she played it ivith so much feeling ancl sensibility as more than once to call forth the applause of her audience .

LYCEUM . It is certainly somewhat of a novelty to revive a piece ivhich could only run tAvo or three nights at the time of its production , though aided by the talents of such artists as Mrs . Nisbett , the Farren ancl Charles Matthews . Yet this has taken place at this theatre , ivith Mr . Bourcicault's " Irish Heiress , " originally produced at Covent Gardenfor the purpose of introducing to an English

, audience Miss Josephine Gougenhein , ivho has made a considerable sensation on the transatlantic boards , and whose name we have beeu in the frequent habit of meeting with in the American ancl Australian papers , ivhere she has been generally designated as "Joe" or "Joey , " giving us the idea rather of the tomboy or the hoyden , than the clashing lady-like actress she appears to be . The piece has been jndiconsly curtailedirom five to three acts , anel though

far from a perfect drama , it may noiv probably have something of a run in consequence of the occasional smartness of the dialogue and the ' successful manner in ivhich the author has brought out the peculiarites of the principal character . Miss Gougeuheim appears to have many natural requisites for the effectual performance of light comedy , ivhich has had very feiv representatives since the clays of Mrs . Nesbitt . It may be doubted whether thenecessity she was under of speaking the dialogue in an Irish , accent contributed to her success ,

though she proved herself a close student of human character , and a keen observer of the eccentricities of Hibernian humour . Miss Gougenheim is graceful anel youthful in figure , has a bright , clear eye , a face full of intelligence , ancl an ease of address ivhich betokens natural advantages , assisted by careful tuition . The impression she made ivas in all respects favourable ; ancl wc have no doubt she ivill prove a valuable acquisition to our stage as an effective delineator of dashing comed The other characters were

y . carefully sustained . On Thursday last Sheridan Knowles' " Love Chase" was revived , when Miss Gougenhein undertook the part of Neighbour Constance , and by her archness , vivacity , and ladylike acting considerably added to her reputation with the audience . Mrs . ICeeley Avas an excellent AA'idoAv Green .

OLYMPIC THEATRE . After an absence of some weeks , Mr . F . Robson has made his re-appearance in his favourite character in the " Porter's Knot , " and has been received with the applause due to so established ancl general a favourite . The neat extravaganza of " Puss , " originally produced at the Princess's , has been transplanted here , and gives Miss Louise Keeley an opportunity of showing hoiv ivell and IIOAV arc-lily she can assume the habits ofthe feline race without losing those of a woman . Her acting of this part is , in its way , a perfect gem .

To Correspondents.

TO CORRESPONDENTS .

. 1 . M . informs us thai at Blackpool , Lancashire , last week a person was hawking about a Avork entitled the Secrets of Masonry , ancl that tivo or three brethren bought up all lie had , ancl made a splendid bonfire . The brethren ivere certainly more zealous than wise , for Ave can imagine no surer mode of encouraging the fellow in histrade . AA ' e should think he will take an early opportunity of revisiting Blackpool . AA ' e would advise the brethren to take no notice of parties professing to sell rituals ' or works disclosing the

secrets of Masonry . If th . e hrethren treated them with contempt the trade ivould soon cease . R . R . —Ye ? . R . AA . —AVe never answer such qr . est ' oiis . J . AV . —Having served only ten months , you are not eligible for election , Liot-. vitlistKuding the death of the S . AA ' . The brethren must re-e ' ec ^ * he present Mister , or fall back upon one of the P . M . ' s .

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