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  • April 1, 1795
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The Freemasons' Magazine, April 1, 1795: Page 63

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    Article STRICTURES ON PUBLIC AMUSEMENTS. ← Page 2 of 5 →
Page 63

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Strictures On Public Amusements.

for eloping with Lord Torrendel , the result of which unhappy event is Lo ' reJ Arthur D'Aumerle , a gay thoughtless youth , who now arrives with Timolin , ari Irish servant , to induce his father to see and countenance him . After many endeavours he obtains admittance into the castle , where he is struck with affection at the sight of his mother ' s picture , which as he is taking down Lord Torlendel enters . Not having seen him since childhood , he roughly demands what he wantsand who he isArthur kneelsand pointing to the picturediscovers

, ; , , himself ; but the obdurate father leaves him , when he * stung to the quick , ' starts tip fiercely , andcommands Timolin to carry his mother's picture to the lodgings , which he obeying is taken up on his way for a robbery , and brought before Justice Dickens , at the very time Lord Arthur himself is undergoing an examination for having defrauded several tradesmen of their goods , which he ordered in and really meant to pay for if his father gave the expected cash ; but disappointment following , the imprudent Arthur refused to return the things :

from this dilemma Sir Hans bails him , and only wishes his son George would , follow his example . Lord Torrendel having seen Augusta by an artifice of L'Aillet , struck with her beauty desires him to borrow Sir Hans ' s livery , and by ' means of an invitation , as if from her guardian , to decoy her down to Sandgate island , a place of his own , where he himself will join them . L'Aillet entrusts this business to Timolin , bribing him to assist , which he gives into that he may ¦ defend Augusta ; but previous to this he had seen Lady Torrendel in the castle , and by a well-managed ' error takes her for Augustatherefore gives the invi- '

, tation to her , but at the same time warning her not to go , as it is a snare to take her to Lord Torrendel : the lady , rejoiced at the opportunity of confronting her husband , agrees to go , to the great surprise and contempt of Timolin . During this Lord Torrendel had altered his plan , and now commands L'Aillet to borrow Sir Hans ' s post-chaise , which he performing , bears thereal Augusta to Sandgate island , who is rescued by Lord Arthur , whilst Timolin and Thomas bring Lady Torrendel . Lord Torrendel is faithful to his word , but is much astonished when , '

in the expected Augusta , he recognises his wife . He then repents , her ladyship forgives , and the scene concludes with the marriage of Lord Arthur to Augusta , anel George Burgess to Fanny Dickens . - The Piece is avowedly O'Keefe ' s ; it is called a Comedy—it is , however , a protracted Farce . For the sake of common decency let us alter our TERMS , at least when their SIGNIFICATION is lost . ONE general title- , should in future distinguish ALL dramatic productions , and that one should he SALMAGUNDI . Plays are now either colloquial NOVELS , or , pantomimic DHOLLS . ' Tragedy and Comedy

are become nearly synonimous . LIFE ' VAGARIES is not only a FARCE , but a farce in extravaganza . Tbe-World in a Village is systematic compared with it . Confusion , hubbub , and incongruity , ' rule by turns through tlie five acts . Battledore and shuttlecock- —banging a jutlice with bis oxon wig—putting on a pair of hoots , and so , are the principal incidentsthese indeed did tell with interest . The people never laughed with higher gleey nor swallowed down nonsense v / ith a more delicious gout . We blame not authors who have necessities thatdrive them to this dreadful sacrifice of private

, " opinion to public taste—we blush that there it such a taste—and lament that if is the PUBLIC ONE . The character is all borrowed—Lord _ Oglcby and Canton — Colonel Hubbub striving to make his nephew a libertine — Young Dornton and his creditors , have all been in meditation—but deficiency of CHARACTER is not the grand fault of modern writers . We know how much has been anticipated , and know therefore the difficulty of finding out oriinalsWe do not expect original character

g . even —• but we certainly da expect a tolerable portion of consistency ; beings something ' like those in life—and incidents if they do not improve , such as may reasonably incline to the side of probability . The above observations we make generally . There is much in the Play that docs not offend . One or two of the serious scenes are extremely interestingthe first interview between Lord Torrendel and his son is particularly well wrought , and LEWIS played in it with very exquisite feeling indeed . The efiest

“The Freemasons' Magazine: 1795-04-01, Page 63” Masonic Periodicals Online, Library and Museum of Freemasonry, 23 May 2025, django:8000/periodicals/fmm/issues/fmm_01041795/page/63/.
  • List
  • Grid
Title Category Page
THE FREEMASONS' MAGAZINE, OR GENERAL AND COMPLETE LIBRARY' Article 1
TO HIS ROYAL HIGHNESS THE PRINCE OF WALES, Article 1
ESSAY ON PRUDENCE. Article 2
Untitled Article 3
A SERMON PREACHED BEFORE THE GRAND LODGE OF THE MOST ANCIENT AND HONOURABLE FRATERNITY Article 8
THE FREEMASON. No. IV. Article 12
STORY OF URBAIN GRANDIER. Article 16
BASEM; OR, THE BLACKSMITH. AN ORIENTAL APOLOGUE. Article 23
THOUGHTS ON SLEEP. Article 31
ACCOUNT AND DESCRIPTION OF THE CHAPEL OF ROSLIN, &c. Article 32
AUTHENTIC ANECDOTE. Article 37
SUMMARY OF ALL THE ARGUMENTS FOR AND AGAINST RICHARD BROTHERS. Article 38
ON THE DEPOPULATING INFLUENCE OF WAR. Article 42
ANECDOTE OF THE LATE KING OF PRUSSIA. Article 43
THE GREEN ASS. Article 44
ACCOUNT OF A CASK IN THE CASTLE OF KONIGSTEIN, Article 45
CURIOUS PARTICULARS RELATING TO THE ISLAND OF MALTA. Article 46
ON AVARICE. Article 47
THE HANDSOME MAN AND UGLY WIFE : Article 47
PARLIAMENTARY PROCEEDINGS. Article 48
POETRY. Article 56
ELEGY ON THE DEATH OF BROTHER JOHN MILLS, COMEDIAN, OF THE THEATRE ROYAL, HULL. Article 57
THE KISS. Article 58
ON DESPAIR. Article 59
TO INDIFFERENCE : A RHAPSODY. Article 59
ODE TO AN ASS, Article 60
STRICTURES ON PUBLIC AMUSEMENTS. Article 62
MASONIC INTELLIGENCE. Article 67
MONTHLY CHRONICLE. Article 68
BANKRUPTS. Article 71
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Strictures On Public Amusements.

for eloping with Lord Torrendel , the result of which unhappy event is Lo ' reJ Arthur D'Aumerle , a gay thoughtless youth , who now arrives with Timolin , ari Irish servant , to induce his father to see and countenance him . After many endeavours he obtains admittance into the castle , where he is struck with affection at the sight of his mother ' s picture , which as he is taking down Lord Torlendel enters . Not having seen him since childhood , he roughly demands what he wantsand who he isArthur kneelsand pointing to the picturediscovers

, ; , , himself ; but the obdurate father leaves him , when he * stung to the quick , ' starts tip fiercely , andcommands Timolin to carry his mother's picture to the lodgings , which he obeying is taken up on his way for a robbery , and brought before Justice Dickens , at the very time Lord Arthur himself is undergoing an examination for having defrauded several tradesmen of their goods , which he ordered in and really meant to pay for if his father gave the expected cash ; but disappointment following , the imprudent Arthur refused to return the things :

from this dilemma Sir Hans bails him , and only wishes his son George would , follow his example . Lord Torrendel having seen Augusta by an artifice of L'Aillet , struck with her beauty desires him to borrow Sir Hans ' s livery , and by ' means of an invitation , as if from her guardian , to decoy her down to Sandgate island , a place of his own , where he himself will join them . L'Aillet entrusts this business to Timolin , bribing him to assist , which he gives into that he may ¦ defend Augusta ; but previous to this he had seen Lady Torrendel in the castle , and by a well-managed ' error takes her for Augustatherefore gives the invi- '

, tation to her , but at the same time warning her not to go , as it is a snare to take her to Lord Torrendel : the lady , rejoiced at the opportunity of confronting her husband , agrees to go , to the great surprise and contempt of Timolin . During this Lord Torrendel had altered his plan , and now commands L'Aillet to borrow Sir Hans ' s post-chaise , which he performing , bears thereal Augusta to Sandgate island , who is rescued by Lord Arthur , whilst Timolin and Thomas bring Lady Torrendel . Lord Torrendel is faithful to his word , but is much astonished when , '

in the expected Augusta , he recognises his wife . He then repents , her ladyship forgives , and the scene concludes with the marriage of Lord Arthur to Augusta , anel George Burgess to Fanny Dickens . - The Piece is avowedly O'Keefe ' s ; it is called a Comedy—it is , however , a protracted Farce . For the sake of common decency let us alter our TERMS , at least when their SIGNIFICATION is lost . ONE general title- , should in future distinguish ALL dramatic productions , and that one should he SALMAGUNDI . Plays are now either colloquial NOVELS , or , pantomimic DHOLLS . ' Tragedy and Comedy

are become nearly synonimous . LIFE ' VAGARIES is not only a FARCE , but a farce in extravaganza . Tbe-World in a Village is systematic compared with it . Confusion , hubbub , and incongruity , ' rule by turns through tlie five acts . Battledore and shuttlecock- —banging a jutlice with bis oxon wig—putting on a pair of hoots , and so , are the principal incidentsthese indeed did tell with interest . The people never laughed with higher gleey nor swallowed down nonsense v / ith a more delicious gout . We blame not authors who have necessities thatdrive them to this dreadful sacrifice of private

, " opinion to public taste—we blush that there it such a taste—and lament that if is the PUBLIC ONE . The character is all borrowed—Lord _ Oglcby and Canton — Colonel Hubbub striving to make his nephew a libertine — Young Dornton and his creditors , have all been in meditation—but deficiency of CHARACTER is not the grand fault of modern writers . We know how much has been anticipated , and know therefore the difficulty of finding out oriinalsWe do not expect original character

g . even —• but we certainly da expect a tolerable portion of consistency ; beings something ' like those in life—and incidents if they do not improve , such as may reasonably incline to the side of probability . The above observations we make generally . There is much in the Play that docs not offend . One or two of the serious scenes are extremely interestingthe first interview between Lord Torrendel and his son is particularly well wrought , and LEWIS played in it with very exquisite feeling indeed . The efiest

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