Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Freemasons' Magazine
  • Oct. 1, 1797
  • Page 7
  • THE LIFE OF DAVID GARRICK, ESQ.
Current:

The Freemasons' Magazine, Oct. 1, 1797: Page 7

  • Back to The Freemasons' Magazine, Oct. 1, 1797
  • Print image
  • Articles/Ads
    Article THE LIFE OF DAVID GARRICK, ESQ. ← Page 4 of 5 →
Page 7

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Life Of David Garrick, Esq.

known , in case he should happen to be unsuccessful . Though this is not a first rate character , yet the scenes of pathetic persuasion and affecting distress , in which that character is involved , must command the attention of an audience when well represented , The applause which he met with exceeded his most sanguine expectations . Under the -asssumed name of Lyddell he not only acted a variety of characters in plays , particularly Chaurriont in the Orphan , Captain Brazen

in the Recruiting Officer , and Sir Harry Wildair ; but he also attempted the agility of Harlequin , and in every effort he gave so much satisfaction to the audience , that they repaid him with constant and loud testimonies of their approbation . Having secured great credit as a performer at Ipswich , he came to London , and engaged with Mr . Giffard , of the theatre in Goodman ' s Fields . He made his first appearance , October 19 th , 1741 , in the character of Richard the Third , which he played in a manner that at once fixed his reputation as the first actor of the age .

. Two circumstances were observed on his firstnight ' sperformance ; one , that on his entrance on the stage , he was under so much embarrassment , as for some time to lie unable to speak ; the other , that , having exerted himself with much vehemence in the first two acts , he became so lvmrse as to be almost incapable of finishing the character . This difficulty was obviated by a person behind the scenes recommending him to take the juice of a Seville orangewhich he

fortu-, nately had in his pocket , and which enabled him to go through the remainder of the character with that degree of excellence which he ever aftei wards shewed in the performance of it . The person to whom he owed , this seasonable relief was the late Mr . Dryden Lead , the printer . Among other novelties attending his first performance of this

character , Mr . Davies remarks , that when news was brought to Richard , that the Duke of Buckingham was taken , Garrick's look and action , when he pronounced the words , — : < off with his head , So much for Buckingham !'—

were so significant and important , from his visible enjoyment of the incident , that several loud shouts of approbation proclaimed the ¦ triumph of the aft or , and the satisfaction of the audience . The death of Richard was also accompanied with the loudest gratulations of applause . ' The same play was afted six or seven times successively ; ' and

the manager seeing Garrick's merit , did all in his power to support it . Several other parts , among which were Aboan , Chamonc , Clodio in the Fop's Fortune , Bays in the Rehearsal , succeeded Richard , which last , however , was the favourite character , and was repeatedly called for , and afted to crowded audiences . Such was his fame , that the Theatres of Drury-Lane and

Covent-Garden v ere deserted . Goodronn ' s Fields was full of the splendour of St . James ' s and Grosvcnor square : and the coaches of the nobility filled up the space from Tempie-bar to WliUcchapel . Those , who

“The Freemasons' Magazine: 1797-10-01, Page 7” Masonic Periodicals Online, Library and Museum of Freemasonry, 24 May 2025, django:8000/periodicals/fmm/issues/fmm_01101797/page/7/.
  • List
  • Grid
Title Category Page
Untitled Article 1
Untitled Article 2
LONDON: Article 2
Untitled Article 3
THE LIFE OF DAVID GARRICK, ESQ. Article 4
SlNGULAR CUSTOM IN DEVONSHIRE. Article 9
WEST INDIA CRUELTY. Article 9
A REVIEW OF THE LIFE AND WRITINGS OF THE RIGHT HONOURABLE EDMUND BURKE. Article 10
HISTORY OF THE SCIENCES FOR 1797. Article 16
DESCRIPTION OF THE PEAK OF TENERIFFE. Article 18
ON THE PECULIAR EXCELLENCIES OF HANDEL'S MUSIC. Article 20
THE COLLECTOR. Article 22
THE FREEMASONS' REPOSITORY. Article 27
ON THE MASONIC CHARACTER. Article 35
A VINDICATION OF MASONRY. Article 37
REVIEW OF NEW PUBLICATIONS. Article 42
POETRY. Article 50
REPORT OF THE PROCEEDINGS OF THE BRITISH PARLIAMENT. Article 54
HOUSE OF COMMONS. Article 55
MONTHLY CHRONICLE. Article 62
OBITUARY. Article 72
Page 1

Page 1

1 Article
Page 2

Page 2

2 Articles
Page 3

Page 3

1 Article
Page 4

Page 4

1 Article
Page 5

Page 5

1 Article
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

1 Article
Page 9

Page 9

2 Articles
Page 10

Page 10

1 Article
Page 11

Page 11

1 Article
Page 12

Page 12

1 Article
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

1 Article
Page 16

Page 16

2 Articles
Page 17

Page 17

1 Article
Page 18

Page 18

1 Article
Page 19

Page 19

1 Article
Page 20

Page 20

2 Articles
Page 21

Page 21

1 Article
Page 22

Page 22

1 Article
Page 23

Page 23

1 Article
Page 24

Page 24

1 Article
Page 25

Page 25

1 Article
Page 26

Page 26

1 Article
Page 27

Page 27

1 Article
Page 28

Page 28

1 Article
Page 29

Page 29

1 Article
Page 30

Page 30

1 Article
Page 31

Page 31

1 Article
Page 32

Page 32

1 Article
Page 33

Page 33

1 Article
Page 34

Page 34

1 Article
Page 35

Page 35

1 Article
Page 36

Page 36

1 Article
Page 37

Page 37

1 Article
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

1 Article
Page 43

Page 43

1 Article
Page 44

Page 44

1 Article
Page 45

Page 45

1 Article
Page 46

Page 46

1 Article
Page 47

Page 47

1 Article
Page 48

Page 48

1 Article
Page 49

Page 49

1 Article
Page 50

Page 50

1 Article
Page 51

Page 51

1 Article
Page 52

Page 52

1 Article
Page 53

Page 53

1 Article
Page 54

Page 54

1 Article
Page 55

Page 55

2 Articles
Page 56

Page 56

1 Article
Page 57

Page 57

1 Article
Page 58

Page 58

1 Article
Page 59

Page 59

1 Article
Page 60

Page 60

1 Article
Page 61

Page 61

1 Article
Page 62

Page 62

1 Article
Page 63

Page 63

1 Article
Page 64

Page 64

1 Article
Page 65

Page 65

1 Article
Page 66

Page 66

1 Article
Page 67

Page 67

1 Article
Page 68

Page 68

1 Article
Page 69

Page 69

1 Article
Page 70

Page 70

1 Article
Page 71

Page 71

1 Article
Page 72

Page 72

1 Article
Page 73

Page 73

1 Article
Page 74

Page 74

1 Article
Page 75

Page 75

1 Article
Page 7

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Life Of David Garrick, Esq.

known , in case he should happen to be unsuccessful . Though this is not a first rate character , yet the scenes of pathetic persuasion and affecting distress , in which that character is involved , must command the attention of an audience when well represented , The applause which he met with exceeded his most sanguine expectations . Under the -asssumed name of Lyddell he not only acted a variety of characters in plays , particularly Chaurriont in the Orphan , Captain Brazen

in the Recruiting Officer , and Sir Harry Wildair ; but he also attempted the agility of Harlequin , and in every effort he gave so much satisfaction to the audience , that they repaid him with constant and loud testimonies of their approbation . Having secured great credit as a performer at Ipswich , he came to London , and engaged with Mr . Giffard , of the theatre in Goodman ' s Fields . He made his first appearance , October 19 th , 1741 , in the character of Richard the Third , which he played in a manner that at once fixed his reputation as the first actor of the age .

. Two circumstances were observed on his firstnight ' sperformance ; one , that on his entrance on the stage , he was under so much embarrassment , as for some time to lie unable to speak ; the other , that , having exerted himself with much vehemence in the first two acts , he became so lvmrse as to be almost incapable of finishing the character . This difficulty was obviated by a person behind the scenes recommending him to take the juice of a Seville orangewhich he

fortu-, nately had in his pocket , and which enabled him to go through the remainder of the character with that degree of excellence which he ever aftei wards shewed in the performance of it . The person to whom he owed , this seasonable relief was the late Mr . Dryden Lead , the printer . Among other novelties attending his first performance of this

character , Mr . Davies remarks , that when news was brought to Richard , that the Duke of Buckingham was taken , Garrick's look and action , when he pronounced the words , — : < off with his head , So much for Buckingham !'—

were so significant and important , from his visible enjoyment of the incident , that several loud shouts of approbation proclaimed the ¦ triumph of the aft or , and the satisfaction of the audience . The death of Richard was also accompanied with the loudest gratulations of applause . ' The same play was afted six or seven times successively ; ' and

the manager seeing Garrick's merit , did all in his power to support it . Several other parts , among which were Aboan , Chamonc , Clodio in the Fop's Fortune , Bays in the Rehearsal , succeeded Richard , which last , however , was the favourite character , and was repeatedly called for , and afted to crowded audiences . Such was his fame , that the Theatres of Drury-Lane and

Covent-Garden v ere deserted . Goodronn ' s Fields was full of the splendour of St . James ' s and Grosvcnor square : and the coaches of the nobility filled up the space from Tempie-bar to WliUcchapel . Those , who

  • Prev page
  • 1
  • 6
  • You're on page7
  • 8
  • 75
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy