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  • May 4, 1861
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The Freemasons' Monthly Magazine, May 4, 1861: Page 6

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    Article ARCHITECTURE AND ARCHÆOLOGY. ← Page 3 of 3
    Article ON THE ARCHITECTURE OF THE ELEVENTH CENTURY. Page 1 of 2 →
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Architecture And Archæology.

remarkable . Now , however much this fancied foil , but real blemish , was converted into an additional charm by the lover-like attachment and consequent special pleading of the admirers of this cherished work , you may bo sure that the sculptor himself , when he made it , was not of this way of thinking . Solicitous , as we sculptors are , to obtain tho purest and most spotless marble , especially for this class of

work , we may be quite sure that Praxiteles would have been very glad , if he could , to have concealed the blemish in question , and that if his friend Nicias had really been in tho habit of colouring his statues , it was on an occasion like this that his services would have been especially in requisition . Paintedthereforeas regards the fleshcertainlit appears

, , , y that this chef-d'oeuvre of ancient art was not , or the blemish in question would have been the first thing to have been concealed . Neither could it have been stained , both because there is no mention of this , but also tho word Xap-irpoT-ns is conclusive on this point . Also , I would submit that it were as vain to paint the lily , or gild refined gold , or varnish a diamondas to attempt to add to the poetry of pure Parian

, marble by any colour enchancement whatever . When also this remarkable instance of the non-colouring of this chef-d'mavre of ancient art is brought to boar upon the general practice of those times , in respect to colouringmarble statues , the evidence afforded by the passages I have

quoted is the stronger , just because it is negative . Had Pliny or Lucian felt called on to say that the Venus of Cnidus was not painted or stained , it might have been argued that she was an exception to a rule that otherwise prevailed ; but not a word appears on this subject . Instead of this , both writers treat the subject just as wc should now , or at anjr other time when the painting of marble statues

has been , as now , not the general practice . There arc various other points which , having been gone into before , I avoid repeating , and I rather look to upholding my views , by contrasting two , as it has happened , on each side of the jirincrpal passages on this subject , than by an elaborate array of various authorities . Nevertheless , I am prepared to allow that archaic and iEginctan sculpture may have

been frequcntlj- treated with direct colour , both from the force of old precedent , and from each art , painting and sculpture , not having been original ^ sufficiently advanced to go alone . But assuredly I do not believe , as indeed there is no proof , thatpn the best times of Greek art , independent marble statues were ever painted , nor indeed any higher wrought statues at all paintedexcept for of

, purposes Idolatry . And this brings me at once to one proposition I have to put before you . It is this—that the ancient Greek statues were only painted when they were idols , and when they were intended to be worshipped ; and thus when these statues wei'c painted , in Greece , that it was jiricst-eraft , and not art-craft that painted them .

On The Architecture Of The Eleventh Century.

ON THE ARCHITECTURE OF THE ELEVENTH CENTURY .

( Continued from page 328 . ) Wherever we go and examine the buildings carefully with their history , we find it amounts to much the same story : the character of each century is distinctly marked every where ; and although there is , in each country , and in each province , a strong national and provincial character , yet

these are altogether subordinate to the character of the age in which the building was erected . King William also founded Battle Abbey , in Sussex , on the site of the battle of Hastings , the year after the battle , but wc have no work of this period remaining there . In 1070-78 , Archbishop Lanfranc rebuilt his cathedral at Canterbury ; but within fifty years afterwards the choir was

again rebuilt by Conrad and Ernnlf , and the nave subsequently , so that we have none of Lanfrauc ' s work remaining ; from which wo may infer that the work of this period was still very inferior to that of the 12 th centuries , or the architect would not have thought it necessary to rebuild work so recently erected . In further confirmation of this it innv be

mentioned that of the thirty-two Benedictine monasteries founded in the 11 th century , there are only three or four of which we have any buildings remaining that belong to this period . Of the Cluniac priories , four only belong to this century—Lewes , Castle-acre , Wenlock , and Bermondsey , — and in neither of these , I believe , are there any remains earlier than the 12 th century .

In the years from 1070 to 1095 , the Abbey of Bury St Edmund's was rebuilt by Abbot Baldwin , asserted by the--the sacrists Thurstan ancl Tolin , "The Church of the Monastery , consecrated in 1035 , having been for the most part , like its predecessor , built of wood , though not finished , was still unworthy both of St . Edmund and of the establishment endowed with such magnificent remedies as St ..

Edmund's Bury ; accordingly , under the auspices of Abbot Baldwin , the sacrists Thurstan and Tolin demolished the church which had been so recently constructed . King William the Conqueror on this occasion issued his precept to the Abbot of Peterborough , commanding that the abbot and convent of St . Edmund should bo permitted to take sufiiccnt stone for the erection of their church from the

quarries of Barnock , in Northamptonshire , granting at tbe same time an exemption from the usual tolls chargeable upon its carriage from that place to Bury . " Baldwin was a monk of St . Denis , at Paris then prior at Dcerhust , iu Gloucestershire , a coll to St . Denis . Lydgato says " he was greatly expert iu craft of medicine , " King Edward the Confessor granted to him for his monastery the privilege of

a mint . He " was also in great favour with King William the Conqueror , under a charter from whom ho made considerable acquisitions to his monastery . " * The new edifice was completed in 1095 , and the body of St . Edmund was translated into it in 1096 . f The square massive gateway tower of the abbey is standing , and probably belonging to this century ; the

shallow porch and rich doorway on the west side are evidently insertions of a subsequent period . Tho building of the churches of Jarrow and Monkswearmouth , in the county of Durham , is recorded by Bede , and the dedication stone of Jarrow has been preserved , recording the date of 685 . It was long considered that the existing towers belonged to that early period ; but tho researches of

the late Dr . Kaine have demonstrated that they have both been rebuilt subsequently to tho Norman Conquest . The original churches were destroyed by the Danes in 867 , and had laid waste for above two hundred years , when some , monks from Durham endeavoured to restore them to divine service : they found tho walls alone standing , without a roof and choked up with trees , briars , and thorns , as wc are told

in tho chronicle of Simeon of Durham , who was living at the time . This was in 1078 , and " shortly after , when the bishop saw the monks wishful to rebuild tho church itself , and the ruined monastic dwelling-places , he gave them the vill of Jarrow and its appendages . " There is little doubt that thc \ r carried out this intention : tho masonry of the existing tower is of early Norman character , but not earlier ,

and a portion of a Saxon cross is built in as old material , The history of Monkswearinonth is tho same as that of Jarrow ; but here it would seem that the new church was not on tho site of the old one ; for Dr . Kaine has found mention of the old church , used as a bam , in 1360 in an inventory of the cell of Monkswearmouth preserved at Durham ; and again in 1-1-1-7 , where it is called in English "the Alde-Kirke . "

These inventories have been printed by tho Surtces Society ,, edited by Dr . Kaino . J A . D . 1077-1115 , the church of St . Alban ' s Abbey was entirely rebuilt by Abbot Paul , of Caen , according to the distinct evidence of William of Malmesbury , Henry of Huttingdon , the "Saxon Chronicle , " and the "Annals of St . Fdmuud " Bury . " I am particular in mentioning the authorities in this instance because the fact has been much doubted , and

“The Freemasons' Monthly Magazine: 1861-05-04, Page 6” Masonic Periodicals Online, Library and Museum of Freemasonry, 23 June 2025, django:8000/periodicals/mmr/issues/mmr_04051861/page/6/.
  • List
  • Grid
Title Category Page
ADDITIONAL GRAND STEWARDS. Article 1
MEMOIRS OF THE FREEMASONS OF NAPLES. Article 1
EARNESTNESS IN FREEMASONRY. Article 3
ARCHITECTURE AND ARCHÆOLOGY. Article 4
ON THE ARCHITECTURE OF THE ELEVENTH CENTURY. Article 6
GENERAL ARCHITECTURAL INTELLIGENCE. Article 7
MASONIC NOTES AND QUERIES. Article 8
NOTES ON LITERATURE, SCIENCE, AND ART. Article 9
CORRESPONDENCE. Article 10
MASONIC HALL AT BRIGHTON. Article 10
CLOTHING AT LODGES OF INSTSUCTION. Article 11
ROYAL BENEVOLENT INSTITUTION FOR AGED FREEMASONS AND THEIR WIDOWS. Article 11
THE MASONIC MIRROR. Article 11
METROPOLITAN. Article 11
PROVINCIAL. Article 13
ROYAL ARCH. Article 14
KNIGHTS TEMPLAR. Article 16
MARK MASONRY. Article 16
CHANNEL ISLANDS. Article 17
WEST INDIES. Article 17
CHINA. Article 18
THE WEEK. Article 18
PUBLIC AMUSEMENTS. Article 20
NOTES ON MUSIC AND THE DRAMA. Article 20
TO CORRESPONDENTS. Article 20
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Architecture And Archæology.

remarkable . Now , however much this fancied foil , but real blemish , was converted into an additional charm by the lover-like attachment and consequent special pleading of the admirers of this cherished work , you may bo sure that the sculptor himself , when he made it , was not of this way of thinking . Solicitous , as we sculptors are , to obtain tho purest and most spotless marble , especially for this class of

work , we may be quite sure that Praxiteles would have been very glad , if he could , to have concealed the blemish in question , and that if his friend Nicias had really been in tho habit of colouring his statues , it was on an occasion like this that his services would have been especially in requisition . Paintedthereforeas regards the fleshcertainlit appears

, , , y that this chef-d'oeuvre of ancient art was not , or the blemish in question would have been the first thing to have been concealed . Neither could it have been stained , both because there is no mention of this , but also tho word Xap-irpoT-ns is conclusive on this point . Also , I would submit that it were as vain to paint the lily , or gild refined gold , or varnish a diamondas to attempt to add to the poetry of pure Parian

, marble by any colour enchancement whatever . When also this remarkable instance of the non-colouring of this chef-d'mavre of ancient art is brought to boar upon the general practice of those times , in respect to colouringmarble statues , the evidence afforded by the passages I have

quoted is the stronger , just because it is negative . Had Pliny or Lucian felt called on to say that the Venus of Cnidus was not painted or stained , it might have been argued that she was an exception to a rule that otherwise prevailed ; but not a word appears on this subject . Instead of this , both writers treat the subject just as wc should now , or at anjr other time when the painting of marble statues

has been , as now , not the general practice . There arc various other points which , having been gone into before , I avoid repeating , and I rather look to upholding my views , by contrasting two , as it has happened , on each side of the jirincrpal passages on this subject , than by an elaborate array of various authorities . Nevertheless , I am prepared to allow that archaic and iEginctan sculpture may have

been frequcntlj- treated with direct colour , both from the force of old precedent , and from each art , painting and sculpture , not having been original ^ sufficiently advanced to go alone . But assuredly I do not believe , as indeed there is no proof , thatpn the best times of Greek art , independent marble statues were ever painted , nor indeed any higher wrought statues at all paintedexcept for of

, purposes Idolatry . And this brings me at once to one proposition I have to put before you . It is this—that the ancient Greek statues were only painted when they were idols , and when they were intended to be worshipped ; and thus when these statues wei'c painted , in Greece , that it was jiricst-eraft , and not art-craft that painted them .

On The Architecture Of The Eleventh Century.

ON THE ARCHITECTURE OF THE ELEVENTH CENTURY .

( Continued from page 328 . ) Wherever we go and examine the buildings carefully with their history , we find it amounts to much the same story : the character of each century is distinctly marked every where ; and although there is , in each country , and in each province , a strong national and provincial character , yet

these are altogether subordinate to the character of the age in which the building was erected . King William also founded Battle Abbey , in Sussex , on the site of the battle of Hastings , the year after the battle , but wc have no work of this period remaining there . In 1070-78 , Archbishop Lanfranc rebuilt his cathedral at Canterbury ; but within fifty years afterwards the choir was

again rebuilt by Conrad and Ernnlf , and the nave subsequently , so that we have none of Lanfrauc ' s work remaining ; from which wo may infer that the work of this period was still very inferior to that of the 12 th centuries , or the architect would not have thought it necessary to rebuild work so recently erected . In further confirmation of this it innv be

mentioned that of the thirty-two Benedictine monasteries founded in the 11 th century , there are only three or four of which we have any buildings remaining that belong to this period . Of the Cluniac priories , four only belong to this century—Lewes , Castle-acre , Wenlock , and Bermondsey , — and in neither of these , I believe , are there any remains earlier than the 12 th century .

In the years from 1070 to 1095 , the Abbey of Bury St Edmund's was rebuilt by Abbot Baldwin , asserted by the--the sacrists Thurstan ancl Tolin , "The Church of the Monastery , consecrated in 1035 , having been for the most part , like its predecessor , built of wood , though not finished , was still unworthy both of St . Edmund and of the establishment endowed with such magnificent remedies as St ..

Edmund's Bury ; accordingly , under the auspices of Abbot Baldwin , the sacrists Thurstan and Tolin demolished the church which had been so recently constructed . King William the Conqueror on this occasion issued his precept to the Abbot of Peterborough , commanding that the abbot and convent of St . Edmund should bo permitted to take sufiiccnt stone for the erection of their church from the

quarries of Barnock , in Northamptonshire , granting at tbe same time an exemption from the usual tolls chargeable upon its carriage from that place to Bury . " Baldwin was a monk of St . Denis , at Paris then prior at Dcerhust , iu Gloucestershire , a coll to St . Denis . Lydgato says " he was greatly expert iu craft of medicine , " King Edward the Confessor granted to him for his monastery the privilege of

a mint . He " was also in great favour with King William the Conqueror , under a charter from whom ho made considerable acquisitions to his monastery . " * The new edifice was completed in 1095 , and the body of St . Edmund was translated into it in 1096 . f The square massive gateway tower of the abbey is standing , and probably belonging to this century ; the

shallow porch and rich doorway on the west side are evidently insertions of a subsequent period . Tho building of the churches of Jarrow and Monkswearmouth , in the county of Durham , is recorded by Bede , and the dedication stone of Jarrow has been preserved , recording the date of 685 . It was long considered that the existing towers belonged to that early period ; but tho researches of

the late Dr . Kaine have demonstrated that they have both been rebuilt subsequently to tho Norman Conquest . The original churches were destroyed by the Danes in 867 , and had laid waste for above two hundred years , when some , monks from Durham endeavoured to restore them to divine service : they found tho walls alone standing , without a roof and choked up with trees , briars , and thorns , as wc are told

in tho chronicle of Simeon of Durham , who was living at the time . This was in 1078 , and " shortly after , when the bishop saw the monks wishful to rebuild tho church itself , and the ruined monastic dwelling-places , he gave them the vill of Jarrow and its appendages . " There is little doubt that thc \ r carried out this intention : tho masonry of the existing tower is of early Norman character , but not earlier ,

and a portion of a Saxon cross is built in as old material , The history of Monkswearinonth is tho same as that of Jarrow ; but here it would seem that the new church was not on tho site of the old one ; for Dr . Kaine has found mention of the old church , used as a bam , in 1360 in an inventory of the cell of Monkswearmouth preserved at Durham ; and again in 1-1-1-7 , where it is called in English "the Alde-Kirke . "

These inventories have been printed by tho Surtces Society ,, edited by Dr . Kaino . J A . D . 1077-1115 , the church of St . Alban ' s Abbey was entirely rebuilt by Abbot Paul , of Caen , according to the distinct evidence of William of Malmesbury , Henry of Huttingdon , the "Saxon Chronicle , " and the "Annals of St . Fdmuud " Bury . " I am particular in mentioning the authorities in this instance because the fact has been much doubted , and

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