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  • March 30, 1850
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The Freemasons' Quarterly Review, March 30, 1850: Page 60

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    Article GLASGOW MASONICS. ← Page 10 of 12 →
Page 60

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Glasgow Masonics.

but certain track left by our Brethren , the Artificers of lonin—leaves us to linger in reverential awe before that heaven-directed pile , ( prefiguring- a more glorious dispensation , which rose , in noiselos perfection , the echoes undisturbed by sound of hammer , axe , or iron implement , on the hallowed hei ghts of Moriah , under the auspices of the " wisest of men" anil his associates , the Birams of Tyre)—still more intimate are our relations with the Brethren of the Middle Agestbe

, transcendant merits of whose labours are daily becoming better known and more highly appreciated , the eloquent theme of the Antiquarian Architect , tbe most popular and prolific subject of the pencil of the modern Artist , reproduced in our factories in every possible variety , in the numberless objects ivhich minister to our domestic comfort and contribute to the gratification of refined taste . The prominent , as well as onloriginal feature of Roman architectureis the arch

y , ; but the arch of tbe Romans ivas a clumsy and unscientific production , dependent for its durability ancl strength on the redundant mass of material employed and the admirable qualities of their cement . They knew nothing of that scientific balance and mutual resistance of parts , by which , in the hands of the Freemasons of the Middle Ages , it enabled them to effect such magnificent results with materials so insignificaut and apparently so inadequate . The

sculptured enrichments , too , of their bosses , corbels , and capitals and bases of columns , in point of g-race and beauty , are unsurpassed by the best efforts of Grecian art , and display an exhaustless varietj-, to which all living- nature was tributary and to ivhich classic art could make no pretension . It was a principle with them , that nothing be

introduced without its meaning and its use ; their heart was in their work—whatever they did , it was their pride and ambition to do their very best ; and the only reward they looked for , was the Masonic distinction which honest merit was certain to secure . If the progress of the building was slow , the design admitted of successive addition ; and what they did , was done in a manner as perfect and substantial as it was possible to do . It is the manifest neglect of these principles ,

ivhich constitutes the opprobrium of modern construction—the absence of truthfulness , the prevalence of hollow pretension , to make the greatest possible display with the least expenditure of skill and money , is the only ambition , justifying the bitter criticism of a recent reviewer on the prevailing fashion of the day : ' Now , copying- tbe deformity of a gigantic barn , now aping the graces of a classic temple , now running to seed in that bristling conglomeration of pinnacles which of

seems to be tbe distinguishing characteristic modern Scottish Gothic ' Freemasons , it is true , do not now—and more the pity!—stand in the same practical relation with building operations as formerly ; but they can still , and they ought to , exercise an important influence upon them , by calling constant attention in their lodges to the essential qualities of good construction , which should always exemplify the Masonic attributes of Wisdom , Strength , and Beauty ; and surely an

association of such universal diffusion , linking togcihcr in the bonds of Brotherly Love , Relief , and Truth every n giou of the earth , every district , every hamlet almost , and whicli , even on the wild and stormy main , as far as eye may strain or glass can reach , demonstrates its existence and claims its privileges , is not inadequate to the most important results in any gootl and useful direction ! I shall not even attempt to express bow hi ghly I value the honour done

“The Freemasons' Quarterly Review: 1850-03-30, Page 60” Masonic Periodicals Online, Library and Museum of Freemasonry, 24 May 2025, django:8000/periodicals/fqr/issues/fqr_30031850/page/60/.
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Title Category Page
gge £® g - -^M w i? s^eit-F- , >\ , • r ... Article 1
ariTj,|iii«..Tr.i^.aTO-.ri wf.» M7«nr--.... Article 2
Untitled Article 3
•mlk Article 4
W J UF Article 5
THE FREEMASONS' QUARTERLY MAGAZINE AND REVIEW. Article 6
CONTENTS. Article 7
inft 'J - C ° mMUliieati0nS f ° r the Ed... Article 8
CONTENTS. Article 9
NOTICE TO CORRESPONDENTS. Article 10
CONTENTS. Article 11
CONTENTS. Article 12
EKKATUM.—Iii the article on "Baal's Brid... Article 13
THE FREEMASONS' QUARTERLY MAGAZINE AND REVIEW. Article 14
LEGEND OF THE M.M. DEGREE. Article 18
A HANDFUL OF APHORISMS. Article 22
COUSIN BRIDGET. Article 23
SYMBOLICAL CHARACTER OF MEDIÆVAL HERALDRY AND ITS CONNECTION WITH FREEMASONRY. Article 31
1 Article 32
THE HIDDEN BOND. Article 38
UNIFORMITY. Article 40
POETRY. Article 42
LINES Article 44
THE ALPS. Article 44
CORRESPONDENCE. Article 45
TO THE EDITOR. Article 50
GLASGOW MASONICS. Article 51
OBITUARY. Article 63
ROBERT THOMAS CRUCEFIX, LL.D., P.S.G.D. Article 63
SIR FELIX BOOTH. Article 66
HON. H. A. SAVILLE. Article 66
COLLECTANEA Article 67
MASONIC INTELLIGENCE. Article 70
SUPREME GRAND COUNCIL 33°. Article 77
THE CHARITIES. Article 77
METROPOLITAN. Article 84
PROVINCIAL. Article 103
SCOTLAND. Article 124
IRELAND. Article 128
INDIA. Article 128
THE COLONIES. Article 133
FOREIGN. Article 135
ENCAMPMENTS, &c. Article 140
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Page 60

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Glasgow Masonics.

but certain track left by our Brethren , the Artificers of lonin—leaves us to linger in reverential awe before that heaven-directed pile , ( prefiguring- a more glorious dispensation , which rose , in noiselos perfection , the echoes undisturbed by sound of hammer , axe , or iron implement , on the hallowed hei ghts of Moriah , under the auspices of the " wisest of men" anil his associates , the Birams of Tyre)—still more intimate are our relations with the Brethren of the Middle Agestbe

, transcendant merits of whose labours are daily becoming better known and more highly appreciated , the eloquent theme of the Antiquarian Architect , tbe most popular and prolific subject of the pencil of the modern Artist , reproduced in our factories in every possible variety , in the numberless objects ivhich minister to our domestic comfort and contribute to the gratification of refined taste . The prominent , as well as onloriginal feature of Roman architectureis the arch

y , ; but the arch of tbe Romans ivas a clumsy and unscientific production , dependent for its durability ancl strength on the redundant mass of material employed and the admirable qualities of their cement . They knew nothing of that scientific balance and mutual resistance of parts , by which , in the hands of the Freemasons of the Middle Ages , it enabled them to effect such magnificent results with materials so insignificaut and apparently so inadequate . The

sculptured enrichments , too , of their bosses , corbels , and capitals and bases of columns , in point of g-race and beauty , are unsurpassed by the best efforts of Grecian art , and display an exhaustless varietj-, to which all living- nature was tributary and to ivhich classic art could make no pretension . It was a principle with them , that nothing be

introduced without its meaning and its use ; their heart was in their work—whatever they did , it was their pride and ambition to do their very best ; and the only reward they looked for , was the Masonic distinction which honest merit was certain to secure . If the progress of the building was slow , the design admitted of successive addition ; and what they did , was done in a manner as perfect and substantial as it was possible to do . It is the manifest neglect of these principles ,

ivhich constitutes the opprobrium of modern construction—the absence of truthfulness , the prevalence of hollow pretension , to make the greatest possible display with the least expenditure of skill and money , is the only ambition , justifying the bitter criticism of a recent reviewer on the prevailing fashion of the day : ' Now , copying- tbe deformity of a gigantic barn , now aping the graces of a classic temple , now running to seed in that bristling conglomeration of pinnacles which of

seems to be tbe distinguishing characteristic modern Scottish Gothic ' Freemasons , it is true , do not now—and more the pity!—stand in the same practical relation with building operations as formerly ; but they can still , and they ought to , exercise an important influence upon them , by calling constant attention in their lodges to the essential qualities of good construction , which should always exemplify the Masonic attributes of Wisdom , Strength , and Beauty ; and surely an

association of such universal diffusion , linking togcihcr in the bonds of Brotherly Love , Relief , and Truth every n giou of the earth , every district , every hamlet almost , and whicli , even on the wild and stormy main , as far as eye may strain or glass can reach , demonstrates its existence and claims its privileges , is not inadequate to the most important results in any gootl and useful direction ! I shall not even attempt to express bow hi ghly I value the honour done

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