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  • Nov. 21, 1863
  • Page 7
  • MASONIC NOTES AND QUERIES .
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The Freemasons' Monthly Magazine, Nov. 21, 1863: Page 7

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Masonic Notes And Queries .

The Tyrians had two temples , one of which was sacred to fire , and the other to the wind , or air in motion . DANCING , as well as music , was attributed to the planets . In the quaint language of Burton : " The sun and moon dance about the earth , the three upper planets about the sun as their centre , now stationary , now direct , now retrograde , now in apogee , then in perigee , now swift , then slow , occidental , oriental , then turn round and trace and about the with

, jump , ? $ sun , those 33 macula ! , ' or bubonian planets j circa Solem saltantes Cyntharedum . " AVe quote several remarkable passages from Lncien , as pertinent to this branch of our subject . "The Indians , as soon as they rise , which is early in the morning , worship the sun , not as we , who , after having kissed the handthink we have finished our devotions ; butstanding

, , toward the east , they salute the sun with dancing , forming themselves in silence to imitate the dance of that god , i . e ., the vibration of light . And this to them is prayer , chorus , and sacrifice , with which , twice every day , at the rising and setting sun , they placate their Deity . " The following lines from Milton ' s " Paradise Lost , " are regarded as a translation of another passage :

" Mystical dance , which yonder starry sphere Of planets , and affixed in all her wheels , Resembles nearest ; mazes intricate , Eccentric , intervolved , yet regular Then most when most irregular they seem !" The proofs that dancing was a religious rite among the Gentile nations of antiquity , and formed a part of the ceremonial in their mysteriesare neither few nor problematical .

, Dances and songs were used by the Phrygians in honour of the Cabiri . A chorus of dancers constituted one of the devices on the shields of Achilles and Hercules . The sage Socrates seemed to regard the observance of this ceremony as well calculated to inspire bravery when he said , " AVho honour best the gods in chorus , are best in battle . " Homer , in his hymn to Apollo , describes him as playing and dancing to the sound of his own lyre .

Among the ancient Britons , the image of the sun is represented with a face beaming with light , and i \ flaming wheel u ^ ow his breast . We find a hieroglyph of the sun in the title-page to Bro . Anderson's "Book of Constitutions of the Ancient and Honourable Fraternity of Free and Accepted Masons . " * It appears in the form of Apollo driving his four white steeds , symbolising strength , beauty , f intelligence , and harmonious action . The chariot lias two wheels , denoting circmngyratory and progressive motion , so peculiar to the spheres athwart the cloudy canopy of the zenith . Thus the wheels are emblematical of the powers

of light and heat , wisdom and love , which revolve the earth . Hence the two bowls , or round bodies—called also pommels or ballsj— were introduced into Solomon's Temple , and placed on the tops of the two brazen pillars , which , as it would seem , were set up expressly to support the representations of the spheres . And not only were these columns , but also all the furniture of the temple , and of the tabernacle as well , and its characteristic structurelivelicons of the great agents of

, y Elohim in forming and sustaining the universe . Plutarch describes a dance instituted by Theseus , a heroic king of Athens , to he performed around the altar of Apollo , which he said he was persuaded contained a deep mystery . It differed in no respect from other ancient dances performed at the altars of the gods . In one part of this dance , called " Strophe , " the movements were / rom right lo left , the performers singing at the

same time one stanza of a hymn . This movement indicated tho motion of the world from east to west ; in the second part , called " Antistrophe , " they moved from left to right while pinging another stanza . This second movement represented the motion of the planets from west to east . The third part , "Epode , " they sung standing still , which denoted the fixed station of the earth ; and we would suggest , probably also , the rest and repose to be enjoyed in that new earth , " wherein

dwelleth righteousness . " The expulsion of the revealers of the sacred mysteries of Greece , was expressed by the term " exorcheisthai , " signifying to be " out of the dance . " In the German waltz , which claims a remote antiquitv , there are imitations of

Masonic Notes And Queries .

the different planetary evolutions , of moving from the right to the left , and from the left to the right , motions rotatory , and those describing circles or ellipses . And if among the Gentiles , so also with God's chosen people , the song and the dance were acknowledged religious ordinances , acceptable to the God of Israel . Dancing was so important a ceremony iu all the Jewish festivals , that the very word for festival was in , a dance .

King David signalised his victory over the Philistines , who had deified the powers of the heavens or air , by bringing back the ark in solemn procession , " playing before the Lord with well-tuned instruments mightily , and with songs and harps , and Jutes and drums , and cymbals and pipes , while the King himself , dressed in the humble attire of a Levite ( a long white robe ) , leaped and danced before the ark of the Lord . " * The word translan ted O-TO \ T ) by the seventy , the version of King

James calls an ephod—a garment of gold , blue , purple , scarlet , and fine-twined linen , emblematical of the atrial powers , the worship rendered to which David sought to reclaim to Elohim , their Creator and Master . It was not the making of any image , or "likeness of anything , " in heaven , on the earth , or in the waters , that constitutes the transgression against which one of the ten divine commands is directed ; but it is the bowing down to it , and paying it worship , that constitutes sin . Else would the making of the four-faced cherubim have been

unlawful ; while , on the contrary , they were directed to be constructed by express divine command . What the cherubim represented , although intimately connected with our present theme , must be reserved for some other esoteric hour . The Hebrew word used for " dancing , " in the second book of Samuel ( vi . 16 ) , has been translated , by learned critics , " skipped or capered . " It is said to express dancing in rays or circles , now bounding forward , now back , now turning round , and

springing from the ground like a frisky lamb or goat . " Let Israel rejoice in him that made him : let the children of Zion be joyful in their King . Let them praise his name in the dance : let them sing praises unto him with the timbrel and harp . "—Ps . cxlix . It was not alone at festivals or seasons of rejoicing , but on funereal occasions also that music constituted a part of the ceremonial .

Rending the air with the sound of lamentation , accompanied with singing and musical instruments , in honour of the worthy dead , is a very ancient practice , which has not yet gone out of use . The kings of the nations were said to lie in glory , every one in his own house ; but the king of Babylon was not allowed to be joined with them in burial . f The burden of the dirge seemed to be " Ah-Adon-ah-glory . " The vociferations and sound of instruments agitated the air , causing irradiation of glory , of which a crown with rays is the symbol . ( To be continued . )

Correspondence.

CORRESPONDENCE .

The ZEtlitor is not responsible for the opinions expressed ty Correspondents .

MASONIC CHARITIES .

TO THE EDITOH OH THE FIIEEMIASOXS' HAGAZISE AND MASONIC ItlEEOE . DBAU SIR AND BROTHER , —In the midst of the excitement which has lately arisen on various points of Masonic jurisprudence , I refer with pleasure to the very practical letter which appeared in your MAGAZINE of the 31 st nit ., signed " W . M . "; and while I would by no means thwart the object of those who discuss the letter of the law , I

think we might , with at least equal advantage , direct our attention to the spirit of Freemasonry . The suggestion of "W . M . '' is not only very sensible , bufc very opportune , and might be applied to all cases of testimonials with substantial benefit to the distressed and helpless , while nothing could be more gratifying to a brother , who had rendered good service , than a Life Governorship of one of our truly noble charities . Nor could any greater inducement be held out to others to follow a good example ; and , to make the honour still

“The Freemasons' Monthly Magazine: 1863-11-21, Page 7” Masonic Periodicals Online, Library and Museum of Freemasonry, 11 May 2025, django:8000/periodicals/mmr/issues/mmr_21111863/page/7/.
  • List
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Title Category Page
DOUBLE INITIATION. Article 1
MASONIC SAYINGS AND DOINGS. Article 1
PROFESSOR DONALDSON ON THE POSITION OF ARCHITECTURE.* Article 2
MASONIC NOTES AND QUERIES . Article 4
CORRESPONDENCE. Article 7
THE GLAMORGAN LODGE AND RE-INITIATION. Article 8
THE ANTIQUITY OF MASONIC DEGREES. Article 8
ON THE PROCESSIONS OF ANCIENT 'FREEMASONS, &c, IN LONDON. Article 9
CAN A WARDEN INITIATE ? &c. Article 10
Untitled Article 10
THE MASONIC MIRROR. Article 11
METROPOLITAN. Article 11
PROVINCIAL. Article 12
ROYAL ARCH. Article 14
IRELAND. Article 14
COLONIAL. Article 14
AUSTRALIA. Article 15
PUBLIC AMUSEMENTS. Article 16
Poetry. Article 18
THE WEEK. Article 18
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Masonic Notes And Queries .

The Tyrians had two temples , one of which was sacred to fire , and the other to the wind , or air in motion . DANCING , as well as music , was attributed to the planets . In the quaint language of Burton : " The sun and moon dance about the earth , the three upper planets about the sun as their centre , now stationary , now direct , now retrograde , now in apogee , then in perigee , now swift , then slow , occidental , oriental , then turn round and trace and about the with

, jump , ? $ sun , those 33 macula ! , ' or bubonian planets j circa Solem saltantes Cyntharedum . " AVe quote several remarkable passages from Lncien , as pertinent to this branch of our subject . "The Indians , as soon as they rise , which is early in the morning , worship the sun , not as we , who , after having kissed the handthink we have finished our devotions ; butstanding

, , toward the east , they salute the sun with dancing , forming themselves in silence to imitate the dance of that god , i . e ., the vibration of light . And this to them is prayer , chorus , and sacrifice , with which , twice every day , at the rising and setting sun , they placate their Deity . " The following lines from Milton ' s " Paradise Lost , " are regarded as a translation of another passage :

" Mystical dance , which yonder starry sphere Of planets , and affixed in all her wheels , Resembles nearest ; mazes intricate , Eccentric , intervolved , yet regular Then most when most irregular they seem !" The proofs that dancing was a religious rite among the Gentile nations of antiquity , and formed a part of the ceremonial in their mysteriesare neither few nor problematical .

, Dances and songs were used by the Phrygians in honour of the Cabiri . A chorus of dancers constituted one of the devices on the shields of Achilles and Hercules . The sage Socrates seemed to regard the observance of this ceremony as well calculated to inspire bravery when he said , " AVho honour best the gods in chorus , are best in battle . " Homer , in his hymn to Apollo , describes him as playing and dancing to the sound of his own lyre .

Among the ancient Britons , the image of the sun is represented with a face beaming with light , and i \ flaming wheel u ^ ow his breast . We find a hieroglyph of the sun in the title-page to Bro . Anderson's "Book of Constitutions of the Ancient and Honourable Fraternity of Free and Accepted Masons . " * It appears in the form of Apollo driving his four white steeds , symbolising strength , beauty , f intelligence , and harmonious action . The chariot lias two wheels , denoting circmngyratory and progressive motion , so peculiar to the spheres athwart the cloudy canopy of the zenith . Thus the wheels are emblematical of the powers

of light and heat , wisdom and love , which revolve the earth . Hence the two bowls , or round bodies—called also pommels or ballsj— were introduced into Solomon's Temple , and placed on the tops of the two brazen pillars , which , as it would seem , were set up expressly to support the representations of the spheres . And not only were these columns , but also all the furniture of the temple , and of the tabernacle as well , and its characteristic structurelivelicons of the great agents of

, y Elohim in forming and sustaining the universe . Plutarch describes a dance instituted by Theseus , a heroic king of Athens , to he performed around the altar of Apollo , which he said he was persuaded contained a deep mystery . It differed in no respect from other ancient dances performed at the altars of the gods . In one part of this dance , called " Strophe , " the movements were / rom right lo left , the performers singing at the

same time one stanza of a hymn . This movement indicated tho motion of the world from east to west ; in the second part , called " Antistrophe , " they moved from left to right while pinging another stanza . This second movement represented the motion of the planets from west to east . The third part , "Epode , " they sung standing still , which denoted the fixed station of the earth ; and we would suggest , probably also , the rest and repose to be enjoyed in that new earth , " wherein

dwelleth righteousness . " The expulsion of the revealers of the sacred mysteries of Greece , was expressed by the term " exorcheisthai , " signifying to be " out of the dance . " In the German waltz , which claims a remote antiquitv , there are imitations of

Masonic Notes And Queries .

the different planetary evolutions , of moving from the right to the left , and from the left to the right , motions rotatory , and those describing circles or ellipses . And if among the Gentiles , so also with God's chosen people , the song and the dance were acknowledged religious ordinances , acceptable to the God of Israel . Dancing was so important a ceremony iu all the Jewish festivals , that the very word for festival was in , a dance .

King David signalised his victory over the Philistines , who had deified the powers of the heavens or air , by bringing back the ark in solemn procession , " playing before the Lord with well-tuned instruments mightily , and with songs and harps , and Jutes and drums , and cymbals and pipes , while the King himself , dressed in the humble attire of a Levite ( a long white robe ) , leaped and danced before the ark of the Lord . " * The word translan ted O-TO \ T ) by the seventy , the version of King

James calls an ephod—a garment of gold , blue , purple , scarlet , and fine-twined linen , emblematical of the atrial powers , the worship rendered to which David sought to reclaim to Elohim , their Creator and Master . It was not the making of any image , or "likeness of anything , " in heaven , on the earth , or in the waters , that constitutes the transgression against which one of the ten divine commands is directed ; but it is the bowing down to it , and paying it worship , that constitutes sin . Else would the making of the four-faced cherubim have been

unlawful ; while , on the contrary , they were directed to be constructed by express divine command . What the cherubim represented , although intimately connected with our present theme , must be reserved for some other esoteric hour . The Hebrew word used for " dancing , " in the second book of Samuel ( vi . 16 ) , has been translated , by learned critics , " skipped or capered . " It is said to express dancing in rays or circles , now bounding forward , now back , now turning round , and

springing from the ground like a frisky lamb or goat . " Let Israel rejoice in him that made him : let the children of Zion be joyful in their King . Let them praise his name in the dance : let them sing praises unto him with the timbrel and harp . "—Ps . cxlix . It was not alone at festivals or seasons of rejoicing , but on funereal occasions also that music constituted a part of the ceremonial .

Rending the air with the sound of lamentation , accompanied with singing and musical instruments , in honour of the worthy dead , is a very ancient practice , which has not yet gone out of use . The kings of the nations were said to lie in glory , every one in his own house ; but the king of Babylon was not allowed to be joined with them in burial . f The burden of the dirge seemed to be " Ah-Adon-ah-glory . " The vociferations and sound of instruments agitated the air , causing irradiation of glory , of which a crown with rays is the symbol . ( To be continued . )

Correspondence.

CORRESPONDENCE .

The ZEtlitor is not responsible for the opinions expressed ty Correspondents .

MASONIC CHARITIES .

TO THE EDITOH OH THE FIIEEMIASOXS' HAGAZISE AND MASONIC ItlEEOE . DBAU SIR AND BROTHER , —In the midst of the excitement which has lately arisen on various points of Masonic jurisprudence , I refer with pleasure to the very practical letter which appeared in your MAGAZINE of the 31 st nit ., signed " W . M . "; and while I would by no means thwart the object of those who discuss the letter of the law , I

think we might , with at least equal advantage , direct our attention to the spirit of Freemasonry . The suggestion of "W . M . '' is not only very sensible , bufc very opportune , and might be applied to all cases of testimonials with substantial benefit to the distressed and helpless , while nothing could be more gratifying to a brother , who had rendered good service , than a Life Governorship of one of our truly noble charities . Nor could any greater inducement be held out to others to follow a good example ; and , to make the honour still

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