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  • Aug. 6, 1859
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Reviews Of New Books.

REVIEWS OF NEW BOOKS .

Idylls of the Kimj . B y ALFKED TENNYSON , D . C . L ., Poet Laureate . Svo . Moxon and Co . ( 2 G 0 pp . ) It has long been a matter of notoriety , in literary circles , that Mr . Tennyson hacl fixed on the legend of King Arthur as the subject for a long poem . With that view the laureate has visited numerous localities identified with the legendary history , has

carefully gone over many ancient histories of the wizard Alerlin , the King Arthur , and the Knights of the Round 'fable , ancl that portions of the poem had been placed in the printer ' s hands , proofs revised and corrected , many of ivhich had been cancelled , and others entirely re-written , ancl that the work was ready for the press a year ago , but from some unaccountable cause held back . Rumour haslioweverstepped in ancl supplied the reason

, , , which is said to be , that when the author was about to print the book—or even after it hacl heen sent to press—some friend to whom it was submitted expressed an opinion that the Idyll " Vivien " ivas unfit for publication . This view made the poet nervous and apprehensive , and so disgusted him that there was reason to suppose the work ivould never see the light . Time

and reflection , together with the opinions of others who saw the objectionable portion in another li ght , at last prevailed , ancl Mr . Tennyson finally sent the book to press , ancl it has at last appeared with many beauties and some imperfections on its head . The volume before us is divided into four poems , with a thread of connection between them ; these poems hear the names of "Enid , " "Vivien , " "Elaine , " aud " G-uincvre . " In this arrangement it is

obvious that the poet lacks the concentration and sustained power requisite for telling a long story , and it costs him a manifest effort to keep up the stately march requisite for the effect of an epic of a hundred lines . There is too a want of rugged grandeur in the verse when dealing with a subject as large and wonderful as Stonehenge ; for our author revels most when an opportunity oilers itself to run off into liquid warblingssuch as the three love songs in the Idlls .

, y The verse is excellent , and bears more of the stateliness and " retarding art , " belonging to the highest Avalks of poesy , than any other production of Mr . Tennyson's muse ; but there is a sweetness that closely verges on the cloying , ancl a want of strength ivhich should have been displayed when dealing ivith the rude and massive stories of the Round Table .

In the poem entitled "Enid" we have the story of Gcraint ' s courtship and his union with her , briefly told . Iu his fear that a taint may attach itself to the purity of her heart , from court scandals which arc rife about Sir Lancelot and Queen Guinevrc , she is removed to his country home , where they give themselves up to the happiness of wedded love . After a time his vassals and retainers murmur that the brave kni ght has tied up his valour in

his wife's fair locks , ancl ask when he means to abandon his silken dalliance and lead them forth as of old' ? Enid hears this and grieves for her lord ' s name and fame ; and , whilst he one day appears to he sleeping on his couch , she reproaches herself with keeping him from martial glory and knightl y deeds , and he overhears her say" 0 me , I fear me I am no true wife , "

an ejaculation which he , of course , misconstrues . Thereupon he calls for his horse ancl arms , and in rough dudgeon sets out to seek adventure , with Enid equiped as his squire . He treats her coldly ancl unkindly , but she returns good for evil till an accident clears up his doubts of her love ; he makes friends again , ancl they live and love peaceably to the end of their clays . From this part of the poem we quote the song Gemini hears her sing ' uv when he falls in love Avith her : —

' ENID s SOXG . " Turn fortune , turn thy wheel and lower the proud ; Turn thy wheel thro' sunshine , storm , and cloud : Thy wheel and thee we neither love nor hate . " Turn , fortune , turn thy wheel with smile or frown ; With that wild wheel we go not up nor clown ; Our hoard is little , but our hearts are great .

^ " Smile , and ive smile , the lords of many lands ; Frown and we smile , the lords of our own hands ; Vor man is man and master of his fate . " Turn , turn thy wheel above the staring crowd ; Thy wheel and thou are shadows in the cloud ; Thy wheel and thee we neither love nor hate . " Our poet gives us an cxcpiisite touch of nature—of that most mysterious kind of all—woman ' s nature , conveying a lesson to mm , when dealing with a susceptibility that he cu ' ujiot understand

yet often acknowledges . When Geraint has been disabused from the inference he had drawn , and satisfied of the possession of the entire love of Enid , and when only an assurance from her is needed , to set his mind at rest : — " And Enid could not say one tender word She felt so blunt and stupid at the heart . "

The question Avill naturally arise , which of us have not , at times , misunderstood the silence of our dearest friend , who was merely " blunt and stupid at the heart , " from excess of emotion ? In some of Sir . Tennyson ' s imagery there are yet far-fetched allusions , take , for instance : — " Arms on ivhich the standing muscle sloped , - j As slopes a wild brook o ' er a little stone ,

Running too vehemently to break upon it . " In this , the contour of a muscle , which is stretched across a bone , is not , to the eye , so obviously like the curve of a rippling brook . In another instance ive can detect the figure of Geraint riding into the court-yard of the castle , where" His charger trampling many a ] 3 i-ickly star Of sprouted thistle on the broken stones , "

Aiid it is also very appropriately -said of a woman ' s dress : — " How fresh the colours look , How fast they hold , like colours of a shell That keeps the wear and polish of the wave . " In another place we are told how a loi'er meets the lad y of his loA'e : —

" And glancing all at once as keenly at her , As careful robins eye the delver ' s toil , Made her cheek burn and either eyelid fall , But rested with her sweet face satisfied . "

The second , poem , entitled " Vivien , " which is by far the shortest , is the story of the false and heartless damsel who makes love to the old sage Merlin , in the " wild woods of Broceliaude , " and extracts from him the knowledge of a charm " of woven paces and of waving hands , " ivhich she henceforth puts in force against her teacher , and binds him in a hollow oak , " as dead , and lost to life , and use , and name , and fame , for ever , " and then

sends him to sleep ivith it , crying , " I have made his glory mine . " It is to this part of the book , and the two following poems , that objection have been taken , these three treating more or less of an impure attachment ; and it was to have been wished that Mr . Tennyson had chosen some purer theme where lords and ladies , knights and squires , could have moved ivithout a back ground of vice . Rut the subject once chosen , there is no room for

findingfault with the Poet Laureate ' s treatment of it . He does not linger in the unwholesome air , or dwell unnecessarily on the evil which his story presupposes . Dismissing this , the only fault of magnitude , wc quote : —

"VIVIEN ' S SOXG . " In love , if lovo be love , if love be ours , Faith and unfaith can ne ' er be equal powers : Unfaith in aught is want of faith iu all . ' ' It is the little rift within the lute , That by ancl by will make the music mute , And ever widening slowly silence all .

' The little rift within the lover ' s lute , Or little pitted speck iu garnoi- 'd fruit , That rotting inward slowly moulders all . " It is not worth the keeping ; let it go ; Hut shall it ? Answer , darling , answer no . And trust nie not at all , or all in all . " In the same poemwhen Vivien teases the grey enchanter for a

, sig ht of the book containing the potent charm she is desirous of possessing , there occurs the following simile : — " Smiling as a master smiles ou one That is not of his school , nor any school But that where blind and naked Ignorance Delivers brawling judgments , unashamed , On all things all day long , he answered her . "

" Elaine" loves Sir Lancelot , who goes to king Arthur ' s diamond tourney in disguise ; and when he has gone she dies of a broken heart , ancl floats dead down the stream to the palace of the queen , in time to clear up a jealous quarrel between the latter ancl Sir Lancelot . "Guinevre" is simply the story of the discovery ofthe love between the queen and Sir Lancelot , the queen ' s flight to Almesbury , the king ' s reproof unci forgiveness , and her departure ' ¦ ' 'To where , beyond these vices , there is peace . "

“The Freemasons' Monthly Magazine: 1859-08-06, Page 13” Masonic Periodicals Online, Library and Museum of Freemasonry, 15 July 2025, django:8000/periodicals/mmr/issues/mmr_06081859/page/13/.
  • List
  • Grid
Title Category Page
CLASSICAL THEOLOGY. APOLLO AND MAY. Article 1
THE FAMILY OF THE GUNS. Article 4
THE WORK OF IRON, IN NATUREART, AND POLICY. Article 6
Poetry. Article 9
CLEVELAND. Article 9
BONNY MAY. Article 9
OUR ARCHITECTURAL CHAPTER. Article 10
MASONIC NOTES AND QUERIES. Article 11
REVIEWS OF NEW BOOKS. Article 13
THE MASONIC MIRROR. Article 15
METROPOLITAN. Article 15
PROVINCIAL. Article 16
ROYAL ARCH. Article 17
COLONIAL. Article 18
THE WEEK. Article 18
PUBLIC AMUSEMENTS. Article 20
Obituary. Article 20
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Reviews Of New Books.

REVIEWS OF NEW BOOKS .

Idylls of the Kimj . B y ALFKED TENNYSON , D . C . L ., Poet Laureate . Svo . Moxon and Co . ( 2 G 0 pp . ) It has long been a matter of notoriety , in literary circles , that Mr . Tennyson hacl fixed on the legend of King Arthur as the subject for a long poem . With that view the laureate has visited numerous localities identified with the legendary history , has

carefully gone over many ancient histories of the wizard Alerlin , the King Arthur , and the Knights of the Round 'fable , ancl that portions of the poem had been placed in the printer ' s hands , proofs revised and corrected , many of ivhich had been cancelled , and others entirely re-written , ancl that the work was ready for the press a year ago , but from some unaccountable cause held back . Rumour haslioweverstepped in ancl supplied the reason

, , , which is said to be , that when the author was about to print the book—or even after it hacl heen sent to press—some friend to whom it was submitted expressed an opinion that the Idyll " Vivien " ivas unfit for publication . This view made the poet nervous and apprehensive , and so disgusted him that there was reason to suppose the work ivould never see the light . Time

and reflection , together with the opinions of others who saw the objectionable portion in another li ght , at last prevailed , ancl Mr . Tennyson finally sent the book to press , ancl it has at last appeared with many beauties and some imperfections on its head . The volume before us is divided into four poems , with a thread of connection between them ; these poems hear the names of "Enid , " "Vivien , " "Elaine , " aud " G-uincvre . " In this arrangement it is

obvious that the poet lacks the concentration and sustained power requisite for telling a long story , and it costs him a manifest effort to keep up the stately march requisite for the effect of an epic of a hundred lines . There is too a want of rugged grandeur in the verse when dealing with a subject as large and wonderful as Stonehenge ; for our author revels most when an opportunity oilers itself to run off into liquid warblingssuch as the three love songs in the Idlls .

, y The verse is excellent , and bears more of the stateliness and " retarding art , " belonging to the highest Avalks of poesy , than any other production of Mr . Tennyson's muse ; but there is a sweetness that closely verges on the cloying , ancl a want of strength ivhich should have been displayed when dealing ivith the rude and massive stories of the Round Table .

In the poem entitled "Enid" we have the story of Gcraint ' s courtship and his union with her , briefly told . Iu his fear that a taint may attach itself to the purity of her heart , from court scandals which arc rife about Sir Lancelot and Queen Guinevrc , she is removed to his country home , where they give themselves up to the happiness of wedded love . After a time his vassals and retainers murmur that the brave kni ght has tied up his valour in

his wife's fair locks , ancl ask when he means to abandon his silken dalliance and lead them forth as of old' ? Enid hears this and grieves for her lord ' s name and fame ; and , whilst he one day appears to he sleeping on his couch , she reproaches herself with keeping him from martial glory and knightl y deeds , and he overhears her say" 0 me , I fear me I am no true wife , "

an ejaculation which he , of course , misconstrues . Thereupon he calls for his horse ancl arms , and in rough dudgeon sets out to seek adventure , with Enid equiped as his squire . He treats her coldly ancl unkindly , but she returns good for evil till an accident clears up his doubts of her love ; he makes friends again , ancl they live and love peaceably to the end of their clays . From this part of the poem we quote the song Gemini hears her sing ' uv when he falls in love Avith her : —

' ENID s SOXG . " Turn fortune , turn thy wheel and lower the proud ; Turn thy wheel thro' sunshine , storm , and cloud : Thy wheel and thee we neither love nor hate . " Turn , fortune , turn thy wheel with smile or frown ; With that wild wheel we go not up nor clown ; Our hoard is little , but our hearts are great .

^ " Smile , and ive smile , the lords of many lands ; Frown and we smile , the lords of our own hands ; Vor man is man and master of his fate . " Turn , turn thy wheel above the staring crowd ; Thy wheel and thou are shadows in the cloud ; Thy wheel and thee we neither love nor hate . " Our poet gives us an cxcpiisite touch of nature—of that most mysterious kind of all—woman ' s nature , conveying a lesson to mm , when dealing with a susceptibility that he cu ' ujiot understand

yet often acknowledges . When Geraint has been disabused from the inference he had drawn , and satisfied of the possession of the entire love of Enid , and when only an assurance from her is needed , to set his mind at rest : — " And Enid could not say one tender word She felt so blunt and stupid at the heart . "

The question Avill naturally arise , which of us have not , at times , misunderstood the silence of our dearest friend , who was merely " blunt and stupid at the heart , " from excess of emotion ? In some of Sir . Tennyson ' s imagery there are yet far-fetched allusions , take , for instance : — " Arms on ivhich the standing muscle sloped , - j As slopes a wild brook o ' er a little stone ,

Running too vehemently to break upon it . " In this , the contour of a muscle , which is stretched across a bone , is not , to the eye , so obviously like the curve of a rippling brook . In another instance ive can detect the figure of Geraint riding into the court-yard of the castle , where" His charger trampling many a ] 3 i-ickly star Of sprouted thistle on the broken stones , "

Aiid it is also very appropriately -said of a woman ' s dress : — " How fresh the colours look , How fast they hold , like colours of a shell That keeps the wear and polish of the wave . " In another place we are told how a loi'er meets the lad y of his loA'e : —

" And glancing all at once as keenly at her , As careful robins eye the delver ' s toil , Made her cheek burn and either eyelid fall , But rested with her sweet face satisfied . "

The second , poem , entitled " Vivien , " which is by far the shortest , is the story of the false and heartless damsel who makes love to the old sage Merlin , in the " wild woods of Broceliaude , " and extracts from him the knowledge of a charm " of woven paces and of waving hands , " ivhich she henceforth puts in force against her teacher , and binds him in a hollow oak , " as dead , and lost to life , and use , and name , and fame , for ever , " and then

sends him to sleep ivith it , crying , " I have made his glory mine . " It is to this part of the book , and the two following poems , that objection have been taken , these three treating more or less of an impure attachment ; and it was to have been wished that Mr . Tennyson had chosen some purer theme where lords and ladies , knights and squires , could have moved ivithout a back ground of vice . Rut the subject once chosen , there is no room for

findingfault with the Poet Laureate ' s treatment of it . He does not linger in the unwholesome air , or dwell unnecessarily on the evil which his story presupposes . Dismissing this , the only fault of magnitude , wc quote : —

"VIVIEN ' S SOXG . " In love , if lovo be love , if love be ours , Faith and unfaith can ne ' er be equal powers : Unfaith in aught is want of faith iu all . ' ' It is the little rift within the lute , That by ancl by will make the music mute , And ever widening slowly silence all .

' The little rift within the lover ' s lute , Or little pitted speck iu garnoi- 'd fruit , That rotting inward slowly moulders all . " It is not worth the keeping ; let it go ; Hut shall it ? Answer , darling , answer no . And trust nie not at all , or all in all . " In the same poemwhen Vivien teases the grey enchanter for a

, sig ht of the book containing the potent charm she is desirous of possessing , there occurs the following simile : — " Smiling as a master smiles ou one That is not of his school , nor any school But that where blind and naked Ignorance Delivers brawling judgments , unashamed , On all things all day long , he answered her . "

" Elaine" loves Sir Lancelot , who goes to king Arthur ' s diamond tourney in disguise ; and when he has gone she dies of a broken heart , ancl floats dead down the stream to the palace of the queen , in time to clear up a jealous quarrel between the latter ancl Sir Lancelot . "Guinevre" is simply the story of the discovery ofthe love between the queen and Sir Lancelot , the queen ' s flight to Almesbury , the king ' s reproof unci forgiveness , and her departure ' ¦ ' 'To where , beyond these vices , there is peace . "

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