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  • Sept. 22, 1860
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  • THE TWO BOYHOODS.*
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The Freemasons' Monthly Magazine, Sept. 22, 1860: Page 8

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The Two Boyhoods.*

their results confessed , a meek old woman and a child being let into a pew , for whom the rending by candlelight will be beneficial . * For the rest , this religion seems to him discreditable—discredited not believing in itself ; putting forth its authority in a cowardly way , watching how far it might he tolerated , continually shrinking , disclaiming , fencing , finessing ; divided against itself , not by stormy rents , but by thin fissures , and splittings of plaster from the walls . Not to be either obeyed , or combated , by an ignorant , yet

clearsighted youth ; only to be scorned . And scorned not one whit the less , though also the dome dedicated to it looms high over distant winding of the Thames ; as St . Mark ' s campanile rose , for goodly landmark , over mirage of lagoon . For St . Mark ruled over life ; the saint of London over death ; St . Mark over St . Mark ' s Place , but St . Paul over St . Paul's Churchyard . Under these influences pass away the first reflective hours of life , with such conclusion as they can reach . In consequence of a fit of

illness , lie was taken—I cannot ascertain in what year—to live with an aunt at Brentford ; and here , I believe , received some schooling , which he seems to have snatched vigorously ; getting knowledge , at least by translation , of the more picturesque classical authors , which he turned presently to use , as ive shall see . Hence also , walks about Putney and Twickenham in the summer time acquainted him with the look of English meadow-ground in its restricted states of paddock and park ; and with some round-headed appearances of

trees , and stately entrances to houses of mark -. the avenue at Bushy , and the iron gates and carved pillars of Hc . mpton , impressing him apparently with great awe and admiration ; so that in after fife his little country house is—of all jilaces in the world—at Twickenham ! Of swans and reedy shores he now learns the soft motion and the green mystery , in away not to he forgotten . And at last fortune wills that the lad ' s true life shall begin ; and one summer's eveningafter various wonderful stage-coach

, experiences on the north road , which gave him a love of stage-coaches ever after , he finds himself sitting alone among the Yorkshire lulls . f For the first time , the silence of Nature round him , her freedom sealed to him , her glory opened to him . Peace at last ; no roll of cart-wheel , nor mutter of sullen voices in the back shop ; but curlew-cry in sjiaco of heaven , and welling of

bell-toned streamlet by its shadowy rock . Freedom nt last . Dead wall , dark railing , fenced field , gate garden , all passed away like the dream of a prisoner ; and behold , far as foot or eye can race or range , the moor , and cloud . Loveliness at last . It is here then , among these deserted vales ! Not among men . Those pale , poverty-struck , or cruel faces;—that multitudinous , marred humanity—are not the only things that God has made . Hero is something He has made ivhich no one has marred . Pride of purple rocks , and river pools

of blue , and tender wilderness of glittering trees , and misty lights of evening on immeasurable hills . Beauty , and freedom , and jieace ; ancl yetaiiother teacher graver than these . Sound preaching at last here , in Kirkstall crypt , concerning fate and life . 1 fere , where the dark pool reflects the chancel pillars , and the cattle lie . in unhindered rest , the soft sunshine on their dappled bodies , instead of priests' vestments ; their white furry hair milled a littlefitfullhthe evening winddeep-scented

, y , y , from the meadow thyme . Consider deeply the import to him of this , his first sight of ruin , and compare it with the effect ofthe architecture that was around Giorgione . There were indeed aged buildings , at Venice , in his time , but none in decay . All ruin ivas removed , and its place filled as quickly as in our London : but filled always by architecture loftier and more wonderful than that whose place it took , the boy

himself hajijiy to work ujion the walls of it ; so that the idea of the passing away of the strength of men and beauty of their works never could occur to him sternly . Brighter and brighter the cities of Italy had been rising and broadening on hill and plain , for three hundred years . Be saw only strength and immortality , could not but paint both ; conceived the form of man as deathless , calm with power , and fiery with life . Turner saw the exact reverse , of this , In the jiresent work of

men , meauess , ainilessucss , uusightliiiess ; thin-Mallei " ., lath-divided , narrowed garretcd houses of clay ; booths of a darksome Vanity Pair , busily base . But on Whitby Hill , and by Bolton Brook , remained traces of other handiwork . Men ivho could build had been there ; and who also had wrought , not merely for their own days . But to what purpose ? Strong faith , and steady hands , and ' patient souls—can this , then , be all you have left ! this the sum of your doing on the

earth!—a nest whence the night-owl may whimper to the brook , and a ribbed skeleton of consumed arches , looming above the bleak banks of mist , from its cliff to the sea ? As the strength of the men to Giorgione , to Turner their weakness and idleness , ivere alone visible . They themselves , unworthy or ephemeral ; their work , despicable , or decayed . In the A ' enetian's eyes , all beaut } - dejiendecl on man's presence and pride ; in Turner's , on the solitude ho had left , and the humiliation he had suffered .

And thus the fate and issue of all his work were determined at once . He must be a painter of the strength of nature , there was no beauty elsewhere than in that ; he must paint also Hie labour and sorrow and passing away of men I this was the great human truth visible to him . The labour , their sorrow , and their death . Mark the three . Labour ; by sea and land , in field and city , at forge and furnace ,. helm and jilough . No pastoral indolence nor classic pride shall stand ,

between him and the troubling of the world ; still less between him ancl the toil of his country , —blind , tormented , unwearied ,, marvellous England . Also their Sorrow ; ruin of all their glorious work , passing away of their thoughts and their honour , mirage of pleasure , PALI _ . CY or HOPE ; gathering of weed on temple step ; gaining of wave on deserted strand ; weeping of the mother for the children , desolate hy her breathless first-born in the streets of the city , * desolate hy

her last sons slain , among the beasts of the field . f "And their Death "; that old Greek question again;—yet unanswered . The unconquerable spectre still flitting among the forest trees , at twilight ; rising ribbed out of the sea-sand;—white , a strange Aphrodite , —out of the sea-foam ; stretching its grey , cloven wings among the clouds ; turning the light of their sunsetsinto blood . This has to be looked upon , and in a more terrible shape than ever Salvator or Durer saw it . The wreck of one guilty

country does not infer tho ruin of all countries , aud need not cause general terror respecting the laws of the universe . Neither did the orderly and narrow succession of domestic joy and sorrow in a small Get-man community bring tho question in its breadth , or in any unresolvable shape , before the mind of Durer . But the English death—tho European death of the nineteenth century—was of another range amlpower ; more terrible a thousand-fold in its merely physical grasp and grief ; more terrible , incalculably , in its mystery

and shame . What were the robber's casual pang , or the rage of the Hying skirmish , compared to the work of the axe , and the sword , and the famine , which was clone during the man ' s youth on all the hills ancl plains of the Christian earth , from Moscow to Gibraltar . lie was eighteen years old when Napoleon came down on Areola . Look on the map of Europe , and count the blood-stains on it , between it , between Areola and Waterloo . Not alone those blood-stains on the Aline snowand the blue of

p , the Lombard plain . The English death was before his eyes also . No decent , calculable , consoled dying ; no passing to rest like that of the aged burghers of Nuremberg town . No gentle processions to churchyards among the fields , the bronze crests bossed deep on the memorial tablets , and the skylark singing above them from among the corn . But the life trampled out in the slime of the street , crushed to dust amidst the roaring of the wheel , tossed

countlossly away into howling winter wind along 500 leagues of rock-fanged shore . Or , worst of all , rotted down to forgotten graves through years of ignorant patience , and vain seeking for help from man , for hope in God—infirm , imperfect yearning , as of motherless infants starving at the dawn ; opjiressed royalties of captive thought , vague ague-fits of bleak , amazed despair . A goodlIandscajie thisfor the lad to . paintand under a

goodlyy , , light . AVide enough the light was , and clear ; no more Salvator ' s lurid chasm on jagged horizon , nor Durer ' s spotted rest of sunny gleam on hedgerow and field ; but light over all the world . Pull shone now its awful globe , one pallid charnel-house—a ball strewn bright with human ashes , glaring in poised sway beneath the sun , all blinding-white with death from pole to pole—death , not of myriads of poor bodiesbut of willand mercyand conscience ;

, , , death , not only inilicted on the flesh , but daily fastening' on the spirit j death , not silent or patient , waiting his appointed hour , but voicef'ul , venomous ; death , with the taunting word , and burning grasji , and infixed sting . " Put ye in the sickle , for the harvest is ripe . " The word is . spoken in our ears continuall y to other reapers than the angels , to the busy skeletons that never tire for stooping . AVhen the measure

of iniquity is full , and it seems that another day might bring repentance and redeiuption— " Put ye in the sickle . " When the young life has beer , wasted all away , and the eyes are just opening upon the tracks of ruin , and faint resolution rising in the heart for nobler thing .-: — " Put ve in the sickle . " AVhen the roughest blows

“The Freemasons' Monthly Magazine: 1860-09-22, Page 8” Masonic Periodicals Online, Library and Museum of Freemasonry, 9 May 2025, django:8000/periodicals/mmr/issues/mmr_22091860/page/8/.
  • List
  • Grid
Title Category Page
CLASSICAL THEOLOGY.—XXXIII. Article 1
MASTER-PIECES OF THE ARCHITECTURE OF DIFFERENT NATIONS. Article 2
NON-AFFILIATED MASONS. Article 3
ARCHITECTURE AND ARCHÆOLOGY. Article 4
MASONIC RAMBLES. Article 6
THE TWO BOYHOODS.* Article 6
MASONIC NOTES AND QUERIES. Article 9
CANADIAN MEDAL. Article 10
Literature. Article 11
CORRESPONDENCE. Article 12
NOTES ON LITERATURE, SCIENCE, AND ART. Article 13
THE MASONIC MIRROR. Article 14
METROPOLITAN. Article 14
PROVINCIAL. Article 14
MARK MASONRY. Article 15
IRELAND. Article 17
CAPE OF GOOD HOPE. Article 18
AMERICA. Article 18
THE WEEK. Article 19
NOTES ON MUSIC AND THE DRAMA. Article 20
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Two Boyhoods.*

their results confessed , a meek old woman and a child being let into a pew , for whom the rending by candlelight will be beneficial . * For the rest , this religion seems to him discreditable—discredited not believing in itself ; putting forth its authority in a cowardly way , watching how far it might he tolerated , continually shrinking , disclaiming , fencing , finessing ; divided against itself , not by stormy rents , but by thin fissures , and splittings of plaster from the walls . Not to be either obeyed , or combated , by an ignorant , yet

clearsighted youth ; only to be scorned . And scorned not one whit the less , though also the dome dedicated to it looms high over distant winding of the Thames ; as St . Mark ' s campanile rose , for goodly landmark , over mirage of lagoon . For St . Mark ruled over life ; the saint of London over death ; St . Mark over St . Mark ' s Place , but St . Paul over St . Paul's Churchyard . Under these influences pass away the first reflective hours of life , with such conclusion as they can reach . In consequence of a fit of

illness , lie was taken—I cannot ascertain in what year—to live with an aunt at Brentford ; and here , I believe , received some schooling , which he seems to have snatched vigorously ; getting knowledge , at least by translation , of the more picturesque classical authors , which he turned presently to use , as ive shall see . Hence also , walks about Putney and Twickenham in the summer time acquainted him with the look of English meadow-ground in its restricted states of paddock and park ; and with some round-headed appearances of

trees , and stately entrances to houses of mark -. the avenue at Bushy , and the iron gates and carved pillars of Hc . mpton , impressing him apparently with great awe and admiration ; so that in after fife his little country house is—of all jilaces in the world—at Twickenham ! Of swans and reedy shores he now learns the soft motion and the green mystery , in away not to he forgotten . And at last fortune wills that the lad ' s true life shall begin ; and one summer's eveningafter various wonderful stage-coach

, experiences on the north road , which gave him a love of stage-coaches ever after , he finds himself sitting alone among the Yorkshire lulls . f For the first time , the silence of Nature round him , her freedom sealed to him , her glory opened to him . Peace at last ; no roll of cart-wheel , nor mutter of sullen voices in the back shop ; but curlew-cry in sjiaco of heaven , and welling of

bell-toned streamlet by its shadowy rock . Freedom nt last . Dead wall , dark railing , fenced field , gate garden , all passed away like the dream of a prisoner ; and behold , far as foot or eye can race or range , the moor , and cloud . Loveliness at last . It is here then , among these deserted vales ! Not among men . Those pale , poverty-struck , or cruel faces;—that multitudinous , marred humanity—are not the only things that God has made . Hero is something He has made ivhich no one has marred . Pride of purple rocks , and river pools

of blue , and tender wilderness of glittering trees , and misty lights of evening on immeasurable hills . Beauty , and freedom , and jieace ; ancl yetaiiother teacher graver than these . Sound preaching at last here , in Kirkstall crypt , concerning fate and life . 1 fere , where the dark pool reflects the chancel pillars , and the cattle lie . in unhindered rest , the soft sunshine on their dappled bodies , instead of priests' vestments ; their white furry hair milled a littlefitfullhthe evening winddeep-scented

, y , y , from the meadow thyme . Consider deeply the import to him of this , his first sight of ruin , and compare it with the effect ofthe architecture that was around Giorgione . There were indeed aged buildings , at Venice , in his time , but none in decay . All ruin ivas removed , and its place filled as quickly as in our London : but filled always by architecture loftier and more wonderful than that whose place it took , the boy

himself hajijiy to work ujion the walls of it ; so that the idea of the passing away of the strength of men and beauty of their works never could occur to him sternly . Brighter and brighter the cities of Italy had been rising and broadening on hill and plain , for three hundred years . Be saw only strength and immortality , could not but paint both ; conceived the form of man as deathless , calm with power , and fiery with life . Turner saw the exact reverse , of this , In the jiresent work of

men , meauess , ainilessucss , uusightliiiess ; thin-Mallei " ., lath-divided , narrowed garretcd houses of clay ; booths of a darksome Vanity Pair , busily base . But on Whitby Hill , and by Bolton Brook , remained traces of other handiwork . Men ivho could build had been there ; and who also had wrought , not merely for their own days . But to what purpose ? Strong faith , and steady hands , and ' patient souls—can this , then , be all you have left ! this the sum of your doing on the

earth!—a nest whence the night-owl may whimper to the brook , and a ribbed skeleton of consumed arches , looming above the bleak banks of mist , from its cliff to the sea ? As the strength of the men to Giorgione , to Turner their weakness and idleness , ivere alone visible . They themselves , unworthy or ephemeral ; their work , despicable , or decayed . In the A ' enetian's eyes , all beaut } - dejiendecl on man's presence and pride ; in Turner's , on the solitude ho had left , and the humiliation he had suffered .

And thus the fate and issue of all his work were determined at once . He must be a painter of the strength of nature , there was no beauty elsewhere than in that ; he must paint also Hie labour and sorrow and passing away of men I this was the great human truth visible to him . The labour , their sorrow , and their death . Mark the three . Labour ; by sea and land , in field and city , at forge and furnace ,. helm and jilough . No pastoral indolence nor classic pride shall stand ,

between him and the troubling of the world ; still less between him ancl the toil of his country , —blind , tormented , unwearied ,, marvellous England . Also their Sorrow ; ruin of all their glorious work , passing away of their thoughts and their honour , mirage of pleasure , PALI _ . CY or HOPE ; gathering of weed on temple step ; gaining of wave on deserted strand ; weeping of the mother for the children , desolate hy her breathless first-born in the streets of the city , * desolate hy

her last sons slain , among the beasts of the field . f "And their Death "; that old Greek question again;—yet unanswered . The unconquerable spectre still flitting among the forest trees , at twilight ; rising ribbed out of the sea-sand;—white , a strange Aphrodite , —out of the sea-foam ; stretching its grey , cloven wings among the clouds ; turning the light of their sunsetsinto blood . This has to be looked upon , and in a more terrible shape than ever Salvator or Durer saw it . The wreck of one guilty

country does not infer tho ruin of all countries , aud need not cause general terror respecting the laws of the universe . Neither did the orderly and narrow succession of domestic joy and sorrow in a small Get-man community bring tho question in its breadth , or in any unresolvable shape , before the mind of Durer . But the English death—tho European death of the nineteenth century—was of another range amlpower ; more terrible a thousand-fold in its merely physical grasp and grief ; more terrible , incalculably , in its mystery

and shame . What were the robber's casual pang , or the rage of the Hying skirmish , compared to the work of the axe , and the sword , and the famine , which was clone during the man ' s youth on all the hills ancl plains of the Christian earth , from Moscow to Gibraltar . lie was eighteen years old when Napoleon came down on Areola . Look on the map of Europe , and count the blood-stains on it , between it , between Areola and Waterloo . Not alone those blood-stains on the Aline snowand the blue of

p , the Lombard plain . The English death was before his eyes also . No decent , calculable , consoled dying ; no passing to rest like that of the aged burghers of Nuremberg town . No gentle processions to churchyards among the fields , the bronze crests bossed deep on the memorial tablets , and the skylark singing above them from among the corn . But the life trampled out in the slime of the street , crushed to dust amidst the roaring of the wheel , tossed

countlossly away into howling winter wind along 500 leagues of rock-fanged shore . Or , worst of all , rotted down to forgotten graves through years of ignorant patience , and vain seeking for help from man , for hope in God—infirm , imperfect yearning , as of motherless infants starving at the dawn ; opjiressed royalties of captive thought , vague ague-fits of bleak , amazed despair . A goodlIandscajie thisfor the lad to . paintand under a

goodlyy , , light . AVide enough the light was , and clear ; no more Salvator ' s lurid chasm on jagged horizon , nor Durer ' s spotted rest of sunny gleam on hedgerow and field ; but light over all the world . Pull shone now its awful globe , one pallid charnel-house—a ball strewn bright with human ashes , glaring in poised sway beneath the sun , all blinding-white with death from pole to pole—death , not of myriads of poor bodiesbut of willand mercyand conscience ;

, , , death , not only inilicted on the flesh , but daily fastening' on the spirit j death , not silent or patient , waiting his appointed hour , but voicef'ul , venomous ; death , with the taunting word , and burning grasji , and infixed sting . " Put ye in the sickle , for the harvest is ripe . " The word is . spoken in our ears continuall y to other reapers than the angels , to the busy skeletons that never tire for stooping . AVhen the measure

of iniquity is full , and it seems that another day might bring repentance and redeiuption— " Put ye in the sickle . " When the young life has beer , wasted all away , and the eyes are just opening upon the tracks of ruin , and faint resolution rising in the heart for nobler thing .-: — " Put ve in the sickle . " AVhen the roughest blows

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