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  • Dec. 21, 1861
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The Freemasons' Monthly Magazine, Dec. 21, 1861: Page 5

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    Article THE BRAHMINS AND ROYAL ARCHMASONRY. ← Page 2 of 3 →
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The Brahmins And Royal Archmasonry.

triangles , one within the other , forming as it were a pyramid of triangles . The dais or petals are only eight in number , and named after the sun , moon , and the elements which form the chief subjects of tbe hymns of the Vedas . I found it difficult to ascertain from the Brahmin whom I consulted , any distinct account of the origin of this curious symbolhe affected a great mystery on the subjectand all

; , I could gather from him was that the two equilateral triangles intersecting one another in the Svi Jantra were emblems of the "L ' ingain" and "Yoni , " the "Bija" and "Bhag , " or the male and female principles of nature , and of the Deity who is the god of nature . The analogies derived from a consideration of the animal and vegetable kingdomspossiblled the Hindu

hiloso-, y p phers to conclude that the process of creation was due to the co-existence of these two principles in the divine nature . In H . J . Colebroke ' s translation of parts of the Veda , the following passages illustrate the idea : — " In the beginning there was no entity—nor entity— -no world or sky , nor aught above it . Death was not , nor immortality ; nor distinction -of day or night ; but that breathed without afflationsingle

, with her who is sustained with him . " Again in the Verihad Aranyaka , an TJpanishad , it is recorded "The Primeval Being saw nothing but himself in the . universe , and said , ' I am I . ' He felt not delight , being alone . He wished for another , and instantly became such . He caused himself to fall in twain , and thus became husband and wife . " In the ¦ Sama Veda it is stated that " the will to create co-existed

with the Deity as bis bride . " It is probably the female principle under the name of " Vach" ( translated speech or theword ) , which calls herself the universal soul . " Originating all beings , I pass like the breeze—I am above this heaven , beyond this earth , ancl what is the Great One , that am I . "

This duality of the Deity seems to bave been common to the primeval religions of Egypt and China , and probably of the intermediate regions of Asia . In the former , the Sun , under the name of the Osiris , was worshipped as the generator of all things , and the earth under the name of Is " is , as the great mother , who , under the vivifying rays of the sun , appeared to bring forth all animated beings , and all

vegetable nature . In the great Temple of Isis , under the veiled statue of the goddess , was inscribed the well-known sentence : — " I am what I hath been ; what is ; what shall be ; and no mortal hath ever lifted my veil . " In nearly the same words , in the " Kasi Khand , " it is said of the " Prakriti , " or "Nature , " "What is , thou art hi the Sakti form , and except thee nothing has ever been . " The necessity of

the co-operation of a female principle in creation was further recognised by assigning to each Deity a wife or sakti . Thus Prakriti is said to have assumed various forms—Dinga , the sakti of Siva ; Laksmi , of Vishnu ; Saraswati , of Brahma ; Radhii , of Krishna ; the Syrian goddess Astarte , and the Venus Genitrix of the Greeks and Romans , were alike the deifications of the same principle .

In China , instead of the double triangle , the same principles are typified by the " Tae Keigh , " a circle divided by a curved line into two equal parts ( vide Fig 9 ) , which represent the " Yang" and " Yin , " by which all things were produced . The heavens is "Yang" and the earth " Yin ; " the sun " Yang" and the moon " Yin ; " and so on through all nature—animalvegetableand mineral . All odd numbers

, , are male , aud all even female . This may he the reason why 3 is considered a holy number , being the union of 1 + 2 ; also the pentagon 3 + 2 ; the hexagon 3 + 3 , and 7 , being 4 + 3 , & c . The " Sing Moo , " or " Holy Mother , " is prob ably identical with Prakriti , Isis , and Astarte . In page 50 , vol . 8 , of the Asiatic Researches , Mr . R .

Patterson states that Siva is represented by an equilateral triangle , ivhich signifies the union in him of the three great attributes of creation , preservation , and destruction . This hieroglyphic , he adds , is inscribed on the "Kunibla Ghata , " or water jar , used by the worshippers of Siva , in conjunction with a similar triangle , which represents his wife or female energy . In vol . 3 , p . 365 , of the Asiatic

Researches , Major "Wilford says that "Vishnu" ( as the sun ) , and Prithivi ( the earth ) , are severally typified by an equilateral triangle , and conjointly , when their powers are supposed to be combined , by two such equal triangles intersecting each other . It seems evident , however , that whether under the name of Siva ancl DurgaVishnu and Prithivior Bhrama

, , and Prakriti , the same ideas are represented , viz .: —the fecundating principles of nature , or perhaps the universal vivifying spirit acting upon universal inert but conceptive matter , at one time typified by the double triangle , at another by the Lingam and Yoni . Each of these principles had its separate worshippers , who maintained the superior influence of their respective objects of veneration in the production

of nature . " This occasioned , " says Major Wilford , " not only a vehement religious contest , but even a bloody war between the followers of Yoni and Lingam . " He does not , however , give any authority for this transaction . It appears that the Buddhists have also a symbol consisting of triangles , but they are united at the points , instead of intersecting each other ( Fig . 7 ) .

In a learned work , by Le Noir , on tbe subject of Freemasonry , published at Paris in 1811 ; there is much curious information on the subject of the triangle . He states , that it represented the number 3 , which among the Jews and Egyptians was considered the number of perfection . It was also a symbol of the elements ancl of the sun , because the constellation of the triangle formerly rose with the sun when

the vernal equinox was at the point of Aries . Hence a triangle was placed in the hands of Isis , Osiris , and Orus , the Egyptian Trinity . It is stated that four Equilateral triangles were placed in the centre of their Zodiac , to represent the four elements : Fire , Air , Earth and "Water , of which the world was supposed to be created . The intersection of these four triangles formed a 12 pointed star in a circle . ( Vide Fig . 10 ) .

It is possible that the pyramids of G-kizeh , in Egypt , whose sides are formed by four equilateral triangles , were intended to be typical of the elements , as well as that of the sun . The angles being equilated are angles of sixty degrees , which corresponds exactly with the height of the sun at the equinox , in the latitude of Ghizeh , viz ., thirty degrees . At midday , during the equinox , the sun ( Osiris ) , appeared at

the summit of the pyramid , as on a pedestal ; and at night the moon ( Isis ) , succeeded him . Le Noir , states that great festivals were held on these occasions . Though modern researches leave little doubt that the pyramids were the tombs of kings , yet their peculiar form and exact position , in . the true meridian , facing the four cardinal points of the ; in some degree favours the opinion of Le Noir

compass , , that they may also have been held symbolical of tbe tomb of Osiris . After the autumnal equinox , Osiris was fabled to descend by the gate of brass to his tomb , being no longer visible above the pyramid . At the winter solstice , 21 st Dec

“The Freemasons' Monthly Magazine: 1861-12-21, Page 5” Masonic Periodicals Online, Library and Museum of Freemasonry, 21 June 2025, django:8000/periodicals/mmr/issues/mmr_21121861/page/5/.
  • List
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Title Category Page
A NATION'S LOSS. Article 1
THE GRAND CONCLAVE. Article 4
THE BRAHMINS AND ROYAL ARCHMASONRY. Article 4
MASON MARKS IN EGYPT. Article 6
ARCHITECTURE AND ARCHÆOLOGY. Article 7
MASONIC NOTES AND QUERIES. Article 8
Literature. Article 9
NOTES ON LITERATURE, SCIENCE, AND ART. Article 10
CORRESPONDENCE. Article 12
THE EMULATION LODGE OF IMPROVEMENT. Article 12
ELECTION OF MASTER. Article 12
THE MASONIC MIRROR. Article 13
METROPOLITAN. Article 13
PROVINCIAL. Article 14
CHANNEL ISLANDS. Article 16
SCOTLAND. Article 16
IRELAND. Article 17
AMERICA. Article 17
ANCIENT AND ACCEPTED RITE. Article 18
MARK MASONRY. Article 18
PUBLIC AMUSEMENTS. Article 18
THE WEEK. Article 19
SPECIAL NOTICE. Article 20
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Brahmins And Royal Archmasonry.

triangles , one within the other , forming as it were a pyramid of triangles . The dais or petals are only eight in number , and named after the sun , moon , and the elements which form the chief subjects of tbe hymns of the Vedas . I found it difficult to ascertain from the Brahmin whom I consulted , any distinct account of the origin of this curious symbolhe affected a great mystery on the subjectand all

; , I could gather from him was that the two equilateral triangles intersecting one another in the Svi Jantra were emblems of the "L ' ingain" and "Yoni , " the "Bija" and "Bhag , " or the male and female principles of nature , and of the Deity who is the god of nature . The analogies derived from a consideration of the animal and vegetable kingdomspossiblled the Hindu

hiloso-, y p phers to conclude that the process of creation was due to the co-existence of these two principles in the divine nature . In H . J . Colebroke ' s translation of parts of the Veda , the following passages illustrate the idea : — " In the beginning there was no entity—nor entity— -no world or sky , nor aught above it . Death was not , nor immortality ; nor distinction -of day or night ; but that breathed without afflationsingle

, with her who is sustained with him . " Again in the Verihad Aranyaka , an TJpanishad , it is recorded "The Primeval Being saw nothing but himself in the . universe , and said , ' I am I . ' He felt not delight , being alone . He wished for another , and instantly became such . He caused himself to fall in twain , and thus became husband and wife . " In the ¦ Sama Veda it is stated that " the will to create co-existed

with the Deity as bis bride . " It is probably the female principle under the name of " Vach" ( translated speech or theword ) , which calls herself the universal soul . " Originating all beings , I pass like the breeze—I am above this heaven , beyond this earth , ancl what is the Great One , that am I . "

This duality of the Deity seems to bave been common to the primeval religions of Egypt and China , and probably of the intermediate regions of Asia . In the former , the Sun , under the name of the Osiris , was worshipped as the generator of all things , and the earth under the name of Is " is , as the great mother , who , under the vivifying rays of the sun , appeared to bring forth all animated beings , and all

vegetable nature . In the great Temple of Isis , under the veiled statue of the goddess , was inscribed the well-known sentence : — " I am what I hath been ; what is ; what shall be ; and no mortal hath ever lifted my veil . " In nearly the same words , in the " Kasi Khand , " it is said of the " Prakriti , " or "Nature , " "What is , thou art hi the Sakti form , and except thee nothing has ever been . " The necessity of

the co-operation of a female principle in creation was further recognised by assigning to each Deity a wife or sakti . Thus Prakriti is said to have assumed various forms—Dinga , the sakti of Siva ; Laksmi , of Vishnu ; Saraswati , of Brahma ; Radhii , of Krishna ; the Syrian goddess Astarte , and the Venus Genitrix of the Greeks and Romans , were alike the deifications of the same principle .

In China , instead of the double triangle , the same principles are typified by the " Tae Keigh , " a circle divided by a curved line into two equal parts ( vide Fig 9 ) , which represent the " Yang" and " Yin , " by which all things were produced . The heavens is "Yang" and the earth " Yin ; " the sun " Yang" and the moon " Yin ; " and so on through all nature—animalvegetableand mineral . All odd numbers

, , are male , aud all even female . This may he the reason why 3 is considered a holy number , being the union of 1 + 2 ; also the pentagon 3 + 2 ; the hexagon 3 + 3 , and 7 , being 4 + 3 , & c . The " Sing Moo , " or " Holy Mother , " is prob ably identical with Prakriti , Isis , and Astarte . In page 50 , vol . 8 , of the Asiatic Researches , Mr . R .

Patterson states that Siva is represented by an equilateral triangle , ivhich signifies the union in him of the three great attributes of creation , preservation , and destruction . This hieroglyphic , he adds , is inscribed on the "Kunibla Ghata , " or water jar , used by the worshippers of Siva , in conjunction with a similar triangle , which represents his wife or female energy . In vol . 3 , p . 365 , of the Asiatic

Researches , Major "Wilford says that "Vishnu" ( as the sun ) , and Prithivi ( the earth ) , are severally typified by an equilateral triangle , and conjointly , when their powers are supposed to be combined , by two such equal triangles intersecting each other . It seems evident , however , that whether under the name of Siva ancl DurgaVishnu and Prithivior Bhrama

, , and Prakriti , the same ideas are represented , viz .: —the fecundating principles of nature , or perhaps the universal vivifying spirit acting upon universal inert but conceptive matter , at one time typified by the double triangle , at another by the Lingam and Yoni . Each of these principles had its separate worshippers , who maintained the superior influence of their respective objects of veneration in the production

of nature . " This occasioned , " says Major Wilford , " not only a vehement religious contest , but even a bloody war between the followers of Yoni and Lingam . " He does not , however , give any authority for this transaction . It appears that the Buddhists have also a symbol consisting of triangles , but they are united at the points , instead of intersecting each other ( Fig . 7 ) .

In a learned work , by Le Noir , on tbe subject of Freemasonry , published at Paris in 1811 ; there is much curious information on the subject of the triangle . He states , that it represented the number 3 , which among the Jews and Egyptians was considered the number of perfection . It was also a symbol of the elements ancl of the sun , because the constellation of the triangle formerly rose with the sun when

the vernal equinox was at the point of Aries . Hence a triangle was placed in the hands of Isis , Osiris , and Orus , the Egyptian Trinity . It is stated that four Equilateral triangles were placed in the centre of their Zodiac , to represent the four elements : Fire , Air , Earth and "Water , of which the world was supposed to be created . The intersection of these four triangles formed a 12 pointed star in a circle . ( Vide Fig . 10 ) .

It is possible that the pyramids of G-kizeh , in Egypt , whose sides are formed by four equilateral triangles , were intended to be typical of the elements , as well as that of the sun . The angles being equilated are angles of sixty degrees , which corresponds exactly with the height of the sun at the equinox , in the latitude of Ghizeh , viz ., thirty degrees . At midday , during the equinox , the sun ( Osiris ) , appeared at

the summit of the pyramid , as on a pedestal ; and at night the moon ( Isis ) , succeeded him . Le Noir , states that great festivals were held on these occasions . Though modern researches leave little doubt that the pyramids were the tombs of kings , yet their peculiar form and exact position , in . the true meridian , facing the four cardinal points of the ; in some degree favours the opinion of Le Noir

compass , , that they may also have been held symbolical of tbe tomb of Osiris . After the autumnal equinox , Osiris was fabled to descend by the gate of brass to his tomb , being no longer visible above the pyramid . At the winter solstice , 21 st Dec

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