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  • The Freemasons' Monthly Magazine
  • Oct. 1, 1864
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  • TERRA-COTTA AND LUCA DELLA ROBBIA WARE, CONSIDERED ON THE PRINCIPLES OF DECORATIVE ART.
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The Freemasons' Monthly Magazine, Oct. 1, 1864: Page 3

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    Article TERRA-COTTA AND LUCA DELLA ROBBIA WARE, CONSIDERED ON THE PRINCIPLES OF DECORATIVE ART. ← Page 3 of 8 →
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Terra-Cotta And Luca Della Robbia Ware, Considered On The Principles Of Decorative Art.

clay for decorative purposes , and that , too , under the forms of highest art . Here , then , the most stirring passage , whole and unbroken , in the legend of the nation's patron saint would find a fitting place . To hide the stairs at each side , ancl yet afford room enough above for the lecturer and

all his possible requirements , throAV up a grand well-broken front of massive rock fringed with ferns ancl foliage ; show St . George on horseback , duly armoured , Avith spear in rest , ancl his steed properly caparisoned , bounding , full tilt , at the rageful dragon , as it hurries from its den to

swalloAV up alive the fair princess at prayer on her bended knees hard by , with the king ancl queen , her parents , looking doAvn upon their child from the turrets of their castle 0 A erhead : Avhy not a streamlet of Avater , too , trickling noiselessly among the flowers ? In such a place the other patrons

of our empire are not to be forgotten : St . Patrick , therefore , must have his legend properly and artistically set forth ; so , too , St . Andrew ; so St . David , each in his OAVH conspicuous spot . All men

of mark in the arts , the sciences , and literature , may be gratefully remembered in a bust , or statue or a low relief . Saying , with the poet , — " Let merry England proudly wear Her blended roses bought so dear ; On favour'd Erin ' s brow be seen The floAv ' r she loves of emerald

green , Let Albin bind her bonnet blue With heath , and hare-bell dipped in dew , " with free full hand will the architect sprinkle all about the walls the peculiar floral emblems of our different peoples , so that Celt and Saxon may find shining there the flower that each loves best , and

all of those symbols blended into one harmonious garland . Outside , the roof-tiles for such a building might be very fine , handsome , and gay by moonlight , as under the glare of sunshine : instead of the kinds hitherto in use , let them be coloured lightish blue , stared with gold , and brightly glazed . Talking of roof-tiles , what can be so unartistic , so very ugly as those now in general use upon our houses ? True is it that for their thinness and

lightness slates are valuable substitutes for the old heavy red tile , flat or ridged , ancl its colour a pleasing variety ; but at best its tones are dull . If Ave had tiles—glazed of all colours , and furthermore , some of them streaked Avith two or three tones of the same tint—then would the

present ugliness be got rid of , and we might have roofs tiled or slated in patterns and after designs more or less elaborate ; and when dulled by dust or befould with smuts , the first good shower of rain would make them clean and sparkling . Till a feAV years back our shops , large ancl small ,

Avere of the p lainest with regard to their ornamentation inside and out , however valuable the goods in their Avindows and upon their shelves . Now , besides the splendours of large plate-glass , a few display great ' architectural taste ; and some of these might be pointed to as little gems of elegance , especiall y for their internal decoration and

arrangement . But very much still remains to be done among them . If a single picture can draw crowds of travellers a thousand miles to gaze upon it in the town where it happens to be kept , a man in trade may be assured that , to make his place of business inside and ont as artistically beautiful as

he can afford , is one ofthe best and readiest modes of advertising the wares in which he deals . Though the shutters be up , a fine shop-front , if well and properly designed , immediately tells the business " of its owner ; and , while bespeaking the favour , may secure a visit , some other day , of the passer-by .

For such shop-ornamentation , nothing can be better than coloured burned clay , especially in the dust and dirt of a great thoroughfare . From many let us select but one as an example . Take a large fishmonger ' s , with its fine white slabs of marble . Suppose a bold wide border , composed of all sorts

of seaweed , among which are lurking fish of various kinds—fish such as Bernard Palissy would have done—along with branches of coral and sea-shells . Such shops , and others like them , are often seen with all their inside walls sheathed with simple Avhite tiling , well lazed ; ancl most cool ancl cleanly

g do they look , besides being so wholesome for the eatables sold there . Divide the shining wide walls into panels by other flat glazed tiles , figured in colour AA'ith subjects connected with the owner ' s trade ; giA'e them , as a cornice , an appropriate

wreath in relief , and , from being plain , the whole place becomes beautiful . Imagine , again , the master of the house to be a royal tradesman , and allowed to have above his shop the royal arms ; make those arms , as well as the supporters , artistically done in the round , in coloured burned clay ,

and the flat shield properly blazoned . A bucket of Avater and a sponge at the beginning of the London season will be quite enough to cleanse the whole from the griminess laid on them by the dirt of the last twelve months , and leave them as bright and glittering as everto enliven the appearance of

, the street . If nothing beyond the owner's name and trade be thought of , let it not be done , unless for an undertaker , in mournful black and white , but in gladsome tones and garlanded witb flowers . I say nothing of the numerous pretty fountains —never forgetting the poor dogs—which Ave

might have everywhere erected ; but , hasteningaway from our streets , and getting into our fine Avide , well-planted squares , and our lovely unrivalled parks , IIOAV many are the opportunities we find there of employing this material in all its decorative forms and beauty . In no one city in

the world are there to be found such magnificent open spaces with grass and trees , as London can show in her many grand squares ; yet of them all , hardly is there one as flowery as it might be with , the floAvers that are known to stand a London

atmosphere ; not one among them can boast of the slightest adornment saving a solitary statue , and that as black as smoke can make it . Suppose one of these squares dotted all about with busts

“The Freemasons' Monthly Magazine: 1864-10-01, Page 3” Masonic Periodicals Online, Library and Museum of Freemasonry, 14 May 2025, django:8000/periodicals/mmr/issues/mmr_01101864/page/3/.
  • List
  • Grid
Title Category Page
OUR ARCHITECTURAL CHAPTER. Article 1
TERRA-COTTA AND LUCA DELLA ROBBIA WARE, CONSIDERED ON THE PRINCIPLES OF DECORATIVE ART. Article 1
MASONIC NOTES AND QUERIES. Article 8
CORRESPONDENCE. Article 9
BUTE LODGE, No. 960. Article 10
SOUTH WALES. Article 10
Untitled Article 11
THE MASONIC MIRROR. Article 11
PROVINCIAL. Article 11
IRELAND. Article 14
WEST INDIES. Article 14
INDIA. Article 16
Poetry. Article 17
AN ADDRESS DELIVERED AT A PROVINCIAL THEATRE, BY A BROTHER, ON HIS BENEFIT. Article 17
FINE ARTS. Article 18
THE WEEK. Article 18
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Terra-Cotta And Luca Della Robbia Ware, Considered On The Principles Of Decorative Art.

clay for decorative purposes , and that , too , under the forms of highest art . Here , then , the most stirring passage , whole and unbroken , in the legend of the nation's patron saint would find a fitting place . To hide the stairs at each side , ancl yet afford room enough above for the lecturer and

all his possible requirements , throAV up a grand well-broken front of massive rock fringed with ferns ancl foliage ; show St . George on horseback , duly armoured , Avith spear in rest , ancl his steed properly caparisoned , bounding , full tilt , at the rageful dragon , as it hurries from its den to

swalloAV up alive the fair princess at prayer on her bended knees hard by , with the king ancl queen , her parents , looking doAvn upon their child from the turrets of their castle 0 A erhead : Avhy not a streamlet of Avater , too , trickling noiselessly among the flowers ? In such a place the other patrons

of our empire are not to be forgotten : St . Patrick , therefore , must have his legend properly and artistically set forth ; so , too , St . Andrew ; so St . David , each in his OAVH conspicuous spot . All men

of mark in the arts , the sciences , and literature , may be gratefully remembered in a bust , or statue or a low relief . Saying , with the poet , — " Let merry England proudly wear Her blended roses bought so dear ; On favour'd Erin ' s brow be seen The floAv ' r she loves of emerald

green , Let Albin bind her bonnet blue With heath , and hare-bell dipped in dew , " with free full hand will the architect sprinkle all about the walls the peculiar floral emblems of our different peoples , so that Celt and Saxon may find shining there the flower that each loves best , and

all of those symbols blended into one harmonious garland . Outside , the roof-tiles for such a building might be very fine , handsome , and gay by moonlight , as under the glare of sunshine : instead of the kinds hitherto in use , let them be coloured lightish blue , stared with gold , and brightly glazed . Talking of roof-tiles , what can be so unartistic , so very ugly as those now in general use upon our houses ? True is it that for their thinness and

lightness slates are valuable substitutes for the old heavy red tile , flat or ridged , ancl its colour a pleasing variety ; but at best its tones are dull . If Ave had tiles—glazed of all colours , and furthermore , some of them streaked Avith two or three tones of the same tint—then would the

present ugliness be got rid of , and we might have roofs tiled or slated in patterns and after designs more or less elaborate ; and when dulled by dust or befould with smuts , the first good shower of rain would make them clean and sparkling . Till a feAV years back our shops , large ancl small ,

Avere of the p lainest with regard to their ornamentation inside and out , however valuable the goods in their Avindows and upon their shelves . Now , besides the splendours of large plate-glass , a few display great ' architectural taste ; and some of these might be pointed to as little gems of elegance , especiall y for their internal decoration and

arrangement . But very much still remains to be done among them . If a single picture can draw crowds of travellers a thousand miles to gaze upon it in the town where it happens to be kept , a man in trade may be assured that , to make his place of business inside and ont as artistically beautiful as

he can afford , is one ofthe best and readiest modes of advertising the wares in which he deals . Though the shutters be up , a fine shop-front , if well and properly designed , immediately tells the business " of its owner ; and , while bespeaking the favour , may secure a visit , some other day , of the passer-by .

For such shop-ornamentation , nothing can be better than coloured burned clay , especially in the dust and dirt of a great thoroughfare . From many let us select but one as an example . Take a large fishmonger ' s , with its fine white slabs of marble . Suppose a bold wide border , composed of all sorts

of seaweed , among which are lurking fish of various kinds—fish such as Bernard Palissy would have done—along with branches of coral and sea-shells . Such shops , and others like them , are often seen with all their inside walls sheathed with simple Avhite tiling , well lazed ; ancl most cool ancl cleanly

g do they look , besides being so wholesome for the eatables sold there . Divide the shining wide walls into panels by other flat glazed tiles , figured in colour AA'ith subjects connected with the owner ' s trade ; giA'e them , as a cornice , an appropriate

wreath in relief , and , from being plain , the whole place becomes beautiful . Imagine , again , the master of the house to be a royal tradesman , and allowed to have above his shop the royal arms ; make those arms , as well as the supporters , artistically done in the round , in coloured burned clay ,

and the flat shield properly blazoned . A bucket of Avater and a sponge at the beginning of the London season will be quite enough to cleanse the whole from the griminess laid on them by the dirt of the last twelve months , and leave them as bright and glittering as everto enliven the appearance of

, the street . If nothing beyond the owner's name and trade be thought of , let it not be done , unless for an undertaker , in mournful black and white , but in gladsome tones and garlanded witb flowers . I say nothing of the numerous pretty fountains —never forgetting the poor dogs—which Ave

might have everywhere erected ; but , hasteningaway from our streets , and getting into our fine Avide , well-planted squares , and our lovely unrivalled parks , IIOAV many are the opportunities we find there of employing this material in all its decorative forms and beauty . In no one city in

the world are there to be found such magnificent open spaces with grass and trees , as London can show in her many grand squares ; yet of them all , hardly is there one as flowery as it might be with , the floAvers that are known to stand a London

atmosphere ; not one among them can boast of the slightest adornment saving a solitary statue , and that as black as smoke can make it . Suppose one of these squares dotted all about with busts

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