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  • April 1, 1878
  • Page 31
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The Masonic Magazine, April 1, 1878: Page 31

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    Article "VALE PONTIFEX MAXIME!" ← Page 2 of 5 →
Page 31

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

"Vale Pontifex Maxime!"

Hark ! the appealing hymn sounds in faint strains along the lofty aisle ! They are going to carryithe Pontiff to his sepulchre ; to hide him from the eyes of men . " Miserere 1 " They raise him on the bier on Avhich he has lain in state , and begin a SIOAV procession;—perhaps the strangest , most impressive , and most solemn , Avhich has ever Avound itself around the curving spaces of St . Peter ' s . The last 1 The last Those Avords keep humming in our ears . There will be other Popes , and they will die , and priests AVEI bury them . But Avith the death of Pius the Ninth a chapter of the Avorlcl' s story is closed ; the leaf is turned ; History has Avritten " Finis " on that page . On the next —Avhat will be Avritten ?

The iron gates Avhich divide the Chapel of the Sacrament from the body of the basilica are stEl closed . Within the chapel sloAvly gathers an assemblage of the Princes of the Church . The Cardinals have descended by a private staircase from the Hall of the Consistory Avithin the Vatican to the chapel , Avhere they aAvait the reverend Chapter of St . Peter ' s . As each Cardinal passes before the bier , he stoops to kiss the foot of the dead Pope . Outside the iron , gates are croAA'ded the guests admitted by special

permission to Avitness the ceremony . These are the Avhole of the Diplomatic Body accredited to the Holy See , many members of the Eoman aristocracy , bearing such historic names as Orsini , Colonna , Gaetani , and some strangers , many of them ladies . They are , for the most part , kneeling ; . ancl from time to time a crucifix , a rosary , or a medal , is passed to the attendant priests , Avith the prayer that it may touch for a moment the corpse of Pius the Ninth , and thus become a relic precious to the devout . , ,

At length from the opposite chapel—that called the Chapel of the Choir , or Canons ' Chapel—arrive the clergy of the Basilica of St . Peter , Monsignore Folicaldi , Bishop of Ephesus ancl Canon . of the Basilica Yaticana , at its head , AA'earing a Avhite mitre and black cope . Assisted by the inferior clergy , he sprinkles the corpse Avith holy Avater , reciting the accustomed prayers the AA ' hile ; ancl now the bier is raised upon the shoulders of the Noble Guard , and the procession begins . First Avalk the Mace-bearers of the Chapter ; and the Great Crucifix is borne aloft .

iheii a croAvd of Church dignitaries , amongst Avhom certain of the Cardinals are eagerly observed . Which of those old men is to be the UCAV Keeper of the Keys ? What stirring ambitions , zealous bigotry , sincere devotion , pious faith , and angry arrogance , dAvell beneath those reverend gray hairs ? Cardinals Bilio , Pecci , and Di Pietro are amongst the most closely noted . But Avhat avails the keenest scrutiny ? These are not men to wear " their heart upon their sleeve . " Ancl IIOAV the haughtiest spirit is for

aAvhile subdued by the solemnity of the moment . The dim light , the aAvful vastness of the edifice , the pathetic sounds of the Psalm " Miserere , " chanted in a subdued tone , the associations of the time and place , the aspect of the dead Pope ' s face immoveably serene and smilin g in its AA'hite calm , as he passes for the last time through the great basilica , Avhich has so often Avitnessed his triumphs and his pomp , —all this makes up an over-Avhelming impression , never to be forgotten by those AVIIO Avitnessed it . Chanting still the

procession moves along the aisle , passes close beneath the sitting statue of St . Peter , Avith the keys in its bronze hand , Avhich seems to move in the flicker of the torches ; reaches the apse , Avith its huge barocco altar , ancl so called Chair of St . Peter : turns , and goes back churn the church on the north side until it arrives at the Chapel of the Choir ,. AA'here the final funeral ceremonies are performed . Here the bier is reversed , so that the corpse is carried into the chapel AA'ith its head towards the altar , iu accordance Avith ancient custom . It is set CIOAVII in the midst , ancl surrounded by the members of the hierarchy and the Noble Guard .

And then the choir ( called the Capella Giulia , or Julian Choir ) begin to sing the anti phone , " Ln paradisum deducaut te angeli , " and the psalm , " Sicut cervus ad fonles aqtiarum . " Whilst the grave and majestic music , executed by voices alone , thrills through the lighted chapel and out into the dark nave , three coffins are brought in , and placed before the nltar . One is of cyprus Avood , the second of lead , the third and largest of chestnut Avood . When the singing and the muttered prayers , and the solemn aspersion Ayith holy water , and ihe incensing are over , there is a moment's pause . Every eye is nxed upon the dead face so soon to be hidden for ever from human eyes . The moment

“The Masonic Magazine: 1878-04-01, Page 31” Masonic Periodicals Online, Library and Museum of Freemasonry, 2 June 2025, django:8000/periodicals/mmg/issues/mmg_01041878/page/31/.
  • List
  • Grid
Title Category Page
IMPORTANT CIRCULAR. Article 1
Untitled Article 2
SONNET. Article 3
AN HERMETIC WORK. Article 4
EARLY FREEMASONRY IN IRELAND. Article 7
THE CHAMBER OF IMAGERY. Article 10
THE ADVENTURES OF DON PASQUALE. Article 11
PAPERS ON THE GREAT PYRAMID. Article 13
In Memoriam. Article 17
THE WORK OF NATURE IN THE MONTHS. Article 18
FROM IDEALITY TO NATURE. Article 24
THE TRUE MASON. Article 25
AMABEL VAUGHAN. Article 26
"VALE PONTIFEX MAXIME!" Article 30
JILTED. Article 34
ON THE TESTING AND STRENGTH OF RAILWAY MATERIALS, &c. Article 35
MORITZ GRAF VON STRACHWITZ. Article 40
STANZAS. Article 41
LEBENSANSICHT. Article 42
A SONNET. Article 43
DU GEHEST DAHIN. Article 43
A PRAHLEREI. Article 43
I WOULD I WERE A POET. Article 44
GERMANIA. Article 44
THE TRUE HISTORY OF FREEMASONRY IN ENGLAND. Article 45
NOTES ON LITERATURE, SCIENCE, AND ART. Article 47
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Page 31

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

"Vale Pontifex Maxime!"

Hark ! the appealing hymn sounds in faint strains along the lofty aisle ! They are going to carryithe Pontiff to his sepulchre ; to hide him from the eyes of men . " Miserere 1 " They raise him on the bier on Avhich he has lain in state , and begin a SIOAV procession;—perhaps the strangest , most impressive , and most solemn , Avhich has ever Avound itself around the curving spaces of St . Peter ' s . The last 1 The last Those Avords keep humming in our ears . There will be other Popes , and they will die , and priests AVEI bury them . But Avith the death of Pius the Ninth a chapter of the Avorlcl' s story is closed ; the leaf is turned ; History has Avritten " Finis " on that page . On the next —Avhat will be Avritten ?

The iron gates Avhich divide the Chapel of the Sacrament from the body of the basilica are stEl closed . Within the chapel sloAvly gathers an assemblage of the Princes of the Church . The Cardinals have descended by a private staircase from the Hall of the Consistory Avithin the Vatican to the chapel , Avhere they aAvait the reverend Chapter of St . Peter ' s . As each Cardinal passes before the bier , he stoops to kiss the foot of the dead Pope . Outside the iron , gates are croAA'ded the guests admitted by special

permission to Avitness the ceremony . These are the Avhole of the Diplomatic Body accredited to the Holy See , many members of the Eoman aristocracy , bearing such historic names as Orsini , Colonna , Gaetani , and some strangers , many of them ladies . They are , for the most part , kneeling ; . ancl from time to time a crucifix , a rosary , or a medal , is passed to the attendant priests , Avith the prayer that it may touch for a moment the corpse of Pius the Ninth , and thus become a relic precious to the devout . , ,

At length from the opposite chapel—that called the Chapel of the Choir , or Canons ' Chapel—arrive the clergy of the Basilica of St . Peter , Monsignore Folicaldi , Bishop of Ephesus ancl Canon . of the Basilica Yaticana , at its head , AA'earing a Avhite mitre and black cope . Assisted by the inferior clergy , he sprinkles the corpse Avith holy Avater , reciting the accustomed prayers the AA ' hile ; ancl now the bier is raised upon the shoulders of the Noble Guard , and the procession begins . First Avalk the Mace-bearers of the Chapter ; and the Great Crucifix is borne aloft .

iheii a croAvd of Church dignitaries , amongst Avhom certain of the Cardinals are eagerly observed . Which of those old men is to be the UCAV Keeper of the Keys ? What stirring ambitions , zealous bigotry , sincere devotion , pious faith , and angry arrogance , dAvell beneath those reverend gray hairs ? Cardinals Bilio , Pecci , and Di Pietro are amongst the most closely noted . But Avhat avails the keenest scrutiny ? These are not men to wear " their heart upon their sleeve . " Ancl IIOAV the haughtiest spirit is for

aAvhile subdued by the solemnity of the moment . The dim light , the aAvful vastness of the edifice , the pathetic sounds of the Psalm " Miserere , " chanted in a subdued tone , the associations of the time and place , the aspect of the dead Pope ' s face immoveably serene and smilin g in its AA'hite calm , as he passes for the last time through the great basilica , Avhich has so often Avitnessed his triumphs and his pomp , —all this makes up an over-Avhelming impression , never to be forgotten by those AVIIO Avitnessed it . Chanting still the

procession moves along the aisle , passes close beneath the sitting statue of St . Peter , Avith the keys in its bronze hand , Avhich seems to move in the flicker of the torches ; reaches the apse , Avith its huge barocco altar , ancl so called Chair of St . Peter : turns , and goes back churn the church on the north side until it arrives at the Chapel of the Choir ,. AA'here the final funeral ceremonies are performed . Here the bier is reversed , so that the corpse is carried into the chapel AA'ith its head towards the altar , iu accordance Avith ancient custom . It is set CIOAVII in the midst , ancl surrounded by the members of the hierarchy and the Noble Guard .

And then the choir ( called the Capella Giulia , or Julian Choir ) begin to sing the anti phone , " Ln paradisum deducaut te angeli , " and the psalm , " Sicut cervus ad fonles aqtiarum . " Whilst the grave and majestic music , executed by voices alone , thrills through the lighted chapel and out into the dark nave , three coffins are brought in , and placed before the nltar . One is of cyprus Avood , the second of lead , the third and largest of chestnut Avood . When the singing and the muttered prayers , and the solemn aspersion Ayith holy water , and ihe incensing are over , there is a moment's pause . Every eye is nxed upon the dead face so soon to be hidden for ever from human eyes . The moment

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