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  • Feb. 3, 1900
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  • THE CALL TO ARMS.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Lodge Room.

The term " Tracing Board" is in itself a misnomer . What is referred to as one of the immovable jewels should be the " Trestle Board . " The pictures above referred to , and commonly called Tracing Boards , are but so many devices to save Worshipful Masters trouble . In days gone by when the Worshipful

Master wished to lecture the brethren , lie made the devices necessary to illustrate his lecture , in chalk , on the floor of the lodge or on an oilcloth laid down for the purpose . In course of time it occurred to an ingenious brother to transfer the oilcloth or canvas to an easel , and to make the illustrations permanent .

The result is to crowd the picture with a series of emblems more or less Masonic , without much reference to unity of effect , 'and its principal use now , is to serve as a useful refresher to the lecturer ' s memory ; and the writer has often wished when delivering the First Principal ' s lecture in the chapter that some similar contrivance existed for the same purpose .

The confusion between Tracing and 'I restlc Boards originated with the French Masons , and Dr . Oliver keeps it up ( Landmarks , i , 132 ) . There is a connection between the two , however , in that the actual Trestle Board is depicted on the so-called Tracing Board .

The Master Masons in the middle ages employed a board—¦ mounted on trestles , hence the name—divided , like the pavement of the lodge , into equal squares , each of which was a unit of measure and proportion , equal to a perch of i 6 i square feet in English lodges , and 23 k square feet in Continental lodges .

If we look at the representation on the Tracing Board ( we shall continue to employ this designation of the pictures ) it will be seen that all the vertical lines or those lines which recede from the vision , converge to a vanishing point , or point ol sight ,

" the centre of a circle , " at which , if all lines meet , " a Master Mason cannot err . " Similarly all the horizontal lines diminish in their relative spacing , and the rungs of Jacob ' s ladder are practically a continuation .

These lines , vertical and horizontal , form the axial proportions of scale of building " in cubes , " and the two measuring or distance points are found at the sides of the Tracing Board in circles marked N . and S . Jacob ' s ladder forms a perspective scale of heights for designing the tower , each rung equalling , in

relative perspective the proportionate unit of measurement of each mosaic square . The diagonals of each mosaic square should—if the board be truly depicted—meet when produced at the points marked N . and S ., referred to for that reason , as measuring or distance points .

The indented border formed a scale of measurement for proportioning out the length of the nave , and should be seven mosaics up to the point of sight , this being the ratio generally employed . When a measurement was required , the Master

generally proceeded from the point of sight down one of the vertical converging lines , to the base of the board to find the required unit ol measurement , or—in other words—he left the East and proceeded to the West , — " to find thai which was lost . "

After the Master had traced or lined out his arrangement on the board , the flat drawings , not in perspective , were geometrically set out on the mosaic floor of the lodge by a Craftsman . For example , the Master of a lodge who wished to design a church , would begin by placing the columns of the nave along the intersections formed on one vertical line , and would then

allow two mosaics for the width of the nave , and one for each aisle . The heig ht would be measured in like manner , and the whole of the ground p lan and interior would be developed in a series of cubes in true perspective . The measurements would then all be ascertained by counting the mosaics . The most

remarkable specimen of this kind of designing is Amiens Cathedral , built in 1220 , by Master . Mason Robert de Luzarche . The whole edifice is comprised in an isomrtrical or perspective cube of 216 smaller cubes or mosaics , each measuring 23 J , feet in length , breadth , and height .

The use of the board by Persian and Indian builders forms the subject of a very interesting paper by Bro . Purdon Clarke , I . P . M . of Lodge Quatuor Coronati , which was read at their meeting on May 5 , i < < J 3- The illustrations accompanying the paper are exceptionally valuable .

Let us now consider the lectures which are illustrated by the p ictorial representations generally called Tracing Boards . Several statements in the ; lecture of the i ° , to which the purist might take exception , have been already alluded to in notes on " the pavement and the porchway ante , and do not

need further reference . The allusion to David s " inadvertently numbering the people , heard in some lodges , seems to require correction , as that monarch not only formed the plan but carried it out even against the expressed advice of his

commander-inchief , Joab , who in undertaking a task he thoroughly disliked , contrived to make the census invalid by leaving out an important section of the people . The references lo the Volume of the Sacred Law , and its

The Lodge Room.

position 111 the Craft , will form the subject of a special article later , and , therefore , need not b . e entertained at present . The explanations of the square , level , and plumb-line , are objected to by some on the ground that such explanations belong to a superior degree and cannot , therefore , be fitly made in an

inferior degree . They are quite in order , however , as the explanation given is not that of certain working tools , but of certain jewels appertaining to certain officers . If the objection be a good one , then the jewels themselves should be removed from lodge when working in the i ° . If the jewels are tolerated ,

surely the explanation can be . We have alread y given explanations which serve to throw additional li ght on the references to the circle and the point within it . The consideration of the exact relations of the circle with the parallel lines belongs to the theory of projections and reciprocations ,

The lecture on the Tracing Board in the Fellow Craft Degree , is unfortunatel y not often heard . Notwithstanding its many inaccuracies , it is useful in that it reiterates a considerable portion of the ceremonial working , and thus serves the purpose of impressing upon the candidate ' s memory what he is very likely to forget .

There is no scriptural ground , or any other , for asserting that Entered Apprentices received their wages in corn , wine , and oil , and Fellow Crafts theirs in currency . The picture leaves much to be desired on the score of accuracy . For instance , a porch is referred to in the lecture , but no such appendage is illustrated .

In 1 Kings , vi 5 , 6 , and S , there is reference to the inner chambers , where it is stated that the door for the middle chamber was in the riafit side of the house , whereas the staircase

clearly winds up to the left side , and it certainly did not face the main entrance to the temple visible to all passers by . Moreover , in the Y . S . L ., we are told the chambers were built against Ihe wall . °

The two pillars have been described at length in a former article , and we need only state here that the mention of the celestial and terrestrial globes is an anachronism , as the first terrestrial globe on record was that made by Anaximander of

Miletus , about 5 S 0 B . C ., that is , some four centuries after the building of the temple . Again the floor of the house was overlaid with beaten gold , i Kings , v . 30 , and certainly was not laid out in squares .

I he Tracing Board in the Third Degree may serve as a device for the brethren to moralize upon , but regarded as an historical device both it and the lecture are of little value . The lecture which it illustrates is all embodied in the ceremony , and for that reason acquires an importance which makes it most desirable that its accuracy should be beyond question .

Ihe Holy of Holies possessed neither Porch nor Dormer . None was needed , as the entrance was through the veil , and the Shekinah gave all the light necessary , and moreover it was only entered once a year . The square pavement is an error in this

case as in the former . The circumstances under which the High Priest entered the 1 Ioly of Holies are detailed at length in Leviticus , xvi , and there is not one word about prayer " for peace and tranquillity .

The most inaccurate statement of all is that which sets forth the place of Hiram Abifs interment . Intra-mural interment was forbidden altogether among the Jews , and the compiler of the lecture seems to have imagined the temple was a sort of Westminster Abbey or Valhalla for Ihe reception of the illustrious dead .

The Call To Arms.

THE CALL TO ARMS .

SOUTH AFRICA . From the East and the West , from the North and the South , they come And they come in defence of the land they still call " horns . " The Lion ' s whelps crouch low at the Lion ' s mane , Ready to fight for freedom once again .

Britannia never was served as she is now ; Trouble may come , but loyalty smooths her brow ; Her sons , for the Empire flock to her standards fas ' , i At her absolute unity Europe stands aghast . Calm and steadfast we stand through stress ani strife Never to yield whilst England still ' hath life : Battles are won and lost , but yet , I ween—This our message though oceans roll between .

Brothers , our welcome daily greets your ears , For Queen and country , casting out all fears ; Ours , too , burn as we hear your words of bve ; Faith in our destiny and in God abo / e I And to our cousins in lar Columbia ' s land , What can I say , but—Take us by the hand ; Blood is thicker than water—Tell the world For freedom our banners lotrelliee shall be unfur ' ei !

liMRA HOLMES , Dov . rcourt , Author of " At the Oakenholt , " Valerian Varo , " & c , January , 1900 .

“The Freemason: 1900-02-03, Page 2” Masonic Periodicals Online, Library and Museum of Freemasonry, 4 July 2025, django:8000/periodicals/fvl/issues/fvl_03021900/page/2/.
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Untitled Article 1
BRO. HUGHAN ON THE YORK GRAND LODGE. Article 1
THE LODGE ROOM. Article 1
THE CALL TO ARMS. Article 2
Science, Art, and the Drama. Article 3
CONSECRATION OF JOHN BRUNNER LODGE, No. 2799. Article 4
LADIES' BANQUET AND DANCE OF THE ECCLESTON LODGE, No. 1624. Article 4
BRO. AND MRS. JAMES STEPHENS'S "AT HOME." Article 5
CONSECRATION OF THE LODGE L'ENTENTE CORDIALE, No. 2796. Article 5
FIFTH ANNUAL LADIES' NIGHT OF THE LION AND LAMB LODGE, No. 192. Article 5
Untitled Ad 6
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Untitled Ad 6
Untitled Ad 7
Untitled Article 7
Masonic Notes. Article 7
Correspondence. Article 8
Masonic Notes and Queries. Article 8
Reviews. Article 8
Craft Masonry. Article 8
Untitled Ad 9
Untitled Ad 10
Untitled Ad 11
Royal Arch. Article 12
Knights Templar. Article 12
BOHEMIAN CONCERT BY THE ST. JAMES'S UNION LODGE, No. 180. Article 12
The Craft Abroad. Article 12
SUPREME GRAND CHAPTER. Article 13
Instrction. Article 13
Obituary. Article 13
Untitled Ad 14
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MASONIC MEETINGS (METROPOLITAN) Article 14
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Page 2

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Lodge Room.

The term " Tracing Board" is in itself a misnomer . What is referred to as one of the immovable jewels should be the " Trestle Board . " The pictures above referred to , and commonly called Tracing Boards , are but so many devices to save Worshipful Masters trouble . In days gone by when the Worshipful

Master wished to lecture the brethren , lie made the devices necessary to illustrate his lecture , in chalk , on the floor of the lodge or on an oilcloth laid down for the purpose . In course of time it occurred to an ingenious brother to transfer the oilcloth or canvas to an easel , and to make the illustrations permanent .

The result is to crowd the picture with a series of emblems more or less Masonic , without much reference to unity of effect , 'and its principal use now , is to serve as a useful refresher to the lecturer ' s memory ; and the writer has often wished when delivering the First Principal ' s lecture in the chapter that some similar contrivance existed for the same purpose .

The confusion between Tracing and 'I restlc Boards originated with the French Masons , and Dr . Oliver keeps it up ( Landmarks , i , 132 ) . There is a connection between the two , however , in that the actual Trestle Board is depicted on the so-called Tracing Board .

The Master Masons in the middle ages employed a board—¦ mounted on trestles , hence the name—divided , like the pavement of the lodge , into equal squares , each of which was a unit of measure and proportion , equal to a perch of i 6 i square feet in English lodges , and 23 k square feet in Continental lodges .

If we look at the representation on the Tracing Board ( we shall continue to employ this designation of the pictures ) it will be seen that all the vertical lines or those lines which recede from the vision , converge to a vanishing point , or point ol sight ,

" the centre of a circle , " at which , if all lines meet , " a Master Mason cannot err . " Similarly all the horizontal lines diminish in their relative spacing , and the rungs of Jacob ' s ladder are practically a continuation .

These lines , vertical and horizontal , form the axial proportions of scale of building " in cubes , " and the two measuring or distance points are found at the sides of the Tracing Board in circles marked N . and S . Jacob ' s ladder forms a perspective scale of heights for designing the tower , each rung equalling , in

relative perspective the proportionate unit of measurement of each mosaic square . The diagonals of each mosaic square should—if the board be truly depicted—meet when produced at the points marked N . and S ., referred to for that reason , as measuring or distance points .

The indented border formed a scale of measurement for proportioning out the length of the nave , and should be seven mosaics up to the point of sight , this being the ratio generally employed . When a measurement was required , the Master

generally proceeded from the point of sight down one of the vertical converging lines , to the base of the board to find the required unit ol measurement , or—in other words—he left the East and proceeded to the West , — " to find thai which was lost . "

After the Master had traced or lined out his arrangement on the board , the flat drawings , not in perspective , were geometrically set out on the mosaic floor of the lodge by a Craftsman . For example , the Master of a lodge who wished to design a church , would begin by placing the columns of the nave along the intersections formed on one vertical line , and would then

allow two mosaics for the width of the nave , and one for each aisle . The heig ht would be measured in like manner , and the whole of the ground p lan and interior would be developed in a series of cubes in true perspective . The measurements would then all be ascertained by counting the mosaics . The most

remarkable specimen of this kind of designing is Amiens Cathedral , built in 1220 , by Master . Mason Robert de Luzarche . The whole edifice is comprised in an isomrtrical or perspective cube of 216 smaller cubes or mosaics , each measuring 23 J , feet in length , breadth , and height .

The use of the board by Persian and Indian builders forms the subject of a very interesting paper by Bro . Purdon Clarke , I . P . M . of Lodge Quatuor Coronati , which was read at their meeting on May 5 , i < < J 3- The illustrations accompanying the paper are exceptionally valuable .

Let us now consider the lectures which are illustrated by the p ictorial representations generally called Tracing Boards . Several statements in the ; lecture of the i ° , to which the purist might take exception , have been already alluded to in notes on " the pavement and the porchway ante , and do not

need further reference . The allusion to David s " inadvertently numbering the people , heard in some lodges , seems to require correction , as that monarch not only formed the plan but carried it out even against the expressed advice of his

commander-inchief , Joab , who in undertaking a task he thoroughly disliked , contrived to make the census invalid by leaving out an important section of the people . The references lo the Volume of the Sacred Law , and its

The Lodge Room.

position 111 the Craft , will form the subject of a special article later , and , therefore , need not b . e entertained at present . The explanations of the square , level , and plumb-line , are objected to by some on the ground that such explanations belong to a superior degree and cannot , therefore , be fitly made in an

inferior degree . They are quite in order , however , as the explanation given is not that of certain working tools , but of certain jewels appertaining to certain officers . If the objection be a good one , then the jewels themselves should be removed from lodge when working in the i ° . If the jewels are tolerated ,

surely the explanation can be . We have alread y given explanations which serve to throw additional li ght on the references to the circle and the point within it . The consideration of the exact relations of the circle with the parallel lines belongs to the theory of projections and reciprocations ,

The lecture on the Tracing Board in the Fellow Craft Degree , is unfortunatel y not often heard . Notwithstanding its many inaccuracies , it is useful in that it reiterates a considerable portion of the ceremonial working , and thus serves the purpose of impressing upon the candidate ' s memory what he is very likely to forget .

There is no scriptural ground , or any other , for asserting that Entered Apprentices received their wages in corn , wine , and oil , and Fellow Crafts theirs in currency . The picture leaves much to be desired on the score of accuracy . For instance , a porch is referred to in the lecture , but no such appendage is illustrated .

In 1 Kings , vi 5 , 6 , and S , there is reference to the inner chambers , where it is stated that the door for the middle chamber was in the riafit side of the house , whereas the staircase

clearly winds up to the left side , and it certainly did not face the main entrance to the temple visible to all passers by . Moreover , in the Y . S . L ., we are told the chambers were built against Ihe wall . °

The two pillars have been described at length in a former article , and we need only state here that the mention of the celestial and terrestrial globes is an anachronism , as the first terrestrial globe on record was that made by Anaximander of

Miletus , about 5 S 0 B . C ., that is , some four centuries after the building of the temple . Again the floor of the house was overlaid with beaten gold , i Kings , v . 30 , and certainly was not laid out in squares .

I he Tracing Board in the Third Degree may serve as a device for the brethren to moralize upon , but regarded as an historical device both it and the lecture are of little value . The lecture which it illustrates is all embodied in the ceremony , and for that reason acquires an importance which makes it most desirable that its accuracy should be beyond question .

Ihe Holy of Holies possessed neither Porch nor Dormer . None was needed , as the entrance was through the veil , and the Shekinah gave all the light necessary , and moreover it was only entered once a year . The square pavement is an error in this

case as in the former . The circumstances under which the High Priest entered the 1 Ioly of Holies are detailed at length in Leviticus , xvi , and there is not one word about prayer " for peace and tranquillity .

The most inaccurate statement of all is that which sets forth the place of Hiram Abifs interment . Intra-mural interment was forbidden altogether among the Jews , and the compiler of the lecture seems to have imagined the temple was a sort of Westminster Abbey or Valhalla for Ihe reception of the illustrious dead .

The Call To Arms.

THE CALL TO ARMS .

SOUTH AFRICA . From the East and the West , from the North and the South , they come And they come in defence of the land they still call " horns . " The Lion ' s whelps crouch low at the Lion ' s mane , Ready to fight for freedom once again .

Britannia never was served as she is now ; Trouble may come , but loyalty smooths her brow ; Her sons , for the Empire flock to her standards fas ' , i At her absolute unity Europe stands aghast . Calm and steadfast we stand through stress ani strife Never to yield whilst England still ' hath life : Battles are won and lost , but yet , I ween—This our message though oceans roll between .

Brothers , our welcome daily greets your ears , For Queen and country , casting out all fears ; Ours , too , burn as we hear your words of bve ; Faith in our destiny and in God abo / e I And to our cousins in lar Columbia ' s land , What can I say , but—Take us by the hand ; Blood is thicker than water—Tell the world For freedom our banners lotrelliee shall be unfur ' ei !

liMRA HOLMES , Dov . rcourt , Author of " At the Oakenholt , " Valerian Varo , " & c , January , 1900 .

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