Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Freemasons' Monthly Magazine
  • April 26, 1862
  • Page 17
Current:

The Freemasons' Monthly Magazine, April 26, 1862: Page 17

  • Back to The Freemasons' Monthly Magazine, April 26, 1862
  • Print image
  • Articles/Ads
    Article KNIGHTS TEMPLAR. ← Page 2 of 2
    Article NOTES ON MUSIC AND THE DRAMA. Page 1 of 1
    Article PUBLIC AMUSEMENTS. Page 1 of 2
    Article PUBLIC AMUSEMENTS. Page 1 of 2 →
Page 17

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Knights Templar.

and the only town where it was worked and conferred as a decree was in this hall . The G . M . Sir Knight Henry Bell responded . After several other toasts , including the newly installed fraters , the company retired at seven o'clock p . m .

Notes On Music And The Drama.

NOTES ON MUSIC AND THE DRAMA .

Aletterfrom Berlin says : — "Public attention has just been excited by a rather singular fact . A drama by Calderon , " The Judge of Salamea , ' was about to performed at the theatre of Wilhelmstadt , ancl the rehearsals had taken place , when the representation was suddenly interdicted . According to somg , this prohibition has been caused solel y from the fact that the theatre of the suburbs has no ri ght to perform tragadies , but

the general opinion among the public is that the piece contains allusions to the situation of the Prussian officers . There is , in fact , among the ' characters a Spanish officer who is guilty of different criminal acts towards civilians . He is protected by the military authorities , but at length punished liy the civil laws , The Government doubtless thought that such a representation ivould too strongly call to mind the history of Lieutenants Sobbe ancl Patzki . "

Mr . J . 0 . Halliwell has issued a statement respecting the purchase ofthe Shakspeare property , from which it appears that the original cost of Neiv Place was £ 1400 ; that it was then discovered that the poet's great garden , long separated from the garden of New Place , could also be obtained ; and that that also had been purchased for £ 2000 . Another property , however , ' must tbe bought before the whole of the girdens originall y belonging to Shakspeare can be secured to the public ;

and hence it is estimated that the further sum non * required , including the laying out of the gardens , amounts to £ 2800 . Mr . Halliwell , therefore , asks for this sum , giving a guarantee that it shall bo expended with care and economy , and that the gardens shall be ready for public use b y the spring of next year . More rapid progress , he says , is not possible , as possession of _ Shakspeare ' s great garden will not be obtained before Michaelmas next .

Public Amusements.

PUBLIC AMUSEMENTS .

ROYAL ITALIAN OPERA . Rossini ' s " Guglielmo Tel ! " was given here last evening for the benefit of such of" the holiday folks as might deem charming music superior to all other attractions . The opera Avas most judiciously chosen , since its g-rand beauties as a composition were greatly enhanced by the admirable scenic setting- in ivhich it has been encased by Mr . Gyc ' s liberality and good taste . All that exquisite painting and picturesque wise en seine could do for it has been effected , and the result is an ensemble falling- little short of perfectionSuch

very . appeared to be the opinion ofthe audience , AA-IIO rewarded the most striking effects ivith cordial and reiterated applause . LYCEUM . On Easter Monday , after the 135 th performance " of Peep o'Dag , a MAV musical ballet was produced entitled Killamey . It commences with the scenery from the Lake , by Mr . Tclbin , which has boon so frequently praised and admired that we onl need ou the present

y say occasion that it has lost none of its freshness and beauty . In thc course of the diorama Miss AA'hitty sung a now ballad in three verses , by Balfe , ivith good elfecl , and ivas much applauded . _ A new scene ivas added , entitled " The Fairies' Haunts . " It consisted of a most extensive lake scone , by moonlight , but the principal novelty Avas a shadow dance by the corps do ballet , in a brilliant moonlight thrown upon the front of the stage by the newly invented method . The fairies produced some very pretty effects hy their Avhite

scarves being- kept waiving up against the light of the moon , eliciting continuous applause , ivhich ended in a repetition of the dance , for which the moon did not seem prepared , for the gambols of the dancers nad not concluded when a sudden and entire eclipse tool ; placo , or l ? , ™' ! ' fair Luna objected to encores on principle . Hoivover , the Goddess of the Night relented , and shone forth again before the dance was over for the second time . Miss Lydia Thompson then went through a shadow dance as upas seal . The first pose may , as regards if not

grace , for other reasons , be decidedly modified for the better ; tne rest was remarkable for much vigorous execution and spirited exertion . The quick step was encored , and Miss Lydia Thompson ii as called forward at the fall of the cm-tain aud received a bouquet . „ „ CRYSTAL PALACE . vnn £ l ™ " Eastei' Mondi > v KS that just passed for a a-rcat many tWt it ? 0 t en cx P ° ne"eed . The Crystal Palace more particularly evn ,-A ™ " ? , co ln the vast multitude of holiday folk that thronged " . i Pari ot tins magnificent edifice and its beautiful and picturesque

Public Amusements.

grounds . From an earh * hour the visitors came pouring into the majestic structure in quick succession , the number swelling gradually to something like 30 , 000 . Tho special attraction provided on the occasion Avas the re-appeavancc of our old and intrepid friend Blondin , AA-IIO AA-as advertised to make his first ascent this season on the high as Avell as the IOAV rope . Precisely at tivo o ' clock this gentleman commenced his performancesand marvellous indeed thoy AA'ere . On his presence being

recog-, nised , he AA-as greeted with the most tremendous cheering and clapping of hands . Having gracefully bowed his acknowledgments , he proceeded on his perilous route upon the high rope like a being gifted with the power of moving through the air with as much facility as walking upon terra firma . Half-Avay across , he suddenly stopped and surveyed from his giddy eminence the vast sea of upturned faces that viewed his progress with feelings of the most painful excitement . There was no need of apprehension on their part . M . Blondin is a

perfect artist in his peculiar w-alk .. He is thoroughly acquainted with all the laws of equilibrium . He is confident of his nerve , and feels secure in the steadiness of his own good head and heart . He tests that confidence in thc severest way by standing upon his head and hanging from the rope by his foot , amid the breathless silence of the spectator , who feel a thrill of horror at the danger to which he exposes himself . . Ho recovers his position , and arrives safely at the end of his transit to hear the renewed plaudits of the multitude .

Once more ho is seen crossing over his slender footing , but bearing upon his shoulders a man apparently much above his own height and weight . M . Blondin aftenvards appeared on the IOAV tight-rope in various characters—first , as a Dutch dancer , with huge sabots , or AA'ooden shoes , on his feet ; secondly , on stilts ; afterwards as a Greek ; and lastly , in a handsome fancy dress , ivith all his oivn decorations on his breast ; iu all of which characters be performed marvellous feats of agility on the rope . He executed some fine airs on the violin whilst

throwing somersaults aud performing other extraordinary ei'olutions , and whether standing er sitting on . » , chair with its one ov tivo feet upon the rope , he was equally master of his position . These performances appeared to give universal satisfaction , if ive might judge from the applause with Avhich they AA'ere repeatedly received . The orchestral band ofthe company , AA'hich played at intervals , and the great organ performances , also contributed greatly to the amusement of the visitors .

POLYTECHNIC INSTITUTION . Notwithstanding the attractions of thc Brighton l-eA-ieiA " , thc Crystal Palace , the cheap excursion trains , and the various amusements liberally offered to the choice of the public , the Polytechnic Institution appears not only to have lost none of its attractions , but to increase AA'ith every returning season in popularity , aud certainly Mr . Pepper , the director , is evei labouring to add alike to the amusement and instruction of his patrons . Mr . Georgo Buckland , AA-IIO is knoAiboth buffo and lished

favourably -n as a singer an accomp mus i cian , on Monday introduced his entertainment of " Ye Bearde Excitement ; or , The Tragic-Comic Ilistor . of Blue Beard , " AA'hich , irrespective of its laughter-provoking dialogue and songs , is amply illustrated by dissolving vieAvs , and the popular shadow pantomimic effects so Avell knoini to the frequenters of tho Polytechnic . This ivas followed by some remarkably-splendid illuminated chromatic fountain effects , filling the whole stage behind the dissolving vioiv disc . Mr . Pepper delivers a very interesting illustrated lecture on "Colour

in General , and Coal Tar Colours in Particular ; Avhilst Mr . J . King treats the audience with a popular discourse on the " Curiosities of Science . " Mr . J . Malcolm explains somo beautiful dioramic vieivs of London in the Roman , Anglo-Saxon , Norman , Plantagenet , Tudor , Stuart , and Hanoverian epochs ; and Mr . J . L . King performs a like duty for a series of semi-stereoscopic vieivs of the boulevards , palaces , and streets of Paris as it is by Mr . England , who has admirably introduced the figures , vehicles , &_ ., usually to be seen in these busy

localities , so as to add materially to their attractions as ivories of art , whilst they give a capital idea of Parisian life . Mr . James Matthews continues to give his illustrations of magic , showing IIOAV the A-arious tricks of the professional conjuror are performed , only to prove that even in their simplicity , and with every adi'antage of explanation , he must bo a tolerably good Conjuror AA'I IO leaves the room much wiserat least so far as tlio poAA'er to perform the tricks is concerned—thau ho entered it . The Merrhnac , the Monitor , tho Warrior , La Gloire ,

and thc iron Avails of old England , as they are to be , are fully explained , illustrated by dissolving views ; and the Brousil family , seven in number ( including Miss Howard , the vocalist ) , give a highly interesting concert , so that the visitor AAIIO quits the Polytechnic Avithout feeling that the price of admission lias been amply compensated must be indeed hard to please , loai-ing out of question the numerous scientific models and Avorks of art with AA-hich the institution is plentifully embellished .

GALLERY OF ILLUSTRATION . " The Family legend " has been judiciously compressed , and now forms a very excellent entertainment . Nothing could be conceh-ed more thoroughly artistic than the impersonation of the moonstruck poet by Mr . John Parry , which is really a marvel of histrionic delineation . Equally good in another style is the old French nurse of Mrs . German Reed , in whick a very peculiar idiosyncrasy is cm-

“The Freemasons' Monthly Magazine: 1862-04-26, Page 17” Masonic Periodicals Online, Library and Museum of Freemasonry, 7 June 2025, django:8000/periodicals/mmr/issues/mmr_26041862/page/17/.
  • List
  • Grid
Title Category Page
MASONIC FACTS. Article 1
ON THE ORIGIN OF GRAND LODGES AND THE POWERS OF GRAND MASTERS. Article 2
MASONIC NOTES AND QUERIES. Article 6
NOTES ON LITERATURE, SCIENCE, AND ART. Article 6
SPEECH OF HIS MAJESTY KING KAMEHAMEHA IV. Article 7
CORRESPONDENCE. Article 8
FAITHS OF THE WORLD. Article 8
MASONRY AND THE CIVIL WAR IN AMERICA. Article 9
THE MASONIC CHARITIES AND PUBLIC SCHOOLS. Article 10
THE MASONIC MIRROR. Article 11
THE ROYAL BENEVOLENT INSTITUTION FOR AGED MASONS AND THEIR WIDOWS. Article 11
THE BOYS' SCHOOL. Article 11
GIRLS' SCHOOL. Article 11
METROPOLITAN. Article 12
PROVINCIAL. Article 12
KNIGHTS TEMPLAR. Article 16
NOTES ON MUSIC AND THE DRAMA. Article 17
PUBLIC AMUSEMENTS. Article 17
THE WEEK. Article 18
TO CORRESPONDENTS. Article 20
Page 1

Page 1

1 Article
Page 2

Page 2

2 Articles
Page 3

Page 3

1 Article
Page 4

Page 4

1 Article
Page 5

Page 5

1 Article
Page 6

Page 6

4 Articles
Page 7

Page 7

3 Articles
Page 8

Page 8

3 Articles
Page 9

Page 9

3 Articles
Page 10

Page 10

3 Articles
Page 11

Page 11

5 Articles
Page 12

Page 12

3 Articles
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

2 Articles
Page 16

Page 16

3 Articles
Page 17

Page 17

4 Articles
Page 18

Page 18

3 Articles
Page 19

Page 19

2 Articles
Page 20

Page 20

3 Articles
Page 17

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Knights Templar.

and the only town where it was worked and conferred as a decree was in this hall . The G . M . Sir Knight Henry Bell responded . After several other toasts , including the newly installed fraters , the company retired at seven o'clock p . m .

Notes On Music And The Drama.

NOTES ON MUSIC AND THE DRAMA .

Aletterfrom Berlin says : — "Public attention has just been excited by a rather singular fact . A drama by Calderon , " The Judge of Salamea , ' was about to performed at the theatre of Wilhelmstadt , ancl the rehearsals had taken place , when the representation was suddenly interdicted . According to somg , this prohibition has been caused solel y from the fact that the theatre of the suburbs has no ri ght to perform tragadies , but

the general opinion among the public is that the piece contains allusions to the situation of the Prussian officers . There is , in fact , among the ' characters a Spanish officer who is guilty of different criminal acts towards civilians . He is protected by the military authorities , but at length punished liy the civil laws , The Government doubtless thought that such a representation ivould too strongly call to mind the history of Lieutenants Sobbe ancl Patzki . "

Mr . J . 0 . Halliwell has issued a statement respecting the purchase ofthe Shakspeare property , from which it appears that the original cost of Neiv Place was £ 1400 ; that it was then discovered that the poet's great garden , long separated from the garden of New Place , could also be obtained ; and that that also had been purchased for £ 2000 . Another property , however , ' must tbe bought before the whole of the girdens originall y belonging to Shakspeare can be secured to the public ;

and hence it is estimated that the further sum non * required , including the laying out of the gardens , amounts to £ 2800 . Mr . Halliwell , therefore , asks for this sum , giving a guarantee that it shall bo expended with care and economy , and that the gardens shall be ready for public use b y the spring of next year . More rapid progress , he says , is not possible , as possession of _ Shakspeare ' s great garden will not be obtained before Michaelmas next .

Public Amusements.

PUBLIC AMUSEMENTS .

ROYAL ITALIAN OPERA . Rossini ' s " Guglielmo Tel ! " was given here last evening for the benefit of such of" the holiday folks as might deem charming music superior to all other attractions . The opera Avas most judiciously chosen , since its g-rand beauties as a composition were greatly enhanced by the admirable scenic setting- in ivhich it has been encased by Mr . Gyc ' s liberality and good taste . All that exquisite painting and picturesque wise en seine could do for it has been effected , and the result is an ensemble falling- little short of perfectionSuch

very . appeared to be the opinion ofthe audience , AA-IIO rewarded the most striking effects ivith cordial and reiterated applause . LYCEUM . On Easter Monday , after the 135 th performance " of Peep o'Dag , a MAV musical ballet was produced entitled Killamey . It commences with the scenery from the Lake , by Mr . Tclbin , which has boon so frequently praised and admired that we onl need ou the present

y say occasion that it has lost none of its freshness and beauty . In thc course of the diorama Miss AA'hitty sung a now ballad in three verses , by Balfe , ivith good elfecl , and ivas much applauded . _ A new scene ivas added , entitled " The Fairies' Haunts . " It consisted of a most extensive lake scone , by moonlight , but the principal novelty Avas a shadow dance by the corps do ballet , in a brilliant moonlight thrown upon the front of the stage by the newly invented method . The fairies produced some very pretty effects hy their Avhite

scarves being- kept waiving up against the light of the moon , eliciting continuous applause , ivhich ended in a repetition of the dance , for which the moon did not seem prepared , for the gambols of the dancers nad not concluded when a sudden and entire eclipse tool ; placo , or l ? , ™' ! ' fair Luna objected to encores on principle . Hoivover , the Goddess of the Night relented , and shone forth again before the dance was over for the second time . Miss Lydia Thompson then went through a shadow dance as upas seal . The first pose may , as regards if not

grace , for other reasons , be decidedly modified for the better ; tne rest was remarkable for much vigorous execution and spirited exertion . The quick step was encored , and Miss Lydia Thompson ii as called forward at the fall of the cm-tain aud received a bouquet . „ „ CRYSTAL PALACE . vnn £ l ™ " Eastei' Mondi > v KS that just passed for a a-rcat many tWt it ? 0 t en cx P ° ne"eed . The Crystal Palace more particularly evn ,-A ™ " ? , co ln the vast multitude of holiday folk that thronged " . i Pari ot tins magnificent edifice and its beautiful and picturesque

Public Amusements.

grounds . From an earh * hour the visitors came pouring into the majestic structure in quick succession , the number swelling gradually to something like 30 , 000 . Tho special attraction provided on the occasion Avas the re-appeavancc of our old and intrepid friend Blondin , AA-IIO AA-as advertised to make his first ascent this season on the high as Avell as the IOAV rope . Precisely at tivo o ' clock this gentleman commenced his performancesand marvellous indeed thoy AA'ere . On his presence being

recog-, nised , he AA-as greeted with the most tremendous cheering and clapping of hands . Having gracefully bowed his acknowledgments , he proceeded on his perilous route upon the high rope like a being gifted with the power of moving through the air with as much facility as walking upon terra firma . Half-Avay across , he suddenly stopped and surveyed from his giddy eminence the vast sea of upturned faces that viewed his progress with feelings of the most painful excitement . There was no need of apprehension on their part . M . Blondin is a

perfect artist in his peculiar w-alk .. He is thoroughly acquainted with all the laws of equilibrium . He is confident of his nerve , and feels secure in the steadiness of his own good head and heart . He tests that confidence in thc severest way by standing upon his head and hanging from the rope by his foot , amid the breathless silence of the spectator , who feel a thrill of horror at the danger to which he exposes himself . . Ho recovers his position , and arrives safely at the end of his transit to hear the renewed plaudits of the multitude .

Once more ho is seen crossing over his slender footing , but bearing upon his shoulders a man apparently much above his own height and weight . M . Blondin aftenvards appeared on the IOAV tight-rope in various characters—first , as a Dutch dancer , with huge sabots , or AA'ooden shoes , on his feet ; secondly , on stilts ; afterwards as a Greek ; and lastly , in a handsome fancy dress , ivith all his oivn decorations on his breast ; iu all of which characters be performed marvellous feats of agility on the rope . He executed some fine airs on the violin whilst

throwing somersaults aud performing other extraordinary ei'olutions , and whether standing er sitting on . » , chair with its one ov tivo feet upon the rope , he was equally master of his position . These performances appeared to give universal satisfaction , if ive might judge from the applause with Avhich they AA'ere repeatedly received . The orchestral band ofthe company , AA'hich played at intervals , and the great organ performances , also contributed greatly to the amusement of the visitors .

POLYTECHNIC INSTITUTION . Notwithstanding the attractions of thc Brighton l-eA-ieiA " , thc Crystal Palace , the cheap excursion trains , and the various amusements liberally offered to the choice of the public , the Polytechnic Institution appears not only to have lost none of its attractions , but to increase AA'ith every returning season in popularity , aud certainly Mr . Pepper , the director , is evei labouring to add alike to the amusement and instruction of his patrons . Mr . Georgo Buckland , AA-IIO is knoAiboth buffo and lished

favourably -n as a singer an accomp mus i cian , on Monday introduced his entertainment of " Ye Bearde Excitement ; or , The Tragic-Comic Ilistor . of Blue Beard , " AA'hich , irrespective of its laughter-provoking dialogue and songs , is amply illustrated by dissolving vieAvs , and the popular shadow pantomimic effects so Avell knoini to the frequenters of tho Polytechnic . This ivas followed by some remarkably-splendid illuminated chromatic fountain effects , filling the whole stage behind the dissolving vioiv disc . Mr . Pepper delivers a very interesting illustrated lecture on "Colour

in General , and Coal Tar Colours in Particular ; Avhilst Mr . J . King treats the audience with a popular discourse on the " Curiosities of Science . " Mr . J . Malcolm explains somo beautiful dioramic vieivs of London in the Roman , Anglo-Saxon , Norman , Plantagenet , Tudor , Stuart , and Hanoverian epochs ; and Mr . J . L . King performs a like duty for a series of semi-stereoscopic vieivs of the boulevards , palaces , and streets of Paris as it is by Mr . England , who has admirably introduced the figures , vehicles , &_ ., usually to be seen in these busy

localities , so as to add materially to their attractions as ivories of art , whilst they give a capital idea of Parisian life . Mr . James Matthews continues to give his illustrations of magic , showing IIOAV the A-arious tricks of the professional conjuror are performed , only to prove that even in their simplicity , and with every adi'antage of explanation , he must bo a tolerably good Conjuror AA'I IO leaves the room much wiserat least so far as tlio poAA'er to perform the tricks is concerned—thau ho entered it . The Merrhnac , the Monitor , tho Warrior , La Gloire ,

and thc iron Avails of old England , as they are to be , are fully explained , illustrated by dissolving views ; and the Brousil family , seven in number ( including Miss Howard , the vocalist ) , give a highly interesting concert , so that the visitor AAIIO quits the Polytechnic Avithout feeling that the price of admission lias been amply compensated must be indeed hard to please , loai-ing out of question the numerous scientific models and Avorks of art with AA-hich the institution is plentifully embellished .

GALLERY OF ILLUSTRATION . " The Family legend " has been judiciously compressed , and now forms a very excellent entertainment . Nothing could be conceh-ed more thoroughly artistic than the impersonation of the moonstruck poet by Mr . John Parry , which is really a marvel of histrionic delineation . Equally good in another style is the old French nurse of Mrs . German Reed , in whick a very peculiar idiosyncrasy is cm-

  • Prev page
  • 1
  • 16
  • You're on page17
  • 18
  • 20
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy