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  • May 28, 1864
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The Freemasons' Monthly Magazine, May 28, 1864: Page 4

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    Article THE INTERIOR OF A GOTHIC MINSTER.* ← Page 4 of 5 →
Page 4

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Interior Of A Gothic Minster.*

and Westminster ; in the firstbay at Ely , Gloucester , Tintern , Fountains , Chichester , Christchurch , and Chester . At Fountains , a curious range of pottery was found in connection with it ; but it is very doubtful whether it was designed on acoustic principles , or was part of a system of warming

as charcoal was found in the urns . At Exeter , Lincoln , York , Carlisle , Canterbury , Rochester , Lichfield , and Oxford ( and Christchurch , Hants , in late Decorated times ) , the screen appeared under the eastern , and at Hereford below the western arch of the lantern ; but the central tower was at

length almost universally regarded as the natural division between the nave and choir , and the screen placed in consequence between its eastern pillars : hence its name of rood-tower at Lincoln and Hereford .

In the early part of the twelfth century , a stone screen , with a central altar of St . Cuthbert , was erected at St . Alban's , stretching between the two second bays westward from the lantern . In the thirteenth century a more magnificent screen was erected , formed so as to enclose this altar , in

the next bay westward , ; it had side processionaldoors , and windows pierced in its partition walls . In order to compensate for the limited accommodation afforded by the dormitory , the chapel was furnished above the vaulting with an upper chambercontaining about twelve bedslighted

, , by windows , and covered by a leaded ceiling . At WjTnondham , there was a dormitory over the south nave-aisle . In the reign of Edward I . the present screen was erected , the altar of St . Cuthbert standing unenclosedbetweenthe two doorways . The second screen at St . Alban ' s must have

resembled the arrangement of the screens at Gloucester , St . David's , and Norwich , consisting of a front and inner wall , separated by a considerable interval ; possibly one carried a rood and the other supported au ambon . The screen not only served to exclude draughts of cold air and seclude

the choir , but also took the place of the double ambones , of the basilica , and from its summit the Gospel and Epistle were read ( Martene , . do Ant . Mon . Rit ., iv ., 143 , 96 ) . Ciompini dates the desuetude of the ambones from the time of the

removal of the popes , to Avignon , in 1309 . It was called ambo ( Socrates , lib . iv ., c . 5 ) , from its stairs , tic TOV avafiaiveiv ( ab anibiendo quia intrautem ambit!—W . Strabo , c . 5 ) , or pulpitimn ( S . Cypr ., ep . xxxiii ., xxxit . ) ( Quod sit in publica statuendum , ut qui ibi stant ab omnibus videantur . W .

Strabo , u . s ) . The bishops used it for preaching , and the lectors for reading the Epistle and Gospel ; in Cranmer ' s time the latter were read from the pulpit ( Works , ii . 156 , 501 ; Grindal i . 132 ) . The rood-stairs corresponded to those of the ambo . At PeterboroughAdam de Boothbon

, y , his election to be abbot , was carried on the monks ' shoulders to the hi gh altar , and thence to the loft , where he was proclaimed ( Comp . Martene , de Ant . Mon . Rit ., iv . 232 ; ii . 154 , 159 ) .

The Altar of Jesus or Holy Cross ( Willis , Mitred Abbeys , i . 320 ) usually stood below the great rood or cross . At Exeter the Lady Mass at break of clay , ancl at Salisbury the Matin Mass was suns- at the rood altar for the convenience of

the working people . A lamp burned perpetually before the rood . A common arrangement of the screen was that of a central doorway between two altar-recesses , as at Exeter , 1370-95 ; Chichester , 1447 ; Lincoln , 1310 ; Winchester ; Chester fourteenth century ; Brecon ; St . David ' s , fourteenth

century ; Norwich , fifteenth century , and Hereford . At Winchester , the choir platform erected over the crypt extends into the nave , and is ascended by superb flights of stairs : it has been suggested that this space was canopied above the lateral altars . At Hereford the vicars received

their dole here , and at Exeter ' offending vicars were compelled to stand during all the canonical hours of a single day and night . At Durham , athwart the east end of the nave , between the western pillars of the lantern , stood the Jesus altar wholly enclosed like a porchwith wainscot-work ,

, at which the Jesus Mass was sung on Fridays , and the Jesus Anthem , led by the master of the choristers and deacons , on Friday nights during the tolling , of the Galilee bells after evensong . It faced westward , with a small doorway at each side

of the screen which formed its reredos leading into the transept . On the north side were an organ and loft for the singers . Above the screen was the great rood ; with St . Mary and John and adoring angels rising over sculptures of the Passion and apostles , and a broad band of foliage .

Behind the screen and under the lantern was the clock . The north rood door was only opened for processions . The screen , like that of Chester , was painted with portraits of English kings and worthies . The choir-door was in the screen between the eastern tower pillars , over which

were the great organs , used only on chief days , and the pulpit for singing the Nine Sections in the nocturns of principal feasts . Below the left was a form on which men might rest themselves . A tall square-stone pedestal stood adjoining the south-east pillarfor the support of twelve cressets

, , one of which was lighted at midnight during Lauds . At Norwich , St . William ' s altar was on the north , and St . Mary's , or the Precentor ' s , on the south side , enclosed with wooden screens . In the interval between the outer walls stood the altar of our Lady of Pity .

The other arrangement of the roodscreen was that of a central door set in a wall , which existed at Gloucester ( of the fourteenth century , and destroyed with its pulpit in 1718 ) ; Canterbury , 1304 ; Wells , decorated ; Salisbury ; Chester , fourteenth century ; Riponafter 1489 ; Worcester

, , fifteenth century ; Carlisle and Lincoln , fifteenth century ; Christchurch , temp . Edward III . ; and York , temp . Henry YI . At Worcester , on the western riiers of the lantern , are stone brackets

“The Freemasons' Monthly Magazine: 1864-05-28, Page 4” Masonic Periodicals Online, Library and Museum of Freemasonry, 15 May 2025, django:8000/periodicals/mmr/issues/mmr_28051864/page/4/.
  • List
  • Grid
Title Category Page
THE GRAND LODGE PROPERTY. Article 1
THE INTERIOR OF A GOTHIC MINSTER.* Article 1
MASONIC NOTES AND QUERIES. Article 5
Untitled Article 8
CORRESPONDENCE. Article 8
MASONRY AT HOME AND ABROAD. Article 9
THE MASONIC MIRROR. Article 10
Untitled Article 10
GRAND LODGE. Article 10
METROPOLITAN. Article 12
PROVINCIAL. Article 13
Untitled Article 13
ROYAL ARCH. Article 14
CHANNEL ISLANDS. Article 14
COLONIAL. Article 16
Untitled Article 18
THE WEEK. Article 18
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Interior Of A Gothic Minster.*

and Westminster ; in the firstbay at Ely , Gloucester , Tintern , Fountains , Chichester , Christchurch , and Chester . At Fountains , a curious range of pottery was found in connection with it ; but it is very doubtful whether it was designed on acoustic principles , or was part of a system of warming

as charcoal was found in the urns . At Exeter , Lincoln , York , Carlisle , Canterbury , Rochester , Lichfield , and Oxford ( and Christchurch , Hants , in late Decorated times ) , the screen appeared under the eastern , and at Hereford below the western arch of the lantern ; but the central tower was at

length almost universally regarded as the natural division between the nave and choir , and the screen placed in consequence between its eastern pillars : hence its name of rood-tower at Lincoln and Hereford .

In the early part of the twelfth century , a stone screen , with a central altar of St . Cuthbert , was erected at St . Alban's , stretching between the two second bays westward from the lantern . In the thirteenth century a more magnificent screen was erected , formed so as to enclose this altar , in

the next bay westward , ; it had side processionaldoors , and windows pierced in its partition walls . In order to compensate for the limited accommodation afforded by the dormitory , the chapel was furnished above the vaulting with an upper chambercontaining about twelve bedslighted

, , by windows , and covered by a leaded ceiling . At WjTnondham , there was a dormitory over the south nave-aisle . In the reign of Edward I . the present screen was erected , the altar of St . Cuthbert standing unenclosedbetweenthe two doorways . The second screen at St . Alban ' s must have

resembled the arrangement of the screens at Gloucester , St . David's , and Norwich , consisting of a front and inner wall , separated by a considerable interval ; possibly one carried a rood and the other supported au ambon . The screen not only served to exclude draughts of cold air and seclude

the choir , but also took the place of the double ambones , of the basilica , and from its summit the Gospel and Epistle were read ( Martene , . do Ant . Mon . Rit ., iv ., 143 , 96 ) . Ciompini dates the desuetude of the ambones from the time of the

removal of the popes , to Avignon , in 1309 . It was called ambo ( Socrates , lib . iv ., c . 5 ) , from its stairs , tic TOV avafiaiveiv ( ab anibiendo quia intrautem ambit!—W . Strabo , c . 5 ) , or pulpitimn ( S . Cypr ., ep . xxxiii ., xxxit . ) ( Quod sit in publica statuendum , ut qui ibi stant ab omnibus videantur . W .

Strabo , u . s ) . The bishops used it for preaching , and the lectors for reading the Epistle and Gospel ; in Cranmer ' s time the latter were read from the pulpit ( Works , ii . 156 , 501 ; Grindal i . 132 ) . The rood-stairs corresponded to those of the ambo . At PeterboroughAdam de Boothbon

, y , his election to be abbot , was carried on the monks ' shoulders to the hi gh altar , and thence to the loft , where he was proclaimed ( Comp . Martene , de Ant . Mon . Rit ., iv . 232 ; ii . 154 , 159 ) .

The Altar of Jesus or Holy Cross ( Willis , Mitred Abbeys , i . 320 ) usually stood below the great rood or cross . At Exeter the Lady Mass at break of clay , ancl at Salisbury the Matin Mass was suns- at the rood altar for the convenience of

the working people . A lamp burned perpetually before the rood . A common arrangement of the screen was that of a central doorway between two altar-recesses , as at Exeter , 1370-95 ; Chichester , 1447 ; Lincoln , 1310 ; Winchester ; Chester fourteenth century ; Brecon ; St . David ' s , fourteenth

century ; Norwich , fifteenth century , and Hereford . At Winchester , the choir platform erected over the crypt extends into the nave , and is ascended by superb flights of stairs : it has been suggested that this space was canopied above the lateral altars . At Hereford the vicars received

their dole here , and at Exeter ' offending vicars were compelled to stand during all the canonical hours of a single day and night . At Durham , athwart the east end of the nave , between the western pillars of the lantern , stood the Jesus altar wholly enclosed like a porchwith wainscot-work ,

, at which the Jesus Mass was sung on Fridays , and the Jesus Anthem , led by the master of the choristers and deacons , on Friday nights during the tolling , of the Galilee bells after evensong . It faced westward , with a small doorway at each side

of the screen which formed its reredos leading into the transept . On the north side were an organ and loft for the singers . Above the screen was the great rood ; with St . Mary and John and adoring angels rising over sculptures of the Passion and apostles , and a broad band of foliage .

Behind the screen and under the lantern was the clock . The north rood door was only opened for processions . The screen , like that of Chester , was painted with portraits of English kings and worthies . The choir-door was in the screen between the eastern tower pillars , over which

were the great organs , used only on chief days , and the pulpit for singing the Nine Sections in the nocturns of principal feasts . Below the left was a form on which men might rest themselves . A tall square-stone pedestal stood adjoining the south-east pillarfor the support of twelve cressets

, , one of which was lighted at midnight during Lauds . At Norwich , St . William ' s altar was on the north , and St . Mary's , or the Precentor ' s , on the south side , enclosed with wooden screens . In the interval between the outer walls stood the altar of our Lady of Pity .

The other arrangement of the roodscreen was that of a central door set in a wall , which existed at Gloucester ( of the fourteenth century , and destroyed with its pulpit in 1718 ) ; Canterbury , 1304 ; Wells , decorated ; Salisbury ; Chester , fourteenth century ; Riponafter 1489 ; Worcester

, , fifteenth century ; Carlisle and Lincoln , fifteenth century ; Christchurch , temp . Edward III . ; and York , temp . Henry YI . At Worcester , on the western riiers of the lantern , are stone brackets

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