Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Freemasons' Monthly Magazine
  • May 11, 1859
  • Page 47
  • THE WEEK.
Current:

The Freemasons' Monthly Magazine, May 11, 1859: Page 47

  • Back to The Freemasons' Monthly Magazine, May 11, 1859
  • Print image
  • Articles/Ads
    Article THE WEEK. ← Page 5 of 5
Page 47

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Week.

tho re-appearance of Madamo Orisi , who from the time that she assumed tho character of Valentine , made it her own . She appears as rich iu all the precious gifts of nature and art , as she was ten years ago . She was welcomed with even a warmer greeting than she usually receives at tho beginning of every season . Applause , loud and long , thundered from every corner of the crowded theatre . Mario is as groat in the character of Raonl as Grisi is in that of Valentine . The scene wheretearing himself from her armshe throws himself

, , among the weapons of the murderers , is one which few can witness without a throbbing heart ; it is one of the greatest triumphs of the dramatic art , The other principal characters had thoir usual representatives , whose merits are well known . Zelger was Marcel ; Marai , the Queen of Navarre ; Tagliaftco , the Count de Nevers ; and Polonini , St . Bris . The inisc en scene was as splendid , the choruses as graud , and the orchestra as superb , as when the opera w-as first produced upon the Covent-garden stageThe of -Mario as II Dnca in Verdi ' s

. reappearance " Rigolctto , " demands notice but not criticism . Mario is umm ' stakeably what he was ; to re-examine , therefore , his impersonation , or to reiterate tho praises that have been lavished on him annually , lor time out of mind , would be simply vain and vexatious . Madame Lotti Santa , young , charming and tuneful though she be , has a long course before her ere she achieve renown in a part like Gilda , so interwoven with the memory of Madame Bosio . The Maddalena of the present castMileNantier Dididois in of

, . , every way an adequate representative the part , and the Bigalelto of Boneoni has lost none of its excellence . ——At Drury Lane Theatre on Tuesday , Madame Titens , tho soprano of tho day , beyond all question , positively electrified the crowd of her enthusiastic admirers who mustered to welcome hev in " Lucrezia Borgia . " Signor Giuglini , unscathed as yet , it seems ; by the severity of our fearful spring , which has of late pierced the tripleflannelled chests of the Great Britons , sang as finely as ever , in Gennaro . His Di Pescatore was faultless , and , with the gifted heroine of the evening , he was

rapturously encored in the poison scene duo . M . Guarducci played Maffeo Orsini , and Signor Badiali made a very satisfactory Buhe Alfonso . On Wednesday Miss Victoire Balfe made her second essay in Lucia di Lammermoor . The music is very well adapted to the young lady ' s means , and altogether her performance of the helpless Lucy is more satisfactory than that of Amina . Mademoiselle Balfo is more capable of filling Madame Persiani ' s repertoire than Malibran ' s , as may be easily imagined . Signor Mongini having entirely got rid of his cold , appeared as Fdgardo , and

exhibited a voice of almost unparalled power and grandeur . That he is so finished au artist as Mario or Guiglini , however , we take leave to doubt . At the Hay . market and Princess ' s Theatres we have no change in the performances to chronicle . The " World and the Stage" at the former , and the "Henry the Fifth "at the latter house appear to possess as great attractions now as at the beginning of the Easter season ; and at both establishments wo trust the managers are reaping a golden harvest from the liberal outlay bestowed on the production of the holiday

entertainments ; if that is not too derogatory a tone in which to speak of the Haymarket comedy and of Shakspeare at the Princess ' s . Tho Adelphi continues to alternate "The Serious Family" with "Masks and Faces" with great success , which is , wc presume , the reason why no new first piece has beeu produced . " Ici on Parle Francais , " a new farce enacted on Monday is of the actively funny school , full of very improbable but mirth-provoking situations , which had the desired effect of bringing down shouts of laughter , under the able handling of Messrs .

Charles Selby and J . L . Toole , who played the principal characters . Mr . Billington sustained the part of a young Frenchman , but forgot to preserve the accent with the costume aud make-up which he had adopted . " Nine Points of the Law , " thanks to the charming anting of Mrs . Stirling , is likely to have a very long nm at the Olympic , where the " Porter ' s Knot" is still as well received as ever . Mr . Robson is again playing Jacob Earwig in "Boots at the Swan , " at which impersonation his audiences nightly laugh as heartily as if they never had witnessed this laughter-provoking piece before *

“The Freemasons' Monthly Magazine: 1859-05-11, Page 47” Masonic Periodicals Online, Library and Museum of Freemasonry, 1 June 2025, django:8000/periodicals/mmr/issues/mmr_11051859/page/47/.
  • List
  • Grid
Title Category Page
MASONIC MISSIONS. Article 1
OUR ARCHITECTURAL CHAPTER. Article 4
MODERN WRITERS UPON FREEMASONRY.—III. Article 8
THE HIGH DEGREES. Article 15
REVIEWS OF NEW BOOKS. Article 16
REVIEWS OF NEW MUSIC. Article 23
CORRESPONDENCE. Article 24
TO THE EDITOR OF THE FREEMASONS' MAGAZINE AND MASONIC MIRROR. Article 24
MASONIC ANTIQUITIES. Article 26
WHERE ARE YOU GOIING? Article 27
THE NEW GRAND OFFICERS. Article 29
THE MASONIC MIRROR. Article 31
PROVINCIAL. Article 35
ROYAL ARCH. Article 39
MASONIC FESTIVITIES. Article 42
THE WEEK. Article 43
Obituary. Article 48
NOTICES. Article 48
TO CORRESPONDENTS. Article 48
Page 1

Page 1

1 Article
Page 2

Page 2

1 Article
Page 3

Page 3

1 Article
Page 4

Page 4

1 Article
Page 5

Page 5

1 Article
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

1 Article
Page 9

Page 9

1 Article
Page 10

Page 10

1 Article
Page 11

Page 11

1 Article
Page 12

Page 12

1 Article
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

1 Article
Page 16

Page 16

2 Articles
Page 17

Page 17

1 Article
Page 18

Page 18

1 Article
Page 19

Page 19

1 Article
Page 20

Page 20

1 Article
Page 21

Page 21

1 Article
Page 22

Page 22

1 Article
Page 23

Page 23

2 Articles
Page 24

Page 24

2 Articles
Page 25

Page 25

1 Article
Page 26

Page 26

2 Articles
Page 27

Page 27

2 Articles
Page 28

Page 28

1 Article
Page 29

Page 29

2 Articles
Page 30

Page 30

1 Article
Page 31

Page 31

1 Article
Page 32

Page 32

1 Article
Page 33

Page 33

1 Article
Page 34

Page 34

1 Article
Page 35

Page 35

2 Articles
Page 36

Page 36

1 Article
Page 37

Page 37

1 Article
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

2 Articles
Page 43

Page 43

1 Article
Page 44

Page 44

1 Article
Page 45

Page 45

1 Article
Page 46

Page 46

1 Article
Page 47

Page 47

1 Article
Page 48

Page 48

3 Articles
Page 47

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Week.

tho re-appearance of Madamo Orisi , who from the time that she assumed tho character of Valentine , made it her own . She appears as rich iu all the precious gifts of nature and art , as she was ten years ago . She was welcomed with even a warmer greeting than she usually receives at tho beginning of every season . Applause , loud and long , thundered from every corner of the crowded theatre . Mario is as groat in the character of Raonl as Grisi is in that of Valentine . The scene wheretearing himself from her armshe throws himself

, , among the weapons of the murderers , is one which few can witness without a throbbing heart ; it is one of the greatest triumphs of the dramatic art , The other principal characters had thoir usual representatives , whose merits are well known . Zelger was Marcel ; Marai , the Queen of Navarre ; Tagliaftco , the Count de Nevers ; and Polonini , St . Bris . The inisc en scene was as splendid , the choruses as graud , and the orchestra as superb , as when the opera w-as first produced upon the Covent-garden stageThe of -Mario as II Dnca in Verdi ' s

. reappearance " Rigolctto , " demands notice but not criticism . Mario is umm ' stakeably what he was ; to re-examine , therefore , his impersonation , or to reiterate tho praises that have been lavished on him annually , lor time out of mind , would be simply vain and vexatious . Madame Lotti Santa , young , charming and tuneful though she be , has a long course before her ere she achieve renown in a part like Gilda , so interwoven with the memory of Madame Bosio . The Maddalena of the present castMileNantier Dididois in of

, . , every way an adequate representative the part , and the Bigalelto of Boneoni has lost none of its excellence . ——At Drury Lane Theatre on Tuesday , Madame Titens , tho soprano of tho day , beyond all question , positively electrified the crowd of her enthusiastic admirers who mustered to welcome hev in " Lucrezia Borgia . " Signor Giuglini , unscathed as yet , it seems ; by the severity of our fearful spring , which has of late pierced the tripleflannelled chests of the Great Britons , sang as finely as ever , in Gennaro . His Di Pescatore was faultless , and , with the gifted heroine of the evening , he was

rapturously encored in the poison scene duo . M . Guarducci played Maffeo Orsini , and Signor Badiali made a very satisfactory Buhe Alfonso . On Wednesday Miss Victoire Balfe made her second essay in Lucia di Lammermoor . The music is very well adapted to the young lady ' s means , and altogether her performance of the helpless Lucy is more satisfactory than that of Amina . Mademoiselle Balfo is more capable of filling Madame Persiani ' s repertoire than Malibran ' s , as may be easily imagined . Signor Mongini having entirely got rid of his cold , appeared as Fdgardo , and

exhibited a voice of almost unparalled power and grandeur . That he is so finished au artist as Mario or Guiglini , however , we take leave to doubt . At the Hay . market and Princess ' s Theatres we have no change in the performances to chronicle . The " World and the Stage" at the former , and the "Henry the Fifth "at the latter house appear to possess as great attractions now as at the beginning of the Easter season ; and at both establishments wo trust the managers are reaping a golden harvest from the liberal outlay bestowed on the production of the holiday

entertainments ; if that is not too derogatory a tone in which to speak of the Haymarket comedy and of Shakspeare at the Princess ' s . Tho Adelphi continues to alternate "The Serious Family" with "Masks and Faces" with great success , which is , wc presume , the reason why no new first piece has beeu produced . " Ici on Parle Francais , " a new farce enacted on Monday is of the actively funny school , full of very improbable but mirth-provoking situations , which had the desired effect of bringing down shouts of laughter , under the able handling of Messrs .

Charles Selby and J . L . Toole , who played the principal characters . Mr . Billington sustained the part of a young Frenchman , but forgot to preserve the accent with the costume aud make-up which he had adopted . " Nine Points of the Law , " thanks to the charming anting of Mrs . Stirling , is likely to have a very long nm at the Olympic , where the " Porter ' s Knot" is still as well received as ever . Mr . Robson is again playing Jacob Earwig in "Boots at the Swan , " at which impersonation his audiences nightly laugh as heartily as if they never had witnessed this laughter-provoking piece before *

  • Prev page
  • 1
  • 46
  • You're on page47
  • 48
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy