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  • Dec. 21, 1861
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The Freemasons' Monthly Magazine, Dec. 21, 1861: Page 11

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    Article NOTES ON LITERATURE, SCIENCE, AND ART. ← Page 2 of 3 →
Page 11

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Notes On Literature, Science, And Art.

tion and contented from experience and reason , is exploded . The notion that the mass of the people are the sources of the national wealth merely as beasts of burden—that the nation has no interest in their intelligence , inventive capacity , morality , and fitness for the duties of freemen and citizens—is a doctrine which would find no advocates . . . . Why , then , is education to be discouraged by regulations Avhich cut oft' all aid to children under seven and after

eleven years of age ? Why are the annual grants to be reduced two-fifths at one MOAV ? Why are the stipends , training , and qualifications of schoolmasters to be loivered ? Why is instruction in the school to be mainly concentrated on the three lower elements ? Why should national education be thus degraded to a mere drill in mechanical skill in reading , writing , and arithmetic ? "

Mr . Foley , R . A ., has accepted the commission for the bronze statue of the late John Pielden , Esq ., M . P ., about to be erected at Todmoiden by the friends oftlie Ten Hours' Bill . Dr . Ballantyne , late principal of the Sanscrit College at Benares , has been elected professor of Sanscrit , at King's College , London . The Builder informs us , that Professor Grace Calvert , of

Manchester , " is IIOAV making an inA'estiga ' . ion , for the Admiralty , of different kinds of AA ' OOCI used in shipbuilding ; " and our contemporary adds : — "He finds the goodness of teak to consist in the fact that it is highly charged Avith caoutchouc ; and that , if all the tannin be soaked out of a block of oak , it may be inter-penetrated by a solution of caoutchouc , and thereby rendered as lasting as teak . "

Mr . William Lockhart , F . R . C . S ., P . RG . S ., ancl for twenty years a medical missionary in China , thus describes a Chinese bath , the ¦ charge for which is equal to an English farthing : — "At the front of the house is a large hall fitted Avith boxes and compartments , where the visitors place their clothes under the care of a keeper , ¦ who supplies the bather with a clean towl , and is responsible for his property ivhile he is absent in the bath . A from this

passage hall leads to the bathing apartment , ivhich is a small room , taken up , for the greater part , by a large water-trough about a foot in depth , made of tiles or slabs of AA'hite marble . Through the floor of this tiled trough , tivo or three circular holes are made , into which iron boilers are placed , having their edges thoroughly cemented . When the trough is filled Avith Avater , a fire is lighted under the boilers in the fireplace AA'hich has been built for the

purpose , and the water is soon heated . The bathers sit on planks placed across the trough , aud Avash themselves in the steam . A teacher of mine who Avas one day enjoying his bath after this fashion , slipped off the plank into the Avater , and AA'as severely ¦ scalded ., The water is usually changed only once , but in some establishments twice , in the day—a circumstance which , though repulsive to the habits of Europeans , does not affect the Chinese , who enjoy their bath with quite as much relish in the evening as earlier in the day , when the water is fresh and clean . "

"Artists , " says the London Review , " will be glad to learn that a new and important yelloAv pigment has just been introduced under the name of aureolin , which vv ill be found to be a most valuable addendum to the palette . It is a splendid yelloAv colour cf rich and brilliant hue , and possesses the invaluable and lon ° - sought for combination of qualities—brilliancy , permanency , and transparency . Its tints are very pure in tone , the lighter ones

"being extremely delicate and clear . To scientific men it is of interest , as being a nearer approach to the pure colour of the solar spectrum than any other knoAA-n yelloAv . Aureolin mixes well AA * ith all other colours , forming with blues a magnificent range of brilliant greens ; and by the side of ultramarine and madder-red , it completes a triad of brilliant , permanent , and transparent primitive ¦ colours . It is absolutely permanent , being equally unaffected by long-continued exposure to the sun ' s rays or to the action of the impure gases ivhich may contaminate the atmosphere . "

Mrs . Thomson , in her new book , Celebrated Friendships , has the folloAving notice of Samuel Taylor Coleridge , after he had " married ¦ upon literature" in the fine old church of St . Mary Redcliffe , at Bristol : — " He still raved about ' Susquehanna ! ' yet found the Clevedon cottage Avith little furniture , at first , very far from comfortable . ' Send me doivn , ' he wrote to Cottle , ' with all despatch—A riddle slicea candle boxtivo ventilatorsIAA ' lasses for the

, , , g wash-hand stand , one tin dustpan , one small tin tea-kettle , one pair of candlesticks , one carpet brush , one flour dredge , three tin extinguishers , tivo mats , a pair of slippers , a cheese toaster , tivo large tin spoons , a bible , a keg of porter , coffee , raisins , currants , catchup , ¦ nutmegs , allspice , cinnamon , rice , ginger , and mace . ' The kind Joseph Cottle instantly complied with his request , and Avent doAvn

the next day to see the couple . The house , or cottage , was at the extremity of the village ; it Avas only one storey high ; the draAving-room , looking into a pretty floAver garden , ivas only whitewashed ; but Joseph sent down an upholsterer the very next day , and had it papered with a ' sprightly paper . ' The rent of this dwelling was onl y five pounds a-year ; so Coleridge delihted in saying that bmounting his Pegasus only for a week

g y , he could pay the ivhole rent for the year . At first , the poet and his bride were enchanted Avith their home ; but Coleridge soon found that he Avas too far from Bristol for society—out of the way . They removed to Bristol , but aftenvards accepted an invitation to visit a friend , Mr . S . Poole , of StoAvey , in Somersetshire , where they remained some time . " Her idea that the bad fare of the Blue Coat

School helped much to cause Coleridge ' s evil habit of opium eating is a charitable one , and perhaps correct : — " No Avonder full half Coleridge ' s time from seventeen to eighteen Avas passed in the sick ward of Christ ' s Hospital , ill of rheumatic fever and jaundice ; no wonder that the stomach became delicate , and the Avhole frame enervated and often miserable . Let those who blame Coleridge's agelook at his youth . When Edivard VI . founded Christ ' s

Hos-, pital , he gave it the space upon which the convent of Grey Friars stood—precincts of some extent ; open fields , kept jealously so by the city , were on one side—a placid country beyond . Never could the gentle monarch have anticipated that in the midst of smoke , noise , carts , omnibuses , to say nothing of narroiv streets , vice , and dirt , the ' fatherless children' would have been allowed still to continue .

' I do not shame to say , tbe Hospital Of London ivas my chieftest fostering place . ' Then , perhaps , the friends Avent over Colerige ' s college life ; IIOAV he fell into debt at Jesus College , Cambridge ; a debt c ollegians Avould think but little of noAA * , —for £ 100 ; owing to imprudently letting an upholsterer furnish his rooms ; IIOAV , being a freshman , and sport for othersa little bit of the tail of his goivn . ivas cut

, off so frequently , that at last it came into the form of a spencer . HOAV the Master of Jesus College called after him in the Quad ., 'Mr . Coleridge , Mr . Coleridge , Avhen will you get rid of that shameful gown ? ' Coleridge , looking round at its diminished skirts , ansAvered courteously , ' Why , Sir , I think I have got rid of the greatest part of it already . ' HOAV revolutionary , IIOAV Socinian he had been till tAventy-five ; IIOAV proud' proud as a Grecianto

, , speak as a Blue-coat boy , ' when in companionship with Butler ( afterAvards of Shrewsbury ) , Keats ( of Eton ) , Bethell , Bishop of Bangor , he Avas selected ont of eighteen men to stand for the Craven Scholarship—Dr . Butler getting it . HOAV he gave up college , perhaps not unfortunately , for

' There is a Providence Avhich shapes our ends , Rough-heAV them how we will . ' Yet he looked back Av-iqli delight 'to the friendly cloisters , and the happy grove of quiet , ever honoured Jesus College . ' ' What evenings , ' a college friend of his wrote , ' hai-e I not spent AA'ith , him there . '" Mr . Walter Thornbury , in his Life of I . 31 . W . Turner , R . A .,

thus describes the artist ' s three periods : — " In his first period , the pictures are notable for a grey or broAvn colour , and for a sometimes heavy touch . Turner is more anxious for form than colour ; the colours are simple and few , and laid on unskilfully . His colour was sober because lie was studying sober-coloured landscapes , and as the touch of them w-as heaA-y , so Avas his touch ; but he imitated Avithout copying . He did not copy

Vandervelde , but went to the sea and painted it in the Vandervelde way ; so that by degrees he learnt to paint truer than Vandervelde . Second Period . — In 1823 came his 'Bay of Baiai , ' AA'hich SIIOAVS a change to the second period . The chief characteristics of this period are colour instead of grey , refinement instead of force , quantity instead of mass . His light is now * as near the brightness of real liht as possible ; his shadownot of one colourbut

g , , of various colours . He tries IIOAV for delicacy and tenderness of contrast instead of violence . He also finds that no one had yet given the quantity of nature . The draAvings of this period , AA'hen not painted for display , are ' faultless and magnificent . ' The splendour and gladness of the ivorld , not its humiliation and pain , are now his chief object . Third Period . —There is less mechanical effortless pride in new discoveriesand less ambitious accumulation

, , , more deep imaginative delight and quiet love of nature . Sometimes in defiance of critics , conscious of poiA-er , he painted onl y to astonish . The figures are chalky in the face , and scarlet in the reflected lights . After 1840 no more foliage is well unrated , and it rarely occurs in any prominent mass . " Aud ive are told : " Soon after Turner first ivent to Solus Lodge , at Twickenham , his

“The Freemasons' Monthly Magazine: 1861-12-21, Page 11” Masonic Periodicals Online, Library and Museum of Freemasonry, 21 June 2025, django:8000/periodicals/mmr/issues/mmr_21121861/page/11/.
  • List
  • Grid
Title Category Page
A NATION'S LOSS. Article 1
THE GRAND CONCLAVE. Article 4
THE BRAHMINS AND ROYAL ARCHMASONRY. Article 4
MASON MARKS IN EGYPT. Article 6
ARCHITECTURE AND ARCHÆOLOGY. Article 7
MASONIC NOTES AND QUERIES. Article 8
Literature. Article 9
NOTES ON LITERATURE, SCIENCE, AND ART. Article 10
CORRESPONDENCE. Article 12
THE EMULATION LODGE OF IMPROVEMENT. Article 12
ELECTION OF MASTER. Article 12
THE MASONIC MIRROR. Article 13
METROPOLITAN. Article 13
PROVINCIAL. Article 14
CHANNEL ISLANDS. Article 16
SCOTLAND. Article 16
IRELAND. Article 17
AMERICA. Article 17
ANCIENT AND ACCEPTED RITE. Article 18
MARK MASONRY. Article 18
PUBLIC AMUSEMENTS. Article 18
THE WEEK. Article 19
SPECIAL NOTICE. Article 20
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Notes On Literature, Science, And Art.

tion and contented from experience and reason , is exploded . The notion that the mass of the people are the sources of the national wealth merely as beasts of burden—that the nation has no interest in their intelligence , inventive capacity , morality , and fitness for the duties of freemen and citizens—is a doctrine which would find no advocates . . . . Why , then , is education to be discouraged by regulations Avhich cut oft' all aid to children under seven and after

eleven years of age ? Why are the annual grants to be reduced two-fifths at one MOAV ? Why are the stipends , training , and qualifications of schoolmasters to be loivered ? Why is instruction in the school to be mainly concentrated on the three lower elements ? Why should national education be thus degraded to a mere drill in mechanical skill in reading , writing , and arithmetic ? "

Mr . Foley , R . A ., has accepted the commission for the bronze statue of the late John Pielden , Esq ., M . P ., about to be erected at Todmoiden by the friends oftlie Ten Hours' Bill . Dr . Ballantyne , late principal of the Sanscrit College at Benares , has been elected professor of Sanscrit , at King's College , London . The Builder informs us , that Professor Grace Calvert , of

Manchester , " is IIOAV making an inA'estiga ' . ion , for the Admiralty , of different kinds of AA ' OOCI used in shipbuilding ; " and our contemporary adds : — "He finds the goodness of teak to consist in the fact that it is highly charged Avith caoutchouc ; and that , if all the tannin be soaked out of a block of oak , it may be inter-penetrated by a solution of caoutchouc , and thereby rendered as lasting as teak . "

Mr . William Lockhart , F . R . C . S ., P . RG . S ., ancl for twenty years a medical missionary in China , thus describes a Chinese bath , the ¦ charge for which is equal to an English farthing : — "At the front of the house is a large hall fitted Avith boxes and compartments , where the visitors place their clothes under the care of a keeper , ¦ who supplies the bather with a clean towl , and is responsible for his property ivhile he is absent in the bath . A from this

passage hall leads to the bathing apartment , ivhich is a small room , taken up , for the greater part , by a large water-trough about a foot in depth , made of tiles or slabs of AA'hite marble . Through the floor of this tiled trough , tivo or three circular holes are made , into which iron boilers are placed , having their edges thoroughly cemented . When the trough is filled Avith Avater , a fire is lighted under the boilers in the fireplace AA'hich has been built for the

purpose , and the water is soon heated . The bathers sit on planks placed across the trough , aud Avash themselves in the steam . A teacher of mine who Avas one day enjoying his bath after this fashion , slipped off the plank into the Avater , and AA'as severely ¦ scalded ., The water is usually changed only once , but in some establishments twice , in the day—a circumstance which , though repulsive to the habits of Europeans , does not affect the Chinese , who enjoy their bath with quite as much relish in the evening as earlier in the day , when the water is fresh and clean . "

"Artists , " says the London Review , " will be glad to learn that a new and important yelloAv pigment has just been introduced under the name of aureolin , which vv ill be found to be a most valuable addendum to the palette . It is a splendid yelloAv colour cf rich and brilliant hue , and possesses the invaluable and lon ° - sought for combination of qualities—brilliancy , permanency , and transparency . Its tints are very pure in tone , the lighter ones

"being extremely delicate and clear . To scientific men it is of interest , as being a nearer approach to the pure colour of the solar spectrum than any other knoAA-n yelloAv . Aureolin mixes well AA * ith all other colours , forming with blues a magnificent range of brilliant greens ; and by the side of ultramarine and madder-red , it completes a triad of brilliant , permanent , and transparent primitive ¦ colours . It is absolutely permanent , being equally unaffected by long-continued exposure to the sun ' s rays or to the action of the impure gases ivhich may contaminate the atmosphere . "

Mrs . Thomson , in her new book , Celebrated Friendships , has the folloAving notice of Samuel Taylor Coleridge , after he had " married ¦ upon literature" in the fine old church of St . Mary Redcliffe , at Bristol : — " He still raved about ' Susquehanna ! ' yet found the Clevedon cottage Avith little furniture , at first , very far from comfortable . ' Send me doivn , ' he wrote to Cottle , ' with all despatch—A riddle slicea candle boxtivo ventilatorsIAA ' lasses for the

, , , g wash-hand stand , one tin dustpan , one small tin tea-kettle , one pair of candlesticks , one carpet brush , one flour dredge , three tin extinguishers , tivo mats , a pair of slippers , a cheese toaster , tivo large tin spoons , a bible , a keg of porter , coffee , raisins , currants , catchup , ¦ nutmegs , allspice , cinnamon , rice , ginger , and mace . ' The kind Joseph Cottle instantly complied with his request , and Avent doAvn

the next day to see the couple . The house , or cottage , was at the extremity of the village ; it Avas only one storey high ; the draAving-room , looking into a pretty floAver garden , ivas only whitewashed ; but Joseph sent down an upholsterer the very next day , and had it papered with a ' sprightly paper . ' The rent of this dwelling was onl y five pounds a-year ; so Coleridge delihted in saying that bmounting his Pegasus only for a week

g y , he could pay the ivhole rent for the year . At first , the poet and his bride were enchanted Avith their home ; but Coleridge soon found that he Avas too far from Bristol for society—out of the way . They removed to Bristol , but aftenvards accepted an invitation to visit a friend , Mr . S . Poole , of StoAvey , in Somersetshire , where they remained some time . " Her idea that the bad fare of the Blue Coat

School helped much to cause Coleridge ' s evil habit of opium eating is a charitable one , and perhaps correct : — " No Avonder full half Coleridge ' s time from seventeen to eighteen Avas passed in the sick ward of Christ ' s Hospital , ill of rheumatic fever and jaundice ; no wonder that the stomach became delicate , and the Avhole frame enervated and often miserable . Let those who blame Coleridge's agelook at his youth . When Edivard VI . founded Christ ' s

Hos-, pital , he gave it the space upon which the convent of Grey Friars stood—precincts of some extent ; open fields , kept jealously so by the city , were on one side—a placid country beyond . Never could the gentle monarch have anticipated that in the midst of smoke , noise , carts , omnibuses , to say nothing of narroiv streets , vice , and dirt , the ' fatherless children' would have been allowed still to continue .

' I do not shame to say , tbe Hospital Of London ivas my chieftest fostering place . ' Then , perhaps , the friends Avent over Colerige ' s college life ; IIOAV he fell into debt at Jesus College , Cambridge ; a debt c ollegians Avould think but little of noAA * , —for £ 100 ; owing to imprudently letting an upholsterer furnish his rooms ; IIOAV , being a freshman , and sport for othersa little bit of the tail of his goivn . ivas cut

, off so frequently , that at last it came into the form of a spencer . HOAV the Master of Jesus College called after him in the Quad ., 'Mr . Coleridge , Mr . Coleridge , Avhen will you get rid of that shameful gown ? ' Coleridge , looking round at its diminished skirts , ansAvered courteously , ' Why , Sir , I think I have got rid of the greatest part of it already . ' HOAV revolutionary , IIOAV Socinian he had been till tAventy-five ; IIOAV proud' proud as a Grecianto

, , speak as a Blue-coat boy , ' when in companionship with Butler ( afterAvards of Shrewsbury ) , Keats ( of Eton ) , Bethell , Bishop of Bangor , he Avas selected ont of eighteen men to stand for the Craven Scholarship—Dr . Butler getting it . HOAV he gave up college , perhaps not unfortunately , for

' There is a Providence Avhich shapes our ends , Rough-heAV them how we will . ' Yet he looked back Av-iqli delight 'to the friendly cloisters , and the happy grove of quiet , ever honoured Jesus College . ' ' What evenings , ' a college friend of his wrote , ' hai-e I not spent AA'ith , him there . '" Mr . Walter Thornbury , in his Life of I . 31 . W . Turner , R . A .,

thus describes the artist ' s three periods : — " In his first period , the pictures are notable for a grey or broAvn colour , and for a sometimes heavy touch . Turner is more anxious for form than colour ; the colours are simple and few , and laid on unskilfully . His colour was sober because lie was studying sober-coloured landscapes , and as the touch of them w-as heaA-y , so Avas his touch ; but he imitated Avithout copying . He did not copy

Vandervelde , but went to the sea and painted it in the Vandervelde way ; so that by degrees he learnt to paint truer than Vandervelde . Second Period . — In 1823 came his 'Bay of Baiai , ' AA'hich SIIOAVS a change to the second period . The chief characteristics of this period are colour instead of grey , refinement instead of force , quantity instead of mass . His light is now * as near the brightness of real liht as possible ; his shadownot of one colourbut

g , , of various colours . He tries IIOAV for delicacy and tenderness of contrast instead of violence . He also finds that no one had yet given the quantity of nature . The draAvings of this period , AA'hen not painted for display , are ' faultless and magnificent . ' The splendour and gladness of the ivorld , not its humiliation and pain , are now his chief object . Third Period . —There is less mechanical effortless pride in new discoveriesand less ambitious accumulation

, , , more deep imaginative delight and quiet love of nature . Sometimes in defiance of critics , conscious of poiA-er , he painted onl y to astonish . The figures are chalky in the face , and scarlet in the reflected lights . After 1840 no more foliage is well unrated , and it rarely occurs in any prominent mass . " Aud ive are told : " Soon after Turner first ivent to Solus Lodge , at Twickenham , his

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