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  • Oct. 25, 1862
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The Freemasons' Monthly Magazine, Oct. 25, 1862: Page 4

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    Article BRITISH ACHITECTS.—NEW MATERIALS FOR THEIR LIVES. ← Page 2 of 3 →
Page 4

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British Achitects.—New Materials For Their Lives.

Lynn , and , by his skilful use of it in the Quarterly , threw a suspicion over the A'eracity of her printed " Memoirs , " as I ha-A e heard Mr . Croker declare , Avith a sarcastic smile , and Madame D'Arblay complain of with a regretful voice aud an ill-concealed tear . I have mentioned Sir Francis Chantrey in connection with Sir John Soane ; ancl this mention of a

name ( very dear to a Cunningham ) recalls an amusing anecdote of the great sculptor , touching Soane ' s affairs . Chantrey was left one of the architect ' s executors , but threAV up the office partly from ill health , partly from disgust . Soane was scarcely cold in his grave when Sir Francis received the folloAving note in the

beautiful handwriting of Mr . Thomas Hill , of Jamesstreet , Adelphi , dry-salter and bibliopole , the Paul Pry of Poole , and the Hull of Theodore Hook , whose rosy ancl inquisitive face flits before me as I write : —

To Sir Francis Chantrey , E-. A . My dear Sir Francis , —When last I saw dear Sir . John Soane he said , in his usual kind manner , " My dear Mr . Hill , I have a book for you about my . museum , but you must fetch it yourself . Come and taste my claret and take it away . " Can you , as ono of Sir John ' s executors , be the Jmeaus of my obtaining this book ?— -I am , dear Sir

Francis , yours very faithfully , Tuos . HILL . ' To this Chantrey thus replied , drafting his reply on the hack of Hill's letter : — To Thomas Hill , Esq . My dear Sir , —I haA'e resigned tho Soane executorship ,

and therefore cannot get you the book or the claret . "Will you dine ivith me on the 26 th , at - | -past 6 , and taste my claret ?—Yours very truly , F . CUAKTEEY . Tom accepted , and Avas at the sculptor ' s table to a moment , ready for Chantrey's woodcocks ( not the Holkham brace immortal in marble ) and Chantrey ' s

Avines , always the best . My rosy friend , it is right to relate , had- his usual banyan or Duke Humphry preparatoiy meal , one day preceding the Chantrey dinner—his custom always on turtle and turbot

occasions . Of the early life of the Bank of England architect very little is known ; nor Avas Sir John , I have heard , willing to talk of his early clays . That he Avas at Eome in his twenty-fourth year ( 1779 ) , a portrait of him in his museum , painted by Hunneman , in that year and at Eome , is our only evidence . That what lie saAV Avas not lost upon him we have ample proof in his own Avorks and in the large collections he left behind him .

Soane got his first footing Avithin the charmed pale of the Eoyal Academy in November , 1795 . He ivas then in his fortieth year , and West Avas president . Nor was his rise from the loAA-er class so rapid as he could haA'e wished . His signed diploma as an E . A ., or one of " forty , " is dated the 8 th of April , 1802 . Sir William Chambers Avas then dead .

Soane lies buried , not with Wren in St . Paul ' s , or Chambers in Westminster Abbey , but near to Flaxman , in the St . Pancras burying-ground of the parish ( St . Giles ) in which he lived and-died . The handsome cenotaph Avhich covers his remains holds those of his Avifewho died in 1815 and of Johnthe elder of his

, , , two sons , who died in 1823 , at the age of thirty-seven . Creorge , his youngest son , took to literature , and was somewhat harshly , it is thought , disinherited by his father . I have seen , however , a letter written in 182-1 ,

by the late Dr . Croly , the poet , to the son on the subject . The father AA'as AA'illing to forgive and to forget ; Kitchener interposed , and the offer of the father Avas made to the son through Kitchener , and in these terms : " Let my son keep to any decided or regular pursuit for two years , and I will be reconciled

to him . " It is painful to think the terms Avere never carried sut , and that the reconciliation never took place . His looks are preserved to us by the hands of four of his contemporaries skilled iu catching a likeness , and something more . Lawrence has refined upon his

face Avith his customary delicacy ; Owen has massed the features of the man of forty-eight with his usual breadth ; Jackson has painted him Avhen old and parsimonious , age-Avorn and anxious ; Chantrey has caught him in all his moods—he is sagacious , querulous— - thinking of Inigo and Wren , the Three per Cents .,

and the Belzoni Sarcophagus . ' The Chantrey bust bears the f olloAving inscription : — JOHN SOA 2 s E , Esq ., E . A . Presented , as a Token of Respect , by FRANCIS CHANTEEY , Sculptor . 1830 . This was a complimentary return for the exquisite

little gallery which the architect designed for the studio of the illustrious sculptor . Chantrey was not given to compliments of this kind . I can call to mind only one other instance , —the bust of Sir Walter Scott , undertaken at the instigation of my fatherand presented to the great HnknoAvn at the

, instigation of the same person . That Chantrey looked for more than an empty executorshi p from Soane was often hinted at the time , and not wholly without foundation .

And this reminds me ( 0 ! the pleasures of memory ) of another anecdote . When ( 1829—1833 ) Allan Cunningham published his Lives of the Most Eminent JBritish Painters , Sculptors , and Architects , he made three dedications to his six volumes : —The Painters he "inscribed" to his friend , Sir David Wilkie ; the Sculptors he "inscribed" to his friend and master

, Sir Francis Chantrey ; and at the instigation of Chantrey , he Avas , for the sake of uniformity , induced , somewhat unwillingly , to inscribe his volume of Architects to Soane , with whom he had no kind of personal acquaintance . I have seen Soane ' s letter of thanks to the author ;

but the old dedication-fee , Avhich Chantrey laughingly foretold the architect would give , from vanity , was never offered ; and , I need hardly add , never for a moment expected by " honest Allan Cunningham . " The hereafter of Sonne as an architect has not been fortunate . His corridor and other work in the old

Houses of Parliament a famous fire destroyed ; Barry paid no Burlington reverence to his Board of Trade , Whitehall ; still more recently , Mr . Cockerell has altered his Bank of England ; and only the other day his Avell-designed " State Paper Office" was levelled to the ground . Yet his name -will live among

architects for his wonderful skill of giving breadth of effect and beauty Avithin narrow limits , and , rarer still , well-considered and seldom exceeded estimates . The recent compulsory removal , by the costly machinery of an Act of Parliament , of the Hogarths from the Sonne Museum to Fowke ' s Hall Avas an un-Avise proceeding . However desirable it may be to get together as many Hogarths as may be got , the wisdom

“The Freemasons' Monthly Magazine: 1862-10-25, Page 4” Masonic Periodicals Online, Library and Museum of Freemasonry, 14 July 2025, django:8000/periodicals/mmr/issues/mmr_25101862/page/4/.
  • List
  • Grid
Title Category Page
MY STARS AND GARTERS. Article 1
OUR MASONIC CONTEMPORARIES. Article 1
BRITISH ACHITECTS.—NEW MATERIALS FOR THEIR LIVES. Article 3
THE QUEEN'S CROSS, NORTHAMPTON* Article 5
PARIS OF TO-DAY. Article 8
MASONIC NOTES AND QUERIES. Article 9
CORRESPONDENCE. Article 10
THE QUESTION OF CERTIFICATES. Article 10
THE MASONIC MIRROR. Article 12
METROPOLITAN. Article 12
PROVINCIAL. Article 13
AUSTRALIA. Article 14
ROYAL ARCH. Article 16
ANCIENT AND ACCEPTED RITE. Article 16
MARK MASONRY. Article 17
Poetry. Article 18
Obituary. Article 18
THE WEEK. Article 18
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

British Achitects.—New Materials For Their Lives.

Lynn , and , by his skilful use of it in the Quarterly , threw a suspicion over the A'eracity of her printed " Memoirs , " as I ha-A e heard Mr . Croker declare , Avith a sarcastic smile , and Madame D'Arblay complain of with a regretful voice aud an ill-concealed tear . I have mentioned Sir Francis Chantrey in connection with Sir John Soane ; ancl this mention of a

name ( very dear to a Cunningham ) recalls an amusing anecdote of the great sculptor , touching Soane ' s affairs . Chantrey was left one of the architect ' s executors , but threAV up the office partly from ill health , partly from disgust . Soane was scarcely cold in his grave when Sir Francis received the folloAving note in the

beautiful handwriting of Mr . Thomas Hill , of Jamesstreet , Adelphi , dry-salter and bibliopole , the Paul Pry of Poole , and the Hull of Theodore Hook , whose rosy ancl inquisitive face flits before me as I write : —

To Sir Francis Chantrey , E-. A . My dear Sir Francis , —When last I saw dear Sir . John Soane he said , in his usual kind manner , " My dear Mr . Hill , I have a book for you about my . museum , but you must fetch it yourself . Come and taste my claret and take it away . " Can you , as ono of Sir John ' s executors , be the Jmeaus of my obtaining this book ?— -I am , dear Sir

Francis , yours very faithfully , Tuos . HILL . ' To this Chantrey thus replied , drafting his reply on the hack of Hill's letter : — To Thomas Hill , Esq . My dear Sir , —I haA'e resigned tho Soane executorship ,

and therefore cannot get you the book or the claret . "Will you dine ivith me on the 26 th , at - | -past 6 , and taste my claret ?—Yours very truly , F . CUAKTEEY . Tom accepted , and Avas at the sculptor ' s table to a moment , ready for Chantrey's woodcocks ( not the Holkham brace immortal in marble ) and Chantrey ' s

Avines , always the best . My rosy friend , it is right to relate , had- his usual banyan or Duke Humphry preparatoiy meal , one day preceding the Chantrey dinner—his custom always on turtle and turbot

occasions . Of the early life of the Bank of England architect very little is known ; nor Avas Sir John , I have heard , willing to talk of his early clays . That he Avas at Eome in his twenty-fourth year ( 1779 ) , a portrait of him in his museum , painted by Hunneman , in that year and at Eome , is our only evidence . That what lie saAV Avas not lost upon him we have ample proof in his own Avorks and in the large collections he left behind him .

Soane got his first footing Avithin the charmed pale of the Eoyal Academy in November , 1795 . He ivas then in his fortieth year , and West Avas president . Nor was his rise from the loAA-er class so rapid as he could haA'e wished . His signed diploma as an E . A ., or one of " forty , " is dated the 8 th of April , 1802 . Sir William Chambers Avas then dead .

Soane lies buried , not with Wren in St . Paul ' s , or Chambers in Westminster Abbey , but near to Flaxman , in the St . Pancras burying-ground of the parish ( St . Giles ) in which he lived and-died . The handsome cenotaph Avhich covers his remains holds those of his Avifewho died in 1815 and of Johnthe elder of his

, , , two sons , who died in 1823 , at the age of thirty-seven . Creorge , his youngest son , took to literature , and was somewhat harshly , it is thought , disinherited by his father . I have seen , however , a letter written in 182-1 ,

by the late Dr . Croly , the poet , to the son on the subject . The father AA'as AA'illing to forgive and to forget ; Kitchener interposed , and the offer of the father Avas made to the son through Kitchener , and in these terms : " Let my son keep to any decided or regular pursuit for two years , and I will be reconciled

to him . " It is painful to think the terms Avere never carried sut , and that the reconciliation never took place . His looks are preserved to us by the hands of four of his contemporaries skilled iu catching a likeness , and something more . Lawrence has refined upon his

face Avith his customary delicacy ; Owen has massed the features of the man of forty-eight with his usual breadth ; Jackson has painted him Avhen old and parsimonious , age-Avorn and anxious ; Chantrey has caught him in all his moods—he is sagacious , querulous— - thinking of Inigo and Wren , the Three per Cents .,

and the Belzoni Sarcophagus . ' The Chantrey bust bears the f olloAving inscription : — JOHN SOA 2 s E , Esq ., E . A . Presented , as a Token of Respect , by FRANCIS CHANTEEY , Sculptor . 1830 . This was a complimentary return for the exquisite

little gallery which the architect designed for the studio of the illustrious sculptor . Chantrey was not given to compliments of this kind . I can call to mind only one other instance , —the bust of Sir Walter Scott , undertaken at the instigation of my fatherand presented to the great HnknoAvn at the

, instigation of the same person . That Chantrey looked for more than an empty executorshi p from Soane was often hinted at the time , and not wholly without foundation .

And this reminds me ( 0 ! the pleasures of memory ) of another anecdote . When ( 1829—1833 ) Allan Cunningham published his Lives of the Most Eminent JBritish Painters , Sculptors , and Architects , he made three dedications to his six volumes : —The Painters he "inscribed" to his friend , Sir David Wilkie ; the Sculptors he "inscribed" to his friend and master

, Sir Francis Chantrey ; and at the instigation of Chantrey , he Avas , for the sake of uniformity , induced , somewhat unwillingly , to inscribe his volume of Architects to Soane , with whom he had no kind of personal acquaintance . I have seen Soane ' s letter of thanks to the author ;

but the old dedication-fee , Avhich Chantrey laughingly foretold the architect would give , from vanity , was never offered ; and , I need hardly add , never for a moment expected by " honest Allan Cunningham . " The hereafter of Sonne as an architect has not been fortunate . His corridor and other work in the old

Houses of Parliament a famous fire destroyed ; Barry paid no Burlington reverence to his Board of Trade , Whitehall ; still more recently , Mr . Cockerell has altered his Bank of England ; and only the other day his Avell-designed " State Paper Office" was levelled to the ground . Yet his name -will live among

architects for his wonderful skill of giving breadth of effect and beauty Avithin narrow limits , and , rarer still , well-considered and seldom exceeded estimates . The recent compulsory removal , by the costly machinery of an Act of Parliament , of the Hogarths from the Sonne Museum to Fowke ' s Hall Avas an un-Avise proceeding . However desirable it may be to get together as many Hogarths as may be got , the wisdom

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