Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Freemasons' Magazine
  • March 1, 1798
  • Page 50
Current:

The Freemasons' Magazine, March 1, 1798: Page 50

  • Back to The Freemasons' Magazine, March 1, 1798
  • Print image
  • Articles/Ads
    Article REVIEW OF NEW PUBLICATIONS. ← Page 7 of 8 →
Page 50

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Review Of New Publications.

jijty and virtue : the composition is tolerably good , ancl the language more c ' orreft than in several productions of the same class . Poems , on several Occasions . 5 >' Catherine Livingston . Triceps . Ogilvy . HORACE has told us that mediocrity in poetry is what neither Gods , man , jior booksellers cm bear . With all due submission to such great authority , we must beg leave to express adisbelief of this maxim . There certainly is a species

of poetry , which , though not en titled to distinguished praise , is yet equally distant from deserving censure . Of this kind are the poems now before us . To pomp of diClion and sublimity of thought they make no pretensions .- there is nothing of

' The long majestic march and energy divine : ' but they are pleasing , from their unaffeCted simplicity and the virtuous sentiments which they contain . The verse is in general harmonious , and the few errors which are to be found are evidently typographical . We have given an extraCl in the poetical department of this month , and the remainder of the volume is of equal merit . If ourlimits would have permitted , we would gladly have presented our readers with the ' Lines addressed to a Friend ; ' they are

very elegant , but the poem is too long for our circumscribed space . Knave or Not , a Comedy , in five Acts , hy Thomas Holcroft . as . Robinsons . 179 S . AN analysis of the plot has been already given in our last number . We shall confine ourselves , therefore , to the character and tendency , . In a preface the author imputes the unfavourable reception his production

experienced to the prevalence of party sentiments and notions . We certainly by no means approve of" carrying political differences to places of amusement : wit , humour , knowledge , and ability , if not hunfully direfled , d . 'serve to be cherished , without any regard to the opinions of their owner .

We should think very poorly of the liberality of Whigs , who should reprobate the Rape of ihe Lock , or Gulliver's Travels , because the authors were 'lories ; or of Tories , who should discountenance Love for Love and the School for Scandal , because written by Whigs . Those who should disrelish a performance merely because the production of Mr . " Holcroft , must be very uncandid critics . But the fad must be proved , that such was the ground of animadversion , before we can censure its illiberally . _ A sufferer often

ascribes to extrinsic causes what is really the effect of his own conduct . A Whig , during the Tory Ministry of Queen Anne , when going to be hanged for setting fire to a house , called from the tree to the audience , ' You see , my friends , what I get for sticking to my principles . '

We shall bestow more time , because of its political tendency , on this production , than its literary importance deserves . Two things in this play merit consideration : —the effeCt which it is calculated to produce , and the talents displayed in the execution . There is in its scope a sufficient cause for its rejection by persons attached to the present establishment and the existing orders and gradations , without any additional inducements , from the history of the author . The machinations of demagogues and seditious writers have

excited in the lower ranks a dislike of their superiors , which a friend to THIS constitution will by no means attempt to increase . A friend to truth and justice will not intentionally exhibit any class of men in a worse light than they deserve . The doctrine of the comedy before us is , that riches " and even reputation , are the result of successful roguery : that lords are abandoned , profligate , and unprinci p led : that the vices and villainy of the rich and noble are the causes both of the misery of" the poor , in their oppressions , and distresses ; and their wickedness , from example , self defence , or retaliation . Every impartial examiner of the whole play

“The Freemasons' Magazine: 1798-03-01, Page 50” Masonic Periodicals Online, Library and Museum of Freemasonry, 29 May 2025, django:8000/periodicals/fmm/issues/fmm_01031798/page/50/.
  • List
  • Grid
Title Category Page
Untitled Article 1
Untitled Article 2
TO CORRESPONDENTS, &c. Article 3
PRICES OF BINDING PER VOLUME. Article 3
BIOGRAPHICAL SKETCH OF HER ROYAL HIGHNESS THE DUTCHESS OF CUMBERLAND. Article 4
THE LIFE OF XIMENES, ARCHBISHOP OF TOLEDO. Article 5
BRIEF HISTORY OF NONSENSE. Article 11
BIOGRAPHICAL SKETCH OF GENERAL MUSKIEN. Article 13
ACCOUNT OF THE CABALISTICAL PHILOSOPHY OF THE JEWS. Article 14
WISDOM AND FOLLY. A VISION. Article 18
COMPARISON BETWEEN THE ANCIENTS AND MODERNS IN SCIENCE AND LITERATURE. Article 22
AN HISTORICAL ESSAY ON LONGEVITY. Article 29
AN ESSAY ON THE CHINESE POETRY. Article 31
CHARACTER OF SIR WILLIAM JONES. Article 34
THE LIFE OF DON BALTHASAR OROBIO, Article 36
THE COLLECTOR. Article 38
MASONIC INTELLIGENCE. Article 42
GRAND LODGE OF ENGLAND. Article 43
REVIEW OF NEW PUBLICATIONS. Article 44
POETRY. Article 52
REPORT OF THE PROCEEDINGS OF THE BRITISH PARLIAMENT. Article 56
HOUSE OF COMMONS. Article 56
IRISH PARLIAMENT. Article 60
MONTHLY CHRONICLE. Article 62
OBITUARY. Article 68
Page 1

Page 1

1 Article
Page 2

Page 2

1 Article
Page 3

Page 3

2 Articles
Page 4

Page 4

1 Article
Page 5

Page 5

1 Article
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

1 Article
Page 9

Page 9

1 Article
Page 10

Page 10

1 Article
Page 11

Page 11

1 Article
Page 12

Page 12

1 Article
Page 13

Page 13

2 Articles
Page 14

Page 14

1 Article
Page 15

Page 15

1 Article
Page 16

Page 16

1 Article
Page 17

Page 17

1 Article
Page 18

Page 18

1 Article
Page 19

Page 19

1 Article
Page 20

Page 20

1 Article
Page 21

Page 21

1 Article
Page 22

Page 22

1 Article
Page 23

Page 23

1 Article
Page 24

Page 24

1 Article
Page 25

Page 25

1 Article
Page 26

Page 26

1 Article
Page 27

Page 27

1 Article
Page 28

Page 28

1 Article
Page 29

Page 29

2 Articles
Page 30

Page 30

1 Article
Page 31

Page 31

2 Articles
Page 32

Page 32

1 Article
Page 33

Page 33

1 Article
Page 34

Page 34

2 Articles
Page 35

Page 35

1 Article
Page 36

Page 36

2 Articles
Page 37

Page 37

1 Article
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

1 Article
Page 43

Page 43

2 Articles
Page 44

Page 44

1 Article
Page 45

Page 45

1 Article
Page 46

Page 46

1 Article
Page 47

Page 47

1 Article
Page 48

Page 48

1 Article
Page 49

Page 49

1 Article
Page 50

Page 50

1 Article
Page 51

Page 51

1 Article
Page 52

Page 52

1 Article
Page 53

Page 53

1 Article
Page 54

Page 54

1 Article
Page 55

Page 55

1 Article
Page 56

Page 56

2 Articles
Page 57

Page 57

1 Article
Page 58

Page 58

1 Article
Page 59

Page 59

1 Article
Page 60

Page 60

1 Article
Page 61

Page 61

1 Article
Page 62

Page 62

1 Article
Page 63

Page 63

1 Article
Page 64

Page 64

1 Article
Page 65

Page 65

1 Article
Page 66

Page 66

1 Article
Page 67

Page 67

1 Article
Page 68

Page 68

1 Article
Page 69

Page 69

1 Article
Page 70

Page 70

1 Article
Page 71

Page 71

1 Article
Page 72

Page 72

1 Article
Page 73

Page 73

1 Article
Page 50

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Review Of New Publications.

jijty and virtue : the composition is tolerably good , ancl the language more c ' orreft than in several productions of the same class . Poems , on several Occasions . 5 >' Catherine Livingston . Triceps . Ogilvy . HORACE has told us that mediocrity in poetry is what neither Gods , man , jior booksellers cm bear . With all due submission to such great authority , we must beg leave to express adisbelief of this maxim . There certainly is a species

of poetry , which , though not en titled to distinguished praise , is yet equally distant from deserving censure . Of this kind are the poems now before us . To pomp of diClion and sublimity of thought they make no pretensions .- there is nothing of

' The long majestic march and energy divine : ' but they are pleasing , from their unaffeCted simplicity and the virtuous sentiments which they contain . The verse is in general harmonious , and the few errors which are to be found are evidently typographical . We have given an extraCl in the poetical department of this month , and the remainder of the volume is of equal merit . If ourlimits would have permitted , we would gladly have presented our readers with the ' Lines addressed to a Friend ; ' they are

very elegant , but the poem is too long for our circumscribed space . Knave or Not , a Comedy , in five Acts , hy Thomas Holcroft . as . Robinsons . 179 S . AN analysis of the plot has been already given in our last number . We shall confine ourselves , therefore , to the character and tendency , . In a preface the author imputes the unfavourable reception his production

experienced to the prevalence of party sentiments and notions . We certainly by no means approve of" carrying political differences to places of amusement : wit , humour , knowledge , and ability , if not hunfully direfled , d . 'serve to be cherished , without any regard to the opinions of their owner .

We should think very poorly of the liberality of Whigs , who should reprobate the Rape of ihe Lock , or Gulliver's Travels , because the authors were 'lories ; or of Tories , who should discountenance Love for Love and the School for Scandal , because written by Whigs . Those who should disrelish a performance merely because the production of Mr . " Holcroft , must be very uncandid critics . But the fad must be proved , that such was the ground of animadversion , before we can censure its illiberally . _ A sufferer often

ascribes to extrinsic causes what is really the effect of his own conduct . A Whig , during the Tory Ministry of Queen Anne , when going to be hanged for setting fire to a house , called from the tree to the audience , ' You see , my friends , what I get for sticking to my principles . '

We shall bestow more time , because of its political tendency , on this production , than its literary importance deserves . Two things in this play merit consideration : —the effeCt which it is calculated to produce , and the talents displayed in the execution . There is in its scope a sufficient cause for its rejection by persons attached to the present establishment and the existing orders and gradations , without any additional inducements , from the history of the author . The machinations of demagogues and seditious writers have

excited in the lower ranks a dislike of their superiors , which a friend to THIS constitution will by no means attempt to increase . A friend to truth and justice will not intentionally exhibit any class of men in a worse light than they deserve . The doctrine of the comedy before us is , that riches " and even reputation , are the result of successful roguery : that lords are abandoned , profligate , and unprinci p led : that the vices and villainy of the rich and noble are the causes both of the misery of" the poor , in their oppressions , and distresses ; and their wickedness , from example , self defence , or retaliation . Every impartial examiner of the whole play

  • Prev page
  • 1
  • 49
  • You're on page50
  • 51
  • 73
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy